North African Wall Decorations

A beautiful antique North African Tuareg Sahara bag. Tribally hand crafted, dyed, embroidered, leather bag with long fringe. The Tuareg are Berber...

Mid century Moroccan Berber Kilim with a tribal design and nice colors with a yellow field color, entirely hand woven with silk and cotton.

Large Moroccan Silk Handmade Tassel Passementerie Curtain Tieback in Olive Green. A beautiful large Moroccan silver metal and silk handmade tassel pa...

A Hanging or Curtain for a Wedding Alcove or Reception Room Tetouan, Morocco 19th century Silk strip weave with double weave patterning 129 x 24 ins (61 x 328 cm) This luxurious, sh...

“Three Girls in Studio, Cairo” is a print of a Black and White photgraph by Youssef Nabil from 1993, hand-colored by the artist. Exhibition label at the verso states, that this print...

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel co...

- Hand-spun and hand-woven wool tapestry - 2020 Dimensions: 250 H x 145 W CM 98.4 H x 57 W IN MADE IN COLLABORATION WITH ODU WORKS EDITION OF 3 + 1 ARTIST’S PROOF WOOD FRAME BY EL...

Very pretty vintage Tunisian tapestry with beautiful childish design of the town, with beautiful colors, entirely hand woven with wool on cotton foundation. ✨✨✨ "Experience the epit...

Original vintage travel poster - Visit the Arab States - featuring illustrations of iconic architecture and ancient and historical monuments including the Pillars of the Temple of Ju...

Very beautiful mid century Egyptian tapestry probably from Wissa Wassef school, with beautiful native design and beautiful colors, entirely hand woven with wool on cotton foundation....

Remarkable 19th century watercolor on paper depicting a sunny day in french Algeria with figures, horses and a dog in the distinctive architecture. Presented under glass in a gilt wo...

All is Good Coming from Nature's Hands. JJR In Tunisia, I draw inspiration from its raw materials - earth, stone, fiber, bark, wool, wood - to re-enchant my disenchantment and introduce it into the home. To ensure my heritage endures, I collaborate with the artisans of La Fibre Artisanale, who draw on ancestral techniques while adapting to today's essential needs: Living better, simply, sustainably, and luxuriously Maintaining a connection with nature through vernacular culture Transforming everyday objects into works of art. The idea of the circular lace-like woven reed mat immediately reminded me of early cartographies and astrolabes, a scientific heritage I wanted to blend with this earthy rug. I added gold-painted islands. My randomly fixed ceramics punctuate the piece with epic adventures, which each client can reinvent like an imaginary Odyssey. " Meriem Bouderbala " The CHABKA Wall Deco Rug...

Kodak Tri-X film, fine art print on premium photo paper mounted on aluminum dibond, signed DeBerge. Photographer DeBerge documents the special in everyday life all over the world. H...

“Kaleido panels” were designed to break boundaries and rigid formalities, inviting us instead -through the distinct use of colors and shapes -into a world of playfulness. Inspired by...

Pretty vintage Egyptian woven tapestry, in style of Wissa Wassef school tapestries with beautiful childish design and nice colours, entirely hand woven with wool on cotton foundation.

Woman's Cover, Bakhnouk Berber people, Tunisia Early 20th century Wool, cotton, dyed after being woven Supplementary patterning 45"x 75 1/2" (92 x 115 cm)

Antique Moroccan Moorish Silk Textile Tapestry Wall Hanging Hiti Ottoman voided silk velvet wall covering. Silk velvet cut designs, light browns, yellow, cream and blue, the panel consist on two arches with Islamic floral designs. Antique textiles from early 1900s. Each arch panel is 62" height X 26"5 wide Antique silk...

Vintage pair of Moroccan wall brackets crafted in brass and metal in moorish form featuring open fretwork medallions set in hand hammered perforated panels.

1940's Moroccan Oil Painting

1920s Antique Moroccan Wall Bracket Inlaid with Mother-of-Pearl Moorish Wall Shelf. Handcrafted wall sconce with intricate hand-carved wood designs and inlaid mother of pearl hanging...

Vintage Islamic Moroccan tile with the Hand of Fatima, pair of Fishes and a Gazelle, the Hand of Fatima is here to protect against negative energy, fishes and the gazelle are to bring good energy for business and wealth homes. The Hand of Fatima, also known as the Hamsa, can indeed be adorned with various decorative elements, including fishes and gazelle designs. These additional motifs can carry their own symbic meanings, which can vary based on ctural and personal interpretations. 1) Fishes: In some interpretations, fishes can symbize fertility, abundance, and sustenance. In Christian symbism, fishes are associated with Jesus and his disciples. In the context of the Hand of Fatima, fishes cod signify blessings and prosperity. 2) Gazelle: Gazelles are often associated with grace, beauty, and swiftness. They can also represent a connection to nature and the natural world. The addition of a gazelle to the Hand of Fatima design might emphasize qualities such as protection, elegance, and harmony. When combined with the Hand of Fatima, these designs cod amplify the protective and positive energies associated with the symb itself. However, it's important to note that interpretations can vary widely depending on ctural backgrounds, religious beliefs, and personal associations. The final meaning wod timately depend on the intent of the wearer or the person displaying the symbs. A Hamsa is a hand-shaped amet which is found across North Africa, and is often seen in Arabic and Jewish jewellery...

Original 2000s re-release Egyptian B1 poster for the 1927 film Metropolis directed by Fritz Lang with Alfred Abel / Gustav Frohlich / Rudolf Klein-Rogge / Fritz Rasp. Very Good-Fine ...

American intra-war artist and illustrator Porter Woodruff (1894-1959). Arabian Horse scene, oil and gold leaf on board with chalky gouache. Signed Woodruff on lower right of painting. Signature somewhat obscured by frame. His Art Deco-influenced paintings are highly decorative and appealing, the compositions complex and well-thought out. The gold leaf background is decorative and elegant. His are rare Modernist paintings by an artist who found himself at the very heart of design, fashion and celebrity life in the early part of the century. Label at back for Pitt & Scott Ltd London - well known for its expertise in handling antiques, works of art and fragile artefacts. Dimensions: 11.5"h x 15.5"w (sight) 12.5"h x 17.5"w (frame) Porter Woodruff, was an illustrator artist and contributor to Vogue Magazine and Home & Garden (including covers for both). He was one of five artists stationed in Paris in 1923 for Vogue. Woodruff spent considerable time in Tunisia, North Africa, residing with his romantic partner, Romanian socialite George Sebastian. Sebastian owned a lavish, coastal property in then-trendy Hammamet, near Tunis on the Mediterranean. Sebastian fell in love with the simple beauty of the quiet fishing port of Hammamet and was the first of the international set of the times to build his villa there. He started a trend that has never ceased. Frank Lloyd Wright is said to have claimed Dar Sebastian to be ”the most beautiful house I have ever seen”. American and European intelligentsia and upper-crust were attracted to the area between the wars. The artists Cocteau, Elsa Schiaparelli, Paul Klee, Andre Gide, the Sitwells, and Cecil Beaton enjoyed visiting, partying, and undertaking what someone once described as indulging the opportunity to do 'some rather elaborate sinning'. Other visitors included Art Deco designer Jean-Michel Frank, Wallis Simpson, Somerset Maugham, and Greta Garbo, among others. The onset of war disrupted this scene and it never truly regained its former glory. Dar Sebastian was requisitioned by the 'Desert Fox', German General, Field Marshal Erwin Rommel...

Product Information Size: 72" X 31" Made of natural wool Colours: Black, Cream Comes with the wood frame "Already attached" Comes with 2 Large Sawtooth hangers "Already attached" De...

Beautiful Moroccan Hand Woven Flat Weave Rug or Carpet, Moroccan, early 20th Century. It measures an impressive 69" x 55.5. This piece was probabl...

Beautiful 20th century ( 1950s circa) Egyptian wall tapestry handmade in wool. It was hand knotted by the tribes of north africa in egypt. A na...

Moorish style, style Mauresque – 1995 French Edition by Miles Danby (Author), Nordine Haddad (Translator) Presenting images of the architecture and decorative arts of the Islamic w...

Impressive antique near eastern wall shelf crafted in walnut and featuring bone, mother of pearl, and ebony floral and geometric inlays, a gallery, balustrades, stick and ball finial...

Modern Abstract Oil Painting by Ahmed Yacoubi

Discover a charming piece of history with this exquisite vintage Egyptian tapestry. Adorned with a delightful childish design inspired by the...

Vintage Moroccan Moorish hand-hammered brass tray, intricate artwork, Metalwork brass repousse Moorish geometric designs with the star of Salomon in the center. Handcrafted decorati...

Original vintage travel poster for Morocco issued by the Moroccan Tourist Bureau Rabat featuring a great design of a shepherd with his flock of sheep next to grass on a lane by a small domed building, looking down from a tall building...

A magnificent wooden plaque from Egypt, designed to welcome the king as he passes by. The plaque features the symbol of the Egyptian kingdom, accompanied by the words "Long live the king...

This is a semi-antique pictorial Egyptian Kilim woven during the first quarter of the 20th century circa 1920 and measures 177 x 144CM in size. Its desi...

Large vintage Moroccan round brass tray, wall hanging decorative platter. Circa 1950s. Engraved and embossed large 38 inches round midcentury...

An exceptional and large pair of Islamic Middle Eastern ceramic tiles with Quran verses, 20th century. Each set with 35 ceramic tiles, measuring 6? x ...

Exquisite midcentury Egyptian tapestry, inspired by the Ramsès Wissa Wassef School Tapestries. Featuring a stunning nature-themed design with animals, birds, and fish, adorned with v...

Antique early 20th century Moroccan Kilim rug, with two central diamond medallions, made in simple flat-woven or tapestry technique, in which the pattern is produced by horizontal wefts that cover the vertical warps. The ground is a denim blue color with browns, greens, beiges, pinks and blues woven into the border decoration and diamond medallions. The desire for the ‘exotic’ rug family in Western culture played no small part in the entrance of Moroccan style to the world stage and the gradual western influence on the style we see today. Given their thinner, supple structure, Kilim rugs are usable not only as decorative floor covering, but also as wall hangings and on furniture or bed coverlets...

Tribal Moroccan Tapestry in mohair.

Fabulous very large handcrafted oval decorative brass tray. Very fine metalwork, hand-hammered & embossed with a floral pattern & center medallion with a fluted edge. Great to use on...

Abstract Painting Mixed Media in gray-white-rust-black by Hassan Bourkia Marrakesh 2008 Hassan Bourkia was born on December 19, 1956 in El Ksiba, near Beni Mellal. He is a writer, translator and visual artist. He has been teaching literature since 1982 and exhibiting in the main art galleries in Morocco and in various places abroad since the early 1990s. He recently participated in the Buenos Aires Biennial of Contemporary Art (Bienalsur), and his works are in several large private collections and museums. Hassan Bourkia has been exploring the field of memory for several years to speak about the drama of immigration and the suffering caused by the trauma of conflicts around the world. From his own life he draws the experience of an intimate apocalypse that leads him to work on collective wounds through archives and fragments. He lives and works between Beni Mellal and Marrakech. SOLO SHOWS « Splendeur de l’Incertain », Maison des jeunes, F.B.Salah, Maroc, Hommage au poète Abdallah RAJIAA. « La Nuit est aussi Soleil », Galerie Al Kassabah, Essaouira – Maroc, Travail sur Textes Mystiques. « Ivresse de la Terre », Galerie Vila Nova, Portugal. « L’Odyssée de la Terre », Galerie Al Manar, Casablanca, Maroc. « Terres d’Enfance… ici même) 1er Festival de : La Mémoire face à l’Oubli », Bibliothèque municipale, Béni Mellal – Maroc. « Chants de la Terre », Galerie Sanitas, Zurich – Suisse. « Être et…Illusion », Galerie Al Manar, Casablanca – Maroc. 1999 : « Mémoires Souterraines », Galerie Palacio D. Manuel, Evora – Portugal. 2000 : « Couleurs du Sud », Galerie Municipale, Payerne – Suisse. « Derniers Travaux », Galerie Wingy House, Solothurn – Suisse. 2001 : « Mémoires Souterraines 2 », Galerie Al Manar, Casablanca – Maroc. 2002 : « Mémoires Souterraines 3 », Bibliothèque Municipale, Béni Mellal – Maroc. 2003 : « Devenirs Vécus », Hommage à Mohamed Kacimi, Galerie Bleue, Marrakech – Maroc. 2006 : « Peindre l’air », Institut Français de Meknes, Meknes – Maroc. « Flammes et Cendres », Galerie Nationale Bab Rouah, Rabat – Maroc. « Flammes et cendres », l’Institut français de Marrakech, Maroc. 2008 : « Qana, ce jour – là », Galerie Noir sur Blanc, Marrakech – Maroc. 2007 : « Sur les cendres », Espace Souffle, Casablanca – Maroc. Galerie Venise Cadre, Casablanca – Maroc. 2011 : « L’Histoire ‘se- mêle’ », Villa Matisse, Marrakech – Maroc. 2013 : « Jardins Suspendus », Al Markhiya, Doha – Qatar. 2014 : « Couleurs des mots », Matisse Art Gallery, Casablanca – Maroc. 2019 : « Chemins croisés », Karla Osorio Art Galery, Bazilia – Brésil. 2020 : « Au noms des miens », Comptoir des Mines Galerie, Marrakech – Maroc. GROUP SHOWS 1985 : « Peintures », Bibliothèque Municipale, Béni Mellal – Maroc. 1989 : « Masques au Pluriel », Faculté des Lettres, Université Cadi Ayyad, Béni Mellal – Maroc. 1996 : « Itinérances : Art Contemporain Marocain », Université Toulouse Le Mirail – CIAM, Toulouse – France. « Plasticiens Marocains Exposent », Palais des Congrès, Marrakech- Maroc. « Itinérances, aux Portes de Marrakech », Galerie Bab Doukkala, Marrakech – Maroc. « Peintres d’Al Manar », Galerie Al Manar, Casablanca – Maroc. 1998 : « Poèmes de la Terre », 6ème Festival de la poésie Marocaine Moderne, Association Achouàla, Salé – Maroc. 2000 : « Partage », Galerie Bab Rouah, Journée Mondiale de la Poésie, Rabat – Maroc. « La Cinquième Saison », Borj Bab Marrakech, 2ème Édition Festival de Musique Gnaouie, Essaouira – Maroc. 2002 : Biennale d’Alexandrie de l’Art Arabe Contemporain, Alexandrie – Egypte. « L’Art comme Action », Société Marocaine des Droits de l’Homme, Dar el Mrini, Rabat – Maroc. 2003 : « À la Recherche de nos Atlas Secrets », Association AMRASH, Galerie ACTUA (BCM), Casablanca – Maroc. 2004 : « La semaine du Maroc », Palais de la culture, Abu Dhabi – Emirates Arabes Unies. « Petits Formats », Galerie Venise Cadre, Casablanca – Maroc. « À la Recherche de nos Atlas Secrets », Bab El Kebir, Rabat – Maroc. « Art contemporain Marocain », Salle de conférences, Hôtel de Ville, Aix En Provence – France. « La Grande Exposition Nationale des Arts Plastiques », Complexe Culturel, 1ère Édition, Cathédrale Sacré Cœur, Casablanca – Maroc. 2004 : « Terres, Mémoires, Nostalgies » Palais des arts, Lisbonne – Portugal. 2005 : EMAAR International Art Symposium, Dubai – Emirates Arabes Unies. Peintres Écrivains, 16? Congrès des Écrivains du Maroc, Théâtre Mohamed V, Rabat – Maroc. Galerie Al Maqâm, Hommage à Edmond Amran El Maleh, Tahannout, Marrakech – Maroc. Grande exposition nationale d’arts plastiques, Cathédrale sacré Cœur, 2? Édition, Casablanca – Maroc. La semaine culturelle du Maroc, Doha – Qatar. La Galerie Nationale, Lithographies, La semaine culturelle marocaine, Sao Paolo – Brésil. La Galerie Nationale, La semaine du Maroc, Mexico – Mexique. Journées Internationales du Désert, Association Tariq Bnou Ziad, Rissani – Maroc. Aspects, Galerie Mohamed El Fassi, Rabat – Maroc. Grande Exposition National, Cathédrale Sacré Cœur, Casablanca – Maroc. Exposition d’art plastique arabe, Rashaa, Jeddah – Arabie Saoudite. 2006 : Journée de la femme, Alliance Franco- Marocaine, Rabat – Maroc. L’Art Contemporain Marocain, Théâtre National, Bucarest – Roumanie. Académie des Arts, Centre Culturel et Artistique de Saba, Tehran – Iran. 2007 : « Sortir aux entrailles », Galerie Linéart, Tanger – Maroc. Hôtel de ville, salle Albert Camus, Cugnaux, Toulouse – France. Espace Fès Palace, La CDG, Fès – Maroc. Galerie Nationale, La semaine culturelle Marocaine, Alger – Algérie. « Convergences », La Société Générale Marocaine des Banques (Siège), Casablanca – Maroc. « L’art contemporain marocain », Galerie Chaabia, El Jadida (Maroc) ; Médiathèque Al Assad, Maison de la culture, Damas – Syrie. Salon d’Hiver, 1ère Biennal d’Art Marocain, Marrakech – Maroc. La Création Arabe Contemporaine ; Salle d’exposition Hôtel J.W. Mariott, Koweït City – Koweït. Loft Galerie, Casablanca – Maroc. Exposition Nationale, Galerie A. El Khatibi, El Jadida – Maroc. Forsight Gallery, Amman – Jordanie. « Zones sensibles », Association des Artistes Malgaches, Salle municipale des expositions, Monaco. Art Marrakech, Biennale internationale, Es Saadi Hôtel, Maroc. Venise Cadre, Casablanca – Maroc. Salle Nationale, Ouagadougou – Burkina Faso. 2011 : Seven, Galerie Agora, Marrakech – Maroc. Semaine de la culture Marocaine, Salle Nationale, Ouagadougou – Burkina Faso. Parcours Mobile, Hommage pour Edmond Amran El Maleh, Galerie 38, Casablanca – Maroc. Nature et paysage, La Société Générale, Casablanca. Hommage à Edmond Amran El Maleh, Bibliothèque Nationale, Rabat – Maroc. Marrakech Art Fair, 2ème Édition Marrakech – Maroc. Inspiring Morocco, Harold’s, London – Angleterre. Société Générale, Casablanca – Maroc. Top 25, Foire Internationale, Casablanca – Maroc. 2012 : Palais d’Expositions, Genève – Suisse. Regards Africains Croisés, Actua, Casablanca – Maroc. Espace d’Art Moderne, Assilah – Maroc. Bibliothèque Nationale, Las Palmas – Les îles Canaris. 5? Symposium de l’Art Moderne, Louxor – Egypte. Borj Bab Marrakech, Essaouira – Maroc. ArtSyriat, Institut du Monde Arabe, Paris – France. « 1000 sur Papiers », Galerie Bassamat, Casablanca – Maroc. « Sobre Paper », Galerie Antoni Pignol, Barcelone – Espagne. « Matière », Banque Al Maghrib, Rabat – Maroc. 5 Artistes pour Darna, Bab Marrakech, Essaouira – Maroc. L’art moderne marocain, Galerie Orfely, Amman – Jordanie. 2014 : Dessins, Petits Formats, Ambre Espace, Forum des Architectes, Casablanca – Maroc. Galerie Al-Alanda, Amman – Jordanie. Le Musée Mohamed VI de l’Art Moderne, Rabat – Maroc. 2015 : «Les Vertus de l Oiseau Solitaire», Hommage à Juan Goytisolo, Dar Chrifa, Marrakech – Maroc. Carte Blanche, CDG, Rabat – Maroc. Poésie et peinture, Hommage à A. Jouahri, Galerie Noir sur Blanc, Marrakech. 2016 : «Les Vertus…», La Maison Arabe, Séville – Espagne. Mail-Art, Hommage à Arthur Rimbaud, l’Ancien Tribunal, Florac – France. « Des Papiers et des Mains », Dar Chrifa, Marrakech. Al Makan d’Art Actuel, Gafsa – Tunisie. Mail-Art, Ambre Espace, Casablanca. 2017 : Art Moderne en Méditerranée, Maison Sébastian, Hammamat – Tunisie. Art Moderne Arabe, 1ère Edition, Qatara, Doha – Qatar. Espace d Art, Banque Cairo – amman, Amman – Jordanie. Art Moderne Arabe, Union des Artistes, Koweit – Koweit. Sculpture au Jardin des Arts, Marrakech. 2018 : « Traversées » Comptoir des Mines Galerie, Marrakech, Maroc. « Mare Nostrum », Comptoir des Mines Galerie, Marrakech. 2019 : « Poésies Africaines », Comptoir des Mines Galerie, Marrakech – Maroc. Maison Sébastian, Hammamat – Tunisie. Bab El Madina, Tunis – Tunisie. Maacal (Musée Al Maaden), Materials insanity, 2ème Édition International African Art Fair, Marrakech – Maroc. Salon du Maroc, Abu Dhabi – Emirates Arabes Unies. Bibliothèque des Emigrés, Musée de l Emigration, Buenos Aires – Argentine. 2? Biennale Internationale Art et Désigne, Brazilia – Brésil. 2020 : « Distance Ardente », Africa 2020, Musée Régional d’Art Contemporain, Occitanie – France. Art Contemporain en Amérique Latine, 1ère Biennale, Sao Paolo – Brésil. PUBLICATIONS Depuis 1982, publications de plusieurs articles (philosophiques et littéraires) dans différents journaux et magazines marocains et internationaux : Al Karmal, Al Quds, Horizons Maghrébins, Mediterraniènnes, La Revue Française, La Pensée Arabe Contemporaine, Arabes et Pensée Universelle. 1994 : « Le gai Savoir », F. Nietzsche (co-traduction, avec Mohamed Ennaji), édition Afrique Orient, Casablanca – Maroc. 1996 : « Crépuscule des Idoles », F. Nietzsche, (co-traduction/ Ennaji), édition Afrique Orient, Casablanca – Maroc. « Abner Abounour », Edmond Amran El Maleh, Récits (traduction), éd. Afrique Orient, Casablanca – Maroc. 2000 : « Dounia Hanya », succession narrative, Édition Afrique Orient, Casablanca – Maroc. Dont quelques nouvelles étaient traduites et éditées dans la Revue Française. « Le Gai Savoir », 2ème Édition, Afrique Orient, Beyrouth – Liban. « Éclat de l’écriture », essais critique sur l’art, la poésie et le roman marocains, Édition Le Suprême Congrès de la Culture, Le Caire – Egypte. 2001 : « Le Retour d’Abou El Haki », Edmond Amran El Maleh, Roman, éd. Afrique Orient, Casablanca – Maroc. 2002 : « Du Texte à l’Action, Essais d’Herméneutique », Paul Ricoeur, (co-traduction avec Mohamed Berrada), Édition Ein For Human and Social Studies, Caire – Egypte. 2004 : « Le Livre de la mère » Edmond Amran El Maleh (traduction), Édition Luxous, Tanger – Maroc. « Le Fond de la Jarre » Abdelatif Laabi, (traduction). 2005 : « L’empire de doute : Autour de l’œuvre de Juan Goytisolo », co-éd. Ministère de la culture, Rabat – Maroc. 2006 : « Par Delà le Bien et le Mal », F. Nietzsche (Traduction), éd. Afr. Orient, Casablanca – Maroc. « Morceaux de choix...

Early 20th century blue Moroccan Ceramic plate hand made in Fez. Handcrafted and glazed decorative ceramic bowl from Fez, Morocco. Featuring an elaborate hand-painted Moorish pattern...

Moroccan wall hanging, hiti with red and gold moorish arches. Moroccan vintage textile in gold and red, could be used both sides. Great Moorish traditional geometric Fez design with arches. Ideal to frame it or to use it as a wall hanging. Hiti (hiti, hayti, from the Arabic hayt, ‘a wall’) is a form of wall hanging found in Morocco and sometimes in other parts of North Africa. Essentially, which is used to decorate the walls behind the divans that line meeting halls (majlis) on ceremonial occasions, especially weddings. A hiti is normally composed of a series of panels, each with a design in the shape of an arch (qus). Above the arches there is a band with one or two rows of geometric patterns reminiscent of a balustrade. Hence the production of these costly hitis was allegedly supervised by the local guild of leather workers...

Wonderful group of 6 colorful pages of a 19th century North African prayer book with expressive calligraphic script in black ink with red, green and yellow highlights. These are trul...

Hand crafted iron scroll design wall bracket. Wrought iron handcrafted wall-bracket for lanterns or signs. Perfect for hanging lights or plants outdoors. Scrolling wall...

Primitive and dramatic Moroccan rug with modern taste : to put on wall, as an artwork. No comment: the colors and the drawing expresses a remarkable creative force (nr. 106 C.P. pri...

Moroccan Orientalist oil on canvas painting of a 19th century Moroccan market scene with an old men seating on a carpet selling old coins and a Moorish...

A beautiful vintage Moroccan Moorish wall shelf or spice rack. The Moroccan shelf is beautifully hand painted in vibrant orange with multi-color design ...

Original vintage travel poster for Morocco issued by The Moroccan Tourist Bureau Rabat featuring a great image depicting a shell on a sandy beach by the sparkling sea water and a per...

This is an antique Egyptian textile woven during the first quarter of the 20th century circa 1920s and measures 184 x 90cm in size. this textile depicts ...

Antique hand-painted and handcrafted Moroccan ceramic bowl or wall art decorative plate, Large Moroccan ceramic bowl handcrafted in Fez by artisans. Hand painted Moorish ceramic pla...

1990s Moroccan hand-stitched raffia fabric with geometrical shapes.

The CHABKA wall deco rug is an eco-friendly spider web mat made from natural palm fibers. The CHABKA mat offers a unique combination of style and durability. The spider web shape adds a creative touch to any room, while the palm fiber provides long-lasting resistance to stains and wear. Palm fiber is also naturally hypoallergenic, making it an ideal choice for allergy sufferers. In addition, palm fiber mats are often easier to maintain than wool or cotton mats...

One of a kind Christmas stockings. These Christmas stocking were made using a vintage Moroccan Berber rug. The front is 100% pure luxurious hand-spun wool, the backing is cotton. So...

A rare find this 19th century green velvet and goldthread ceremonial jewish cape, from Morocco.

Message From Space 1978 Egyptian film movie poster Egyptian film poster for Japanese Star Wars take-off Uchu kara no messeji (Message from Spac...

Handcrafted Moroccan hand-painted glazed ceramic plate with a yellow background and adorned with geometric black Moorish designs. Signed in the back in Arabic “Safi", which is the ci...

These fine mid 18th century orientalist hand coloured engravings with full margins, were originally drawn in 1737 by Frederik Ludvig Norden, then engraved & printed by Markus Tuscher in 1743 & 1744. Frederik Ludvig Norden (1708-1742) was a Danish naval officer, cartographer & archaeologist who travelled down the Nile through Egypt into the Sudan during the years 1737-1738. The account of his travels 'Voyage d' Egypt et de Nubie' was published over a decade after his death, along with these & other engravings of his drawings by Markus Tuscher (1705-1751). These plates are considered to be the earliest & most significant illustrations drawn prior to Dominique Vivant Denon...