Art by Medium: Aquatint

Mixed media (modern), 1964 Publisher : La Rose des Vents (Paris) Printer : Jean Signovert (Paris) Catalog : [Schneider XXIV] Image dimensions : 34.00 cm. x 23.00 cm. (13.39 in. x 9.0...

Joan Miro (1893-1983) - Lapidari (Lapidary) Etching and aquatint from 1981. The edition E.A. printed with large margins on Guarro Extra Blanc paper and mounted onto Arches vellum p...

This etching and aquatint in colours from 1992 was published in ‘La Nouvelle Chute de l'Amérique’ (The New Fall of America). The 115-page unbound book comprises 11 poems by Allen Gin...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche VIII Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in...

Etching, aquatint and chalcography on wove paper, 1989 Signed in pencil, numbered 17/40 Published by 2RC Edizioni d'Arte, Rome with their blindstamp, the full sheet Very Good condit...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States. Nevelson, whether working in sculpture or in two dimensions typically had a strict palette; almost exclusively black. While there are iconic works in white, gold, or raw wood, Nevelson almost entirely avoids color. However, during the last decade of her life, her palette expands notably with her printmaking. "Reflections I" is an example from her 1983 portfolio, "Reflections I-V" consisting of six large-scale prints. These prints contain signature elements found throughout Nevelson's prints; ripped or collage-like forms as well as the use of fabric, lace, and toile in the printing process. However one of the strongest characteristics of the "Reflections" series is her new uninhibited use of color. Here it is used to maximum effect. This work features unexpected elements of crimson and translucent rose and Prussian blue that punctuate her signature layered collage-like composition. Nevelson's late prints are truly some of her best. Over the last few years, there has been tremendous momentum in both interest and appreciation of Nevelson's work. In May of 2021, a new auction record of $1.35 million was established for one of Nevelson's signature white construction sculptures...

Grey tonal painting of a Falcon perched on a branch. The work is framed in a silver frame with a white matte. The artist signed the work in the bottom right corner. Artist Biograph...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Still in her silken evening gown and dancing slippers, the glamorous ingénue is savoring her memories, her ribbon-tied love letters and long draws on her cigarette holder. Was he eve...

An original print of a church signed in pencil by artist Mr. H. Dewitt Welsh, Artist of Philadelphia, acting secretary of the Division of Pictorial Publicity Committee on Public Inf...

London: printed for J. Taylor, 1844. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 10 x 12 inches (254 x 306 mm), the ...

Medium: Etching, aquatint & roulette Year: 1991 Image Size: 24.63 X 39.63 inches Edition Size: 90 Signed and numbered in pencil by the artist Image of a Paris apartment, showing the...

New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...

Color aquatint on Arches paper, edited in 1950. Limited edition of 200 copies unsigned and unnumbered, as issued. Originally published by the Galerie Bernheim-Jeune, although there a...

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche XV Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in f...

In No Thru Traffic, master printmaker Art Werger offers a striking aerial view of an archetypal suburban neighborhood, rendered with his characteristic precision and subtle wit. Curv...

Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....

Medium: mezzotint and aquatint Year: 2014 Edition: 30, signed in pencil. Image Size: 12 x 15.75 inches Signed, titled and numbered by the artist. The illusions and reflections in Si...

Jim DINE (1935) Nancy outside in july XIII (Dissolving in Eden), 1980 Original etching with aquatint (Crommelynck workshop) Signed in pencil Numbered 24 / 30 On BFK Rives vellum 76 ...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...

Color aquatint on black backround from Miroir du Poete, published by Louis Broder, Paris, 1960. II/VI of 6 on japon of a total edition of 66. Signed and numbered in pencil by the art...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Published by Guy Spitzer in c. 1950, this color collotype is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right and signed in the st...

Edition of 30

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by th...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824) 'Capture of the La Vengeance, Aug 21st, 1800' Colour aquatint engraving from 'The N...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

John Baldessari (June 17, 1931 - January 2, 2020, American) Two Sets (One with Bench) 1989-1990 Photogravure with aquatint 47 3/8 29 5/8 in. Artist's Proof (A.P) Pencil signed and nu...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Couple In the Tenderloin district in San Francisco. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and pri...

etching & aquatint (hand-signed in English and numbered in pencil. Ed 99) Paper size: 15X11 inches Image size: 6X6 inches Condition: work is in excellent condition and is...

Transhumante Fernando de Szyszlo, Peruvian (1925–2017) Aquatint Etching, signed and numbered in pencil Edition of 44/80 Size: 42.5 x 28 in. (107.95 x 71.12 cm)

Caviar20 is excited to be offering this evocative print by the inimitable Louise Nevelson - one of the most revered and unique sculptors of the 20th century. Nevelson is renowned fo...

This vibrant Gershon Iskowitz (1921-1988) print is a perfect example of the artist's iconic style. A signature of his practice is the use of large cloud-like forms of saturated color...

Artist: Harry Hoehn, American (1917 - 1974) Title: Untitled Year: circa 1963 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 18/50 Image Size: 17.5 x 23 inches ...

One of David Hockney’s Six Fairy Tales from the Brothers Grimm illustrations, taken from the story of ‘The Little Sea Hare’. This tower was likely inspired by Hockney’s travels throu...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), the full...

86.4 x 71.8 cms (34 x 28.25 ins) Edition of 17 Paper: Somerset Textured Proofs: 9 AP, I CTP (on handmade paper) Signed right, under image; numbered left, under image; publisher's chop lower right Publisher: The Litho Shop Inc., Santa Monica, California Printed by Jacob Samuel...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...

This artwork titled "Montagne Ocre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 28 x 38.5 inches, framed size is 48 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

Edgar DEGAS (after) Whorehouse Scene : Prostitute Dressing her Hair Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (...

'Mamalukes Exercising the Spear' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt ...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Signed, titled and numbered from the edition of 120. Alder trees reflect in the waters of Bear Creek in Ashland, Oregon. The first green of spring graces the shore. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillans etchings and aquatint prints capture the landscapes of California...

"Gentrification" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is made from acrylic and ink on mixed media panel and was originally...

Karl Brandstätter Tache Jaune Year: 1975 Etching and aquatint Signed and numbered by the artist Edition: E.A. (from an edition of 60) Size: 26 x 19.5 inches COA provided Karl Brands...

Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...

This piece titled "La Mer VE 3/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Sam Francis ( 1923 - 1994 ) - Mehrfarbige spirale - hand-signed etching and aquatint - 40/40, 1970 Additional informaion: Material: Etching and aquatint on paper Edited in 1970 Limi...

Alex Katz (born 1927)
Boy with Branch I (Maravell 77), 1975
Aquatint in colors on wove paper
Image and sheet: 60.9 × 101.9 cm (24 × 40 1/8 in)
Signed in penc...

Artist: Le Corbusier Medium: Etching with Aquatint printed on Rives wove paper Year: 1963 Paper Size: Sheet size: 456 x 570 mm. 18 x 22½ in., Plate: 317 x 417 mm. 12½ x 16⅜ in. Signa...

The single letter "O", illustrated by an Owl, from Kelvin Mann's bestiary animal alphabet. The full set of 26 etchings in folio box is available for $3500. Animals, real and imagined...

Etching and aquatint in colors by Italian artist Marino Marini (1901–1980), titled "Shakespeare II," created in 1977. This impression is numbered XVIII from the deluxe Roman numeral ...

'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...

Zao WOU-KI Abstract composition, 1996 Original etching and aquatint Unsigned as issued On vellum 34 x 30 cm (c. 14 x 12") Excellent condition REFERENCES : Agerup #380/86 This etch...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...