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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Art by Medium: Engraving

Materials

Drypoint, Etching

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Art by Medium: Engraving

Materials

Drypoint, Aquatint

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)
Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

Edgar Degas, Woman Washing in Her Bathtub, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Femme se lavant dans sa baignoire (Woman Washing in Her Bathtub), originates from the celebrated album Degas Danse dess...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer at the Barre, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse a la barre (Dancer at the Barre), originates from the celebrated album Degas Danse dessin (Degas Dance Drawing...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

“Sur la Plage, a Bernival”
“Sur la Plage, a Bernival”

“Sur la Plage, a Bernival”

By Pierre Auguste Renoir

Located in Southampton, NY

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Category

1890s Impressionist Art by Medium: Engraving

Materials

Etching, Archival Paper, Drypoint

Picador

Picador

By Pablo Picasso

Located in OPOLE, PL

Paulo Picasso - Picador Drypoint etching from 1964. The edition of 6/245 on Arches paper. Dimensions of work: 35 x 26 cm. Publisher: Éditions Français Réunis, Paris. Reference: ...

Category

1960s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

"L'attente" original drypoint

"L'attente" original drypoint

Located in Henderson, NV

Medium: original etching and drypoint. This work by Rodolphe Piguet (sometimes spelled Piquet) was printed in 1904 and published in Paris by the Revue de l'art ancien et moderne. Pla...

Category

Early 1900s Art by Medium: Engraving

Materials

Drypoint, Etching

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Art by Medium: Engraving

Materials

Engraving

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), published by Ambrois...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

The Way Home. A Winter Evening

The Way Home. A Winter Evening

Located in Middletown, NY

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

Category

Late 19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Drypoint, Etching

Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)
Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)

Edgar Degas, Spinning Dancer, from Dance Drawings, 1936 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite engraving after Edgar Degas (1834–1917), titled Danseur tournant (Spinning Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Drawings), pub...

Category

1930s Impressionist Art by Medium: Engraving

Materials

Engraving

HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting
HERNANDEZ PIJUAN  geometric composition.original engraving abstract painting

HERNANDEZ PIJUAN geometric composition.original engraving abstract painting

By Joan Hernandez Pijuan

Located in CORAL GABLES - MIAMI, FL

geometric composition.original engraving abstract painting. VIRTUAL FRAMED Pijuan, Joan (Barcelona, 1931-2005). Joan Hernández Pijuan formed between Barcelona and Paris. It has the ...

Category

Late 20th Century Abstract Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

'Diptych' —  Modernist Abstraction, Atelier 17
'Diptych' —  Modernist Abstraction, Atelier 17

'Diptych' — Modernist Abstraction, Atelier 17

By Stanley William Hayter

Located in Myrtle Beach, SC

Stanley William Hayter, 'Diptych', color engraving and scorper, 1967, edition 50, Black & Moorhead 314. Signed, titled, dated, and numbered '10/50' in pencil. A superb, richly-inked impression, with fresh, vibrant colors on antique-white wove BFK Rives paper; the full sheet with margins (2 1/2 to 3 1/4 inches). Minor skinning and tape residue on the top and bottom sheet edges, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 13 7/8 x 19 1/2 inches (146 x 108 mm); sheet size 19 7/8 x 25 3/8 inches (394 x 292 mm). Hayter created this work using engraving and scorper on 2 plates, printed side by side. He used alkali blue, printed intaglio, and a phthalo green with a hard roller on the surface. The proofing was in three states, the first with engraving (a single proof); the second adding further engraving and scorper (a single proof); the third added further engraving and editioned: color trial proofs, 5 artist's proofs, edition of 50. The edition was completed in three printings: 8 in 1967; then Hector Saunier printed numbers 9 through 18 in 1968, and numbers 19 through 50 in 1969. This impression is from the Saunier 1968 printing. Note: the online image cannot accurately convey the vibrancy of the printed alkali blue/phthalo green. An impression of this work is held in the collection of the National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated in this way included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen...

Category

1960s Modern Art by Medium: Engraving

Materials

Engraving

Pablo Picasso, Untitled, from Carmen, 1949
Pablo Picasso, Untitled, from Carmen, 1949

Pablo Picasso, Untitled, from Carmen, 1949

By Pablo Picasso

Located in Southampton, NY

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

Category

1940s Cubist Art by Medium: Engraving

Materials

Engraving

Crustaceans - crabs, antique English natural history engraving print, 1837
Crustaceans - crabs, antique English natural history engraving print, 1837

Crustaceans - crabs, antique English natural history engraving print, 1837

Located in Melbourne, Victoria

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

The Bathers ("De Zwemmertjes")
The Bathers ("De Zwemmertjes")

The Bathers ("De Zwemmertjes")

By Rembrandt van Rijn

Located in New York, NY

Etching and drypoint on laid paper, 1651. New Hollstein's third, and final, state. Full sheet size 5.38 x6.5 inches. Frame size 14.25 x 16.75 inches. Catalogue raisonné references...

Category

1650s Old Masters Art by Medium: Engraving

Materials

Drypoint, Etching

Cowboy and Horse - Blue
Cowboy and Horse - Blue

Cowboy and Horse - Blue

Located in Deddington, GB

Cowboy and Horse - Blue is a handmade drypoint and chine colle print by artist Kate Boxer. Featuring a Cowboy racing through a blue composition on a wild rearing horse. If you would ...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Framboisier (Raspberry Bush)
Framboisier (Raspberry Bush)

Framboisier (Raspberry Bush)

By Salvador Dalí­

Located in OPOLE, PL

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Category

1960s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

William Hamilton Classical Greek Vase-Painting Engraving
William Hamilton Classical Greek Vase-Painting Engraving

William Hamilton Classical Greek Vase-Painting Engraving

By Pierre Francois Hugues D'Hancarville (author)

Located in Melbourne, Victoria

Subject : Ancient Greek vase-painting depicting satyrs and maenads. Technique : Copper-line engraving with original hand-colouring Background information : From the scarce Floren...

Category

Early 1800s Other Art Style Art by Medium: Engraving

Materials

Engraving

162R13061 1-2-3 (Abstract Print)
162R13061 1-2-3 (Abstract Print)

162R13061 1-2-3 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Dimensions (3x): 65 × 50 cm/25.6 x 19.6'' Edition of 11 copies, numbered from 1 to 11/11. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is ...

Category

2010s Abstract Art by Medium: Engraving

Materials

Paper, Engraving, Ink

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving

By Winslow Homer

Located in Alamo, CA

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Category

1870s American Impressionist Art by Medium: Engraving

Materials

Engraving, Woodcut

Some of 48 Tulips
Some of 48 Tulips

Some of 48 Tulips

By Gatja Helgart Rothe

Located in San Francisco, CA

This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...

Category

Late 20th Century American Realist Art by Medium: Engraving

Materials

Mezzotint

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition
Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

Venice Beach Seascape, Long Wave, Nautical Scene in Blue Tones, Limited Edition

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. This beautiful cyanotype is titled "Long Wave in Venice Beach" and it shows an outstanding wave in one of the most iconic ...

Category

2010s Realist Art by Medium: Engraving

Materials

Paper, Emulsion, Watercolor, Engraving, Etching, Monotype

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print
Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

Small Pinocchio Aquatint Etching Jim Dine Pop Art Print

By Jim Dine

Located in Surfside, FL

Jim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet siz...

Category

1990s Pop Art Art by Medium: Engraving

Materials

Drypoint, Etching

William Hamilton Classical Greek Vase-Painting Engraving
William Hamilton Classical Greek Vase-Painting Engraving

William Hamilton Classical Greek Vase-Painting Engraving

By Pierre Francois Hugues D'Hancarville (author)

Located in Melbourne, Victoria

Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater. Technique : Copper-line engraving with original hand-colourin...

Category

Early 1800s Other Art Style Art by Medium: Engraving

Materials

Engraving

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving, Etching

Temple of the Dea Tussis

Temple of the Dea Tussis

By Matthew Dubourg

Located in Middletown, NY

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full mar...

Category

Early 19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Etching, Aquatint

AMERICAE - Sive Novi Orbis, Nova Descriptio
AMERICAE - Sive Novi Orbis, Nova Descriptio

AMERICAE - Sive Novi Orbis, Nova Descriptio

By Abraham Ortelius

Located in Santa Monica, CA

ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Vesuvius, Naples, Italy. Volcano, engraving with original hand-colouring, 1815

Located in Melbourne, Victoria

Vesuvius, engraving with original hand-colouring, 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of I...

Category

Early 19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art
Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

Mon Jardin Zoologique /// Contemporary Abstract Expressionist Animal Modern Art

By Serge Helenon

Located in Saint Augustine, FL

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique (My Zoological Garden)" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engraving...

Category

1980s Abstract Expressionist Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Intaglio

'Encircled' — Mid-Century Surrealism, Atelier 17
'Encircled' — Mid-Century Surrealism, Atelier 17

'Encircled' — Mid-Century Surrealism, Atelier 17

Located in Myrtle Beach, SC

Ian Hugo, 'Encircled', engraving, 1946, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack EDIT...

Category

1940s Surrealist Art by Medium: Engraving

Materials

Engraving

"Un rideau" original drypoint

"Un rideau" original drypoint

By Fernand Khnopff

Located in Henderson, NV

Medium: original etching and drypoint. This impression on wove paper was printed in 1904 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 6 5/8 x 4 3/4 inc...

Category

Early 1900s Art by Medium: Engraving

Materials

Drypoint, Etching

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Art by Medium: Engraving

Materials

Mezzotint

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.