Paint Wall Decorations

Charming set of two antique marine oil paintings, each painted by a different artist and presented in ornate gilt frames with raised rococo-style foliate and scroll decoration. The p...

Gorgeously detailed and voluptuously painted, this superb depiction of pan playing his pipes in a paradise full of extravagant life -- including rabbits, squirrels, crested birds and...

Peter Keil, Masterwork Mixed Media Textured Quadriptych (4) Portraits, c. 1980 Oil on Canvas Signed "P. Keil" Lower Left Dimensions: 40" W x 60" H Unframed Ready to Place or Frame...

Research note: the iconography matches Noli me tangere, with Mary Magdalene kneeling before the risen Christ, often shown in garden or landscape settings with Christ in the role of g...

French Victorian (19/20th Cent) oil painting portrait of a lady and French poodle with blue bow in walnut and ebonized frame.

Huge 17th C. Regal Flemish baroque Historical tapestry Royal court Antique LA CA . The period followed Renaissance and preceded Rococo and Neoclassical styles. The movement exuberant...

Georges Braque (1882 Argenteuil - 1963 Paris) “L'Etang” from Lettera amorosa Lithograph in 3 colors, created in 1963 Printer: Mourlot, Paris 1963 numbered and signed by hand cop...

A beautiful vintage decorative Greek wall plate featuring mythological warriors and a Greek key border Greece, Mid-20th Century Hand painted terracotta V...

Antique Oil Painting Portrait of an Austrian Folksy Man, Vienna 1892 This painting depicts the portrait of a 19th-century Viennese man in his traditional costume. Shown in a three-q...

19th-Century Hand Study Fragment in an Ebonized Frame A compelling painted fragment created from an original 19th-century portrait, depicting the sitter's elegantly modeled hand ado...

A framed antique heraldic coat of arms coach panel dating to circa 1800. Painted in oils on wooden board, this painting captures an English family crest depicting a shield with a ce...

For your consideration, a fabulous abstract mid-century art. Dated 1962. Oil on canvas board, signed. Dimensions: Frame 26.75" H x 32.5" W x .75" D. Art 20" H x 24.25" W. Delive...

This is an intriguing decorative mid century oil on canvas abstract, in shades of soft sage green in a period wood frame with gold gilt edge. It is signed in the back on the frame, G...

Dramatically illustrating the legend that says that St. Martin of Tours used his sword to divide his cloak and share it with a naked beggar, this large and striking Art Deco painting depicts St. Martin riding a pale gray horse, with the beggar standing beside him, in the midst of a dark forest with starlit sky overhead. The two figures are accompanied by a running hound, and overhead a pair of geese...

20th Century Oil On Canvas Still life of Flowers Framed Good vibrant colour, presented in very good condition. Dimensions: H87/71.5 cm (with/without frame) W73.5/58 cm Please mes...

Antique Belgian Oil on Canvas Painting “Cows Grazing” by Xavier Wurth (1869-1933) reveals the artist’s remarkable sensitivity to light, perspective, and the natural beauty of the Bel...

A beautiful view of a street scene in Paris, France. This painting perfectly depicts life in Paris with its restaurants, busy streets, cafes, hotels, monuments, and wonderful archite...

In the style or School of the Important Old Master Guido Reni (Italian, 1575-1642). A stunning Old Master 18th or possibly 17th century Italian Baroque School religious portrait painting...

Modernist abstract painting circa 1960s by Worcester, Mass, born artist Phillip Callahan, (1918-1991). Callahan was a student at Boston’s School of the Museum of Fine Arts and the es...

Impressionist Washington D.C., a snowy winter day on the hill. The capital is covered in a blanket of soft snow as pedestrians head out for evening festivities and sightseeing. Light...

Moody pastel on paper by Edwin C. Siegfried, one of the top Pastelists of this period. This piece is titled “Moonlit Marsh”. Framed in a walnut stained wood with parcel gilt details....

Abstract Expressionist Oil on Canvas, Europe, 1960s. This mid-century painting is a vivid exploration of color and form, capturing the essence of abstract expressionism. The work sh...

"Monkeys on the Hudson" by Kevin Paulsen. Forest scene with playful monkeys, created over a three year period with pigment on plaster on polystyrene, in shadowbox frame.

A spectacular, monumental mid-century American Abstract Expressionist canvas by an artist signed "Evans," dated 1965. Measuring an impressive 5 feet by 5 feet, this large-scale "Act...

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

Original artwork. Titled 'Gongshi' (scholar's stone). Acrylic on canvas with torn / sculpted canvas with thin wood frame. From his Easy Edges line. The continuum of form, space and ...

"The Chaperone" by Kevin Paulsen. Large format "fragment" painting created with pigment and plaster on polystyrene, mounted in shadow box frame.

In this listing you will find an oil painting depicting a woman in a seating position, painted by a Yugoslav artist Uros Toskovic. Best known for his drawings, Uros Toskovic is a wel...

Black Joe Jackson (American, 1922 – 1997) Title: Dign Rootz Medium: Acrylic painting on board Signed: Signed to the lower right Introducing "Dign Rootz" - a stunning piece of folk a...

Painted by Dunbar Beck, one of America's most accomplished and successful muralists, this painting of a half-nude man floating over a succession of dancing couples below was one of a...

This evocative oil on canvas, signed and dated "W. H. Cox 1931," is the work of William Cox, an American artist whose paintings capture the romanticized grandeur of architectural and...

A haunting and poetic composition from artist Louis Shields, "Orpheus" is a limited edition archival print from the artist's 2018 Dancer Series. The original mixed-media painting on ...

Framed gouache painting on handmade paper by Caroline Rennequin. Flowers serie 2026 Caroline Rennequin is a Parisian multidisciplinary artist born in 1970, recognized for her work ...

Charming acrylic painting on canvas of a group of colorful figures in a tropical setting executed in a naive style. Signed Osnel in the lower right and presented in the original wood...

Linear abstract painting by Dutch artist Piet Franz features geometric blocks in blue, turquoise, yellow, gray, and tan tones. The composition demonstrates Franz's restrained approac...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

17th century Italian old master painting Madonna and Child with St. Anne and St. John the Baptist. Important Tuscan School Old Master painting in oil on a hand shaved wood panel. ...

Vellum Deitas is a contemporary satin gold resin wall sculpture depicting the suggestion of a female form beneath cascading, fabric-like drapery. Designed and produced by Katz Studio...

Oil Painting by Alexander Michael - 'Return to the Island', Lake Chiemsee The painting 'Return to the Island' from 1994 depicts a harbor scene on Lake Chiemsee, capturing a fleeting...

Antique Jeno Dukai Takach Oil Painting of Sheep in a Landscape.

A striking collection of eight original Mid-Century Modern Italian design studies by Anfossi, executed in watercolour and ink on paper.  Each composition captures the optimism and e...

Abstract oil on canvas painting, probably American, circa 1960s. Artist signed lower right. It measures 30"H x 36"W, framed. The canvas measures 17.5"H x 23.25"W.

A superb China Trade Watercolor on Pith Paper, mounted in a contemporary eglomise-and-decoupage frame. The frame is a green ground and gilt trellis design with decoupage seashells. The detailed painting of a Chinese Duck...

Nice original watercolor of a footbridge over a pond in Central Park NYC. Skyscrapers of the day in the background. In excellent vintage condition with minimal wear, needs a new mat....

A stunning oil painting on a canvas by the French artist Louis Cane, dated 1983. The painting is 130 x 104 cm and is namned "Picknick in the green". It is in excellent condition and ...

18th Century Head and Shoulders Portrait of a Lady, English School in the manner of Thomas Gainsborough, in old gilt wood frame with new back panel and glass.

Gilt framed oval pastel painting portrait of lady wearing blue dress and pearls

Bring rustic charm to your interior with this intimate and richly textured barnyard scene painted by Edmond van Coppenolle. Executed circa 1880, likely during the artist’s time in Fr...

Fabulous large painting, wall mural of the Chain Bridge in Budapest Hungary. 10 feet x 4 feet with all the trimmings that surrounds the Danube River. Bridge was mostly destroyed by f...

Original work by the renowned Norwegian painter Einar Granum (1920-1992), executed in oil on board. With an immersive composition and a subtly expressive color palette, this piece en...

A handsome Regency or early Victorian blue-eyed gentleman from the school of Sir Thomas Lawrence (1769-1830). The fashionably dressed young man sports a frock coat with a high collar...

An exquisite large-scale South Indian Pichwai painting on silk depicting a royal courtship scene with a nobleman presenting gifts to a woman am...

A 19th Century Grand Tour Watercolour of Pompeii. A distant view of Pompeii, taken on a hazy morning. Mount Vesuvius can be seen in the distance, o...

Pair of antique French 19th century oil on canvas provincial landscape paintings after "J. Vernet." In painted wood frames.

Hermès-style wall-mounted shelf with faux leather bracket made of painted metal. The shelf has been created in the style of Jacques Adnet, the iconic French designer of home goods ...

This is an original vintage Danish oil on plate painting of a rural landscape with houses and a clouded sky. The strokes of the painting is soft and expressive. The painting is by Danish artist Jacob...

A rare and magnificent example of a mural influenced by both the Arts & Crafts and Art Nouveau movements, this painting of a plumed knight on horseback...

This vintage Danish oil painting captures the serene beauty of an autumn forest scene. The warm tones of gold and orange leaves create a cozy, inviting atmosphere, while the path mea...

A vintage pair of framed prints inspired by the red-figure pottery of ancient Greece, dating to the mid-20th century. One depicts two armed warriors in profile, the other shows three...

Austrian Painting Portrait Of lady oil on canvas Signed Gustav Klimt Framed Art. Portrait of a beautiful woman with blue eyes and red lips in the Manner of Klimt . Work made in the distinctive style of the famous artist Gustav Klimt (July 14, 1862 - February 6, 1918) was an Austrian Symbolist painter and one of the most prominent founding members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. This painting is the perfect magic touch to a library, a bedroom wall, and living dining room. To decorate the wall on top of a console or credenza. In an entryway or On top of a fireplace mantel (fireplace). Antique Dealer Los Angeles CA West Hollywood Melrose Ave. La Cienega Blvd. Interior decor and Garden Landscape elements. Great Artwork for Collectors or as a decorative object for a housewarming gift idea. (Austrian, 1862-1918) Portrait of a lady oil on canvas signed lower center Gustav / Klimt Klimt was born in Baumgarten, near Vienna, the second of seven children, three boys and four girls. All three sons displayed artistic talent early on. His father, Ernst Klimt, formerly from Bohemia, was a gold engraver. Ernst married Anna Klimt (nee Finster), whose unrealized ambition was to be a musical performer. Klimt lived in poverty for most of his childhood, as work was scarce and the economy difficult for immigrants. Known for many beautiful artworks such as “the Kiss” “Apple Tree I” “Portrait Of Adele Block Bauer I” “The Tree of Life” “ The Maiden” “Water Serpents II” , Mother and Child, Lady with Fan, The Dancer etc. Gustav Klimt work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. He is best known for The Kiss and Portrait of Adele Bloch...