Panamanian Sculptures

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

Ancient Cubist Kuba Dance Mask Black Patina, Cone Shaped Eyes, from the Congo, Africa. It is in good condition with wear, polish and erosion from traditional use, appropriate for it...

A fine Ashanti maternity figure by the master carver Osei Bonsu. The mother figure is seated on a simple backless chair. An infant lays calmly in her la...

A single Yua Wenga currency from the early 20th century on custom iron stand. This antique tribal currency piece from Papua New Guinea has been carved ...

Vintage 1960's Kuna Mola, a traditional multi layered cotton applique tapestry hand sewn by Central American Kuna native women. Mounted on cardboard, for eas...

A male necklace from the Asmat Village, Papua New Guinea. Two rows of large polished shells in concentric rows, seamlessly sewn onto a cotton macramé base, which has been hand-knott...

Mid-century Kuna native Mola cotton applique tapestry depicting angels, one holding a chalice. Mola, a Kuna word, has several meanings: fabric or cloth, shirt or upper garment for me...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

Decorative hand-woven mask from Panama, Mascara by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Embe...

Collection of Six Dan and Bassa Passport Miniature Masks Ivory Coast Africa Dan and Bassa passport masks were small masks for individuals carried as charms for protection and healin...

Mola, a Kuna word, has several meanings: fabric or cloth, shirt or upper garment for men or women, brightly decorated women's blouses, or colorful layers of fabric, cut and hand-sewn...

Decorative hand-woven mask from Panama, Mascara by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Embe...

Carved wood large female Songye Kifwebe mask with classic white lines, blackened ridge down crest of forehead, nose and mouth. Worn holes around back edge of mask from attachment of...

21st century woven oak sculptures by Analee Soskin can be hung vertically, horizontally or laid on a table.

Very sensitive rendering of a greyhound at rest with a rich dark brown patina with lighter highlights showing through. The dog is shown reclining with one paw turned up, a detail I find endearing as a dog owner, my border collie does this too! Mounted on a polished black slate base, marked Fratin on the base. Also stamped with the foundry mark 'Daubree, Editeur'. A fine desk top, shelf, or mantel piece for the dog lover, Christopher Fratin (1 January 1801 – 16 August 1864), also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831 to 1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City’s Central Park. Today, Fratin’s sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...