Art by Medium: Aquatint

In Juana, Stephen Lawlor presents a solitary female figure set against a deep, atmospheric ground. The face is intentionally obscured, allowing gesture, posture, and costume to carry...

This charming aquatint depicts a quartet in the lobby of an Italian hotel. Signed in graphite by the artist. 69/200. On paper. Image size: 39 x 40cm.

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Sets (One with Bench) 1989-1990 Photogravure with aquatint 47 3/8 29 5/8 in. Artist's Proof (A.P) Pencil signed and nu...

This artwork titled "Venetian Market, Venice, Italy" c.1930, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pen...

Expressive yet controlled, this striking black-and-white print is attributed to British artist Victor Pasmore, a pioneer of abstract art in post-war Britain of the late 1940 and 1950...

New York: New York Etching Club, 1887. Etching with aquatint in brown ink on cream laid paper, 4 x 5 inches (98 x 125 mm), full margins. In excellent condition.

Edition of 25 Colour soap ground and spit bite aquatints with photgravure and roulette on Somerset Satin White paper Published by Crown Point Press 87.6 x 64.8 cms (34 1/2 x 25 1/2...

from "Series II" - Joan Miró, Graphic artwork, Miró, Black and White Aquatint etching from 1947, printed in 1952-1953, 50,5 x 64,7 cm, Edition of 13, in complete approx. 20 Exemplars...

This colour etching is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin, and dated in pencil next to the signature '86 (1986). It is Hand Numbered...

Jim DINE (1935) Nancy outside in july XVII (The Reddish One), 1981 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 17 / 26 On light grey BFK Rives ve...

Kiki Smith (b. 1954) is a celebrated American artist renowned for her multidisciplinary exploration of the human body and themes of existentialism, transformation, and the natural wo...

Donald Baechler 2005: a set of 2 works: A set of two highly decorative signed limited edition Donald Baechler prints sure to standout in any setting. Included in the set: Donald Bae...

Edgar DEGAS (after) Whorehouse Scene : In the Intimacy of the Room Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (t...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SFE-081), 1992 Technique: Original Hand Signed and Numbered Aquatint in Colours on ...

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

This artwork "Abstract Composition VI" 1974 in an original color etching and aquatint on Wove paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and numb...

Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +...

This artwork titled "Die Gegenden Von Salzburg, Neapel Und Konstantinopel" .1935 is a colors etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It ...

Ernesto Garcia Peña (Cuban, 1949) '¡Y ya! ' (And that's it!), 2007 etching, engraving on paper 28.5 x 21.2in. Edition of P.A (Prueba de Artista) Ref: GAE-103

SALE ONE WEEK ONLY Antonio Lopez Saenz is a brilliant iconic creative artist from Mazatlan, Mexico. The aquatint “Hombres y Sillos” (Men and Chai...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...

September 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...

Etching and aquatint, 1972 Handsigned by the artist in pencil and numbered 101/150 Publisher : Magaglio, Paris 66.00 cm. x 50.50 cm. 25.98 in. x 19.88 in. (paper) 40.00 cm. x 30.00 ...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Grisha Bruskin, Russian (1945 - ) - Ptitza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: WP, Image Size: ...

This artwork titled "Scene Galante au XVIII eme Siecle" c.1930 in an aquatint on paper by French artist Antoine Calbet, 1860-1944. It is hand signed in pencil at the lower right corner. The plate mark (image) size is 9.60 x 12.25 inches, framed size is 16.5 x 19.5 inches. Framed in a wooden gold and black frame, with fabric matting. The artwork is in very good condition, frame and matting are in good condition, frame have some minor dents, matting have a small point of discoloration at upper left. About the artist. Antoine Calbet is the son of Marie Singlande and Jean-Baptiste Calbet, landowner at a place called Gaubert. Trained at the School of Fine Arts in Montpellier by Édouard - Antoine Marsal (1845-1929) where he learned drawing, this illustrator and illustrator, a painter of nudes and gallant scenes, was very popular during his lifetime. Antoine Calbet is then admitted to the School of Fine Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the admission jury of the Beaux-Arts from 1913 to 1930. He began to exhibit in 1880 and became a member of the Society of French Artists . He was the friend of his compatriot of Lot-et-Garonne, the President of the Republic Armand Fallières , for which he drew the menus of his meals, which made him known in Parisian salons.He illustrated works by Jean Lorrain , Henri de Regnier , Pierre Loues 3 and for periodicals like L'Illustration . Selected museums and collections Dallas , Dallas Museum of Art : Back woman...

"Madeleine Dietz (Germany, 1953) 'Kann sein', 2004 etching, aquatint on paper Velin Arches 300 g. 83.3 x 43.2 in. (211.5 x 109.5 cm.) Edition of 12 ID: DIE-301"

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

An iconic image of his native Northern California, Wayne Thiebaud created City Edge as a color aquatint in 1988, the artwork hand-signed, dated and numbered in pencil measuring 19 5/...

New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...

water front scene on a foggy morning, calm and meditative. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco ...

TECHNICAL INFORMATION: Salvador Dali Masque De La Mort 1975 Etching Aquatint 26 x 19 3/4 in. Edition of 240 Pencil signed and numbered; certified authentic by Frank Hunter of the Sa...

Edition of 30

Sam Francis was an American artist known for his exuberant large-scale abstract paintings. His practice incorporated elements from Abstract Expressionism, Color Field painting, Imp...

Lucio Fontana Untitled, from Serie Rosa (R. & R. E-30), 1966 Signed and numbered 4/50 in pencil (there were also a few artist's proofs) Etching and aquatint, on BFK Rives paper, ...

William Tillyer William Tillyer The Mulgrave Suite 2023 Etching, aquatint and embossing with hand colouring in watercolour on paper, Edition of 35, Set of 7 Image size: 40 x 40 cms ...

Etching with aquatint on buff wove paper, 11 3/8 x 15 1/2 inches (287 x 392 mm), full margins. Signed, titled, and numbered 99/100 in pencil, lower margin. In good condition with som...

Brauer’s 1973 illustrations for The Hasidic Tales are extraordinary examples of etching pushed to its expressive limits. Through the masterful use of layered aquatint, Brauer achieve...

Signed, titled, and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect ...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned fo...

Artist: Joan Miro Title: Plate I from Espriu-Miro Series: From the series Espriu-Miró, which contains 8 engravings printed on Gvarro paper with the publisher's stamp. Date: 1971 Med...

John Baldessari Life's Balance (with Money) 1989-90 Etching, aquatint and photogravure in colors, on irregularly shaped Somerset paper 51 x 42 3/4 in. Edition of 45 Pencil signed and...

Intaglio aquatint Print Sz: 12 1/4"H x 19 1/2"W Frame: 21"H x 27 3/4"W

Artist: Karl Fred Dahmen Title: Growth / A Warm Letter Year: 1980 Medium: Aquatint Etching, signed, numbered, dated, and titled in pencil Edition Size: 75 Image Size: 22 x 28.25 inc...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 (762 x 571 mm), full margins. Signed and numbered 20/50 in penc...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

This complete set of fifty etchings, aquatints and drypoints are each hand signed by the artist "Edgar Chahine" at the lower left margins. The folio was printed by A. Routy, Paris and published by Sagot, Paris in 1906. The justification page is additionally hand signed in ink by the artist “Edgar Chahine” and the paper type is handwritten “Hollande”. The impression is numbered in ink from the edition of 75 on the justification page. Each of the 50 plates are hand numbered in pencil to reflect their sequence and refers to the titles on the justification page. Note: In 1906 the Fiancé of Chahine Mary Jacobsen died and the artist lost all love for life. His friend and publisher Sagot send him to Venice, Umbria and Toscana for distraction. Edgard Chahine returned with a sensitive group of etchings from the Italian countryside. Literature: "Edgar Chahine: Catalogue de l'Oeuvre Grave", by M.R. Tabanelli, Published by IL Mercante de Stampe editeur, Milano, 1977. Reference: Tabanelli 180-229. Condition: Very good condition. The etchings, aquatints and drypoints in very good condition and printing with burr. The support pages and justification page with foxing staining. The folio cover...

Eduardo Chillida 1996 "Sin Título" Grabado al Aguatinta Tirada de 100 ejemplares Numerado y firmado a mano (12/100) Koelen 96001 61 x 80 cm

Roberto Sebastián Matta (1911-2002) Feuilles ouvertes, 1971 Etching and aquatint, extensively hand-colored with pastel Signed in pencil and ann...

Ada in Blue Hat 2004 Aquatint in 11 colors 33 1/2 x 67 in. Edition of 75 Pencil signed and numbered With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evok...

Amalia Avia (Spain, 1939) 'Llegada a Nueva York', 1982 engraving on paper, edition of 6 12.3 x 16.6 in. (31 x 42 cm.) ID: AVI1261-001-006 Unframed, Hand-signed by author Amalia Avia...

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...

Artist: Squeak Carnwath American (1947- ) Title: Intelligence of a Three Year Old Date: 1997 Media: Color Sugarlift And Soapground Aquatint With Hardground, Scrape And Burnish Dimen...

Susan Hall Hand signed and numbered Aquatint Etching This piece has a Memphis Milano sort of vibe to it. Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy...

Pierre Alechinsky (1927) - Lieu dit Etching and aquatint from 1988. The edition 25 of 90. Dimensions of work: 31 x 21 cm. Hand signed. The work is in Excellent condition.