Bronze Vases and Vessels

Moonwalk vase MW03, by italian atelier Wanderart, is part of the Lunar Edition, a collection that draws inspiration form the spontaneous processes of land formation, embodying the pu...

A pair of exquisite gilt bronze mounted turquoise ground Sèvres style jardinières. Finely hand painted lovers scene and beaded. Origin: French Date: 19th century Dimension: 13 ...

Pair of covered polychrome porcelain vases in the style of Sèvres with gilt bronze mounts. The base stands on four claw feet and cartouches in the form of cut leather decorated w...

Pair Antique Chinese Bronze Brown Vases Relief Bird Floral Motifs Animal Chinese, c. 1900 Height 45cm, diameter 18cm This fine pair of Chinese bronze vases is distinguished by their...

Henry Dasson used grey granite from the famed Aswan quarries in Egypt to craft this pair of rare and important urns. Aswan was the location from which ancient Egyptian builders quarried the rare granite used...

19th Century, Pair of Italian Lacquered Bronze Vases Pair of vases in bronze lacquered with fake porphyry with applications in chiseled and gilded bronze, Rome, late nineteenth cent...

A stunning and most decorative pair of French 19th century Neo-Classical st. Patinated Bronze, Ormolu, and Rouge Griotte marble urns. Each impressive urn is raised by an octagonal Ro...

Our magnificent oval shaped centerpiece carved from variegated rouge marble in the neoclassical style has finely cast and gilt bronze mounts including acanthus and berry finial, ribb...

This very elegant pair of English Regency period classical bronze urns are of small proportions and made to a very stylish and sophisticated design. They stand on plain square bases ...

Bronze Umbrella Stand in Gold and Silver Finish by the Artist David Marshall

The overall style of this 20th-century bronze urn, featuring a trio of cherubs is classical, drawing inspiration from ancient Greek and Roman art. The cherubs, in particular, are r...

A small pair of early 19th century bronze and ormolu tazzas, having elegant scroll handles, above turned stems, raised on sienna marble plinth bases with ...

Pair of Hand-Painted Porcelain vases with bronze handles.

The bottle shaped body decorated with foliate & geometric motifs within petal shaped panels, rising to a slender tapering neck to a flaring rim, raised overall upon a circular foot.

Highly collectable hand decorated, with bronze leaf border design on top. Date: circa 1890 Origin: French Dimension: 29 in x 26 in.

This product is a pair of 19th-century French marble and bronze cassolette, decorative collectibles that add a touch of elegance to any space. The intricate design and craftsmanship ...

A Pair of Late 19th Century Bronze Mounted Sèvres Style Iridescent Vases Each of elongated baluster form, finely painted romantic scene , the reverse a river scene with a castle in ...

An unusual early 19th century bronze & ormolu Penholder surmounted by “Sander” in the form of classical urn with allegorical figures, supported on square plinth base.

Object 01 set by Herma de Wit, 2020 Edition: 30 + 3AP Dimensions: Small: 9 x 17 x 15cm Medium: 11 x 18 x 14cm Large: 12 x 23 x 16cm Materials: bronze marbled. Nature, a boundless so...

Paire of Patinated Bronze Empire Period Medici Urns

Impressive in size (1 meter / 3.28 feet), this striking pair of 19th century Sèvres style porcelain ewers / vases demonstrate a high level of detail and quality in both the metalwork...

This exquisite pair of Miyao Japanese bronze vases features a classic tapering form with rich dark patina and intricate gold inlays. Each vase showcases detailed reliefs of natural s...

A fine and large pair of early 19th century Regency period bronze tazzas, the dishes with moulded edges, raised on fluted and acanthus leaf stems, mounted on sienna marble plinths, h...

A beautiful one-of-a-kind hand crafted vase by Viennese artist Carl Auböck V. Read the artists statement below. "The vase "luna futura" is the largest vessel I have yet created. Th...

A stunning large scale French 19th century Louis XVI st. Belle Époque period patinated bronze, silvered bronze and ormolu urn. The urn is raised by a square base below a fine circula...

This deceptively simple container, made from sleek, black patinated bronze and lined with soft, contrasting brass, works as either a floor or tabletop vase. The pair of richly textured cast metal dragons...

Heavy Italian brass, bronze and cast iron mortars; some with and some without the pestle -- a stunning collection for any kitchen!

An attractive pair of French patinated bronze lidded urns. Set on a round socle the body of the urns are decorated with leaves and berries. To each side is a circular, gilt ring hand...

A pair of Meiji Period Japanese bronze vases. This fine pair of late 19th century Japanese bronze vases are well proportioned and of a good decorative size. They are beautifully decorated with panels on one side with magpies amongst irises and the opposite with sparrows in a magnolia tree. They are cast and then finely hand finished with chasing from small chisels. They have mask head...

19th century monumental Sèvres pomp vase with bronze mounting France, around 1890 Two-piece with lid. Bronze mount with a square stand, lateral women's masks and a small cone crown....

A fabulous pair of French Art Nouveau Dore bronze mounted Verde Antico marble vases, signed A. Marionnet. Of ovoid form with beautifully hand-carved Verde Antico marble body. The bro...

Rare Pair Early 19th Century Gilt Bronze Mounted Alabastro Fiorito Lidded Vases. These fabulous masterpieces are designed and made in the most exquisite form, the superbly cast & cha...

Superb and large empire style vase attributed to the Val Saint Lambert manufacture, 19th century Belgium. Openwork of gilt bronze in arches and wreat...

A large pair of early 19th century bronze and ormolu tazzas having acanthus leaf stems with double serpent handles raised on sienna marble plinth bases with ormolu borders.

The superb pair of urns is formed in the classical Empire style, dating to the Empire period, and constructed in gilt bronze and patinated bronze. Each featuring a shallow, rounded b...

A handsome French 19th century Grand Tour period patinated bronze and Vert de Patricia marble urn. The urn is raised by a square Vert d...

Pair of gilt and patinated figural bronze covered vases, French, circa 1830.

An outstanding pair of French 19th century Renaissance st. patinated bronze, ormolu and Rouge Griotte lidded tazzas. Each tazza is raised by an elegant square stepped Rouge Griotte m...

Refined Japanese bronze vase or incense burner, dating to the Meiji period (1868–1912), featuring a rich brown patina and elegant naturalistic decoration. The body is finely adorned ...

A large pair of early 19th century bronze campana-shaped urns, having flower moulded and beaded rims, above scrolled carrying handles and acanthus decoration below, raised on fluted ...

Vase Egyptian cat made with hand blown black glass and with mask in bronze with gold finish. Each piece is unique as its handcrafted work.  

Vase Venise mask made with hand blown black glass and with mask in bronze with gold finish. Each piece is unique as its handcrafted work.  

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

A handsome pair of French 19th century Neo-Classical st. patinated bronze and ormolu urns. Each urn is raised by a square patinated bronze base with an elegant central diamond reserv...

Borrowed Forms takes on loan shapes of the natural world and translates them into domestic objects. Rocks, charred wood, and forest debris from the Pacific Northwest are selected for form and texture, and their impressions are captured in poured jewelers wax. The wax leaves no trace behind as it peels away—an impactless intervention, as if nothing ever occured. Each resulting cast bronze vessel...

Borrowed forms takes on loan shapes of the natural world and translates them into domestic objects. Rocks, charred wood, and forest debris from the Pacific Northwest are selected for form and texture, and their impressions are captured in poured jewelers wax. The wax leaves no trace behind as it peels away-an impactless intervention, as if nothing ever occured. Each resulting cast bronze vessel...

Bronze Carafe lips by Rick Owens 2019 Dimensions: L 14.5 x W 14.5 x H 27.5 cm Materials: Bronze Weight: 4.5 kg Rick Owens is a California-born fa...

Moonwalk vase MW06, by italian atelier Wanderart, is part of the Lunar Edition, a collection that draws inspiration form the spontaneous processes of land formation, embodying the pu...

American Renaissance period. A Pair of Patinated Bronze Vases with Nymph and Satyr Bas-Reliefs by Roman Bronze Works, New York City, circa 1900. Dimensions: Height: 16 inches ...

Larger quantities available upon request, with 8 weeks production time. Description: Bronze Vase, The Stem Color: Bronze Size: 10Ø x 38.5H cm Material: Bronze Collection: Mid Centur...

Japanese Showa period hourglass form patinated vase, circa 1960.

Two Chinese style enameled gilt and patinated bronze urns French, circa 1880 Measures: Height 44.5cm, width 27cm, depth 20cm Each urn, or va...

A wonderful and charming true pair of French 19th century Napoleon III st. patinated bronze and ormolu tazzas. Each tazza is raised by a square ormolu base with concave corners and a...

Empire Vase (Tazza) produced in bisque porcelain by top level manufacture, possibly in Germany or France, in the second half of the 19th century and decorated with finely crafted fin...

A large antique Neoclassical Scottish granite finial. Displayed on a raised gilt-metal square bronze base, this elegant turned granite finial is a spectacular display piece for perio...

Bronze Gourd vase by Rick Owens 2019 Dimensions: L 11 x W 11 x H 36.7 cm Materials: Bronze Weight: 4.5 kg Rick Owens is a California-born fashion...

Louis Dage, Art Deco Vase in céramique and bronze circa 1920/1930 "meilleur ouvrier de France" in 1928.

An exquisite pair of French Louis XVI-style gilt bronze mounted granite ewers, created by the esteemed French ébéniste Henry Dasson (1825-1896), and stamped "HD" on each piece. Craft...

Onyx, porcelain, gilt bronze and cloisonnè Sevres center. Neoclassical Style. France late 19th century.

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