Austrian Vases and Vessels

Watering can #4118 by Carl Auböck in polished brass.  

Stölzle-Oberglas AG. Three art glass vases, model 'Beatrice' and 'Nora'. Austria, 1980s. Cylindrical body with a long neck and wide opening, black glazed, matted and speckled. In...

This Martelé iridescent blown glass vase by Wilhelm Kralik Sohne, Bohemia, represents a pinnacle of craftsmanship and artistic expression from the early 20th century. Known for their...

Large hand painted porcelain vase decorated with a romantic scene, Vienna, 19th century. Measures: 39 x 18.5 cm. In very good condition. Stamped.

A fine pair of royal Vienna porcelain vases and covers with mythological scenes. With blue ground, gilded and decorated with mythological scenes, Austria, late 19th century. Origin:...

Large Vienna vase in porcelain. Richly decorated with flowers. Hand-painted. Early 20th century. Stamped. Measures: 40 cm. In good condition.

ceramic cachepot, art nouveau work, Austria circa 1900

Stölzle-Oberglas, Austria. Three Beatrice and Nora vases in black art glass. White interior. 1980s. Measures: 25.2 x 11.5 cm. In excellent condition.

Enamel Ceramic vase signed Amphora. Austria, circa 1920.

Elegant 19-piece coffee service consisting of a coffee pot, a large milk or hot water pot, a large sugar urn and eight coffee cups with saucers. Large bulbous vessels on stepped stan...

Polychrome Ceramic Vase by Gudrun Baudisch for Wiener Werkstätte Signed: '9139 W' ' Provenance: Important Private Collection, Chicago

FINE signed Royal Vienna paint and gilt decorated portrait vase of a Beauty. Origin: Austria Date: 19th century Makers stamp included on the bottom.

Very rare pair of massive matching Art Nouveau terra cotta vases by Friedrich Goldscheider of Vienna, featuring sensual Siren or Mermaid figures emerging from rippled waters C. 1900....

Pair of exceptional large antique porcelain portrait vases from Royal Vienna featuring extensive gilt decorations and the finely painted portrait of a lovely female after the origina...

This large and substantial antique jardiniere was made by the renowned Goldsheider company of Austria in approximately 1910 in the period Art Nouveau style. The planter is done in terracotta with a polychrome painted finish and depicts three semi-nude woman holding hands which comprises the top of the jardiniere, and wearing flowing gowns...

A fine pair of Vienna style porcelain gilt and cobalt-blue ground vases with covers, late 19th century. Each painted with a continuous mythological view, raised on three paw feet abo...

Bubble glass pitcher is a beautiful original emerald green glass decorative object: Made in Austria circa 1950s of 20th century. Our specimen is a wonderful glass pitcher ...

This antique art glass vase is unsigned, but presumed to have originated from Austria and date to approximately 1900 and done in the period Art ...

The item on sale is an original Carl Auböck bottle stopper. It was hand crafted and is made from the finest wood and cork. It has a robust leathe...

Bohemian Art Nouveau glass vase by designer Loezt This glass vase features an asymmetrical and organic shape, with a gently twisting body, creating a dynamic silhouette that widens t...

A hand-blown glass vase with stitched, black leather collar designed by Carl Auböck II during the 1950s. The model #4748 vase was produced by the prestigious Austrian workshop duri...

Sinuous vase is an original decorative object realized in Austria in the 1950s. Very beautiful glass vase with decoration in irregular relief in blue color. Flared and polylobed c...

Pair of polychromed ceramic vase by Julius Dressler, Austria, early 20th century.  

Austrian classical clear glass jar with 800 silver cover, ca 1910. Tubular with cut fluting and star. Cover silver; gently raised with beaded border. C...

This handcrafted art glass vase is unsigned, but presumed to have been made in Austria in circa 1920 in the period Art Deco style. This vase has a bulbous body and a crimped top and ...

- Antique vase in the form of a carriage with a swan from Eichwald - With a brand mark and product number - Art Nouveau style - The end of the 19th century.

This crystal vase is a tall beautiful vase with a bulbous body and a long neck terminated with a lily-shaped mouth. The crystal is straw-yellow in color and has an irregular spider w...

Large 'Aorta' vase by Carl Auböck in patinated brass. This aorta-shaped vase has a rough appearance that is accentuated by shiny brass openings. Designed by Carl Auböck II in 1949. ...

Red and Green ceramic vase by Gmundner Keramik Stamped and Stenciled in ink: "Gmundner Keramik 1315" Austria circa 1947-1949 Provenance: Private collection Chicago

Each with baluster form decorated with a classical profile. Silvered enamel, Austria. Origin: Austrian Date: 19th century Size: 9 3/4 in. x 3 1/4 in.

Art Nouveau loetz glass mantel vases with bronze mounts.

This fine pair of ribbed porcelain vases or Potpourri vases are based on a Berlin Kannelierte Porpourri pair. Hand painted in Austria, the pair were sent to France for the gilt bronz...

This pair of Mid-Century Modern vintage white metal flower jardinières was made of perforated sheet metal. The white flower jardinières are carefull...

This is a dramatic and impressive monumental handblown vase made in Austria. It is internally decorated with gold coils on the tall pink mottled trumpet shaped body. Overall subtle i...

Finest Bohemian Art Nouveau glass vase: Mould-blown vase with torus-shaped stand and funnel-shaped attached wall with trefoil-shaped, lobed mouth rim, wall and inside satin-finished, polished pontil. Shape: Production number / pattern not preserved Decor: Cobalt Papillon...

A very fine and rare 19th century Royal Vienna Austrian vase. Palatial in size with the finest details . A hand painted classical scene signed Wagn...

Royal Vienna pair of finely hand painted and background gilded covered vases. The vases are in neoclassical style, depicting the scenes from the legends of Orpheus and Eurydice. Each...

Antique Austrian hand painted porcelain urn & cover with extraordinary portrait of "Mrs. Graham" by the famous Thomas Gainsborough.

This beautiful decorative beveled glass vase is worked with elaborate details and engravings bohemia in the early 20th century. The top of the vase has a shaped rim with gold ornam...

Carl Aubo¨ck Model #3795 'Aorta Crescent' brass vase. Designed in the 1950s, this incredibly refined and sculptural Viennese vase is executed in polished and darkly patinated brass b...

Art Nouveau glass manufacture turn Vienna, Austria Origin Austria porcelain hand painted perfect condition 1910. Art nouveau, modernist art or modernism wa...

Carl Auböck model #3853 brass vase designed in the 1950s, this incredibly refined and sculptural Viennese vase is executed in darkly patinated and polished brass by Werkstätte Carl A...

A very fine 19th century "Royal Vienna" hand painted gilt bronze mounted porcelain covered urn. The 360 degree body finely painted in the Bouguereau style with a maiden playing a Lyre, other maidens in the background, and a cherub picking flowers near a river. The swirly neck and base extremely decorative and rare. The top with a pomegranate finial Austria, Circa 1890 Marked with the under glazed Royal Vienna Beehive...

Article: Teak bottle holder element Design: Carl Auböck, 1950s Producer: Auböck Workshop Vienna, Austria Origin: Austria Age: 1950s Description: Original 1950s bo...

Austrian clear green glass vase converted into a handsome lamp. Featuring a scalloped top with a hand-painted scene of a little boy carrying a vasculum and collecting flowers in an A...

Japonesque bronze cache pot by Berndorf, Austria, circa 1890. Nouveau with a Japanese decorative motif. Stamped Bergdorf over an E Decorated with thr...

A Fine Royal Vienna gilt-decorated jeweled iridescent portrait porcelain covered urn Signed Wagner Origin: Austria Date: circa 1900 Dimension: 20 1/2 in. x 8 in.

Beautiful teal color bijoux size bulb vase.

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Carl Auböck #3793 "Gourd" vase or bookend, Austria, 2022.

Carl Auböck #3789 "Moon" vase, Austria, 2022.

Carl Auböck #3786 "Alert" Vase or Bookend, Austria 2022.

Carl Auböck #3853 vase "Double Noose", Austria, 2022.

Carl Auböck #3795 "Aorta Crescent" vase, Austria, 2022.

A very fine pair of Vienna cobalt blue porcelain covered urns with male mask handles. Each covered urns and covers; cobalt blue ground; loop handles terminating at classical male mas...

A Royal Vienna Style Hand Painted & Jeweled Porcelain Vase Titled: "Graceful" Circa 1910 Origin: Austria Depth: 2" Width: 2" Height:...

Cobalt blue ground beaded with raised gold decoration urn with fabulous hand painting. Origin: Austrian Date: 19th century Dimension: 39 in. x 12 in.

This exquisite late 19th-century Vienna porcelain lidded urn beautifully depicts “The Flourish of the Plagues of Thetis.” The urn features intricate hand-painted scenes of mythologic...

Ceramic vase signed Ernst Wahliss, Vienna, Art Nouveau period, circa 1890.