Recognized Dealers Clocks

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture ...

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

Antique French Belle Époque Rococo style bracket clock by Henry Dasson French, 1882 Measures: Total height 136cm Clock height 86cm, width 37cm, depth...

This three-piece brass clock set is wonderfully designed to look like a collection of Christian church bells. The mantel clock features a bell-shaped b...

Rococo style gilt bronze mounted porcelain clock garniture French, late 19th century Measures: Clock: Height 38cm, width 27cm, depth 13...

Gilt bronze and Sèvres style porcelain clock garniture French, 19th century Measures: Clock height 46cm, width 29cm, depth 24c...

French gilt bronze and faience clock set in the chinoiserie style French, late 19th century Clock: Height 52cm, width 43cm, depth 18cm Candelabra: Height 53cm, width 26cm, depth 1...

French neoclassical malachite and gilt bronze mantel clock French, circa 1830 Measures: Height 51cm, width 33cm, depth 14cm This mantel ...

Byzantine style gilt bronze and champlevé enamel clock garniture by Raingo Frères French, late 19th century Measures: Clock: Height 55cm, width 34cm, depth 25cm Candelabra: Height 67cm, width 31cm, depth 28cm The present clock set is by Raingo Frères, one of nineteenth-century France’s leading producers of luxury clocks...

French Empire gilt bronze clock French, early 19th century Measures: Height 38cm, width 27cm, depth 10cm This fine gilt bronze man...

Comprising a central clock and a pair of flanking candelabra, the ormolu clock with circular dial and roman numbers signed 'F. Barbedienne', decorated with foliate scrolls and shells, surmounted by a putto, the pair of flanking three light candelabra similarly decorated on scrolling feet. The elegance of this beautiful antique ormolu clock...

A lovely and attractive English trunk dial clock made c. 1840. The mahogany veneered case is of an original design with slightly shaped sides to the trunk and a Sheraton-like she...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

Chan Chiao Chun Wall clock model "Day 24 - Do you remember sunshine on that day" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gal...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

Neoclassical 18th Century ormolu and marble lyre clock French, Louis XVI period Height 64m, width 27cm, depth 12cm This exquisite mantel clock was ...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

This charming antique French mantel clock is crafted by famous French maker, Alfred Beurdeley (1847-1919). The work is rendered in the eleg...

This fine and unusual mantel clock is a rare model produced in France for the British market. The case incorporates a finely cast and chased figure of a lady in medieval dress, almos...

Gilt bronze and hardstone inlay Napoleon III period clock set by Barbedienne French, 19th century Measures: Clock: Height 50cm, width 23cm, depth 16c...

France, circa 1870 Gilded and patinated bronze, modern marble base. Signed « Fratin » on the bronze base This beautiful elephant clock was made in the 19th century by the Animalier ...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

A Fine Louis XVI Style Gilt-Bronze and Sèvres Porcelain Mounted Cartel Clock and Aneroid Barometer En Suite, After the Models by Martinout and Passemant. The clock having a circula...

This delicate table clock features a surmounting design of silver foliate and flowers, which are mounted with precious stones. Held centrally within the sil...

This fine neoclassical style mantel clock will make a sumptuous addition to a grand room, or could be given as a unique gift to a loved one. The clock is the work of Ernest Royer, an...

This fantastic porcelain clock garniture contains three vases, one of which has been mounted with a ormolu clock dial with jewels surrounding it. The vases are decorated in the style of the Sèvres Porcelain manufacturers, with cartouches to the front and back. The panels on the front depict ladies and putti in a landscape, while the reverse sides depict riverbanks. The vases are set on ormolu bases with canted angles, and feature twin ormolu handles which take the form of masks. The central vase is surmounted by an ormolu putti...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

Louis XV style gilt bronze mounted tortoiseshell bracket clock by Gros French, circa 1860 Measures: Clock height 90cm, width 52cm, depth 30cm Bracket height 44cm, width 55cm, dept...

French neoclassical style bronze and marble three-piece clock set French, 19th century Clock: Height 38cm, width 50cm, depth 15cm Candelabra: Height 62cm, width 27cm, depth 20cm ...

A Regence Style Gilt-Bronze and Boulle Marquetry Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. The eight-day twin-train movement, striking on a bell. The dial with a porcelain cartouche inscribed ‘Thuret a Paris’. The movement stamped Etienne Maxant and ‘12775: 8.1 EM’. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved Arabic seconds and polished steel hands. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes...

This majestic three-piece clock set is truly a sight to behold, and features beautifully contrasting rouge marble, gilt bronze and glittering jewels. The set comprises a central cloc...

This stunning gilt bronze clock and barometer pair was created in circa 1860 in France. The two have been attributed to Raingo Frères, the prestigious, ...

Antique French eclectic style enamel and gilt bronze clock set French, late 19th century Measures: Clock: Height 41cm, width 30cm, depth 15cm Candelabra: Height 36cm, width 17cm, depth 17cm This gilt bronze and enamel garniture contains a mantel clock and a pair of candelabra, all designed in the charming Belle Époque manner. The mantel clock, supported by a flat gilt bronze base, is constituted of a central plinth surmounted by a cylindrical clock...

This clock set contains a mantel clock and a pair of candelabra. Unusually, the clock and candelabra are constructed entirely of gilt bronze. The bronze dial of the mantel clock is i...

This gilt bronze mounted mantel clock is formed about a beautiful sky-blue, parcel gilt Sèvres style porcelain vase. The enamel dial is mounted within a gilt bronze drum that is drap...

A Napoléon III Marble Mantle Clock With A Patinated Bronze Figure of 'Phryné' by James Pradier. France, Circa 1860. Surmounted by a finely cast pa...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

A mantle clock in the Louis XVI taste by Raingo Freres, Paris Constructed in gilt bronze, and dressed with Bleu Celeste framed porcelain panels, decorated in polychromes, in the '...

This wonderful mantel clock is designed in the image of an ancient Roman ruin. The clock is clearly inspired by the kind of prints, paintings and drawings of dilapidated Roman buildi...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

A gilt bronze and blue lapis lazuli clock with bust of Molière French, circa 1830 Measures: Height 61cm, width 27cm, depth 13cm This exquisite French mantel clock originates fr...

A lovely late George III single pad ebonized eight-day, twin fusee table clock with original verge escapement and rack striking by O. Hamley, circa 1800-1815. The moulded single pad ebonized domed top case with original carrying handle is raised on all four of its original ogee bracket feet onto a detailed base moulding. Gilt-brass sound frets adorn the sides and front in a 'fish scale' pattern backed with bright burgundy silk. The enameled white dial displays Roman numerals, minute and quarter-hour markers housed inside a gilt-brass bezel and domed glass, signed Hamley, Warwick Place, London. The clock features a strike/silent switch on the front dial and a repeat to the right-hand-side. The backplate has border engraving and a short pendulum. Date: 1800-1815 O. Hamley is recorded in Loomes (2006) as being active, circa 1811. He also worked at Bedford Row...

This mantel clock dates from the period of Charles X and is crafted from gilt bronze with a later lapis lazuli veneer. The clock body is columnar in form, having a rectangular profil...

This splendid neoclassical style French mantel clock is beautifully crafted in ormolu and porcelain decorated in the Sevres style. 'ER', the mark of French clockmaker Ernest Royer, active in the later 19th Century, is stamped on the underside of the ormolu mounts. There are three Sevres style porcelain plaques in total, all set on turquoise ground: the plaque to the front of the clock depicts a cherub and a nymph as well as containing the clock face with Roman numerals. The two sides of the clock case feature further porcelain plaques, which portray Neptune, Aurora and mermaids. The rectangular ormolu clock case is surmounted by a putto with a dog. There is a neoclassical pilaster...

Each in the form of a ship's wheel with 2.5 inch silvered dial, contained in cases, one with seven turned banded agate handles, the other with eight banded agate handles, each on ova...

An austere face, halfway between ancient and modern, strong and fragile. Giotto by Alessandro Mendini is a winged lord who is destined to hold our gaze. A psychic being whose narrow ...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1957, Fulvio Bianconi and Paolo Venini captured time and shaped it into Clessidr...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Amber Yellow/Light Pink/Violet Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

A Large Gilt-Bronze and Sèvres Style Cobalt Blue Ground Porcelain Three-Piece Clock Garniture. Comprising a mantle clock and a pair of vases and covers. The mantel clock modelled w...

A clock garniture in the Louis XVI Manner By Le Roy et Fils The ormolu clock case and accompanying candelabra dressed with blue 'Sevres' style hand ...

19th century French gilt bronze and marble figural clock garniture set in the manner of Rollin of Paris depicting a pair of putti playing on naturalistic base raised on oval, white s...

Chan Chiao Chun Wall clock model "Day 33 -You show me the bright" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eidhoven,...

An exceptional gilt bronze mounted cut-brass and tortoiseshell-Inlaid ‘Boulle’ Cartel Clock and Barometer Set. French, circa 1890. Each surm...

This beautiful clock was made out of porcelain and gilded bronze during Napoleon III period. The porcelain dial indicates the hours with Roman numerals. It is decorated with gilded r...

A large and important Louis XVI style carved giltwood clock and barometer set. Each with circular enamel dials, the clock with Roman and Arabic numerals and pierced scrolled hands. The companion barometer with indications for the weather and inscribed 'BAROMÈTRE / SELON TORRICELLI...

Very decorative and fine rococo longcase clock by the renowned clockmaker Petter Södermann Stockholm (1740-1813). Finely carved case with scroll and shellwork gilded and painted in a...

An important Napoléon III gilt bronze and turquoise porcelain clock garniture. French, circa 1870. This very fine clock garniture comprises of a clock and a pair of vase form candelabra. The finely cast and chiselled gilt bronze case has a jewelled turquoise porcelain face with Roman Numerals above a plaque depicting children in a wooded landscape, flanked by expressive male and female cherub figures, cast in the round, beneath a scrolled pediment with torches en flambeau and surmounted by a turquoise vase and cover. The pair of candelabra en-suite are in the form of turquoise porcelain vases...

Very decorative Swedish longcase clock from the Gustavian period painted in a cream white with giltwood decoration. The dial is signed by the St...

Hallmarked in London in 2006 by Simon Benney, this charming, Sterling Silver Clock, features textured detailing, and a battery operated quartz movement. The clock measures 5.5"(14c...