Early 2000s Case Pieces and Storage Cabinets

Painted Swedish Gustavian Style 3 Drawer Chest or Commode, a pair. This set of three drawer bureaus are based on 18th Century Gustavian antique chests. They have been hand painted in...

Hand painted, in a wonderful Scandinavian neutral green color, Gustavian style chest of drawers or nightstand. This piece has been constructed from solid wood with a hand-applied dis...

Green Painted Swedish Gustavian Style 3 Drawer Chest Bureau. This three drawer bureau is based on an 18th Century Gustavian antique chest of drawers. The chest is hand painted with s...

Fendi Casa Moviestar Glamour Commode Chest of Drawers

Swedish Gustavian Style Blue Painted Chest of Drawers Commodes, A Pair Classic Pair Swedish Style Painted Chest of Drawers. Two drawer c...

Theodore Alexander Cabinet, black lacquer with gold details. Interior has three drawers and one glass shelf. Comes with one key.

This is an organic modern pair of grasscloth wrapped chests. They have brass hardware and clean lines. The are unmarked and in very good condition.

This is a modular USM Haller two-column, six-drawer cabinet in original light gray, made in Switzerland, in overall good condition with some surface wear and scratches. Height: 45 ...

Wonderful hand painted textured Gustavian style chest of drawers. This commode has been constructed from solid wood with a hand-applied black distressed finish with brass ring hardwa...

Lots of detail on this sturdy chest of drawers. This four drawer faux bamboo chest has been painted in a Gustavian shade of blue. Very versatile piece that could be used in a living ...

A one-of-a-kind sideboard by Belgian designer Felix De Boussy, created in the 2000s. Distinguished by its expressive etched brass doors and sculptural solid wood base. This exceptio...

For FULL item description click on "Read More" or "View More Details" below. Shipping Quote Information The shipping quote stated in the listing is from 1st Dibs and they normally s...

This grand Georgian style solid oak Baker china cabinet bookcase breakfront is a striking example of timeless craftsmanship and refined design. Constructed from richly grained solid ...

Finn Juhl freestanding credenza in walnut. White and blue sliding doors with shelfes behind. Standing on a black painted steel base with walnut shoes. ' Made by Onecollection

IRISH FURNITURE The Knight of Glen and James Peill – 2007 – Hardback. This lavishly illustrated and comprehensive volume is the first devoted entirely to the subject of Irish furnit...

Wonderful hand painted textured Gustavian style chest of drawers. This commode has been constructed from solid wood with a hand-applied pink and white distressed finish with brass ri...

The wall-mounted, tidal shelf is formed out of 1/4 inch thick, powder-coated aluminum. Each shelf has a welded U-channel to the reverse of the shelf and ea...

Thomas Moser Solid Cherry Blanket Chest. Beautifully constructed and solid as a rock! Great Storage that looks great in so many environments! Primitive and Modern all rolled into ...

Lots of detail on these sturdy chests of drawers. This faux bamboo set consists of a narrow four drawer chest as well as a four drawer commode. They have both been painted in a Gusta...

Mid century modern style credenza made using pine wood and parota wood veneer. Light and sturdy construction Note: wood grains and pattern may vary from piece to piece. Listing is fo...

Chest of drawers in Zebrano Build with 13 scares Zebrano marquetry open in tow big drawers. Leg are in black painted metal. The frame is built in oak and t...

Presenting a truly spectacular black lacquered console by Christian Liaigre for Holly Hunt. This remarkable piece was made to order in the early 2000s and is no longer in productio...

Solid and charming best describe this 4 drawer faux bamboo painted in Gustavian blue. This versatile piece could function well in a foyer, bathroom, bedroom storing lingerie and jewe...

Beautifully made small chest of drawers sumptuously clad in embossed leather, having 5 drawers with gorgeous lion head hardware. Perfect for an elegant powder room.

On offer on this occasion is one of the most stunning and rare, chest or drawers you could hope to find. Outstanding design is exhibited throughout. The beautiful table is statement ...

Superb Biography by SB Kennedy of Paul Henry (1876-1958). Paul Henry is Ireland’s greatest twentieth-century landscape painter. Trained in fin de siecle Paris under Whistler, he als...

Shay Alkalay and Raw Edges, Stack-13 Drawers for Established & Sons, United Kingdom 2008. Challenging the conventions of a traditional drawer unit, Stack consists of individual, ...

Elegant bronze and oak table-desk with his sanded glass lamp (Artemide) included on the top. Designed for Chaumet show room in Belgium. Two drawers and his original leather. Designer...

Wir bieten einen wunderschönen braunen USM Haller Aktenschrank in der Größe 2x4 zum Verkauf an. Das Möbel verfügt über acht Fächer, die jeweils über mach unten öffnende Klappen verfü...

This tall cabinet exemplifies Jim Rose’s legacy at its most distilled and disciplined—an object where verticality, restraint, and material intelligence converge into a quietly commanding presence. The form recalls early American and Shaker cupboards, particularly storage pieces meant to stand apart and serve specific, practical purposes, yet Rose’s execution in steel transforms that lineage into something resolutely contemporary. The cabinet’s slender proportions and emphatic vertical lines highlight Rose’s sculptural training, giving the piece a bodily, almost architectural stance. The stepped cornice and subtly flared top introduce a sense of ceremony without ornament, while the paneled door and drawers below establish a rhythm of framed surfaces that echo traditional joinery, translated here into metal. As in much of Rose’s work, the steel is finished to suggest age and warmth, dissolving the boundary between industrial material and domestic familiarity. Functionally precise yet emotionally resonant, the piece reflects Rose’s belief that furniture should feel purpose-built and enduring. The single-door cabinet and drawers below offer a clear hierarchy of use, reinforcing his preference for clarity over excess. Nothing is superfluous; every decision supports balance, usability, and longevity. Within Rose’s broader body of work, this cabinet stands as a meditation on scale and solitude—a piece that does not dominate a room through size, but through presence. It underscores his enduring contribution to contemporary furniture: proving that steel, when handled with patience and respect for tradition, can carry the same sense of history, dignity, and quiet service as the finest wooden furniture. Jim Rose Legacy Collection Tall Cabinet, 2003 found steel with natural rust patina 80h x 23w x 16d in 203.20h x 58.42w x 40.64d cm Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs...

Lots of detail on this sturdy chest of drawers. This four drawer faux bamboo chest has been painted in a Gustavian shade of gray. Very versatile piece that could be used in a living ...

This Chest of Drawers distills Jim Rose’s legacy into one of its most elemental and enduring forms. Referencing the familiar typology of the tall American chest, the piece demonstrates Rose’s ability to take a deeply known domestic object and reimagine it through steel without diminishing its sense of warmth, gravity, or usefulness. The form is immediately legible, yet quietly transformed by material and surface. The vertical stack of drawers emphasizes order, repetition, and proportion—principles central to Rose’s practice and drawn from his engagement with Shaker furniture and early American casework. The subtle variations in the natural rust patina across each drawer front introduce a quilt-like rhythm, allowing the surface to register time, labor, and the material’s prior life. Rather than concealing steel’s industrial origins, Rose allows them to coexist with the intimacy of a bedroom or living space. Structurally and conceptually, the piece embodies Rose’s belief in furniture as a long-term companion. The chest is straightforward, durable, and deliberately unadorned, relying on balance and material integrity rather than stylistic gesture. Within his broader body of work, this chest stands as a quiet manifesto: an assertion that contemporary furniture can be honest, restrained, and deeply humane—objects meant not to impress at first glance, but to earn their place through use, time, and presence. Jim Rose Chest of Drawers repurposed steel with natural rust patina 78h x 35w x 18d in 198.12h x 88.90w x 45.72d cm JR0270 Bio Jim Rose (1966–2023) was an American furniture maker, artist, and metalworker whose work occupied a singular position between studio craft, sculpture, and functional design. Born in Beech Grove, Indiana, Rose trained as a sculptor, earning his BFA from the School of the Art Institute of Chicago in 1988 after a brief period of study at Bard College. This sculptural foundation shaped his approach to furniture, in which proportion, structure, and surface were treated with the same rigor as utility, and everyday objects were understood as vehicles for aesthetic and ethical values. Working primarily in steel—often reclaimed or salvaged—Rose challenged conventional expectations of furniture materials. Through brushing, waxing, and patination, he developed surfaces that softened steel’s industrial associations, imparting warmth, depth, and a sense of age. His work drew on diverse historical and cultural sources, including Shaker furniture, Asian cabinetry, and the quilts of Gee’s Bend, yet these influences were never literal. Instead, Rose translated their underlying principles—clarity, restraint, repetition, and balance—into a contemporary language grounded in material honesty. Based for much of his career in Wisconsin, Rose was closely associated with the John Michael Kohler Arts Center, including participation in its Arts/Industry residency program. His furniture and objects were widely exhibited in galleries and design fairs across the United States and featured in publications such as American Craft and Architectural Digest. His work entered both private and institutional collections during his lifetime, reflecting a sustained engagement with collectors, curators, and designers. Rose’s furniture is distinguished by its emphasis on durability, adaptability, and use. Cabinets, chairs, benches, and tables were engineered for longevity and daily life, incorporating practical features such as steel drawer glides, modular construction, and discreet accommodations for modern technology. This functional intelligence was inseparable from his broader philosophy: furniture, for Rose, was a form of quiet service, meant to support human activity while carrying forward the history embedded in its materials. Jim Rose’s work is held in the permanent collections of major institutions including the Smithsonian American Art Museum, the Museum of Arts and Design in New York, the Milwaukee Art Museum, the Carnegie Museum of Art, and the John Michael Kohler Arts Center. Following his death in 2023, his legacy endures through a body of work that demonstrates how contemporary furniture can be both materially rigorous and deeply humane—objects shaped by patience, integrity, and an enduring respect for use. Education: 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards: 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions: 2023 CODA Final Show, Gallery VICTOR, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions: 2023 Intersect Palm Springs, Gallery VICTOR, Palm Springs Convention Center, CA 2017 - 2018 SOFA Chicago – Gallery Victor Armendariz 1995 - 2016 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions: 2022 Wunderkammer: Victor's Cabinet of Curiosities – 5th Anniversary Special Exhibit, Gallery VICTOR, Chicago, IL 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

An original Fornasetti Chest "Archittetura" Produced by Atelier Fornasetti in lithographically printed hand painted and lacquered rosewood, with brass fittings, these pieces of furn...

Handmade steel and brass wine holder cage holds 88 wine bottles and has hinged doors that can be locked with a padlock. Handmade in the USA of steel with decorative brass rivets. Un...

Luxury style wardrobe trunk case with wheels designed by Shigeru Uchida. Aluminum body upholstered with red leather, inside wood is bubinga. Never used condition. Displayed at exhi...

Baker Furniture French Louis XVI Mahogany China Cabinet This china cabinet measures: 57 wide x 15 deep x 80.25 inches high We take our photos in a controlled lighting studio to sho...

5 wall cabinets designed by Shigeru Uchida for Pastoe, Utrect Holland circa 2000. Chocolate brown lacquered steel and wood. The outer sliding part of the shelves is laquered steel an...

Italian oak sideboard with travertine top Sculptural and textured, this oak sideboard stands out for its three-dimensional front surface, composed of a sequence of geometric volumes...

Modern Wall Mounted Cabinet Composition by Piero Lissoni Porro 2009 A wall mounted composition of five open cabinets and two cabinets with doors. The open cabinets are finished in...

The Flyer bookshelf, designed by Dario Nasuti, is a visionary tribute to the dawn of aviation. Inspired by the internal structures and fuselages of early aircraft, Flyer brings the '...

When grand movements of style and design are referenced in contemporary work, it requires close attention to detail to evoke a true sense of authenticity and respect for the eras tha...

Chinese Red Gold Distress Finish Armoire – bold lacquer, gilt detailing and ample storage merge to create an elegant statement piece for luxury interiors. A chipped piece of the ...

Made to order, custom wall mounted, oak console with three drawers and antique brass hardware. This piece is currently available as shown in our NYC Showroom. Made to order, custom...

Designed in 2000 and no longer in production today, this rare sideboard is Ronan & Erwan Bouroullec’s modern take on the classic masterpieces as designed by Charlotte Perriand and Je...

A striking cocktail cabinet by Jansen, the Dutch design firm founded in 1981 by Andries Jansen and Fredrick Janssen. This distinctive piece fuses Chinoiserie and Anglo-Indian influen...

This custom-made French Art Deco cabinet is a stunning example of Ruhlmann style craftsmanship, expertly designed to serve as either a chic bar cabinet or versatile media cabinet. Be...

Pair of Roberto Cavalli Pony Skin Chests of Drawers. Italy, 2000s. A striking and highly decorative pair of chests of drawers by Roberto Cavalli, emblematic of the designer’s unmist...

This is a Partner Shelving Unit, originally designed by Alberto Meda and Paolo Rizzatto for Kartell in 1998. This particular example was produced in the 2000s. The design features a ...

Gorgeous Murano pink glass and polished brass side cabinet. Perfect for today's transitional designs!

Crafted in solid walnut, this transitional credenza pairs sculpted X-legs with a quietly luxurious case. Slim brass inlay traces the doors and drawers, lending a quiet, understated g...

Michael Vanderbyl for Baker Furniture Archetype Mahogany Credenza This credenza measures: 64 wide x 18 deep x 40 inches high The expanded wi...

Italian modern Glass, wood and metal Bookcase Gritti by Andrea Branzi for Memphis, 2000s Floor bookcase mod. Gritti with a rectangular base, in wood, glass and metal. The peculiarity...

Mid century modern style credenza made using pine wood and parota wood veneer. Light and sturdy construction Note: wood grains and pattern may vary from piece to piece. Listing is fo...

This exceptional Maitland Smith French Louis XV style grand commode is a striking example of artistry, craftsmanship, and design innovation. The commode features extraordinary marque...

This Italian-made Ruhlmann Art Deco replica sideboard buffet is a striking example of timeless 20th-century design inspired by the legendary French designer Émile-Jacques Ruhlmann. C...

Rare Thalie cabinet designed by Christophe Talec in 2005. This sculptural piece combines wood, glass, metal, marble, and fabric in a refined composition that reflects the designer's ...

Baker Furniture Mahogany and Bronze Credenza This credenza measures: 80 wide x 20 deep x 27 inches high We take our photos in a controlled lighting studio to show as much detail as...

Studio Craft Compass Campaign Desk made in South Africa from Yellowwood. Has echos of Corbu and Jeanneret compass desk for Punjab University.

Handcrafted Indian Teak Dresser with Brass Inlay This refined dresser is crafted from solid Indian teak wood, known for its rich grain, strength, and ...

A beautiful 2005 sculptural cherry and maple wood bar cabinet by Jeremy Kimchi. The cabinet has been thoughtfully designed for both style and function. The two intricately carved doo...