Hardwood Sculptures

Burned Oak Sculpture, Abstract Elegance by Escalona, Captured in Still Stand No85 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each on...

Biomorphic Burned Oak Elegance, Still Stand No83, Crafted by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament ...

Antiq ox cart wheel 1800 Height 94 cm Depth 14 cm 75 kg Price on request

Modern Elegance Unveiled in Dark Burned Oak, NONO's Still Stand No89 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testam...

In Burned Oak, a Dark Biomorphic Sculpture of Elegance Emerges, Still Stand No97 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is ...

NONO Crafts Dark Elegance, Biomorphic Burned Oak, Still Stand No93—— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament ...

The Abstract Elegance of Burned Oak, Dark and Sleek, by Escalona, Still Stand No98 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one ...

Sleek and Dark, Joel Escalona's Burned Oak Totem Emerges, Still Stand No92 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a t...

Joel Escalona Defines Sleek, Dark Burned Oak in Abstract Design, Still Stand No96 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one i...

Carved from Elegance, Still Stand No80 in Burned Oak by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to th...

Wood Sculpture, Burned Oak Masterpiece by Joel Escalona, Still Stand No100 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Sleek Abstract Sculpture in Burned Oak, Still Stand No82 by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

A Dark, Elegant Design Materializes in Burned Oak, Still Stand No91, by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a...

Joel Escalona's Modern Totem, Dark Burned Oak Creation, Still Stand No84 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Tim Holmes (American b. 1955), The Victorious Gladiator, Brutalist Bronze on Wood plinth, Signed © Holmes and numbered 5/20 on base. Measures 9" in width, 7.5" in depth and stands 19...

Primitive hand carved polychrome shoulder length bust. Carve from wood with intricate detail and a rustic patina. Great for display on a pedestal or table. Dimensions: 17" x 11" x 2...

Four Eocene Era fossil fish from the Green River Formation are featured in this sculptural stone mural: a Cockerellites liops (formerly known as Priscacara) accented by three smaller Knightia eocaena. These fossil fish are about 50 million years old and are forever preserved in a textured matrix of natural, fossil-bearing limestone. This particular mural features a rare layer from our quarry known as Steel Blue Lake; the rich blue-gray color is a dramatic backdrop for the deep bronze color of the fossils. The mural measures approximately 1.33 feet x 2 feet. It is fully backed with wood and it includes a handmade custom Wenge wood frame which compliments the fossil color beautifully. The mural has a built-in French cleat, which allows for an easy installation. DETAILS -Mural size: 16" H x 24" W x 1" D -Mural weight: 20 lbs -Includes a Green River Fossil Company Certificate...

We are very pleased to offer a Folk Art wooden articulated man, circa the 1950s. This nearly 5-foot tall, handcrafted piece, epitomizing Mid-century American craftsmanship, is made ...

Hand crafted bird sculpture by Jacob Hermann Denmark 1950s A rare zebrawood example with ebony tail and eyes on brass feet Impressed signature to underside 5.5 inch width 2 inch dep...

Sculptural Carved Teak Scandinavian Modern Wood Puzzle Box Richard Rothbard . Hidden 3 compartments with insert protectors for jewelry , small storage piec...

Handmade. Incredibly beautiful grain. Very good condition.

Original designed Pop Art Lipstick Vanity made from solid cherry wood. Has 5" x 7" mirror with small bevel around the edge. Meant as a fun but practica...

Original Kay Bojesen wooden monkey, designed in 1951, Denmark. This iconic danish toy is sculpted from solid teak and limba wood, it showcases segmented limbs and movable head, arms,...

This beautiful sculpture realized in China in the 18th century depicts Guanyin, a Bodhisattva associated with compassion. The female form holds a pot in her hands. She appears draped...

Sculpture “Mermaid” by Johnny Mattsson, Sweden, 1950s. Pine with teak base. Dimensions: H: 28 cm/ 11" D: 7 cm/ 2 3/4" Johnny Mattsson was one of Sweden’s leading wood artists in t...

Rare 'Arca' sculptural object designed by Giuseppe Rivadossi manufactured by Officina Rivadossi, Italy 1975. Rivadossi often creates artwork that reflects his thoughts and favourite ...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

Immerse yourself in the timeless beauty of natural history with our exquisite collection of luxury fossil art. Showcasing breathtaking natural specimens from the legendary Green Rive...

The Dark Elegance of Abstract Black Solid Wood Captured by Escalona, Still Stand No102 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Eac...

Hand Carved heron wildlife scene. The tree features three herons towards the base stretching upwards towards foliate. Beautifully designed with rustic patina Dimensions: 61.5" ...

Joel Escalona's Creation, Dark Black Solid Wood Totem, Still Stand No84 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testa...

Impressive hollowed out sculptural sphere. Finished with a natural oil revealing the beautiful wood grain. This organic sculpture is stable resting on either side. This sculpture wa...

Dark Elegance Carved in Black Solid Wood, NONO's Still Stand No86 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Introducing a captivating Mid-Century Corkscrew Pedestal from France, with dimensions of 48" H x 12" W. This architecturally intriguing piece boasts a unique spiral design, finished ...

Pop Art oversized capsule sculpture made from solid maple. Original decorative piece made by hand, with a smooth texture and durable finish. Measures...

Escalona's Black Solid Wood Sculpture of Abstract Elegance, Still Stand No85 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a ...

Dark Modern Totem, Black Solid Wood, Vision by Escalona, Still Stand No81—— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Dark, Elegant Black Solid Wood Design Materializes, Still Stand No91 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testame...

Elegant Biomorphic Sculpture, Black Solid Wood by Escalona, Still Stand No88 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a ...

A Sculpture of Dark Elegance, Biomorphic Black Solid Wood, Still Stand No97 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a ...

Modern Sculpture in Dark Art, Black Solid Wood by Escalona, Still Stand No94 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a...

Solid maple sculpture suitable for holding something precious and mundane. The large diameter and thick walls on the bowl allow for thousands of possibilities: placing sand within an...

This section of eroded teak trunk from the dense jungle of Sumatra will be sure to invoke conversation in any space, a striking naturally formed sculpture. Despite being largely erod...

Joel Escalona's Masterpiece in Elegant Dark Black Solid Wood, Still Stand No100 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one i...

Christ Crucified in boxwood and gilded loincloth, 16th-century German sculptor, height from head to foot 31 cm, width between hands 30 cm. Christ also has golden highlights on the pr...

Original hand carved sculpture of person holding their hands in front of their face. Carved from solid ailanthus and allowed to naturally spalt ...

Mid 20th century sounvenir reproduction of an ancient Roman sun dial. Fan shaped metal dial plate, decoratively aged, with etched / gilded rays and Roman numerals indicating the hour...

Abstract Beauty in Black Solid Wood, Escalona's Work, Still Stand No79 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testa...

Carved Modern Totem in Dark Black Solid Wood Elegance, Still Stand No95 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Unveiling Modern Elegance, Dark Black Solid Wood, Still Stand No89 by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a t...

Design of Sleek Darkness, Modern Black Solid Wood Totem by NONO, Still Stand No101 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each o...

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan's expert ha...

Abstract Elegance, Dark, Sleek Black Solid Wood by Escalona, Still Stand No98 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a...

Modern Art Carved in Sleek Dark Black Solid Wood, NONO's Still Stand No99 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a te...

Biomorphic Elegance, Black Solid Wood by NONO, Still Stand No83 Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to th...

Sleek and Dark Design in Black Solid Wood Totem, Still Stand No87 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Carved Elegance, Black Solid Wood Still Stand No80 by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to the ...

The Sleek Totem of Dark Elegance in Black Solid Wood, Still Stand No90 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testam...