Brutalist Furniture

Large Brutalist Candle Holder handmade from steel. Additional information: Materials: Metal Color: Gray Styles: Brutalist, Mid-Century Modern Period: 1960s Item Type: Vintage, Antiq...

A set of eight Spanish brutalist dining chairs from the 1970s, finished in a dark stain. The chairs are sculptural and graphic: strong cubic frames, solid oak construction, and expre...

Brutalist, Circular Modern Wall Mirrors, Hammered Metal, Distressed Glass, 21st c. Pair of modernist wall mirrors having a silver hammered metal frame and a lightly distressed bevel...

Brutalist Floor Lamp in Gilt Wrought Iron, 1950s Rare find Outstanding hand forged floor lamp with geometric decorative construction and brutalist design. Inspired in Paul Evans desi...

The 1960s witnessed the rise of Brutalism, a style characterised by its unpretentious aesthetic and robust construction. While it is often associated with large concrete structures, ...

A Brutalist panel featuring geometrically cut colored glass set in concrete, all encased in a sturdy wooden frame.

Beautiful ceramic table/ floor lamp by Georges Pelletier, 2022. Custom made silk lampshade by René Houben. The brown and honey colored ceramics and the geometric details fit perfect...

An organic and Brutalist style Floor Lamp with Dragon Fly and Leaf design. No chips or cracks. Easily rewired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Beautiful ceramic table/ floor lamp by Georges Pelletier, 2022. Custom made silk lampshade by René Houben. The brown and honey colored ceramics and the geometric details fit perfect...

Jean oval center table is unique in its conception with Organic Modern inspiration. Natural Stone is unrepeatable in its individuality, this way each Jean center table is unique fea...

Rainer Daumiller is a furniture designer who was born in Germany and migrated to Denmark in 1959. The sculptural wooden furniture represents Daumiller's love for natural materials an...

Contemporary Brutalist Sideboard, Italy

The small tray was created by David Marshall, from sand cast aluminium . We use recycled materials all our pieces are handmade, mounted and finished in our foundry and workshop in ...

Handcrafted in the 1970s and sourced from a Southern California estate, this sculptural wood wall panel showcases a bold geometric relief design, meticulously assembled from richly g...

Fantastic four piece set of Brutalist Rausch furniture that includes a pair of lounge chairs, an ottoman and a side table designed by Klaus Rausch for his St. Moritz collection of ...

A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting t...

Lovely French Brutalist Low or Side Chair in the Style of Charles Dudouyt from the 1940s. This beautiful turned wood Chair is very stable and super comfortable. The dark wood and the...

Unique table with original design by Logniture. Made entirely from wood. Protected with the highest quality oils, ensuring durability for generations. Such unique handmade design wil...

Beautiful ceramic table lamp by Noomi Backhausen for Soholm, model Erika. Denmark 1960s. Combined with a custom made lampshade with beautiful pattern. The green and brown ceramics a...

Striking French Brutalist oak cabinet dating to circa 1960, featuring a clean architectural form and robust construction. The case is fitted with three paneled doors composed of vert...

Vintage Brutalist German Studio Pottery Carafe Vase by Gerhard Liebenthron, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional info...

Stunning heavy wall sculpture from the 1960's. It features torch cut tubular steel thats been blackened & brass plated.

Three-door sideboard by Luciano Frigerio with a brass front composed of irregular rectangular panels, partly executed in relief. The top is veneered in burl wood. The top and plinth ...

Mid-Century Brutalist West German Pottery WGP Fat Lava Vase from Jopeko, 1960s, in Very Good conditions. Designed 1960 to 1969 official proof of authenticity such as vintage catalogs...

Interesting “Brutalist” round coffee table in solid oak. Diameter: 88 cm (34.6 inches) Height: 44 cm (17.3 inches) Tray thickness: 9 cm (3.5 inches)

Totem "Faille" by Bertrand Créac'h Material: bronze, blak patina Dimensions: H 200 x 25 x 25 cm Year: 2024 Bertrand Créac’h met on his journey the artists Étienne Martin, François S...

Wonderful signed Mid-Century Modern mixed-media sculpture, circa 1970s, featuring a stylized ship rendered in hand-cut and welded metal against a dramatically textured natural wood b...

Period 1970's Brutalist sculpture depicting a stylized female figure executed in cast brass, mounted on a stepped walnut plinth base. Well crafted work, in excellent original condit...

Large Brutalist male torso abstract bronze sculpture on a marble base in the manner of Brancusi. This midcentury figural male torso sculpture is finely detailed and dates to the mid-...

Joel Escalona's NONO Elefante Table 60, Smooth Solid Wood, Sleek Style ————————————————————— Elefante Collection: A Harmony of Design and Heritage by NONO Crafting Elegance with a...

Circa 1970. We offer this Rare and Original Pal Kepenyes Articulate Sculpture Signed made in brass. Pal Kepenyes was a Hungarian artist and jewelry designer known for his unique and...

Solid carved Pierre du Gard table lamp in a spherical shape with holes letting the light through. Amazing scale

Rectangular Accent Table Serie 61 – Sereno by NONO for Modern Living Spaces ——— Sereno Coffee Table Series – A Note from Joel Escalona What happens when structure becomes art? T...

This exceptional 1960s Brutalist still life sculpture is a masterful testament to mid-century studio craft, presenting a powerful interplay of industrial raw metalwork and organic botanical form. As beautifully captured in photos, this piece is meticulously hand-forged, showcasing an array of highly stylized flowers, spiky starburst flora, and textured wheat-like stalks rising elegantly from a faceted, geometric iron vase. Each blossom is intricately constructed with individual layered metal petals, jagged cut edges, and torch-cut brazed brass accents at the centers that catch the light, adding a brilliant flash of warmth to the dark, moodier iron patina. For critical collector provenance, this important mid-century work is signed "Bob Schmitz" in a striking gold script on the reverse side of the vase. Vase is 6.75"h x 6.25" x 6.25" Embodying the rebellious, texture-heavy spirit of the Brutalist art movement, this hand-forged sculpture celebrates raw construction with its exposed welds, torch-hewn edges, and multi-toned oxidation. Cleverly engineered for both stability and customizable display, the heavy metal flower rods are held securely in place by a dense sand filling on the inside of the vase, allowing the dramatic bouquet to maintain its striking arrangement. The faceted exterior features beautifully visible seams and a mottled, fire-kissed surface patina that transitions seamlessly from dark charcoal tones to deep copper hues, accented by the artist's gold signature. A commanding and deeply textural decorative statement, this mid-century studio sculpture by Bob Schmitz makes an incredible centerpiece for a Brutalist or mid-century modern interior. Born in Illinois, Bob Schmitz was a skilled Midwestern craftsman who learned the intricacies of welding and traditional metalworking directly from his grandfather, a professional blacksmith. He eventually took over his family's historic forge, successfully transitioning the traditional shop into specialized, custom fabrication and independent studio design. Operating in the true spirit of the mid-century American Studio Craft movement, Schmitz hand-forged, torch-cut, and built his pieces individually by hand rather than relying on mass factory production. This meticulous, bench-work approach explains the highly customized, one-of-a-kind engineering seen in his work, such as using a dense sand filling inside the vase to balance and secure the heavy metal flower rods. Active during the 1960s and 1970s boom in torch-cut metal art, Schmitz utilized heavy, industrial materials like iron, brass, and copper to create dramatic, highly textured interpretations of nature. Because he was a dedicated regional craftsman who prioritized individual studio artistry over large-scale commercial gallery contracts, surviving examples of his large-scale sculptural work remain exceptionally rare to find on the open market today. Bob Schmitz, Mid-Century Studio Craft, Brutalist Flower Sculpture...

Mid-Century German Brutalist Schamotte Series Vase from Spara Keramik, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional informati...

Mid-Century Brutalist Fat Lava Ceramic Bowl, 1960s, in Very Good conditions. Designed 1960 to 1969. Additional information: Materials: Ceramic Color: Black Styles: Brutalist, Mid-Ce...

This striking set of six dining chairs was designed by Victor Courtray and produced in the Northern Basque region around the city of Biarritz in the 1940s. The chairs are in solid,...

Very impressive sculptural chairs in very good condition. These chairs were made in the 1970s in Belgium by De Puyt. They are made of solid oak wood and con...

Cast bronze candelabra. It has 4 arms that are set on a central rod. The arms can rotate around the rod. At the bottom it is capped with a cast bronze cap and at the top it has a cas...

A beautiful hand-made brass sculpture, Midcentury Modern/Brutalist period, circa mid-20th century, 1960s. Piece is unsigned; In the style of designers Paul Evans, Curtis Jere. Piece is all brass with a square black composite base. Very good condition as shown in images. Dimensions: 22.75" Height. Other items shown available separately, search 1stDibs ref. #: Mackenzie-Childs vase, search ref. #: LU1314226933622 (SOLD.) Agate dish...

Low sideboard in solid oak, designed by Henning Kjærnulf in the 1960s. The piece features a refined Brutalist expression with four doors and round metal handles. Inside, the cabinet ...

A studio piece open to a lot of interpretations. The media is cast bonze with a dark brown patina. It depicts 47 rat skulls connected almost melted together (in appearance) via tubes...

Mid-Century Danish Brutalist Cast Iron Candleholder by Jens H. Quistgaard, 1960s, in Very Good conditions. Designed 1960 to 1969 official proof of authenticity such as vintage catalo...

A striking example of mid-century European craftsmanship, this pair of lounge chairs embodies the bold, sculptural character of the Brutalist aesthetic. Constructed from solid oak, t...

Elefante Console Table 25, Design by Joel Escalona, Artistic Wood ————————————————————— Elefante Collection: A Harmony of Design and Heritage by NONO Crafting Elegance with a Modern...

Spanish Basque workshop, four-door sideboard, solid oak, Spain, 1950s. The two central doors carry an interlocking rectangular grid motif carved in bold relief, a pattern of nested frames that creates depth and rhythm across the front face, while the two outer doors are panelled in plain horizontal planks to give the composition a satisfying contrast of decorated and plain surfaces. Two drawers fitted above the central doors provide additional storage. The wood is pale natural oak, left with minimal finish so the open grain remains prominent and the surface retains a raw, honest character throughout. All hardware is hand-forged black iron: strap hinges with scroll ends, ring pulls mounted on decorative backplates, and diagonal bar latches on the door fronts. This combination of carved oak relief with ornamental ironwork is characteristic of Basque furniture...

Elegant pair of extra large Brutalist wall sconces with clear and amber Murano glass on a black metal frame. Designed by Tom Ahlström &...

Sereno Coffee Table Serie 26 by Joel Escalona – Solid Wood for Modern Spaces ———— Sereno Coffee Table Series – A Note from Joel Escalona What happens when structure becomes art? ...

Sunburst mirror in hand forged iron and gilt patina. Spain, 1940s-1950s. This sunburst mirror features a frame made of hand forged spikes and ...

Muted by NONO No62 Minimalist Lounge Chair Solid Wood Comfort — Dive into the world of understated elegance and architectural prowess with the Muted Lounge Chairs Collection by NO...

Sereno Coffee Table Serie 1 by Joel Escalona – Solid Wood for Modern Interiors ——— Sereno Coffee Table Series – A Note from Joel Escalona What happens when structure becomes art? ...

A welded steel bistro/patio chair pair from France. All original wear and heavy developed patina to the sculptural rounded form. Wonderfully weighty and quality construction. Cleaned...

A vintage round dining table made of larch wood dating from the 1970s. This table is an iconic piece of Scandinavian craftsmanship and design, characterized by a distinctly brutalis...

This striking 60-inch round dining table is a masterclass in Postmodern Minimalism, featuring a bold, Brutalist-inspired silhouette. Crafted with a thick, tapered pedestal base and a...

Stunning set of four round ceramic hanging lamps with a beautiful pattern, made with rich colored green, blue and brown ceramics, manufactured in the 1960s in Denmark. Size is based...

Midcentury oak and slate table on iron base, Belgium circa 1950 Dimensions are: 33.85" x 16.53" (height). The midcentury Brutalist slate and oak table on a wrought iron base At...

Brutalist “Staccato” Tallboy Dresser by Lane Furniture, USA, 1970s Exceptional Brutalist tallboy dresser from the “Staccato” series by Lane Furniture, USA, 1970s. This striking piec...

This Antique Baroque versatile dining / desk table, crafted by a skilled Danish cabinetmaker in the 19th century, exudes timeless elegance and a modern appeal. The sturdy oak wood is...

1960´s Set of Three Brutalist style pendants by Svend Aage Holm Sorensen The acid treated and torch-cut pendants in brass manufactured by Holm Sørensen in Denmark. The well keept ...

This is not just a shelf; it's a piece of brutalist folk art from the 50's. Its structure is formed by two curved solid wood elements, likely repurposed agricultural tools (yokes?), ...