Art by Medium: Aquatint

Leon Kossoff Going Home 1984 Dry point etching and aquatint. Edition of 60 57.1 x 64.7 cms (22.5 x 25 1/2 ins) (paper size) 40.5 x 51.5 cms (15 15/16 x 20 1/4 ...

SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...

Crow, 1994 Paula Rego Etching with aquatint, on Somerset wove Signed and numbered from the edition of 80 in pencil Published by the Byam Shaw School of Art, London Printed by Culfo...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.

Henri Matisse (1869-1954) The Spanish Girl Etching and aquatint Unsigned Authenticated by the Chalcographie’s dry stamp Numbered on the reverse / 20 copies On vellum, 57 x 38 cm (c...

A very good, richly-inked impression of this aquatint on Arches Watercolor paper. Initialed, dated, titled and numbered (42/54) in pencil in right margin. Full margins - sheet size: 30" x22.25". Printed by Gregory Burnet and Maurice Payne, I.M.E. Studios, New York. Published by the Jewish Museum...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Max Papart — “Blue Enchanted Bird” Original Lithograph • Pencil‑Signed & Numbered 4/50 Very Limited Edition • 37 × 55 in. • Circa 1981 This impressive large-format lithograph,...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking. "Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Color etching with aquatint on Rives paper. From Songes portfolio. Hand signed and numbered by Marc Chagall. Cramer 112. Published by Éditions Gérald Cramer, Geneva. Printed by Lacou...

Robert Cottingham Blues (The Original), 1989 Color aquatint on wove paper Edition 31/45 Pencil signed and numbered 31/45 by Robert Cottingham on the front Framed This is the original...

Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...

Billy Al Bengston - Untitled from the Barcelona Portfolio, 1988 Etching with aquatint on Rives BFK paper Signed, dated and numbered 45 from the limited edition of 75 on the front Pub...

"Red Pepper" is a work that displays Aaron Fink's experiments in still-life expressionism with its more than life-like depiction of a bell pepper in vibrant color. This print made with aquatint etching marries the expressionist style with the classic realistic depiction of food that we often take for granted.The print is 36.63 x 29.63 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 11 as there are multiple prints in the possession of Collected Detroit. This is a separate lithograph from "Yellow Pepper" which can be purchased separately but is including in the photographs for contrast as a set. Aaron Fink, the son of Boston Expressionist artist Barbara Swan...

Created in 1984 on handmade paper, “Glass Garden” was signed in pencil, numbered 50/59, and published by Motherwell with his blind stamp in New York City. Robert Motherwell, the youn...

Shah Mat Suite - Banquo Tighe O’Donoghue, American (1942–2023) Date: 1981 Aquatint Etching, signed in pencil Edition of V Image Size: 12 x 9 inches Size: 22 x 15 in. (55.88 x 38.1 cm)

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Medium: Etching with aquatint & roulette Year: 2001 Image Size: 9.37 × 27.72 Signed and numbered in pencil by the artist The print depicts readers and researchers at work in the hi...

Peter Doig (born 1959 in Edinburgh) Canoe, 2008 Medium: Aquatint on wove paper Dimensions: 59 x 75 cm (23.23 x 29.33 in) Edition of 500: Hand signed and numbered on recto Condition: ...

Max Papart — “Taxi America” Large Original Lithograph, Artist’s Reserved Proof Dimensions: 42 × 40 in. (unframed) Condition: Excellent, never framed Overview This striking large-f...

Lebadang was a Vietnam-born French artist whose work reflected a blend of European and Far Eastern culture and philosophies. This print is signed and numbered in pencil. 3 Squares b...

Damien Hirst 'Ethidium Bromide Aqueous Solution' Spots Etching, 2005. Signed by the Artist on front. Artist proof aside from the edition of 65. Published by the Paragon Press, 2005. ...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Sign No. 5 Year: 1971 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 38/110 I...

Etching and aquatint Edition : 77/85 Catalog : cat 141 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 71.00 cm. x 45.00 cm. 27.95 in. x 17.72 in. (image) LCD1332

A striking aquatint in colours depicting the famous hillside gardens of Serbelloni, overlooking Lake Como, Italy. Pencil signed and titled below the plate lines, and numbered 14/100....

Music Box Bird Tighe O’Donoghue, American (1942) Date: circa 1980 Etching with Aquatint, signed and numbered in pencil Edition of 200 Image Size: 20 x 15.5 inches Size: 25.5 in. x 20...

Salvador Dalí­ L’Apothéose from La Vida es Sueno, 1971 Etching and Aquatint Numbered 104/250 lower left Hand signed lower right Image size: 33 x 26 cm Sheet size: 66.5 x 50.5 cm Re...

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Marc Chagall Fables : The Two Goats, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES...

Guy Allen Equine Gold Etching, Aquatint and Hand Finished Gold Leaf Edition Size: 75 Year Completed: 2019 Image Size: H 60cm x W 60cm Approximate Size When Framed: H80cm xW 80cm Sold...

The magnificent scale of this work truly allows us to step into the surreal reality that Miró creates in La Harpie. It is an absolute world full of color, whimsical imagery, and bri...

Senza Titolo 11 by Victor Pasmore, 1989 Additional information: Medium: etching with aquatint 40 x 57 cm 15 3/4 x 22 1/2 in signed with initials, dated and numbered 78/90 in pencil ...

Pierre SOULAGES (1919-2022) Etching XXIIIb, 1974 Original etching and aquatint (Lacourière and Frelaut workshop) Unsigned Limited edition of 50 unnumbered copies On Arches vellum, 2...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Aquatint and etching in colors with engraving and carborundum on Guarro paper. Hand signed lower right by Joan Miro. Hand numbered 44/50 lower left. Sheet size: 34 x 27.75 inches....

A leading exponent of American abstract expressionism, Robert Motherwell has served as a vital spokesman for the avant-garde of the mid-twentieth century. He introduced the term "abs...

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Suite des architectures non répertoriées A, B and C (Triptych) by Bertrand Dorny, 1931 - Date: 1979 Medium: Triptych of Embossed Aquatints in color on wove paper, each signed, number...

Mannheim: 1797. Aquatint printed in brownish black ink on cream wove paper, 9 1/2 x 12 1/8 inches (240 x 318 mm), the full sheet. Some minor surface abrasions in the area of the sky...

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 63/150 lower left. Sheet size: 29.875 x 22.1...

An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.

Color etching and aquatint on Guarro laid paper, edited in 1981 Limited edition, numbered 24/99 in the lower left corner. Hand-signed in pencil by the artist in the lower right corne...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Medium: Etching, aquatint & roulette Year: 2013 Image Size: 24 X 9 inches Edition Size: 90 Signed and numbered in pencil by the artist Salle Labrouste, côté nord, fragment is an...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

Marc Chagall Fables : By the Sea (The Camel and the Floating Sticks), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30...

Complete set of 7 color aquatints on Arches. The deluxe edition of 25 signed by Calder and numbered, aside from the unsigned edition of 150. Each but one of the aquatints signed and ...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XXIII Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions i...

Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...

Etching and aquatint printed in brown and black with embossing, 15 x 11 3/4 (381 x 298); sheet 20 1/2 x 16 3/4 inches (521 x 426 mm), full margins. Signed, tited and numbered 3/25 in...

Artist: Pierre Augustin Massé (French, Active: 1880-1890) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898...

Marc Chagall Fables : Sailors, Net Fishing (The Fish and the Shepherd Playing the Flute), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK ...

his Sam Francis Senza Titollo, 1987 is etching, aquatint and drypoint in colours hand-signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in pencil in the lower right and num...

This artwork "City Children Playing" c.1970 is an original colors etching with aquatint on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbe...

Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper 87.6 x 61 cm (34 1/2 x 24 inches) Edition of 52

Marc Chagall Fables : The Sculptor's Studio (The Sculptor and the Statue of Jupiter), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rive...