Islamic Furniture

Solid wood with various inlays. Beautifully turned.  

Senna rugs are woven in northwest Persia and have a distinctive single-weft construction. The fine weaves found in these rugs promotes the creation of intric...

We are delighted to offer for sale this pair of Arabic framed frames. Gorgeous and decorative pair of Arabic frames. Dimension: W 39 x D 4 x H 44 cm Please carefully look at...

Orientalist doily, embroidered with gold and other threads, 19th century, Orientalist Art. Doily embroidered with gold and other threads, Orientalist Art, 19th century. H: 0.5cm, W:...

ISLAM Prestige du Passe by Miriam Meier Published by J. LAZARUS, 1987. Softcover, French language. Title: ISLAM Publisher: J. LAZARUS Publication Date: 1987

Hand knotted in one of the finest workshops in China, Rug & Kilim’s transitional style wool rug enjoys inspiration from studying East Turkestan classics, lending to the skillful take...

Hand knotted in wool originating circa 1910-1920, this 7 x 12 antique rug connotes a traditional Mashad rug style of exceptional drawing and rich color, marrying a luxurious all-over floral pattern through a play of beige-brown and blue for a Classic Persian look of grandeur and sophistication in a versatile size.  On the condition: In good condition for a piece of its age and origin, this particular antique Mashad rug...

This antique Heriz traditional wool floral rug is distinguished, featuring a rare Persian weave from 1920-1930. The combination of rich and artisan brown in this piece has not been r...

This beautiful, vibrant carpet has been attributed to the important Romanian carpet-maker, Theodor Tuduc (1888-1893). Tuduc ran a prestigious workshop in the 19th century which specialised in the restoration and replication of antique rugs. This item, for instance, is one of a small group of carpets which were knotted after early Caucasian ‘dragon’ rugs. Tuduc's copies of antique rugs were so beautiful and accurate that they have become almost as collectable as the originals. The carpet field is knotted with beautiful stylised depictions of animals, birds and dragons, as well as fruit trees, flowers, and foliage. These designs have been rendered in red, orange, light blue, turquoise, navy, green, mustard yellow, and off-white. This field is set within a border, knotted with similarly colored foliate motifs against an off-white background. Literature: For early Caucasian dragon carpets...

Pair of enamel ceramic planters, France, late 19th century.

This handmade antique Amritsar runner rug is made from hand knotted wool and measures 3’ x 18’, making it ideal for any narrow space projects in addition to its suitability to hallwa...

Kazak Hand Woven Traditional Design 12ft Carpet Runner A superb looking piece dating from the early 20th Century and has a lovely colour palette of bright red with shades of blue ...

Extra large 10 x 14 foot handwoven genuine Persian rug. Some fringe loss along the edge, but easily covered with furniture. This beautiful vintage rug is heavy, handmade, and perfect...

A beautiful pair of French gilt bronze mounted black amethyst crystal lamps. Each is beautifully hand blown out of black amethyst crystal and further adorned with 24-karat gilt decor...

Persian style (19/20th Century) rust velvet table cover with border and blue and beige geometric center.

Persian rust and blue velvet table cover with border and geometric center

Pair of tables, rabié fly, wood, bevelled glass top. Side tables, bedside tables that are out of the ordinary. Very charming. Work from the 70s, Moroccan during colonization.

Bronze alloy sculpture. Signed E. Blot, France, late 19th century. Orientalist style. Attributed to Anatole-Jean Guillot (1865-1911).

A hand knotted, oriental carpet unfolds a unique effect in any room, whether on stone or wooden floor, this carpet will delight you for decades every day. This rug was elaborately kn...

A beautiful pair of French Porcelain Moon flask vases, made for the Islamic/Moorish Market. Each vase has a moon flask form with a gorgeous turquoise ground. The hand-painted enamels...

Jules Vieillard & Co, Bordeaux, Large Islamic style charger, France 1895, Sitting at a large 21" in diameter, this table top shows intricate geometric an...

Floral Bolinpush suzani textile from Central Asia Uzbekistan, Early 20th Century Length 161cm, width 161cm Exquisitely handcrafted and embroidered in the early 20th century, this Bolinpush suzani hails from the historic town of Samarkand, Uzbekistan. The textile’s design centres on a petite marigold bloom, with larger, similar forms alternating between rich maroon and marigold shades emanating from it. Surrounding these are abstract, symmetrical black floral motifs within a maroon border, complemented by repeated black and maroon patterns. The suzani is framed by embroidered borders in maroon and cream, before ending in a striking, black-coloured textile edge. Bolinpush suzanis are culturally significant textiles, traditionally used during Central Asian weddings...

Created by the French artist, Marcel Début, in the late 19th Century, these are beautiful pieces of naturalistic, figurative sculpture. Marcel Début was born in 1865, and grew up learning the art of carving from his father, Jean Didier Début, who created traditional, realistic sculptures of people...

:: Allover covered field of repeating botehs in alternating direction rows, each bearing their own interior germinating seed design motif reminiscent of a partial Cintimani design el...

Bronze sculpture, signed Laouse. France, circa 1900. Marble base.

Orientalist cold-painted bronze and marble inkstand Austrian, c. 1910 Height 21cm, width 34.5cm, depth 22.5cm This unusual inkstand combines cold-painted bronze elements with a beau...

Iznik-style ceramic and brass-mounted ink stand French, 19th Century Height 10.5cm, width 34cm, depth 19cm Revealing a vase and flowers contained in a border of repeating pattern-work, with two lidded inkwells flanking a central holder, this remarkable desk-piece is a very fine Iznik style inkstand, made in France in the late nineteenth century. Stylistically, it draws upon earlier Islamic...

Pair of painted opaline and bronze table lamps, Czech, late 19th century. Size: Height with shade 60 cm.

A very good quality pair of 19th century marble and gilded ormolu urns, converted to lamps.

This beautiful wool rug was woven in circa 1870 in the Shirvan district of eastern Caucasus. This district is well-known for its history of producing fine rugs and carpets. Shirvan r...

A Lovely Bright Red Wool Rug, Tree of Life Pattern The Carpet is a wonderful Bright colour with an attractive pattern and a wide border This rug is from the the early 20th centur...

Designs found in contemporary rugs from Isfahan in central Iran are based on those seen during the Safavid period (1501 - 1736 AD). The most popular pattern has a central circular m...

Traditional antique circa 1940s Clectible women face veil from the Sinai Bedouin Desert Garment Nikab framed in a lucite box. Museum quality well preserved Middle Eastern Bedouin women face veil, from the Bedouin tribes of the Sinai Desert. * Dimensions: Height: 25 in (63.5 cm)Width: 15.25 in (38.74 cm)Depth: 3.75 in (9.53 cm) Face veil for a Bedouin Women, North Sinai Egypt or Palestine Mid 20th C. An amazing Niqab, Negev Bedouin veil from Palestine or Egypt. Worked on a base of thin red silk and cotton embroidery with antique Ottoman nickel silver coins, glass beads, wo, embroidered, stones, carnelians, glass, and amber. Mid 20th century, circa 1940-50s typical Middle Eastern traditional Arabian Bedouin, Egyptian, Palestinian face mask, garment, head dress, tribal jewelry, bridal veil. Showing heavily decorated in the bottom with silver nickel hands amets for the Evil Eye protection and early textiles (wo and silk) and tassels hanging down. Face coverings were worn for centuries by the women of various nomadic tribal groups of North Africa and the Middle East. In the western desert of Egypt, Berber women living in Bedouin societies sometimes wear masks or veils called niqab. The veils serve mtiple functions, including protecting the women’s face from sun damage, filtering dust from the air, displaying adornment, and demonstrating wealth or status. The niqab worn by Bedouin women on special occasions are sometimes elaborately decorated with coins and beads, like this one. Such masks are not for everyday use; they wod be too hot and heavy. They are worn during special events, such as weddings and feasts. Face veil: 12" W x 19" L, circa 1915-1930. Last pictures are references from the book: "Traditional Palestinian Embroidery...