Fairfield County - Sculptures

Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...

FUTURA SUSPENDED Santiago Medina ITALIAN STAINLESS STEEL 68 x 5 x 2 IN Edition of 5 All sculptures are made with the highest quality Italian stainless steel available and imported f...

Suspended Italian stainless steel This sculpture will be shipped directly from the artist's studio. All sculptures are made with the highest quality Italian stainless steel availab...

Marine outdoor Italian stainless steel. From this edition, there is one in the permanent collection of the CES University Museum in Columbia. This sculpture will be shipped directl...

ZEN SUSPENDED Santiago Medina ITALIAN STAINLESS STEEL 71 x 5.5 x 4.5 in Edition of 5 All sculptures are made with the highest quality Italian stainless steel available and imported ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Series: Neon 24" x 24" x 13.75" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

Dreamer Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 51 x 13 x 12 in "I am an artist, a sculptor...

"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018. This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...

Materials: Handmade paper, paper string, wax After working as a textile artist for nearly two decades, in 1998, Iwasaki began making both baskets and her own paper. In 2000, her new...

Record, woven linen, cotton cord, 102" x 27", 2020. This abstract, geometric woven textile wall sculpture is by contemporary American fiber artist, Blair Tate. "In weaving there i...

This framed gestural work is by Donald Martiny. This signature piece is composed of enamel and polymer paint, cardboard, aluminum and wood on wood panel. He creates immediately froze...

Edition of 3 Acrylic resin with automotive paint In his latest series, A.I. Apocalypse: Seductive Takeover, Nelson addresses anxieties about the emergence of artificial intelligence...

Lithoid #66 This minimalist Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavi mythology. I...

Edition of 3, + 2 Artist Proofs. Last one left (AP2). American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten trying y...

Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...

"Cobalt Haze" Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 15" x 33.5" x 1.5", 2010 This colorful contemporary abstract tapestry was is by Br...

Edition of 9 Measurements in include black steel base. The Greek playwright (and so-called Father of Tragedy) Aeschylus was warned by the Oracle of Delphi that he would be struck d...

Béla Bartók, Hungarian composer and pianist, is considered to be one of the most important composers of the 20th century. Conceived in 1947 while Wein was in Rome after having been a...

Circle, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 87" x 63" (1976) by Czech textile artist, Jan Jladik, (192...

Humphris is a highly acclaimed American sculptor and created a large body of work of Western subject matter, particularly of the American Indian so rare to get a soldier. He did liv...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Black is one in a three part series. “In the ref...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Red is one in a three part series. “In the refin...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

bronze on marble base Edition of 10

These sculptures are automatic room changers. They bring playfulness, sophistication and a slightly more structured "Calder type" Contemporary classiness to an environment. Kinetic ...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

Represented by George Billis Gallery. Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from ...

This Art Deco stylized work is by one of America's greatest sculptors. This is a wonderful and unique depiction of Motherhood different than a mother cradling a single child, here w...

This beautiful blue and white dimensional butterfly piece is made of wood panel, butterflies, acrylics and bioresins. The artist, Kristina Grace, re...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

This blue work is by Korean artist, Jaena Kwon. Her dimensional relief work is concerned with painting components and how painting space is constructed. She treats painting as an ima...

Shaped aluminum with stainless steel centers, powder coated, mounted on polished stainless steel base. Sultan, an internationally recognized artist who rose to prominence in the lat...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Series: Neon 40" x 30" x 7.5" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of t...

Goethe was a well recognized and lauded sculptor in wood in American in the mide 20th century coming forward. He is in many museums and had an active exhibition history while aliv...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Angela Lane’s three-dimensional abstract works are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit of ...

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as well as a BFA from Kansas City Art Institute (1983). Trained first as an historian, historical pots have always had an influence on her work. That influence includes Chinese Sung ware...

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as wel...

In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

This three dimensional floral piece is gray, white and clear resins with gold acrylics on wood panel. The artist, Kristina Grace, resides and draws inspiration from the Southern Cali...

A figure with his hand over his heart, looking upwards. Edition of 9

Chevy Black and Ford green on fiberglass. Edition of 6.

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as well as a BFA from Kansas City Art Institute (1983). Trained first as an historian, historical pots have always had an influence on her work. That influence includes Chinese Sung ware...

Traces, sisal and hand spun wool, 108" x 42", 1979. This large, figurative, mid-century modern tapestry was done by Polish textile artist, Lilla Kulka...

The constructions Masako Yoshida envisions are built by interlacing sheets of walnut bark with string made of nettle. 

Sculpture of children gathered around a dog.

Alice Federico was born in Selma, Alabama in 1945. She received a BA degree in history from Hollins University (1967), an MFA in ceramics from East Carolina University (1977), as wel...

15 feet X 8 feet X 5 feet Machined aluminum John Raymond Henry (1943-2022) is an internationally renowned sculptor. Since 1971, Henry produced many...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...