Upholstery Wall Decorations

Trada Wall Sculpture in Shou Sugi Ban Charred Oak and Leather by Madheke. Dimensions: W 75 x D 5 x H 75 cm. Materials: Traditional 18th-century Shou Sugi Ban charred oak, leather-wra...

A chromolithograph small male portrait with brass frame and convex glass protector, Victorian Edwardian period, late-19th century. A chromolithograph small portrait, mounted on a dec...

A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890. "Allegory of Youth" Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927). Each panel depicting different playful and joyous scenes of putti and cherubs. All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner. A truly magnificent and one of a kind piece, perfect for any room in the home. Overall: 101" high 85" wide x 5" deep Very good condition. Ready to place. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians. After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...

An exceptional vintage signed Brutalist abstract painting executed in a rich metallic palette of bronze, copper, black, and burnt orange. Thick impasto, layered textures, and express...

On offer on this occasion is one of the most stunning, hand painted upholstered safari panels and room divider you could hope to find. Outstanding design is exhibited throughout. Jus...

Perla Circle Wall Sculpture in Fabric and Wood by Madheke. Dimensions: W 116 x D 5 x H 117 cm. Materials: Recycled wooden beads hand-clad in vintage upcycled fabric, metal profile ed...

Perla Shaher Wall Sculpture in Fabric and Wood by Madheke. Dimensions: W 87 x D 5 x H 127.5 cm. Materials: Recycled wooden beads hand-clad in vintage upcycled fabric, metal profile e...

Perla Burst Wall Sculpture in Fabric and Wood by Madheke. Dimensions: W 110 x D 5 x H 130 cm. Materials: Recycled wooden beads hand-clad in vintage upcycled fabric, metal profile edg...

Perla Lakeer Wall Sculpture in Fabric and Wood by Madheke. Dimensions: W 128 x D 5 x H 87 cm. Materials: Recycled wooden beads hand-clad in vintage upcycled fabric, metal profile edg...

Perla Phool Wall Sculpture in Fabric and Wood by Madheke. Dimensions: W 116 x D 5 x H 117 cm. Materials: Recycled wooden beads hand-clad in vintage upcycled fabric, metal profile edg...

Certified Kimono Meister work / Certificate of Authenticity included. One-of-a-kind Japanese textile art made from vintage obi fabrics. Sustainable artwork for modern interiors, collectors, boutique hotels, and lovers of Japanese aesthetics. [Story behind the work] The art piece uses two sides - front and reverse - of the same kimono, to show beautiful sea surrounding Japan, in hues and in late sunset, as a timelapse. The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono. I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it? [Period / Story] The kimono used in this piece was originally crafted during the late Showa period (1960-80ies). [Explanation and meaning of pattern and colors] Sea waves, depicted in two color variations here, are a symbol of transience and Impermanence in Japanese culture. The ebb and flow of the tides, the ever-changing currents, and the relentless motion of the waves serve as reminders of the fleeting nature of life. This artwork featuring the sea convey themes of impermanence, reminding viewers to cherish the present moment and appreciate the beauty of life's fleeting moments. The theme of impermanence is strengthen by two colors of the sea - the lighter in early hues and the darker when the sun is just about to set in the sea. [About the frame] This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature. Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments. Paulownia wood is closely linked to kimono culture. During the Edo period (17th cent.~), it became customary to store cherished kimonos in paulownia chests...

A highly graphic Navajo weaving in fine original condition having a vivid palette.

Immerse yourself in artistic expression with this Vintage Boho Original Abstract Oil on Paper Series of 6, a testament to American creativity. Each piece exudes vibrant energy and in...