Carved Sculptures

A handsome green and white marble male bust, on a black marble stand. A intricately detailed and imposing male marble bust with elaborate carvings to ...

Two beautiful stone disks, hand-carved in Indonesia. Mounted on black metal stands. The largest disk is 5.5 inches diameter, 2.5 inches deep and 9.75 inches high (mounted). The sma...

A marble sculpture of a girl inspired by antique classical sculptures of Ceres, the Roman goddess of wheat and fertility, her hair garlanded with wheat and with stems of ripe wheat i...

A beautiful stone disk, hand-carved in Indonesia. Mounted on a black metal stand. White stone, polished and shaped to resemble marble. 7 inches diameter, 2.75 inches deep (stand base), 10 inches total height (mounted). Other stone disks from VW HOME...

A highly decorative and skilfully crafted round white marble relief depicting Hercules and the serpent like dragon Ladon. Hercules was the son of Zeus in Greek Mythology. Ladon guard...

Altarpiece group representing the flagellation Brabant, circa 1560-1580 Carved wood, polychrome, and gilded 50 x 38 x 7 cm At the center of the group, Christ stands upright, leaning...

Created in the early to mid-20th century, by an anonymous artist of the Akan people of Ghana, probably Ashanti (Asante) or Fanti (Fante). What separates this stool from the standard ...

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan's expert ha...

Chinese Gilt Polychrome Wooden Carved Tang Dynasty Style Horse Sculpture. Featured nicely hand carved and hand painted with gilt highlighted on...

Normally, calm is the default. Then, when I am stimulated, my emotions and senses are agitated, and when I am, I feel alive... Jung Jisook (1987) is a South Korean artist based in S...

This luscious green copper carbonate mineral specimen has been expertly hand-carved into a substantially sized 7.5 pound rhinoceros and hand-polished to a brilliant luster to enhance...

Introduce a unique and contemporary piece into your decor with our Totem in Black & Mustard Yellow Lacquered Wood, meticulously handcrafted, and featuring facets. This totem is not j...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

18th century Italian "Florence fragment" with a fossil coral head on a rock coral base with miniature fossil shells. This fragment is from a church in Florence. It was found and sav...

Beautiful weathered oak panel with an wonderful primitive angel figure. On the bottom of this angel you can also see two small eagle heads. France, circa 1550-1650, weathered, small...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

A fine marble statue of the Greek God Pan with a Goat. Carved in great detail, with clear features on both the goat and Pan, right down to the Goats fur which delicately curls to the...

Beautiful pair of ceraferous angels sculpted in the round in a very lively position (the movement in the hair is remarkable), almost Baroque. Very fine execution of the plastron armo...

Handsomely hand carved marble male torso in white marble. The body is contoured and defined twisted into a classically inspired pose that emphasises ...

A beautiful stone disk, hand-carved in Indonesia. Mounted on a black metal stand. White stone, polished and shaped to resemble marble. 7.5 inches diameter, 2.75 inches deep (stand b...

Sculptural 18th century Italian hand-carved angel wing mounted on a calcite crystal cluster and adorned with citrine points. The hand-carved angel wing was once part of a heavenly, a...

A beautiful stone disk, hand-carved in Indonesia. Mounted on a black metal stand. White stone, polished and shaped to resemble marble. 6.75 inches diameter, 2.75 inches deep (stand ...

A charming white marble sculpture of two childlike putti, warming their toes on a delicately carved wood fire. The carving is skillful and detailed from the ruffled hair of the putt...

An Important and Large Early 20th Century White Carrara Marble Bust of a Beauty by Auguste Maillard The young lady depicted with draped shoulders and bow, a flower in her hair. Sig...

ORCHID By Cynthia Sah Statuary Carrara white marble and marble base Measures: 16,70’’ x 9,80’’ x 14’’ One-off in these dimensions Signed and delivered with a certificate of auth...

Exceptional pair of armchairs, in carved wood, decorated with acanthus leaves and volutes, the armrests ending in lions' heads, the footrests in dolphins' heads. Traces of "a mecca" ...

A beautiful hand-carved 2.5 lb honey agate tiger statue. Poised on a rock with all four paws firmly planted, the tiger exhibits a commanding presence with a large head projecting a f...

The unusual model bronze dating to the late 19th century cast as a patinated bronze cherub holding two large strawberries with the vine looping over the back of the cherubs neck as i...

Beautiful large Baroque angel-wing with its original color and gilding. Extremely rare to find in this size. Very decorative item placed on a wooden base. Italy, circa 1750. Weathere...

Jung Jisook wanted to express the lives of atoms that constantly move between life or matter that constantly change while alive. They don't know where the destination is, resemble a ...

This rare find antique Japanese Samurai Warrior Statue was dated around 1920s. With supper detailed metal works, it shows Japanese intricate handcraft metal arts. It is all hand made and hand crafted Shijo Kingo sitting statue...

Wonderful recreation of François Auguste Rodin's world-renowned French impressionist sculpture, "Young Girl with Roses on Her Hat" (1865-1870) produced by New York's Austin Productio...

21st Century Abstract Sculpture NIURA by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity (dated & signed) The illustration photos sho...

Each stunning piece is hand carved to the limits of the wood's capacity by combining technical knowledge with artistic talent. Carving several layers deep, Nairi Safaryan's expert ha...

21st century abstract sculpture MATER by Renzo Buttazzo from Italy Sculpture in Lecce Stone Delivered with a certificate of authenticity. Contact us on 1stDibs to acquire a differen...

Rose as Sweet Portrait, 2019 by Alex Hodge Hand carved porcelain plate Height: 11 in x Diameter: 11 in Unique Her poetic porcelain plates examine and reimagine the history of art i...

Sculptural 18th century Italian hand-carved angel wing mounted on aragonite and adorned with tangerine quartz crystals and a baroque pearl. The hand-carved angel wing was once part...

Crafted during the artistic zenith of the 1960s. An exquisite testament to the fusion of nature and abstract form, this piece exudes an enigmatic allure that captivates the beholde...

A carefully hand-carved male marble torso, with defined muscles. Beautifully realised, this piece would look great as part of a collection, or on its own.

Inspired by ancient totems and naturally formed rock, this large sculpted piece of hackberry has been elliptically carved on the the lathe and textured with hand tools to create a di...

Soft Glow Portrait, 2019 by Alex Hodge Hand carved porcelain plate Height: 10 in x Diameter: 10 in Unique Her poetic porcelain plates examine and reimagine the history of art in a ...

Hypercube III We discovered organic plaster stucco when we arrived at our workshop in Seville. Artisans dedicated to the world of Holy Week in Seville work in the same space and the...

hand-carved, joined, sanded and oiled walnut lattice approx. 1.5 cubic feet of volume Perpetually unfinished, our wooden vessel is simultaneously closed and porous, able to clutch ...

Pair of 18th century Italian hand-carved and painted angel wings on titanium plated quartz crystal clusters with natural-forming baroque pearls. The hand-carved multi-colored angel wings are originally from a historical church in Venice, Italy. These are particularly rare and exquisite due to their unique coloring. The ecclesiastical artifacts are mounted onto a base of titanium plated quartz and adorned with coordinating baroque pearls. The minerals display...

Visceral I, Red and grey, 2020 by Magda von Hanau From The Visceral Series Clay Sculpture with Glass Glaze Dimensions: 12 H x 33 DM in. The Visceral series delves into the intricat...

Set of Visceral Blush I and II, 2020 by Magda von Hanau From The Visceral sculpture Series Clay Sculpture with Glass Glaze Dimensions: 12 H x 25 DM in. The Visceral series delves i...

Carved bone and walnut figure of a beggar with a very expressive face holding a flute, with a satchel over his shoulder carved from wood with a leather strap. With inset glass eyes. ...

Sculptural 18th century Italian hand-carved brown and gilt angel wing adorned with citrine and quartz crystals and mounted on a polished hematoid slab. The hand-carved angel wing was...

A late 17th-century figure in polychromed chestnut wood with excellent carving and gilding, dressed in a flowing veil and cashew hair down the shoulders. The cheekbones and nose are ...

1990s Bust of a woman, hand carved by craftsmen using Carrara white marble for the head and Alicante red for the toga and hut, where the white veins give movement and realism to the ...

Normally, calm is the default. Then, when I am stimulated, my emotions and senses are agitated, and when I am, I feel alive... Jung Jisook (1987) is a South Korean artist based in S...

A wonderfully decorative pair of marble classical Greek style Centaurs. The polished marble is skilfully carved with intricate detailing to the t...

Matched Pair of 19th Century Hand Carved Pine Angelic Figures A charming, matched pair of mid-19th Century hand carved pine angelic figures. With inserted glass eyes mounted on be...

Visceral II, Red and grey, 2020 by Magda von Hanau From the series Visceral Clay Sculpture with Glass Glaze Dimensions: 30.4 H x 40.6 W cm The Visceral series delves into the intri...

Nero, 2022 by Magda von Hanau From the series Visceral Clay underglaze and glass glaze. Dimensions: 18 in H x 15 in W x 11 in D Weight 20lbs The Visceral series delves into the intr...

The bust intricately carved from Italian Carrara marble with lifelike features including textured hair and shaped chest. The bust carved as Gaius Julius Caesar Augustus Octavius (lat...

Visceral I, Red and grey, 2020 by Magda von Hanau From the series Visceral Clay Sculpture with Glass Glaze Dimensions: 30.4 H x 40.6 W cm The Visceral series delves into the intrica...

A beautifully cast late 19 century French bronze statue by Emile Picault of a classically draped winged maiden on clouds holding a tablet inscribed "La Reconnaissance est La Memoire ...