Art by Medium: Drypoint

This is a drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. An unnumbered impression, apart from the numbered edition of 50. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.

Please note that these are six individual prints, Drypoint on Okawara paper. The main image is meant to show how them might look grouped together. Each is signed and numbered by the ...

Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in several Frogman’s summer print workshops. She received her B...

Miki Leal (Spanish, b. 1974) is one of the most distinctive voices in contemporary Spanish art. His practice blends references to art history, pop culture, and everyday imagery with ...

SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...

Signed and numbered from the edition of 13. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. He has exhibited regularly since 1995 and has won numerous priz...

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

Carrie Lingscheit's print often deal with relationships and memories. "Human experience is plagued by an inherent incompleteness—both perception and memory being naturally imperfect,...

David Shapiro’s minimalist works are meditative and quiet. This black and tan print has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did ...

Artist: Salvador Dali (1904-1989) Title: Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Dalínean Prophecy, Imaginations and Objects ...

Artist: Sidney Tushingham (English, 1884-1968) Title: "Peggy" *Signed by Tushingham in pencil lower right. It is also monogram signed in the plate (printed signature) lower right Cir...

Max Beckmann (Leipzig 1884 – New York 1950), Portrait of Baron Simolin II (large version)(1928) Drypoint, 38 x 25 cm (plate), 48 x 40 cm (sheet), signed and dated lower right.

Coloured drypoint etchings. Limited edition, numbered as XVII/XXV. Signed in pencil by artist. Paper size: 40 X 26,5 cm Framed size: 71 X 57 cm very good condition. Bibliography: D...

This print of a chestnut tree depicts the harsh light and dark light and shadow on a bright winters day, highlighting the curve of the bark and the scars of time and age. This body ...

This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This body of work is based on the book by Suzanne Simard, Finding the Mo...

This print of a tree uses litho printed kitakata chine collé to depict the warmth and colour of early autumnal sunlight. The depth of the blacks along with the layering, allude to th...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in ci...

This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...

Salvador Dali (1904-1989) - A Shattering Entrance upon the American Stage Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4...

Le Sculpteur au Travail by Pablo Picasso offers a fascinating glimpse into the act of creation, focusing on a sculptor immersed in his work. The composition captures the figure in a ...

Meadow Brook Steeple Chase at Ambrose Clark Estate, Broad Hollow, Old Westbury, Long Island Art Sz: 7 1/2"H x 11 1/4"W Frame Sz: 15 1/4" H x 18 5/8"W

"Mlle Landsberg" (grade planche, pl. 16), 1914 Henri Matisse (French, 1869-1954) Signed and Numbered Lower Right Edition 12/15 Image size: 7 7/8 x 4 5/16 inches Sheet size: 17 11/16 x 12 1/2 inches With frame: 19 1/2 x 14 1/2 inches Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension. Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris. Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died. Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts). By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913. At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...

Pen & ink drypoint depicting a military rider clearing a tripple bar fences Signed: Paul Brown LR w/ Closson Gallery label on verso c1930s Art Sz: 7"H x 11"W Frame Sz: 16"H x 2...

Bernard Buffet Sailing boats stranded at low tide, 1980, Drypoint in black Hand signed lower right Numbered 100/150 lower left Image size: 62.5 x 47.5 cm Sheet size 76 x 58 cm Refer...

Marc Chagall, Russian (1887 - 1985) - La Visite par la Fenetre, From Maternite, Year: 1926, Medium: Etching with drypoint and aquatint on Van Gelder Zonen laid paper, Edition: 960, ...

Salvador Dali - La Fontaine Portrait - Handsigned Engraving 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 inch paper Referenc...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

Darius at 10 Drypoint, 2022 Signed, titled and numbered in pencil Printed by Rebekah Wilhelm Her drystamp lower right Published by the artist Edition 14, plus proofs Condition: Excel...

A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin in lower right margi...

Etching, drypoint and aquatint in 19 colours, edited in 1977. Limited edition of 75 copies, numbered as 69/75 in lower left corner. Hand signed by artist in pencil in the lower right...

untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...

Salvador Dali Hemerocallis thumbergii elephanter furiosa, from Surrealistic Flowers, 1972 Drypoint with heliogravure printed in colours Hand signed lower right Edition 335 / 350 Co...

Color spit bite and sugarlift with soapground and drypoint

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

Etching, drypoint and aquatint in 28 colours, edited in 1977. Limited edition of 75 copies, numbered as 70/75 in lower left corner. Hand signed by artist in pencil in the lower right...

Early 20th Century European Architecture Drypoint Etching c.1930 This fine etching is pencil signed in the lower right corner (illegible - see i...

Art Sz: 9 1/4"H x 14"W Frame Sz: 17 1/4"H x 22"W

Artist: Reuben Nakian, American (1897 - 1986) Title: Myths and Legends: Plate III, Voyage to Crete (Black) Year: 1979 Medium: Drypoint Etching with C...

William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...

This refined etching and drypoint was realized by the esteemed American artist Troy Kinney in the United States circa 1920. The work features two dancing figures- a woman leaning against the male figure behind her, perhaps moments before being hurled into the air or spun in a graceful twirl. She dons a tutu and ballet slippers that are loosely and abstractly rendered against a white background. The gentleman sports a white shirt and black vest. Both of them have a shock of flaxen hair that offers a beautiful tonal complement to the textured muted jade background. With its refined color palate, clean modernist lines, and masterful handling of the medium, this piece would be a winning addition to any interior regardless of the style of interior. Given the artist's importance and placement within esteemed collections (private and institutional), this piece represents a winning acquisition for collectors of first rate modern art as well as exquisite objects. It comes presented in a custom gilded gallery frame and is in excellent vintage condition. Troy Sylvanus Kinney (December 1, 1871 – January 29, 1938) was an American artist, best known for his compelling works portraying dance performers, fanciful subjects, and classically styled nudes...

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

An original drypoint monotype by American female artist Kathleen Sherin.

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...

Art Sz: 11 3/8"H x 7 1/4"W Frame Sz: 16 3/8"H x 12 1/4"W

Art Sz: 5 3/4"H x 7 1/2"W Frame Sz: 10 5/8"H x 12 1/2"W w/ charcoal linen matte

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Nicola Tyson is known for her assertive depictions of the human body, typically odd arrangements of patched-together, distorted, or missing parts rendered in a bright but reduced col...

Bernard Buffet Bouquet De Lys (Bouquet of lilies), 1963 drypoint in black, Edition EA lower left Hand signed lower right, Image size: 65 x 50 cm Sheet size: 76 x 56 cm Bibliography ...

Bernard Buffet Vase of Flowers, C. 1980 Drypoint in black, Hand signed lower right, Numbered 63/120 Image size: 65 x 50.5 cm Sheet size: 76 x 58 cm Reference : Buisson, no.56.63

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...

Art Sz: 8"H x 12"W Frame Sz: 13 1/4"H x 17"W

CONRAD FELIXMÜLLER 1897 - 1977 Dresden 1897 - 1977 Berlin (German) Title: The Old Collier Der alte Kohlenarbeiter, 1921 Technique: Original Hand Signed Drypoint on Wove Paper Pa...

Promenades is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotio...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...