Mirror Tables

Chic pale golden brass trolley with simple tubular design to form decorative frame and handle. Gives the illusion of a floating top tier. Glass upper shelf and mirrored base shelf. S...

Maison Charles Coffee Table in Patinated Brass and Mirror Glass, France, 1960s. Beautiful coffee table in patinated brass and mirror glass. Wonderful contrast between the slender ...

Custom round starfire mirrored dining table with mirrored side Baguettes and pedestal stand base.

Large console shelf by Nerone Patuzzi with blue mirror shelf, 1950s-60s This extraordinary console shelf, made by master sculptor Nerone Patuzzi in the 1950s-60s, is an authentic ex...

French wood coffee table all recovered of bronze mirror. The tabletop is made of two sliding panels that open onto a storage area D: 12.20 in. W: 18.50 in. H 13.78 in. (31 / 47 / 35 ...

Paul Evans studio floating shelf and mirror set circa early 1970's. It features copper, bronze and pewter cladding in a patchwork design. Console shelf measures 60 x 13 x 6.5 inches ...

This stunning Modern Art Deco Style curved vanity, designed by the iconic French designer Paul Poiret, is an impressive work of art perfect for any bedroom. The vanity features a large round adjustable mirror, allowing you to adjust to your preferred angle. It also features a stylish ottoman with a hidden compartment under the seat, perfect for stashing away items you don’t want to display. The vanity is equipped with plenty of drawers and storage capacity, making it ideal for storing makeup, perfumes...

Made in Italy, 1970s. This set features a walnut frame, with ivory lacquered parts. They might show slight traces of use since they are vintage, such as their original patina, but t...

Tall Hexagon Mid-Century Modern mirrored pedestal stand side table mint!

This console table is a 1950s interpretation of the altar tables traditionally found in Chinese reception halls. The gilt-painted wood frame features the typical everted flanges and ...

Mid-century vanity designed and manufactured by Heywood Wakefield in the United States circa 1950s. This stunning vanity features a beautiful maple frame with three convenient pull-o...

One of a kind dressing table, space age style, 70s, with great influence of Art Deco aesthetics. In white lacquered wood, with a black marble effect fiberglass top. Large circular mirror in the upper part and the storage part is divided into two drawers on each side. With lighting in the upper and lower fin shapes. A piece of great sophistication and glamour, very difficult to find. It has a plate with the name of the Italian manufacturer DBM. The period known as the Space Age or Space Age was the post Atomic Age, that is, the late 50's and early 70's. It is part of the “stylings” that reigned in the US during the 20th century. The concept of an optimistic world based on a possible "Earth of Tomorrow" reigned by the dominance of atomic energy and space travel. This "Styling" is inspired by the North American space race, but above all, the aesthetics based on Science Fiction, space satellites, helmets, ships, the effect of weightlessness and a "cinematic" proposal of a new style. of life of the future. Movies like Barbarella 1968, James Bond, Space Odyssey 2001...

A fine French Empire Revival 19th century giltwood and Gesso carved figural console table with matching mirror. The "D" shaped top console raised by a pair of seated winged sphinxes ...

Relax and enjoy a moment of respite as you sit behind this chic vanity. You can’t help but love the pretty details and delicate accents that make it a standout. Its classic silhouett...

Pair of American Art Deco low tables in elongated U-form of miniature console tables with cobalt blue mirror inset tops. These tables were originally dark walnut but in the last ten ...

A fine antique English William IV Empire style flame mahogany mirror back pier, console table circa 1830. The table is made from fine figured flame mahogany with a stepped & gently c...

This beautiful Antique Empire style table is one of a kind and a stunner. Antique mirror and Black lacquer wood trim. it would make a gorgeous entry table or dining table and so much more. the patina of the mirror is original and truly amazing. To view all of our listings at Tiffany Farha Design, scroll down and click on VIEW ALL FROM SELLER. Also follow us to be notified when new items are posted. We also have a brick and mortar...

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

This stunning 20th Century French coffee table brings timeless elegance and sophistication to any space. The table features a sleek, ...

Mid-century Italian console and mirror, 1950s Intact and in good condition. Slight restoration required. Glass top. The console measures 81 cm wide, 22 cm deep and 87 cm high. The mi...

The Mid-Century Modern Round gold toned table has a hammered textured iron frame with antiqued mirror to give it character. This side, end table or accent table has the elegance in t...

A dazzling side table or display shelf from mid-20th century France, in the style of Maison Baguès, crafted in brass and tinted mirror. The polished brass frame appears gilded, refle...

Round Table , Modern Round Table , Collectible Design Table , Metal Table Silös is an hommage to metal, industrial buildings and abandoned spaces. Inspired by the photographic work...

Very importsant console vanity in solid walnut, finely hand-carved, with top shaped grey marble. Very special processing that surrounds the rectangular mirror by Salviati Murano, dep...

Art Deco style mirrored vanity with triptych mirror. Customization available in different sizes,and hardware.

Mid Century Modern vintage side table or night stand style Ico Parisi, 1950s Italy. A stunning side table in the style of Ico Parisi in great X construction topped with an inlaid mir...

This very nice and elegant neoclassical style coffee table is made of brass with a clear glass shelf. This is a French Work by Maison Jansen. Circa 1940

A scarce period Charles X (1818-1834) French Restoration mahogany travailleuse sewing (thread stand - side table - jewelry dressing table) with light, warm, beautifully aged patina. Born in France in the early 19th century, almost certainly Parisian work, exquisitely hand-crafted, this exceptionally executed example features ornate gilt bronze ormolu mounts, escutcheons, and elaborate gilt metal trim. Having a highly figured light mahogany hinged lid top, lifting open to reveal a striking finished interior with divided compartments and original inset mirror plate. The conforming rectangular case fitted with a faux drawer front over a dovetailed drawer with sectioned interior. Elegantly rising on oval-shaped medial shelf stretcher-joined curvacious legs. Dimensions (approx): 27" High, 20" Wide, 13.5" Deep Stunning light almost blonde antique mahogany coloring and mellow warm tone, superb wood grain detail, and charming, beautifully aged patina over the whole. Great shape overall. Retaining original antique character marks, wear consistent with age and indicative of minimal use, nothing that detracts from the aesthetics or functionality, but only adds to the overall authenticity, refined elegant warmth, luxurious sophistication, and cozy unpretentious rustic elegance. Delivered cleaned, hand waxed, polished French patina finish, ready for immediate use and generational enjoyment! What is Charles X style: The comte d’Artois – or Charles X - was the son of the dauphin Louis-Ferdinand de Franc and Marie-Josèphe de Saxe. He succeeded his two brothers Louis XVI and Louis XVIII and became the King of France in 1824. Thirty years after the French Revolution, he wanted to embody the return of monarchy and became the leader of the catholic party . As the previous kings, he was crowned in 1825 but he was soon overthrown by the revolution in July, 1830, called "Trois Glorieuses". He left then for England, Scotland, Prague and Istria where he died in 1836. Charles X style lasted from 1818 to 1834 and happened during the Bourbon Restoration (French Restoration). This style did not replace totally the style of furniture from the French Empire but it was different from the formalism in the Napoleonic era, during which strictness and simplicity were inspired by Greco-Roman art. Indeed, artistic fields flourished. In terms of furniture, this renewal was suggested by the softening of shapes. Even though the simple aspect from the French Empire was still visible, shapes became curvier with volutes and arabesques. Another distinction is the loss of the massive aspect of furniture and the decrease of dimensions in order to decorate smaller appartments. Handling ability and comfort were key-words in the making of furniture. Apartments had essential elements such as chests of drawers, big rounded tables in the dining room, desks or secretaries, armoires and even dressing tables, comfortable fainting couches in the living room, small tables, pedestal tables, as well as gondola chairs. The wavy aspect of the latters certainly represent Charles X style the best.  One of the most emblematic features of this style is the use of bois clairs – light woods in warm blond tones - and indigenous woods that are varnished in order to highlight the grains. Bird's-eye maple, ash trees, plane trees, yew trees, beech trees, olive trees and cedar trees were most likely to be used. Indeed, at the beginning of the 19th century dark woods were hard to find. In 1806, the Napoleon’s Continental System was established in order to ruin the United Kingdom by preventing the country from any business with the rest of Europe. Therefore craftsmen had to find alternatives from mahogany which was the most commonly used material at this time. After 1815, the import of wood was even more difficult because of peace treaties and the European political situation, which contributed to the popularity of the bois clairs and indigenous woods. The furniture was often decorated with fine inlays made out of dark wood representing foliage, which contrasted with the veneer. Even though these patterns can look like bronze decorations from the Empire era,  they were far more simple and did not represent any military or mythological attributes. On the tables, trays were sometimes made out of marble as in the French Empire, but it was often put aside and inlaid veneer, Verre Eglomisé – a type of glass with a mirror finish –, mirror or porcelain from Sèvres or Paris were more likely to be used. Decorative elements from the Monarchy were highly appreciated again as they suggested luxury. Indeed, marquetry work was particularly fashionable - Boulle marquetry thrived around 1820 as the works of the Levasseur family can show. In the same way, draperies and trimmings referred to the monarchist splendour. Fabrics were often white – the traditional colour of the Bourbons – or light coloured as oppposed to the typical green from the Napoleonic era.  One of the most symbolic figures from this period of time might be Jean-Jacques Werner (1791-1849), a cabinetmaker who worked for prestigious clients such as the Duchesse de Berry who was Charles’s step-daughter. His works can be seen at the Musée des Arts Décoratifs and at the Grand Trianon in the Palace of Versailles. The duchess’s appartments situated at the pavillon de Marsan and at the Palais de Saint Cloud illustrate Charles X style the best with furniture made out of bois clairs and ornamented with dark wood patterns or fine gold decorations. Chales X style allows a transition between the sobriety of the Empire style and the abundant aspect of Louis-Philippe style. The gothic style started at this time through the "style à la cathédrale", inspired by religious architecture, which thrived from 1827 to 1830. Indeed, at the beginning of the 19th century, Romanticism put the spotlight on the Middle Ages. Cabinetmakers were not inspired by the medieval furniture but rather by architectural elements of churches and cathedrals. For instance the backs of chairs were decorated with arches shaped like rib and serration. In the same way, before Charles X abdicated, pieces of furniture were made out of dark woods – such as mahogany, which was used again in France – and were inlaid with light wood. Romanticism also influenced the layout of furniture in appartments to suggest movement through a mix of various styles, various shapes and various sizes, as opposed to the static aspect of Neoclassicism. The start of industrialisation and mechanisation also influenced this style as early technical developments led to the production of pieces of furniture in series. Credit: Marc Maison Bibliography: FANIEL Stéphane (Dir.), Le Dix-neuvième Siècle Français, Collection Connaissance des Arts, 1957, Hachette SASSONE, Adriana Boidi, Furniture from Rococo to Art Deco, 2000, Evergreen -- Extremely versatile: As warm and attractive as it is useful, this remarkable antique table having the ideal size and small proportions for a variety of different uses, including as a side table, accent or occasional table, tall sofa...

A circular coffee table in incredibly rare British marble and blackened steel. Hand crafted to order in the North. Measures: 80cm diameter ...

A pair of vintage 20th c., reverse painted mirrored glass console tables decorated with gilt floral scrolls, unmarked, possibly Maison Jansen. ...

Unique console featuring under the thick glass top and the mirrored shelf, the incredible life in the ocean with colorful ceramic fishes seahorses, jellyfishes, and crabs. Seaweeds a...

Beautifully restored Midcentury Heywood Wakefield Sculptura vanity with mirror crafted of solid maple with three drawers and glass shelf, a...

Beautiful Italian Art Deco mid-century vanity or dressing table with amazing Portoro marble top, a cretaceous golden veined black marble from the region of La Spezia, right north of ...

A beautiful coffee table signed Jules Leleu and dated 1955. Raised on sycamore stave legs off musical form, brass bound edging holding the original antiqued mirrored glass top. Pr...

Mid-Century Modern style, gracefully blended with French 40s flair makes for an unusual coffee table. The detail of the carpentry are what separates the quality of this build with a ...

Mid Century Modern Triangular Beveled Mirrors Pedestal Stand End Table Console

Spectacular Art Deco vanity with large round mirror from the 1920s. having a cabinet door to the right with silver hardware and removable glass counter.

Vincenzo de Cotiis coffee table in silver plated brass and recycled fiberglass. Note: tabletop patina Measures 79"L x 53.2"W x 16"H

William C. Andrus for Steelcase, coffee table, lacquered fiberglass, plexiglass, mirrored glass, United States, 1970s Designed by William C. Andrus for Steelcase in the 1970s, this ...

Pair of 3-drawer custom gold trim mirrored nightstands, made to order. Starphire/clear mirror with gold wood trim and glass hardware. Customization i...

A petite French mahogany Empire console with its original marble top. A single drawer is housed in the apron over a pair of column form front legs with neoclassical style brass capit...

Beautiful Art Deco style shop console, in veneer of wood and beveled mirrors. Good general condition, some losses, wear and scratches on the top. Height 92cm. 171 x 51cm.

A gorgeous antique Mission or Arts & Crafts vanity or dressing table with mirror and sitting chair In the manner of Gustav Stickley USA, Circa 1900 Beautiful quarter sawn oak, wit...

Minimal vanity Italian design MIM production, pouff 40 cm height cm.75 width, 45 cm depth, height of vanity with mirror opened cm.114.

Mid-Century Brass & Glass Coffee Table combines subtle classical elements in a modern, contemporary look that is truly timeless! The full-coverage mirrored glass top ensures you nev...

Console with Italian designer mirror bamboo cane. Made of metal colors from gunmetal, brass and side. The console has color discoloration as pe...

French deco wrought iron side table gueirdon mirrored top France, 1930, 1940s. Beautiful deco tripod side table with lovely star like tripod legs. Iron in very nice condition with s...

Handmade custom console, made from beautiful shell pieces in resin with a chrome top, circa 2017. This item is extremely rare because Videre Licet only makes individual pieces and ea...

An elegant Italian Mid-Century dressing table by Silvio Cavatorta (1899-1957), crafted in the 1950s. The table features an adjustable round mirror on the left side and four drawers w...

We love bar carts and serving trolleys! See our shop for a wide variety!  This eye-catching Art Deco aluminum framed bar cart hails from France in the 1940s and is attributed to Jac...

Designed by Kai Kristiansen for Aksel Kjersgaard in the mid-1960s, model 40. Solid oak drawer fronts with striking round recessed pulls. The mirror angle adjusts by sliding the oak ...

For your consideration is this beautifully sculpted mirror by Dean Santner. Master Craftsman Dean Santner designs are part of the American Modern Craft movement alongside Wendell Cas...

'Fontana Arte' tray, produced in Italy in 1938. The base is a mirror with a brass edge and copper details.

The Vendôme Bar Cart is perfect to style any room. That's why it remains one of our bestselling pieces. It is made by our craftsmen in brass, with age mirror and leather making it ...

An exceptional and striking console table by the Versailles Collection possibly designed by Suzanne Dahl and Jerry Barich. A pair of large faux elephant tusks in brass fitting stand...

This stunning Art Deco French mirrored vanity is a testament to the elegance and sophistication of the era. The mirrored glass covering much of its surface creates a sense of spaciou...

A console table in all patinated brass. Hand crafted to order in the North. Bespoke finishes and sizes are available. Measures: 150cm (length) x 30cm (width) x 80cm (height). Custo...

Small and charming Mid-Century console with reclining mirror, 1950s Complete and in good condition. 137 cm high, 80 cm wide and 40 cm deep. Small signs of aging. We guarantee immedia...

Custom round mirrored center hall table. Customization is available in different sizes and mirror finishes.

Antique Renaissance Revival Carved Winged Maiden Walnut Mirror Top Small Side Table. Item featured mirrored top appears to be a replacement and is not original, very nice antique tab...

This exquisite coffee table by René Drouet showcases the designer’s refined artistry and attention to detail. Crafted from gilded metal, the table features a rectangular eglomized mi...

Elegant neoclassical Biedermeier Console Table from South Germany about 1820. Concave base veneered in cherrywood in with mirror glass (replaced) in the back. The plate is cherry so...

Guillerme et Chambron, vanity table, oak, ceramics, mirror and fabric, France, 1970s. This dressing table is designed by the French designer duo Guillerme and Chambron. It features ...

Nice pair of Italian gilt bronze Maison Bagues manner side tables with unusual mirror tops. 26w x 14d x 26h

Glamorous lacquered dressing vanity / dresser with contrasting colors of black and yellow. Large mirror for dressing, glass top surface for durability. Three drawers and two drop-dow...

A fine French Art Deco engraved mirrored vanity with a mahogany base and one drawer.    

Osvaldo Borsani for Arredamenti Borsani Varedo, dressing table, model '6142', maple, brass, mirrored glass, lacquered wood, Italy, 1943 An exquisite and truly exceptional vanity table designed by the Italian Osvaldo Borsani, dating back to around 1943. This rare gem encapsulates the quintessence of Borsani's design ethos: elegant and graceful proportions, fine materials, and unique constellations. Crafted from warm-toned maple, every detail speaks of refinement, from the intricately carved legs adorned with graphic white lines to the kidney-shaped top embellished with a mirrored surface, reflecting one's cherished objects with finesse. An outstanding element is the trio of individual rectangular mirrors with softly rounded contours, equipped with built-in lamps executed within a brass framework, their crown sockets gracefully encircling the lightbulbs. These mirrors are affixed to a maple panel punctuated by three characteristic holes, a signature touch of Borsani. A discreet drawer offers practical storage while maintaining the table's sleek aesthetic. In every aspect, this table attests to Borsani's masterful ability to strike the perfect balance between the orante elegance of Art Deco and the daring approach towards materiality and streamlined functionality of Modernism. Osvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham...

This stunning vintage art deco triptych illuminated vanity features a mirror on base by Miroir-Brot, France. Attributed to French art deco modernist ...

A 1970s beveled, mirrored drinks tray on an iron folding stand. Arrange your serving items in style with the portable butler tray table bar. Thi...

Mid-Century Modern dresser chest in teak designed by Nils Jonsson circa 1960s. Equipped with three storage drawers accessorized with sculpted inset pulls and dovetail construction. Features a hidden mirror...

A monumental mirror and console table by Ilana Goor. The mirror and console table are constructed out of concrete reinforcing bars with natural verdigris finish. The bronze bird and ...

A very fine French transition Mid-Century Modern polished Bronze and mirrored two-tier coffee or cocktail table in the manor of Bagues. Purchased From Lorin Marsh In very fine condit...

Modern Italian illuminant table with infinity lit mirror, dressed with clear Murano glass leaves mounted on chrome metal base / designed by Fabio Bergomi for Fabio Ltd / made in Ital...