Painted Wall Decorations

Striking pair of acrylic paintings on canvas of traditional Peruvian figures executed in a modernist minimalist folk style. Signed Roberto Benites and presented in wood frames.

19th century American Portrait of Joseph Stringham (1776-1834) Oil on Canvas Later Giltwood Frame Presenting an exquisite 19th-century ...

'Freedom Warriors on Horseback' by Purvis Young USA, circa 1980s Purvis Young,'Freedom Warriors on Horseback, a large work painted on air handler...

Produced by the preeminent John Frederick Herring Jr., this oil on canvas painting, “Horses, Ducks, and Roosters,” depicts a pastoral scene characteristic of Victorian nostalgia. Fol...

Hand painted porcelain plates signed and numbered by well knowned Artists Manufactured by Charles Fields Haviland. Each work of Art sign...

Late 19th Century Oil on Canvas Landscape signed by artist William KIng Amsden 29.75w x 2d x 26h SKU 6-831 TARA

This large original vintage oil painting, from around 1970, shows a peaceful countryside village with cottages, a church and horses beside a waterway. The warm earth tones create a b...

Mid-19th Century Fork Art painting of a farm, from Denmark or Southern Sweden, Skåne. Vibrant, impressive artwork to feature alone on a wall or create a gallery wall. Signed but ille...

Deboah Hiatt, born in 1953 in Bethlehem, Pennsylvania, died in 2013 in Scottsdale, Arizona, was a renown painter of Southwest and Pueblo Indian imagery. She frequently visited Pueblos and Cliff dwellings, finding a continuing source of inspiration in living history of ceremonial dances, powwows, and traditional way of life. Her paintings celebrated Native-American society with profound sense of serenity and spirituality conveyed through respectful interpretation of the subject and careful, thoughtful choices of colors. Hiatt majored in the visual arts and art history at Moore College of Arts in Philadelphia; she was a member of Arizona Artists Guild, Arizona Watercolor Association, and associate member of American Watercolor Society. She painted in many mediums, including acrylic and oil on canvas, watercolor, and mixed media. The painting measures 48in by 36in by 1.5in. It is signed by the artist in lower left corner "Deborah Hiatt...

A dark-green, purple vintage Mid-Century Modern French abstract oil on wood painting, painted by Daniel Clesse in good condition. Signed on the lower right. Wear consistent with age ...

Impressionist New York City peaceful Central Park Boathouse scene depicting fully bloomed trees with pedestrians and sail boats enjoying a leisurely day. Birds flying high above the ...

From our Hand-Painted Furniture Collection, we are pleased to introduce you to our Moro Screen. Did you know that a group of butterflies is called a "Kaleidoscope"? The name comes ...

French three panel decorative painted canvas folding screen with dogs playing in landscape scenes, perched musical monkeys, and foliage motif. Early 19th century.

Framed vintage French painter's Etienette Johan pastel technique painting on paper. Consisting of several panthers ir different poses and variuos motio...

Florentine G. Ugolini Gilt framed still life hand cut natural stone and marble mosaic wall hanging. Featuring a handmade rounded rectangular, intricately detailed still life scene (P...

WILLIAM SARTAIN American, 1843-1924 "In the Valley of the Oise" 21" H x 1 5/8" D x 27" W (frame) 18" H x 24" W (canvas) Oil on canvas, signed lower right W. SARTAIN reverse title...

Set of watercolor hand-painted botanical prints most likely created in the mid to late 1700s. Some of the descriptions are written in Latin and Greek and accompany absolutely stunnin...

The painting is H 5.25 x W 4 Lands cape with female character in a peaceful garden

This striking vintage Balinese Kamasan painting, rendered on handwoven cotton, beautifully captures the timeless elegance of classical Wayang-style st...

Oil on canvas painting in the style of Mark Rothko depicting a color field in mostly warm tones. Unsigned. Mounted in a gilt wooden frame. Excellent condition.

A very lovely painting of a Scandinavian manor house interior on a bright summer's day with a period room showing furniture and accessories from the late 1...

Decorative pair of English maritime engravings after celebrated marine artists of the 19th century, each hand-colored and presented in complementary silvered frames with cream mats u...

A quietly evocative drawing by Knud Erik Larsen, capturing a tender, everyday moment between a seated mother and child. Executed in soft graphite or charcoal, the work demonstrates t...

Beautiful oil on panel from the Italian school of the 18th century representing a faun trying to seduce a half-naked nymph, behind them a man seems to hav...

Black and white wall sculpture panel handmade in Italy by Cupioli. Subject: "Capricci Musicanti" This exquisite bas-relief panel is part of our exclusive collection of six unique ...

Framed signed Daude Vintage Mid-Century Oil Painting Cityscape French Girl with Black Hair Brown Eyes Green Coat. Circa 1960’s oil painting on canvas depicting a young girl with jet ...

Powerful and terrifying, this late 1930s painting by Jules Karl Rauschert constitutes a condemnation of the Axis powers that were drawing much of the world into genocide, mass suffer...

A charming early 20th-century oil on canvas depicting a Mediterranean hillside scene with cypress and blossoming trees, red-roofed villas, and distant mountains under a soft blue sky...

Giuseppe Casciaro, Ischia, 1929. Giuseppe Casciaro (1861-1941) Amalfi coast landscape with watchtower on the island of Ischia. Pastel and gouache on card. Signed and dated 19 Feb VII...

Mid-century Overscale Abstract Beach Scene Oil Painting, Signed, 1962 Offered for sale is a bold and vibrant oversized abstract oil painting on canvas depicting three figures at the...

Elegant hand-watercoloured print representing the herbaceous biennial plant Anthriscus sylvestris, known as cow parsley, painted with notes of antique rose and light blue color shade...

Large 1950s oil painted scenery panel. Feels never ending summer in provincial France. H 164cm x W 74cm x D 5cm

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

An especially fine example of high style Art Deco design and painting in 1920s Sweden, this depiction of a fashionable woman wearing a dress enriched with stylized flowers was painte...

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field” By John Linnell 1874 / Oil on Canvas / 1792-1882 / English . SIGNED and DATED at the...

Oil painting on artist board - portrait of a bare chested young man in forest - set in a contemporary silver leaf wood frame. Signed bottom right corner - A. Fein '52. Framed measure...

Richly executed in a deep palette of green, red and black, this striking portrait of a male youth in a yellow plaid swimsuit was painted at the end of World War II by Paul Cocagne, o...

Robert Loughlin (1949-2011), picker to the stars (Andy Warhol, Jean-Michel Basquiat) and an 'outsider' artist extraordinaire, repurposed found objects, (furniture, cardboard boxes, o...

A finely executed mid-19th-century British sporting engraving titled, “Butterfly,” engraved by Edward Hacker (1813–1905) after the distinguished equestrian painter Harry Hall of Newm...

Extra-large art print of a Japanese "KAGA" vase. Printed by hand on engraving paper with an antique star press. Completely hand-coloured by our skille...

An important and truly exceptional 18th century Cuzco School (Spanish School, Peru) Oil on Canvas of Pope Gregory XIII. Attributed to Marcos Zapata or Marcos Sapaca Inca. (Cuzco, Pe...

Here is a lively and whimsical collage on board by the San Francisco Bay Artist, Jean Varda. Varda is known for combining figurative, surrealist and abstract influences to make colla...

Vintage original still life oil on canvas painting features a bouquet of flowers in vase. Dark, almost monochromatic background emphasizes the bright, rich, vibrant colors of the flo...

A large French 19th century oil on canvas (laid down on a masonite) "Les progrès de l'amour dans le cœur d'une jeune fille" The Progress of Love: The Lover Crowned, after Jean-Honoré...

A pair of antique red painted terracotta neoclassical plaques by Danish 19th century artist, Peter Ipsen (stamped). Both plaques are of a similar scale and theme, depicting differen...

captivating vintage abstract painting, a beautiful example of mid-century modern artistry. This original piece boasts incredible texture and a soothing palette of blues, whites, and ...

Singular decorative wall installation composed of fifteen antique jar openers, each made with a red-painted wooden handle and an adjustable metal ring. Originally conceived as kitche...

Vintage framed oil painting on canvas, 1970. Depicts a woman with pill, standing in a moonlit landscape. Signed with R.Boutens, 70. Dimensions: 108 W x 88 H x 3.5 D cm.

Exceptional Early 1960s Abstract Impressionist Painting on Canvas ( Frame: 15.75"H x 15.5"W - Art: 12"H x 11.625"W ) By Robert Natkin. This piece was painted before Natkin began to use...

A rare example of an Irish Painting Watercolour over Pencil (under glass) by renowned Irish Artist Edward Hayes mid Nineteenth Century, complete with an exceptional heavy duty Giltwo...

Nice vintage French screen printed by hand tapestry with beautiful medieval design and beautiful colors. Discover a stunning mid-20th-century tapestry, meticulously hand-printed on a...

Celebrate the timeless beauty of florals with this refined 19th-century French still life painting, rendered in oil on canvas and presented in its original carved and giltwood frame....

Set di due bozzetti di moda inizi 1900 di probabile provenienza francese, raffiguranti eleganti dame a passeggio. I due schizzi sono disegnati a china ed acquerello su carta con de...

A color-rich reimagining of the mythological tale of Ceres, the Goddess of fertility and agriculture, this marvelous Art Deco painting shows a modern Ceres holding a pineapple in one...

Original vintage mid century maritime oil on canvas Danish painting by Alfred Brændgaard (1901-) framed in a wooden frame. The motive shows a seaside small harbour with fishing boat...

A Portuguese blue and white wall painting depicts two sailing ships at sea. The ceramic tile wall ornament is framed with shells and captain’s ...

This beautifully executed mixed-media painting by Boris Talberg (or Thalberg) was clearly executed in preparation for one of the artist's most famous works -- "The Gymnasts...

Decorate a wall with this large and colorful oil on canvas painting. Painted in Paris circa 1970 and set in a thick carved gilt frame, the artwork beautifully captures the vibrant at...

A highly decorative late 18th-century Dutch or Northern European School flower still life, painted in oil on a chamfered oak panel. The composition follows the Dutch still-life trad...

Large Scale Curtis Jere music notes wall sculpture. Very nice vintage condition. Circa 1991. Hung above the fireplace in the living room of the HBO Sh...