Art by Medium: Drypoint

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

“The Rubble” series consists of seven tapestry-like paintings hanging from hand-wrapped dowels. The color choice and materials identify what can be destroyed, re-formed, and at some ...

BROWN, Paul Desmond (SIGNED) "Left Backhander and a Hook" International Polo Argentina vs USA (Copa de las Americas) in 1928, etching Matted and framed ...

Image Sz: 5 7/8" x 7 7/8" Sheet Sz: 9 3/4" x 12 1/2"

Salvador Dali Don Quichotte et Les Moulins a Vent, 1969 Dry point etching in colours on BFK Rives wove Hand signed and numbered 146 / 200 in pencil Sheet size 39.5 x 29.5 cm Image s...

Tambien esto / So is this (Disasters of War, plate 43, Harris 163, Delteil 162). Original etching, burnished aquatint, and burnisher, c. 1808-1814. The clergy are running; their floc...

Paul Desmond Brown steeplechase drypoint Art Sz: 7"H x 10"W Frame Sz: 12"H x 15"W

Art Sz: 6 1/2"H x 16 1/4"W Frame Sz: 14 3/8"H x 23 5/8"W Signed lower right: Paul Brown

Image Sz: 5 7/8" x 15 3/4" Sheet Sz: 12 1/2" x 19 1/8"

Villon, Jacques. CAKE WALK DES PETITES FILLES. GP.102, second state of four. Drypoint and aquatint in colors, 1904. Edition of only 10 (there was an edition of 30 in state 4, with th...

Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...

Ocampo, Isidoro. EN LA NEVERA. Drypoint, 1929. Edition of 50, numbered 3/50 and signed in pencil. 9 1/2 x 6 3/4 inches. Printed on paper watermaked "F.J. Head & Co." In excellent con...

Art Sz: 7 1/2"H x 10 1/2'W Frame Sz: 13"H x 15 7/8"W Inscribed lower right: To Mr. F.S. O'Reilly Very Sincerely Paul Brown

Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...

Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...

Walt Kuhn (1877-1949), Strong Girl, drypoint, 1916 [signed in pencil by Kenneth Hays Miller and inscribed “Zinc sheet E printed by Howard Moore Park 1928”). In very good condition, printed on a cream wove paper, 7 1/2 x 5 1/4, the sheet 11 1/8 x 8 1/2 inches. Provenance: ex Collection: The Metropolitan Museum of New York, with their stamp verso. ex Coll: Jonathan Greenberg, New York City A very good impression of this rare early Kuhn print. This is listed as number 48 in the Kennedy Galleries Walt Kuhn Checklist, made for an exhibit of his prints in 1967; it is cited as a print where no more than 6 impressions are known to exist. Kuhn was of course intimately familiar with circuses and carnivals...

Camille Pissarro (1830-1903), Femme a la Barriere (Woman at the Gate), etching and drypoint, 1889, signed in pencil with the initials CP lower right (annotated “imprime par C.P.”), a...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Charles Dufresne (1876-1938), Chasseurs de Lion (The Lion Hunters), etching, aquatint and drypoint, 1921, signed in pencil lower right and numbered (40/40) lower left [also signed in the plate lower center]. Reference: Thomas Dufresne 39. In very good condition, with full margins, on an ivory/tan laid Arches paper, with a (partial) Arches watermark. 11 3/4 x 14 7/8k, the sheet 14 5/8 x 21 3/4 inches. Published by Editions Sagot, with the blindstamp of Edmund Sagot Lugt 2254) bottom margin. A fine rich impression, printed in a brownish/black ink, with substantial drypoint burr. The Lion Hunters is a tour de force of printmaking. Dufresne skillfully utilizes a range of techniques including etching, drypoint, aquatint and perhaps even soft-ground etching. Dufresne’s stunning composition in The Lion Hunters of course shows the influence of both cubism and Parisian School – after all he was born in France and studied at the Edole des Beaux Arts – but it also shows the influence of the years he spent in Africa, and his origins as part of a seafaring family. In 1910 he won the Prix de l’Afrique du Nord...

Jacques Villon (1875-1963), La Couseuse (The Seamstress), drypoint, 1905, signed in pencil lower right margin. Reference: Ginestet and Pouillon 147, Aub...

Paul Desmond Brown drypoint featuring three Maryland Hunt Cup steeplechasers pencil signed (LR). Provenance: a Palm Beach estate Image Sz: 7 1/2"H x 11 1/2"...

Watercolor on paper Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching between mediu...

Drypoint etching hand printed Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantly switching bet...

Drypoint etching hand printed and watercolor Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He is above all a multidisciplinary artist, constantl...

Mixed Media (Watercolor, Ink and digital retouch) Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in London, UK. He...

Mixed Media (Drypoint Etching, watercolor and digital retouch), Archival Giclée print Limited Edition of 30. Fred Borghesi is an Italian artist born in 1987 who lives and works in L...

Triptych of original drypoint etchings by Paul Desmond Brown (1893-1958) depicting: Grasslands 1930/ Wissahickon Cup 1930/ & Radnor 1931 Art Sz: 27"H x 11"W Frame Sz: 33 3/4"H x 17...

Rare original trio of drawings by Paul Desmond Brown (1893-1958) depicting: Virginia Gold Cup 1931/ Llangollen Farms 1932/ & National Horse Show 1932...

Art Sz: 6 1/2"H x 8 3/8'W Frame Sz: 12"H x 13 3/4"W Inscribed lower right: To Mr. F.S. O'Reilly Very Sincerely Paul Brown The Cary Collection...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Image Sz: 4 7/8"H x 6 7/8"W Sheet Sz: 12 1/2"H x 15 1/2"W

Stanley Anderson 1884-1966 Drypoint, signed out of the image bottom centre Image size: 9 x 11 inches (22.8 x 28 cm) Acid free mount Alfred Charles Stanley Anderson CBE RA was a Brit...

58.42 x 66.04 cms (23 x 26 ins) Edition of 40 Published by Bernard Jacobson Gallery

PAUL DESMOND BROWN (American, 1893-1958), Leaping horse and rider, engraving, pencil signed lower right Image Sz: 5 1/2"H x 7 1/4"W Frame Sz: 11 3...

Leon Kossoff Outside Kilburn Underground Station 1984 Drypoint etching, Edition of 40 58.42 x 66.04 cms (23 x 26 ins) (paper size) 31 x 40.5 cms (12 3/16 x 15 15/16 ins) (plate size)

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

The lotus is a sacred flower in many religious traditions and refers to spiritual awakening and purity of heart. This meditative symbol is a metaphor for rebirth and a life unfolding...

"This image refers to the many passage ways from Paleolithic caves to human-made architecture in the ancient world used for ritual and ceremony. Mimicking the birth canal, they provi...

This one of a kind print draws from a universal visual language of primal forms inspired by nature. The circle is an archetypal symbol that speaks of unity, oneness, and wholeness. ...

A very good impression of this extremely scarce drypoint. MacDonald's eleventh state "b" (of 11b), restored after cancellation. Sheet size - 12" x 8.75". Catalogue reference: Kenned...

Claude WEISBUCH The angel of death Original drypoint engraving on Vellum paper Handsigned on bottom right 56 x 76 cm Claude Weisbuch, French (1927 - 2...

TECHNICAL INFORMATION James Rosenquist 1/2 Sunglass, Landing Net, Triangle 1974 Liftground etching, drypoint, sandblasted mezzotint and photo-transfer 28 1/4 x 40 1/4 in. Editi...

Color hard ground etching with aquatint, spit-bite aquatint, drypoint, roulette, and scraping and burnishing ed-30

Art Sz: 13"H x 11"W *age toning/ condition noted*

Stylish hand-penned c1930s drypoint limited #52/250 in birdseye maple frame w/ turf green mat Image Sz: 9 1/2"H x 11 3/4"W Frame Sz: 14 1/2"H x 17 1/4"W

Art Sz: 9 3/8"H x 14 1/4"W Frame Sz: 15"H x 19 5/8"W

Art Sz: 8"H x 12"W Frame Sz: 13 1/4"H x 17"W w/ linen mat and gilt wood frame

Image Sz: 10 3/4"H x 6 3/4"W Sheet Sz: 19 1/4"H x 12 1/2"W

Art Sz: 9 3/8"H x 14 1/4"W Frame Sz: 15"H x 19 5/8"W

Art Sz: 6 1/2"H x 8 1/2"W Signed lower right Mounted on 4"H x 5"W x 1/4"D wooden block

A Rose... drypoint and etching in colors, on Somerset paper, 2008 Signed and dated in pencil, numbered 7/10 Published by Crown Point Press, San Francisco, with their blindstamp, wit...

The Sacramento River deltas and levees near Thiebaud’s studio became a source of inspiration starting in the mid-1990s where he would sketch en plein air and then work combined ideas...

Created in 2002, this Wayne Thiebaud Hill River, 2002 drypoint and aquatint in color on wove paper is hand signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the l...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and developments in the world around him, Picasso contributed significantly to a number of artistic movements, notably Cubism, Surrealism, Neoclassicism, and Expressionism. In 1949 Picasso’s illustrations...

Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100. Hand-signed in pencil on the lower right m...

Best known for his paintings of cakes, pies, pastries, and toys, Wayne Thiebaud hadn’t planned on becoming a visual artist. He apprenticed as a cartoonist at Walt Disney studios and ...

Wayne Thiebaud has long been recognized as one of America’s most prominent modern artists. Probably best known for his straightforward, deadpan still-life paintings of the 1960s, and...

Mark Tobey "Pensees Germinales" 1973 Drypoint Engraving Printed in Brown and Blue by Willie Steinert, Karlsruhe, Germany, on Auvernge Paper Handmade by Richard de Bas Signed Lower R...

The images in Wayne Thiebaud's drypoints fill the space around them, carving into it. They are images of mountains. In one, only the mountaintop shows and a gigantic cloud is in the ...