Art by Medium: Aquatint

“Urban Scope” is an etching, aquatint, and drypoint, with hand colored. Created in 2006 in an edition of 50. This impression is inscribed “19/50” – meaning it is the nineteenth imp...

Jim Dine (b. 1935) was one of the key artists that shaped American Pop art in the 1960s. Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images in his wo...

Brunellechi's classic color drawings elegantly illustrate three plays by Musset, "La Nuit Venitienne", "Fantasio", and "Les Caprices de Marianne"

Marc Chagall Fables : The Turtle and Two Ducks, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) ...

Marc Chagall Fables : The Funeral Procession (The Priest and the Dead Man), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 3...

Marc Chagall Fables : The Milkmaid (The Milkmaid and the Milk Jug), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 c...

Marc Chagall Fables : Angel at the Well (Fortune and the Young Child), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 3...

Marc Chagall Fables : The Golden Goose, 1952 Original etching Unsigned Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES : Cata...

Marc Chagall Fables : The Hunted Deer (The Deer and the Vineyard), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm...

Marc Chagall Fables : The Lion Goes to War, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REF...

Marc Chagall Fables : The Elegant girl, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFEREN...

Marc Chagall Fables : The Charlatan, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES...

Marc Chagall Fables : Despair (The Young Widow), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in)...

Marc Chagall Fables : The Cart Driver Stuck in the Mud, 1952 Original etching Unsigned Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) RE...

Marc Chagall Fables : By the Sea (The Camel and the Floating Sticks), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30...

Marc Chagall Fables : The Raven's Daydream (The Raven Trying to Imitate the Eagle), 1952 Original etching Unsigned Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x...

Marc Chagall Fables : The Seer, The Fortune-tellers, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8...

Marc Chagall Fables : The Monkey and the Leopard, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Color etching and aquatint on Inveresk mould-made paper, 1976-1977. Signed by the artist in pencil, lower right. Inscribed "BAT" in pencil, lower left. The "bon à tirer" proof, as...

Etching with aquatint on watermarked cream laid J Perrigot Arches paper, 15 7/8 x 9 3/4 inches (400 x 248 mm), full margins. Signed, dated, and dedicated to the the artist Ruth Knobl...

Drypoint and aquatint "Die Frau, rechte Seite" by Georg Baselitz from 1997/98. The edition on BFK RIVES comprises approx. 17 copies. The present copy is inscribed in pencil below...

Covers 3 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Etching and aquatint in colours "Hirsch" by Georg Baselitz from 1999. The edition on BFK RIVES comprises approx. 20 copies. The present copy is inscribed in pencil below the plat...

Marc Chagall Fables : The Madness, Madman Who sells Winsdom, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 1...

Marc Chagall Fables : The Cat and Two Sparrows, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) ...

Marc Chagall Fables : The Fox on the Hunt (The Fox and the Guinea Fowl), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 ...

Marc Chagall Fables : The Sick Deer, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES...

Marc Chagall Fables : The Escape (The Bear and the Two Travelers), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm...

This original etching and aquatint in colours is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin and dated in pencil next to the signature '693’ [1968]. It is also hand numbered in pencil from the edition of 114, at the lower left margin. This etching and aquatint was printed by Imprimerie Arte, Paris and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. Note: This subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

Marc Chagall Fables : The Man and his Shadow, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) R...

Marc Chagall Fables : The Shoemaker's Workshop (The Shoemaker and the Financier), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives ve...

Marc Chagall Fables : Confessions, Women and Secrets, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11....

Marc Chagall Fables : Dinner (The Laughing Man and Fish), 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x...

Marc Chagall Fables : Dog with the Basket (The Dog Carrying His Master's Dinner Around His Neck) Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BF...

Marc Chagall Fables : The Lioness's Funeral, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On BFK Rives vellum 39 x 30 cm (c. 15 x 11.8 in) RE...

Marc Chagall Fables : The Bear and the Gardener, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENC...

Marc Chagall Fables : The Swan and The Cook, 1952 Original etching Signed in the plate Limited edition of 200 copies, UNnumbered On vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES :...

Marc Chagall Fables : The Wolf and the Stork, 1952 Original etching Signed in the plate Total print run of 200 copies, UNnumbered On vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES ...

Marc Chagall Fables : The Drunker and his Wife, 1952 Original etching Signed in the plate Numbered out of 85 copies On vellum 39 x 30 cm (c. 15 x 11.8 in) REFERENCES : Catalogue r...

Marc Chagall Fables : The frog who wanted to be as big as the ox, 1952 Original etching Signed in the plate Numbered out of 85 copies On vellum 39 x 30 cm (c. 15 x 11.8 in) With COA...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctor in Divinity (1814) Aquatint with original hand colouring 24 x 29 cm Published by Rudolph Ackermann (1764 - 1834). A Doctor in Divinity of the University of Cambridge, resplendent in academic dress. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Joan Miro (1893-1983) - Lapidari (Lapidary) Etching and aquatint from 1981. The edition E.A. printed with large margins on Guarro Extra Blanc paper and mounted onto Arches vellum p...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815) Hand-coloured aquatint 25 x 30 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Arthur B. Davies, Up-Rising, soft ground etching and aquatint on a cream laid paper, 1919, signed in pencil lower right margin. Reference: Czestochowski 78, second state (of 3). In g...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

François MORELLET Op Art : Geometrical Abstraction Original etching with aquatint Unsigned as issued On vellum 46 x 46 cm (c. 18 x 18 in) Authenticated with the Chalcographie du Louvre...

Medium: original etching and aquatint with drypoint. Catalogue reference Bourcard/Goodfriend 154. This work is also known as "Le petit enterrement". Printed in 1902 on laid paper and...

This artwork titled "Venetian Market, Venice, Italy" c.1930, is a color etching and aquatint on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pen...

This artwork titled "Trio" from the suite "Les Fleurs du Mal" created in 1938, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It i...

Abstract red, green and grey interior scene with lines, shapes and hand painted brushstroke texture. Colorful large scale work ideal for display in minimalist, modern and contemporar...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expanded notably with her printmaking. "Reflections III" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of fuchsia, crimson, and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biograph...

Mixed media (modern), 1964 Publisher : La Rose des Vents (Paris) Printer : Jean Signovert (Paris) Catalog : [Schneider XXIV] Image dimensions : 34.00 cm. x 23.00 cm. (13.39 in. x 9.0...

Color Aquatint Etching on Rivere White

Color aquatint etching

This aquatint is hand signed in pencil by the artist "Henri Matisse" at the lower right margin. It is also hand numbered in pencil 103 from the edition of 200, at the lower left marg...

Color aquatint on Arches paper, edited in 1950. Limited edition of 200 copies unsigned and unnumbered, as issued. Originally published by the Galerie Bernheim-Jeune, although there a...

Still in her silken evening gown and dancing slippers, the glamorous ingénue is savoring her memories, her ribbon-tied love letters and long draws on her cigarette holder. Was he eve...

This etching and aquatint in colours from 1992 was published in ‘La Nouvelle Chute de l'Amérique’ (The New Fall of America). The 115-page unbound book comprises 11 poems by Allen Gin...