Lapis Lazuli Case Pieces and Storage Cabinets

Extremely fine Italian Baroque ebonized wood, faux ivory, and hardstone cabinet, Florence, 20th century. Decorated overall with Berainesque (light...

An exceptional Russian Empire fruitwood and ebonized 4 drawer chest/secretary. The top drawer conceals the drop-down desk featuring 6 drawers and a lapis...

Round wall cabinet with lapis lazuli by Pierre De Valck. Dimensions: W 90 x D 15 x H 90 cm. Materials: Waxed aluminium with Lapis Lazuli. Weight:...

Unique secret cabinet "Roeco" in brass worked in marquetry and lapis lazuli stone inlays. 1 door that can be opened by the push of one of the stone. U...

Stunning octagonal shape sideboard model "Amazzonia" composed by two folding doors and a secret side drawer, designed and edited by the Italian Studio Superego. Structure made of so...

French gilt metal mounted lapis commode in the Empire style French, 20th century Size: Height 94cm, width 147cm, depth 55cm Crafted in the Empire style, this beautiful commode is wr...

French antique Napoleon III cabinet. Wood is black color polished surface, decorated with inlaid brass stripes, bronze details ourside and natural stone lazurite. Inside the cabine...

Extremely fine Italian Baroque ebonized wood, faux ivory, and hardstone cabinet, Florence, 20th century. Decorated overall with Berainesque (light arabesques and playful grotesques) motifs including rinceaux, putti and mythical birds, and inlaid with various semi-precious stones including lapus lazuli, porphyry, various agates and marbles, the superstructure with domed pediment, the sides decorated with geometric stringing. Very grand cabinet and one of a kind. Please note: We have another cabinet to make a pair. Provenance: Private Castle in Dallas Texas, USA. Purchased in New York in the late 1970s. Measures: 91" high x 68" wide x 20" deep. Comes with keys. Good condition. Normal wear, cracks consistent with age use. Presents well and looks amazing in real life! The present cabinet, featuring an abundance of semi-precious stones amongst stylized faux ivory-inlaid foliage, is inspired by the luxurious inlaid furniture of the Italian High Renaissance. Promoted amongst craftsmen such as Pietro Bertinetti, who often reinterpreted or combined the forms and motifs of both Classical and Renaissance art, the fashion for certosa-style inlay flourished from the mid-nineteenth century. Whilst the quality of construction and execution of the inlay suggests a Florentine origin, the decorative language of the cabinet, with its Cinquecento rinceaux scrolls, amorini and cameos, is modelled on the North Italian workshops. Featuring an eclectic combination of various decorative elements in keeping with the Renaissance Revival, the cabinet’s inlay is quite comparable with the work of subsequent exponents of this technique, such as Giovanni Battista Gatti...

Extremely fine Italian baroque ebonized wood, faux ivory, and hardstone cabinet, Florence, 20th century. Decorated overall with Berainesque (light arabesques and playful grotesques) motifs including rinceaux, putti and mythical birds, and inlaid with various semi-precious stones including lapus lazuli, porphyry, various agates and marbles, the superstructure with domed pediment, the sides decorated with geometric stringing. Very grand cabinet and one of a kind. Please note: We have another cabinet to make a pair. Please see our other listings for the mate to this cabinet. Provenance: Private Castle in Dallas Texas, USA. Purchased in New York in the late 1970's. Measures: 91" high x 68" wide x 20" deep. Comes with keys. Good condition. Normal wear, cracks consistent with age use. Presents well and looks amazing in real life! The present cabinet, featuring an abundance of semi-precious stones amongst stylized faux ivory-inlaid foliage, is inspired by the luxurious inlaid furniture of the Italian High Renaissance. Promoted amongst craftsmen such as Pietro Bertinetti, who often reinterpreted or combined the forms and motifs of both classical and Renaissance art, the fashion for certosa-style inlay flourished from the mid-19th century. Whilst the quality of construction and execution of the inlay suggests a Florentine origin, the decorative language of the cabinet, with its Cinquecento rinceaux scrolls, amorini and cameos, is modelled on the North Italian workshops. Featuring an eclectic combination of various decorative elements in keeping with the Renaissance revival, the cabinet’s inlay is quite comparable with the work of subsequent exponents of this technique, such as Giovanni Battista Gatti...

18th century Northern Italian, probably Florentine, neoclassical commode, incorporating 17th century Florentine mother of pearl, lapis lazuli, stained bone, coral and marquetry panels attributed to Leonard van der Vinne (c. 1630-1713). Known as an intarsiatore (intarsia artist) and cabinetmaker, Flemish master Leonard van der Vinne specialized in inlay techniques, helping to spread the taste for inlaid floral patterns made of exotic wood, ivory, and mother-of-pearl throughout Europe. He moved to Italy to work in the Medici manufactory from 1659 until his death in 1713. His work can be found in the Getty Museum (night clock...

Magnificent artistry, exotic materials and a bit of intrigue combine in this Italian Baroque-era cabinet of curiosities. Once a term used to des...

Brass cabinet with cut circles and lapis lazuli stones on front, sides and top, opening by two doors on front, metal shelves inside. Signed creation by the artist Erwan Boulloud for...