Brutalist Decorative Objects

Mid Century Candelabra by Don Drumm. Classic Sculptural Brutalist style.. Holds four candles. Perfect for that collector. Don Drumm was bo...

Dark Modern Totem, Black Solid Wood, Vision by Escalona, Still Stand No81—— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Brutalist wall sculpture designed and manufactured by the Danish artist Henrik Horst, circa 1970s as a wave in danish mid-century modern design. Patinated metal construction mounted on a frame of wood. unique wall art...

Vintage Murano cobalt blue Scavo glass vase, hand-blown with a textured matte archaeological finish—ideal for Brutalist or Organic Modern interiors. This Murano Seguso Scavo cobalt ...

Joel Escalona's Sleek Dark Totem in Black Solid Wood, Still Stand No92 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testam...

Sculptural in form and expressive in its craftsmanship, this mid-century French candelabrum was individually hand-forged from iron in the bold Brutalist tradition. Seven gracefully r...

The sculpture with a rough textured finish and abstract figural form, characteristic of the brutalist style, emphasizes the raw material and focuses on the form and movement over rea...

A rare and beautifully executed Brutalist iron candleholder, handcrafted in Europe during the 1960s. The columnar form, pierced with organic voids, and the thick, hammered surface cr...

Pair of Brutalist cast brass "G023" tripod candelabras by David Marshall, Spain, circa 2000s. Signed.

Unveiling Modern Elegance, Dark Black Solid Wood, Still Stand No89 by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a t...

Pair of handmade sculptures by American artist PKW. Rusted steel mounted into a solid fallen wood base. Signed on bases. As a pair they are a great mismatched pair with excellent sca...

Abstract Beauty in Black Solid Wood, Escalona's Work, Still Stand No79 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testa...

Carved from Elegance, Still Stand No80 in Burned Oak by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament to th...

Abstract Elegance, Dark, Sleek Black Solid Wood by Escalona, Still Stand No98 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a...

NONO Crafts Dark Elegance, Biomorphic Burned Oak, Still Stand No93—— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. ...

Asymmetrical Brutalist Bronze Flower Vase by Heinz Goll, 1960s Sculptural decoration - Mid-Century Measures : Ø 8,5cm H:20,5cm Material : Bronze Sculptural asymmetrical Brutalist va...

Dark Elegance, Biomorphic Black Solid Wood Crafted by NONO, Still Stand No93 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and ...

Sculptural Elegance Unseen Force #53: Joel Escalona's Solid Wood Coffee Table Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the ...

A monumental testament to mid-century Brutalism, this wall sculpture—designed by Marc Weinstein for Marc Creates in the 1970s—reimagines nature through industrial form. Its structure...

X-Large Vintage Rami Zamir Torch Cut Hand Forged Brutalist Copper Menorah Israel The menorah is raised upon curled tubular copper posts, affixed to an ...

Inspired by the 1995 videoclip for "Por Amor", a hit from Mexican pop-star Thalía, which was shot at Luis Barragán's Casa Gilardi in Mexico City. In one of the video's most memorab...

Abbott Pattison (American, 1916-1999), Running Figure Bronze Sculpture, on black slate base, apparently unsigned. Overall: 25" H x 17.5" W x 11.5" D. Provenance: From a 5th Avenue Es...

Rare and unique brutalist bar cabinet decorated with hand carved bear. Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...

Beautiful Brutalist 4-light wrought-iron candelabra circa 1970, Swiss production by RK. In very good condition.

Unseen Force #66: Joel Escalona's Solid Wood Statement Table, Artistic Craft Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the nature of the production process, each piece may vary in grain, texture, shape or even size. The dimensions provided refer to the table only. The dimensions and shape of the sculpture may vary. — About the Concept. Unseen Force Coffee Tables and Side Tables, design by Joel Escalona for NONO When Tables Talk Art...

Elevate your space with this exceptional Mid-Century Modern West German studio pottery vase. Reflecting the bold experimentation of the "Fat Lava" era, this piece features a highly t...

Large slab built architectural pottery vase. Purchased from a White Plains, NY estate that had multiple pieces by this particular artist. Little biographica...

Minimalist Elefante Console 13, NONO Signature Oak, Balanced Structure ————————————————————— Elefante Collection: A Harmony of Design and Heritage by NONO Crafting Elegance with a M...

Impressive freestanding sculpture of a Knight with his sword drawn. The figure is constructed of various bits of metal, screws, washers, gears etc which at fist glance appear to be r...

Sleek Abstract Sculpture in Burned Oak, Still Stand No82 by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

Brutalist copper vase with enamel overlay by Rita Brierton, circa 1993. The vase is very heavy and finely crafted in brown, tan and gold overlays; the piece measures: 4.5" W x 3.625"...

Biomorphic Burned Oak Elegance, Still Stand No83, Crafted by NONO —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. ...

Wood Sculpture, Burned Oak Masterpiece by Joel Escalona, Still Stand No100 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a tes...

Unseen Force #60: Solid Wood Coffee Table, Joel Escalona's Decorative Artistry Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the nature of the production process, each piece may vary in grain, texture, shape or even size. The dimensions provided refer to the table only. The dimensions and shape of the sculpture may vary. — About the Concept. Unseen Force Coffee Tables and Side Tables, design by Joel Escalona for NONO When Tables Talk Art...

In Burned Oak, a Dark Biomorphic Sculpture of Elegance Emerges, Still Stand No97 _ Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is ...

Elegant and Dark, the Biomorphic Burned Oak Sculpture by Joel Escalona, Still Stand No88 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. ...

The Sleek Totem of Dark Elegance in Black Solid Wood, Still Stand No90 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testam...

A pair of bouldercore candelaria, 1970s. Tones of basalt, moss, and aubergine. Real stone - heavy. Felted bases. Pick up in LA or worldwide delivery option...

Artisan Unseen Force #64: Joel Escalona's Solid Wood Coffee Table, Decor Accent Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to t...

Unseen Force #55: Joel Escalona's Table, Sculpture-Inspired Solid Wood Sculptural coffee table made of solid wood with a natural water-based or carbonize...

Oak Artistry Unseen Force #70: Joel Escalona's Coffee Table, Sculpture Blend Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the ...

Sculpture-Base Unseen Force #67: Joel Escalona's Oak Coffee Table, Unique Design Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to ...

Artisan Oak Unseen Force #54: Coffee Table Art by Joel Escalona Sculptural coffee table made of solid wood with a natural water-based or carbonized finish. Due to the nature of the production process, each piece may vary in grain, texture, shape or even size. The dimensions provided refer to the table only. The dimensions and shape of the sculpture may vary. — About the Concept. Unseen Force Coffee Tables and Side Tables, design by Joel Escalona for NONO When Tables Talk Art...

Aurelio Teno (1927/2013) Fish-shaped sculpture, natural stone and Bronze. Superb sculpture from the 70s by Aurelio Teno, of brutalist inspiration, made from a block of natural red qu...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pecul...

The Tripod Candelabra was created by David Marshall, from sand cast brass. We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop in...

Produced by Domani Design/ Belgium ZInc agave plant in urn atop rectangular pedestal approx 23 x 23 inches diameter x 76 inches high

This vintage 1960s Brutalist bronze desk set is a powerful sculptural ensemble, comprising an ashtray, table lighter, and pen holder or small vase. Each piece is beautifully crafted ...

This vintage iron candleholder from the 1960s is a powerful example of hand-forged Brutalist design. Crafted with a sculptural form and enriched by a subtle copper-toned texture, it ...

This is a super-cool deep green faceted Murano glass oversized vase with lovely details throughout. The intentional rough finish to exterior adds ...

Keywords: iron sculpture, attributed to Marcello Fantoni, Italian brutalist art, 1950s sculpture, mid-century sculpture, welded iron, Tuscan sculpture, unsigned work, Italian design,...

The Acer candle holder R:4 features a rhythmic sequence of architectural cubic volumes and semi arched voids. Made out of solid wood and steel, showing signs of handcraft. Designed...

Vintage Ceramic Vase with Grass Green Abstract Motif A vintage ceramic vase featuring a textured brown-grey glaze accented with a grass-green abstract motif. The balanced form and t...

A striking pair of Norwegian Brutalist candleholders designed by Olav Joa, circa 1970s. Executed in cast stainless steel (18-8), these sculptural candlesticks embody the bold archit...

Vintage BIJAN Metal Sculpture Dog with Birds Pursuit Copper and Brass on Stone Base. Mid Century Modern Bijan metal sculpture circa 1960 1970s. T...

CYBER WEEK SALE. Huge Vintage Mid Century Modern Don Drumm Cast Aluminum Brutalist Monumentally Long Tree of Life Hanukkah Menorah. Signed ...

A very large Brutalist midcentury bronze ballerina sculpture on an black marble base (6.75" x 8.5"), circa 1970s. The piece is 44.5" high and has a wo...

Cast concrete with semigloss finish. Large: 8" dia x 8" tall, fits a 3" diameter candle up to 6" tall. Medium: 5" dia x 5" tall, fits a 2" diameter candle up to 4" tall, votive, t...

1970s Brutalist Sculpture by Max Finkelstein, renowned Southern California artist creating modern machine texture artwork. Brass with welded metal Iron. Signed underneath. 5 W x 4 D ...