Art by Medium: Etching

George Dannatt (1915-2009) Line Drawing No.1 1996 Etching Editions available: 19/16 signed by George Dannatt Image measures: 12.3 x 16.3 cm George Dannatt’s long career as a painte...

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

Salvador Dali (1904-1989) - Sainte Lucie Etching and watercolour from 1974. The edition 219/450. Dimensions of work: 90 x 63.5 cm. Hand signed. Reference: Field, 73-3; Michler, ...

This piece titled "Like a Pen VE 16/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an ed...

The Temple of Peace is an original black and white etching realized by Giuseppe Vasi. Good conditions except for the trace of being fold at the middle. Sheet dimention:42 x 56 The...

A set of nine prints. The Moon has had an importance in human culture since the dawn of history and likely before. Often revered as a feminine deit...

This artwork titled "Nymphenberg Palace, Munich, Germany" c.1950, is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed and numbered ...

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...

A superb impression from an important mid-19th century collection. Etching on white laid paper with a partial crown and shield watermark, 4 x 2 7/8 inches (102 mm x 73 mm), margins....

This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...

Louis Icart, French (1888 - 1950) - Madame Bovary, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20.5 inches, Frame Size: 40 x 43 inches, Reference: Figu...

This exquisite etching by Marc Chagall (1887–1985), titled Gogol et Chagall (Gogol and Chagall), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes orig...

Etching on paper realized by Alberto Gallerati. Artist proof. Hand signed in pencil. Excellent condition.

Girl is an original etching artwork on paper, realized by an Anonymous artist of the Early 20th Century. The state of preservation of the artwork is good. The artwork represents a...

A rare, signed image from a lesser-known female impressionist printmaker. c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...

Albrecht Durer, After by Amand Durand, German (1471 - 1528) - Albert de Mayence, Year: 1873, Medium: Heliogravure, Size: 7.5 x 5.5 in. (19.05 x 13.97 cm), Printer: Amand Durand, ...

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

Abstract Composition is an etching print realized in 1960s by Pierre Dmitrienko. Hand-signed on the lower. Numbered. Rare Edition, 2/20. Good Cond...

Image Dimensions : 22 x 16 cm. Hand signed. Passepartout included : 49 x 34 cm Edgar Chahine was a French painter, engraver and illustrator.

The Study of Hand after Bouchardon is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The...

Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....

Jean Sariano, Algerian/American (1943 - ) - Going To Kenneth Square, Year: 1979, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 300, Size: 14 x 25 in. (3...

Paris: Cadart, 1868. Etching on watermarked buff laid Arches paper, 5 1/2 x 9 1/4 inches (140 x 235 mm); sheet 8 1/4 x 12 inches (210 x 305 mm), full margins. In good condition with...

Richard Haas Hong Kong, 1990 Etching and Aquatint on wove paper Hand Signed, numbered 26/35 and dated on the front Frame included; held in the original vintage hand made wood frame ...

Date: 1965 Etching with relief on wove paper, signed and numbered in pencil Edition of 17/75 Size: 23 x 30.5 in. (58.42 x 77.47 cm) Frame Size: 26.5 x 34 inches Publisher: Maeght, Paris

Etching realized by Franco Marzilli in 1990s. Hand signed in pencil. Hand colored in pastels. Artist proof. Very good condition.

Hand-coloured drypoint etching on Arches paper, edited in 1971. Limited edition of 145 copies, numbered as 89/145 in lower left corner.
 Hand-signed in pencil by artist in lower righ...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Stanley William Hayter Torero (de-accessioned from the Denver Art Museum), 1929-1933 Engraving on laid paper, third (final) state, on heavy BFK Rives...

Que Locura - Plate 68 from Los Desastres de la Guerra (The Disaster of the War) is an original black and white etching realized by Francisco Go...

Damien Hirst, New Beginnings III [yellow], 2011 Polymer gravure block print in colour on Zerkall paper 66 × 48 cm - sheet size 70.6 x 53.3 cm - Framed Edition 14/55 hand-signed on th...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

Artist: Jim Dine Title: The Little Heart in a Landscape Medium: Soft-Ground Etching and Power Tool Abrasion with Red Moriki Chine Colle on Hahnemuhle Paper Image Size: 10.125" x 12.5...

Artist: Pablo Picasso Title: Oval Head of a Woman with Square Hair (Plate XX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sh...

Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...

Tome VIII – “La Taupe” (The Mole), from Buffon's Histoire Naturelle, Générale et Particulière. Plate XII, p. 108 Copper engraving. Paris, 1771. Sheet size: approx. 24.5 x 19.5 cm. A...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LIII, p. 396 Copper engraving, 1771 edition This finely engraved anatomical plate presents a detailed study of the male reprod...

Etching on cream laid paper with an unknown watermark with an AL inside a ribbon. 10 1/4 x 7 7/8 inches (258 x 187 mm), full margins. Signed, titled, and dated in pencil lower margin. In good condition with one small, very minor 1/4- inch horizontal tear in lower-center quadrant of the image area, in the area of the doorway beneath the arch, very difficult to discern, and completely unobtrusive. 1/2-inch minor horizontal edge tear center sheet edge, bottom margin (outside of image area). Paper tape from a previous hinge at top right and left sheet edges. Light scattered age tone and surface soiling. __________ Perhaps now most famous for one particular illustration for an edition of The Rubaiyat of Omar Khayyam, Sullivan's etching of a skeleton crowned in roses was appropriated by Stanley Mouse and Alton Kelley...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers VIII, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x...

Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream la...

Paul RENOUARD Sleeping Ballerina - "Le Nouveau Roman", 1893 Original etching Signed in pencil On Japan paper 48 x 32 cm (c. 19 x 12.5 inch) INFORMATION : Limited edition of 20 copi...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Platt, Charles Adams (American 1861-1933). BROOKLYN BRIDGE (THE EAST RIVER BRIDGE). Etching, 1888. Signed and dated in the plate. Published by Frederick Stokes and Brother. 6 3/4 x 1...

A beautiful Arcadian landscape after Johannes Glauber. Amsterdam: 1721. Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

A stallion stooped to graze… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character and spirit of his subjects....

1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...

Etching realized by Thomas Rowlandson as frontispiece of "The English Dance of Death". Printed by J. Diggins and published by R. Ackermann's Repository of Arts. Hand-colored etching...

This artwork titled "Marshland" 1962, is an original drypoint etching by noted American artist Peter Winslow Milton, b.1930. It is hand signed, dated, titled and numbered 31/40 in pe...

Leonardo da Vinci, After by Amand Durand, Italian (1452 - 1519) - Trois Tetes de Chevaux, Year: circa 1878, Medium: Heliogravure, Size: 6 x 8.5 in. (15.24 x 21.59 cm), Printer: Am...

a wonderful antique pokerwork/pyrography panel by I W Wells, an American artist who flourished between 1845 - 1880. He was active in Pennsylvania/Philadelphia, yet most of his work is conserved in the Pinto Collection, which is part of the Birmingham Museums Trust in the UK. A portrait of Tennyson by Wells is in the Virginia State...

Penwortham Church is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled and signed in the plate. Beautiful engraving with contemporary colouring. Edit...

Original engraving #3 by Ernst FUCHS from Kabbalah (THIRTY-TWO PATHS OF WISDOM by SEFER YETZIRA), 1978 Etching signed and numbered 16/30 E.A. Page size - 30 x 22 in 76 x 56 cm Image...

Medium: original etching. This impression was published in 1880 by the American Art Review. The American Art Review was a lavishly produced revue featuring original etchings by leadi...

This work is hand signed in pencil by the artist "L. Fontana" in the lower right image. It is also hand numbered in pencil from the edition of 80, in the lower left image. It was pr...

John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bott...