Art Nouveau Decorative Objects

Diskometal rabbit sculpture designed by Just Andersen in the early 1930s. * Rabbit sculpture in diskometal * Designer: Just Andersen * Model: 1515 * Year: 1933 * Condition: Fair vin...

Art Nouveau brass casket designed by Niels Dam Ravn in the 1930s. * Curvilinear bronze casket with floral motifs and fitted wooden interior box * Designer: Niels Dam Ravn * Manufact...

Art Nouveau style pressed glass candlesticks by Vallerysthal & Portieux, France, 1920s. Both are made of pressed or molded clear glass, with three dolphins on each base and other cut...

Wonderful early 20th century hand carved wooden angel head with glass eyes. Amazing eyecather with beautiful expression. Spain circa 1900-1920 Weathered, small losses. H:20cm W:9cm ...

Art Nouveau bronze casket designed by Niels Dam Ravn and produced by Nordisk Malm in the 1930s. * Curvilinear bronze casket with deer motifs and a fitted wooden interior box * Desig...

This stunning Art Nouveau iridescent Favrile glass bowl, signed L.C. Tiffany & Co. #1925, circa 1900, is a captivating example of Louis Comfort Tiffany's mastery of glass artistr...

A fine signed English picture frame in the Art Nouveau style. Made by Liberty & Co. of London in 1987. In sterling silver. With an oval opening perfect for portraits framed by sil...

Émile Gallé, Vase Fougères/Ferns Décor, Nancy, c. 1904–1906 An exceptional and authentic Art Nouveau cameo glass vase by Établissement Émile Gallé, manufactured between 1904 and 19...

Large Scalloped Bronze Bowl designed by Niels Dam Ravn and produced by Nordisk Malm in the 1930s. * Scalloped bronze Bowl with floral motifs * Designer: Niels Dam Ravn * Manufacture...

Early Diskometal Bowl designed by Just Andersen in the 1920s. * Boat-shaped diskometal bowl * Designer: Just Andersen * Model: D145 * Year: 1926-1929 * Condition: Good vintage con...

19th Century French Majolica Flowers Jardinière. This jardinière is inspired by the Art Nouveau and the Naturalism movement of the end of 19th Century.

A fine Louis Comfort Tiffany Favrile organic "Pulled Feather" miniature cabinet vase. Circa. 1894-1920. Signed and numbered "L.C.T." "Y 730". Beautiful deep blue-purple base with co...

Pierrot Under the Moon Sculpture, France, circa 1900 A rare and poetic French Art Nouveau sculpture depicting Pierrot seated beneath a crescent moon, playing his mandolin in a dream...

This lovely young girl seated in a chair is a fine example of the work of Emilio Fiaschi, Italian b.1858-d.1941. Known mostly for his alabaster carvings, this is a nice example of hi...

Set of 2 antique stained oak picture frames in a wonderfully hand crafted shape. Vienna in the 1910s, these were the typical items to display on the wall to show portraits of your l...

A wonderful and most unusual Pot Pourri box made from solid English sterling silver fully hallmarked for Sheffield 1911 together with the makers mark for the top notch silversmith, W...

Rare Majolica butterfly wall pocket signed Clement Massier, Golfe Juan Circa 1900. H / 7 inches. W / 9 inches.

This exquisite Gazelle et Fleurs vase depicts red gazelles prancing through a field of orange blossoms. Gazelles were a popular motif in Egyptian and Persian art, symbolizing grace, ...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

Large 19th Century Pair of Ewers Thistles Vases signed Delphin Massier. Height / 22 inches.

An Art Nouveau Awaji vase, crafted on Japan’s Awaji Island in the early 1900s, reflecting the region’s celebrated ceramic tradition, known for bold decorative forms and experimental ...

Daum France "Soliflore Roses" Crystal Vase with Pâte de Verre Floral Base, Signed, Circa 1990s A stunning Daum France "Soliflore Roses" crystal vase, handcrafted in France and signed "Daum France" on the underside. Beautifully combining clear crystal with Daum's celebrated pâte de verre technique, this elegant soliflore features a graceful trumpet-form body rising from an exquisite sculptural base of blooming pink roses and delicate green foliage rendered in luminous translucent crystal. Inspired by the romantic naturalism of the French Art Nouveau movement, the Soliflore Roses collection pays homage to one of nature's most enduring symbols of beauty. The contrast between the brilliant clear crystal and the richly textured floral base showcases the exceptional artistry and technical mastery for which Daum has been internationally renowned for over a century. Handcrafted using Daum's signature pâte de verre process, each vase is individually finished, making every example subtly unique. Whether displayed with a single stem or admired as a sculptural object, this elegant vase brings timeless French luxury to any interior. Retaining its original Daum presentation box, this collectible piece is ideal for collectors of fine French crystal, Art Nouveau-inspired design, and luxury decorative arts. Maker: Daum France Pattern: Soliflore Roses Origin: France Date: Circa 1990s Material: Clear crystal with pâte de verre floral base Style: Art Nouveau Revival / Contemporary French Design Dimensions: Height: 9 in. (22.86 cm) Diameter: 4 in. (10.16 cm) Condition: Excellent vintage condition with no chips, cracks, or repairs. Retains the original Daum presentation box. For more than a century, Daum has celebrated the timeless beauty of the rose through its exceptional crystal creations. The Soliflore Roses collection exemplifies the maison's unrivaled expertise in pâte de verre, transforming crystal into delicate blossoms of remarkable realism. A refined fusion of sculpture and functional design, this vase is a luminous expression of French artistry and an elegant addition to any collection of luxury crystal or decorative arts. Keywords: Daum France, Daum Nancy, Daum crystal vase...

An outstanding pair of vases by Jean Massier, France's most renowned Art Nouveau ceramic artist. Modeled after nature, the vases take the form of reeds—featuring a distinctive uppe...

Note: We do not ship pieces uninsured. We require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services...

Elegant Pewter Flower Vase designed by Ellen Schlanbusch for Just Andersen in the late 1940s. * Flower-shaped pewter vase * Designer: Ellen Schlanbusch * Manufacturer: Just Anders...

Hippolyte François Moreau (1832–1927) Large White Carrare Marble Sculpture of an Art Nouveau Nymph, circa 1890-1900 A magnificent carved white Carr...

Pair of vintage candle holders features cast bronze construction with striking floral stems and bases supporting conical candle holders with flared out rims. The stems are sculpted a...

1920 Huntley & Palmers Chinoiserie Jar on Stand Biscuit Tin Box. Faux craquelure glazed "jar" decorated with phoenix birds, rising sun, & flowering bamboo. Great handles & borders. B...

Known as a "Pansy" vase, this Favrile glass creation by Tiffany Studios New York begins with a bulbous base in deep hues of striated, swirling iridescent yellow and gold. Shooting upward from the base is an elongated, narrow neck of similar coloration, darkening in coloration as it ascends. From the narrow neck explodes an outward facing glass bloom in brilliant shades of ochre, umber and marigold, made to shimmer by the undulations in the bloom's outer edges, all tinged with iridescence. Item #: T-22418 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 17" height, 8.75" width, 4.5" depth. Materials: Favrile Glass Signed: L.C.T. Y1789 Literature: A similar vase is pictured in Timeless Beauty: The Art of Louis Comfort Tiffany, Atglen, PA: Schiffer Publishing, 2016, p. 179; and in: The Tiffany Collection of the Chrysler Museum at Norfolk, by Paul E. Doros, Richmond, VA: W. M. Brown & son, Inc., 1978, p. 40, cat. no. 47 Macklowe Gallery Curator's Notes: The term “Jack-in-the-Pulpit,” commonly used by collectors today, is in fact a misnomer; this model is more accurately identified as a “Pansy” vase. The form of this Favrile “Pansy” vase was first developed by gaffer John Hollingsworth (American, born England, 1851–1923) in 1906. Like all of Tiffany’s skilled glassmakers, Hollingsworth was encouraged to experiment at the furnace, fostering continual innovation in form and finish. Its gold Favrile surface begins as luminous yellow uranium glass, then achieves its signature iridescence through a delicate spray of silver nitrate. From the outset, these vases were highly prized by early collectors of Tiffany’s blown glass...

Émile Gallé long neck Cameo vase, Art Nouveau, 1904-1906 Émile Gallé (Nancy, 1846 –1904) was a French glassmaker and furniture designer Émile Gallé 30 cm high long neck Cameo vase m...

This rare Fenicia bowl by Barovier, created in Murano, Italy, circa 1900, is a refined example of early twentieth-century Venetian glass artistry. Despite its compact dimensions, the...

Classic early 1910s Vienna bronze figurine, expertly crafted and beautifully detailed in the tradition of Austrian cold-painted bronzes. This charming polychromed bronze sculpture sh...

A beautiful minimalist wall clock, dating back to around 1920, designed by Adolf Loos (1870–1933), manufactured by Junghans Germany. This clock stands out with its unmistakable octag...

French Art Nouveau Alabaster and Marble Bust of a Young Lady, France, ca. 1900 A beautiful French Art Nouveau sculpture dating from circa 1900, this elegant bust of a young lady is ...

Beautiful souvenir trinket box made of metal. A beautiful nice addition to your vanity room or your collection of Grand Tour items.

Unique Art Nouveau vase of ovoid form in porcelain, hand painted with a large blue iris in full bloom above elongated green leaves, the upper body with a continuous landscape of wate...

Exceptional French Art Nouveau pewter vase attributed to Louis Maurel, featuring the celebrated "Three Graces" motif emerging from a sculptural arrangement of stylized leaves. The el...

Rare small majolica daisy cache pot signed Delphin Massier, circa 1890.

A beautiful Art Nouveau Iridescent Glass Vase in Blue, Green and Amethyst with Gilt decorated Pulled Feather decoration. The vase is of a lovely form, the perfect height for a decora...

Large Art Nouveau enameled glass vase by Legras, France, 1890s. Made of hand-blown blue glass in the shape of a cylinder with a swirling finish on its outer face. Carefully hand-pain...

Rare French bronze sculpture by Henri Désiré GAUQUIE (1858-1927), France, ca.1910. The sower. Height : 18.25"(46.4cm), Width : 7.9"(20cm), Depth : 8.1"(20.5cm). A sharp line, an indi...

Rare Emile Gallé Art Nouveau Cameo Glass Vase with Orchid Oncidium Motif — Nancy, France, Circa 1894–1904 Baluster-shaped vase, multilayer cased glass, green, colorless, and violet h...

Decanter engraved with acid with floral decoration around 1900 attributed to Daum Nancy and Victor Saglier for the setting. Signature at the bottom of the carafe. Note a slight defor...

Antique Art Nouveau Daum Nancy Pedestal Vase

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

Austrian Majolica Lily Jardinière Julius Greiner & Sohn Bodenbach, circa 1900. Art Nouveau.

A miniature french gilt and enameled green cameo glass vase, signed in gilt "Daum Nancy" and with cross of Lorraine. Molded with flowers and leafage and with the phrase "A tout sei...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

An exceptional large hand-painted ceramic centerpiece bowl by the celebrated French pottery atelier Jérôme Massier of Vallauris, dating to the early 20th century (circa 1900). Beaut...

Brass Jugendstil picture frame with glass around 1908 Brass Polished and stove enameled Glass in front of the picture Picture size: Hight: 16cm Wide: 10,5cm The picture is not incl...

A fine antique signed silver Art Nouveau matchsafe. In sterling silver. With repousse decoration of rocaille swags around the edges of both sides. With a striker to the base. Mar...

Pair of antique Italian rooster sculptures, hand-made in Italy in the early 20th century, in the Art Nouveau period, inspired to the Animalier style, ...

Extraordinary Art Nouveau Silvered Brass Dish, Stockholm, ca. 1900 An exceptional serving or fruit dish in silvered brass, crafted in Stockholm, Sweden, around 1900. This piece is ...

Vintage antique crystal tabletop gas and electric lighter. In great condition. This exquisite Lighter is a testament to the opulence and craftsmanship of the mid 20th century. The b...

Extra large Galle Cameo vase overlaid with different layers of glass with amber and burgundy red colors, fused together by heat. The vase features high-cut acid-etched flowers. B...

Stoneware pot center piece depicting different scenes of a hunt party. Made in Marzy & REmy manufacture in West Germany. You can see deer and does on one part and a hunting scene wit...

Le Verre Français, France ca. 1924 Cameo glass egg cup decorated with stylized flowers. Engraved signature. This vase is very rare both for its color and...

French purple Majolica Cache Pot Jerome Massier Fils, circa 1890. Height / 3.8 inches. Diameter / 5.8 inches.

Art Nouveau iridescent glass vase, of elegant twisted form, with iridescence in amethyst, blue and green and pulled feather design. Unsigned, but probably by Josef Rindskopf’s Söhne....

Art Nouveau pewter matchbox made by Just Andersen in the 1920s. * Pewter matchbox with floral knop and original inner cardboard box (matches not included) * Designer: Just Andersen ...