Art by Medium: Intaglio

K. Laxma Goud Untitled, Intaglio on paper Size of the Etching 10.5 x 8 inches 26.7 x 20.3 cm Size of thePaper : 15 x 11 inches ( Set of 2 Works ) ( unframed & delivered ) St...

Juan Carlos Alom (Cuba, 1964) 'Estudio anatotécnico para abandonar una isla', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ...

Juan Carlos Alom (Cuba, 1964) 'El cielo protector', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 106 ID: ALO1534-004-106 Hand-s...

Juan Carlos Alom (Cuba, 1964) 'Esta obra no tiene título es sólo el silencio de mi veneración', 2004 photoengraving on paper 30 x 22.1 in. (76 x 56 cm...

"Wine - SKOL" Intaglio and Hand painted on Paper by Diana Brady Original 1983 Intaglio titled "Appetizer" from the "The Perfect Meal" Folio featuring 14 Artists at San Francisco St...

Color softground etching with aquatint and spitbite aquatint. Edition 50

Artist: William Young Ottley (English, 1771-1836) Title: "A Youth at His Devotions" Portfolio: The Italian School of Design: Being a Series of Fac-Similes of Original Drawings, By th...

Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...

Available individually ($2500), and also as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...

Artist: Ben Schonzeit, American (1942 - ) Title: Lamps (White) Year: 1979 Medium: Intaglio, signed and numbered in pencil Edition: 14/125 Size: 28.5 x 25 in. (72.39 x 63.5 cm)

Signed, dated, annotated "epreuve d'artiste"; Annotated on titled "B.B." Edition: 5 References And Exhibitions: One of the three impressions printed on ARCHES watermark paper Int...

Artist: (after) Sir Augustus Wall Callcott (English, 1779-1844) Title: "Benevolent Cottagers" Year: 1816 Medium: Original Etching and Engraving on laid paper Limited edition: Unknown...

Artist: Shlomo Koren, German (1932 - ) Title: Untitled V Year: 1970 Medium: Intaglio, signed and numbered in pencil Edition: 15 Size: 26 x 20 in. (66.04 x 50.8 cm)

Artist: Gerald Leslie Brockhurst (English, 1890-1978) Title: "James McBey" *Signed by Brockhurst in pencil lower right. It is also signed, dated, and titled in the plate (printed si...

Artist: Robert Clutterbuck (English, 1772-1831) Title: "St. Alban's Abbey Church, High Altar screen" Portfolio: The History and Antiquities of the County of Hertford Year: 1815-1827 (First edition) Medium: Original Engraving on wove paper Limited edition: Unknown Printer: Nichols, Son, and Bentley, London, UK Publisher: Nichols, Son, and Bentley, London, UK Sheet size: 17.63" x 11.38" Image size: 11.57" x 8.57" Reference: Brunet II, No. 112; Lowndes No. 483; BAL RIBA No. 666; Upcott I, page 623 Condition: Scattered foxing throughout sheet; it doesn't show much within the image. Creasing to upper left and right corners. Has been professionally stored away for decades. It is otherwise a strong impression in good condition Notes: Provenance: private collection - Aspen, CO. Engraved by English artist John Henry Le Keux (1812-1896) after a drawing by English artist Frederick Nash (1782-1856). Comes from Clutterbuck's three volume "The History and Antiquities of the County of Hertford", (1815-1827) (First edition), which consists of 54 engravings. Printed from one copper plate on one color: black. "Vol. I. p. 65" printed upper right in margin. "Proof" printed lower right in margin. St Albans Cathedral, officially the Cathedral and Abbey Church of St Alban, also known as "the Abbey", is a Church of England cathedral...

Artist: Cornelius Nozeman (Dutch, 1720-1786) Title: "Ardea, Stellaris (Eurasian Bittern)" (Plate 41) Portfolio: Nederlandsche Vogelen (Dutch Birds) Year: 1770-1829 Medium: Original H...

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: La Mascara from the Homage to Quevedo Portfolio Year: 1969 Medium: Intaglio with Lithographed Mylar Collage, signed and number...

"Bio Satellite Orbiting The Moon" by Yuji Hiratsuka is a print that combines a surreal or imaginative depiction of a satellite’s journey with human or anthropomorphic forms, rendered...

Artist: Colen Campbell (Scottish, 1676-1729) Titles: "The Plan of Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 49) and "Lindsey House in Lincolns Inn Fields" (Vol. 1, Plate 5...

The red flower is a phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin The artist want to define a well...

Flowers  and bugs is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin The artist want to define a well...

Bugs and leaves is a phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right margin.

 The Rice Ear is a  phototype print on paper realized in the late 20th Century by a Unknown Chinese Master. Monogrammed on plate on the left margin The artist want to define a well-...

Flowers and bugs is a  phototype print on paper realized in early 20th Century by a Unknown Chinese Master. Monogrammed on plate on the right corner The artist use the stylized trai...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

Myril Adler "Temple Mount" c.1960s Collagraph ink on paper 2"x2" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vite...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Photography of San Francisco, on aluminium panel, signed on the back.

Georges Rouault, After, French (1871 - 1958) - Auguste, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 12.5 x 8.5 inc...

Georges Rouault, After, French (1871 - 1958) - Mother and Child, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 14 x ...

Odilon Redon, After, French (1840 - 1916) - Profil de Lumiere, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 14 x 9....

K. Laxma Goud - Untitled - Paper Size : 29.7 x 22.2 inches Print Size : 18.5 x 12.8 inches Intaglio on Paper ; 2014 ALL IN DOOR DELIVERED ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour, gouache and pastels to glass painting and sculpture in bronze and terracotta. Over the many years of his artistic career, he is known to have moved from one medium to another with élan. Fellow artist T. Vaikuntam, in one of his interviews, reminisces that it was Laxma Goud who introduced him to the art of sketching and made him aware of the possibilities of this medium. When one looks at Goud’s work, rustic, raw, and potent might be the first words that come to mind. His portraits of men and women represent the dynamic Indian ethos rather than particular individual identities. A recurrent theme with the artist is that of the erotic, treated as an active and powerful aspect of male and female sexuality and existence. Goud’s work is dramatic; his protagonists are raw and vivacious in their appeal, imbibed with energy that reverberates through his strokes and textures. Most of Goud’s art is centered on the rural, recreating landscapes from his childhood as if they were frozen in time. In the artist’s later work, his figures turn softer, more introspective than brash in their outlook. About the Artist and his work : Born : 1940 in Nizampur, Andhra Pradesh...

"Pueblo Portals" - Intaglio Print in Ink on Archival paper, #3/15 Tan interior intaglio print with blue accents by Marcia Pagels (American, 1930-2010). This piece shows a stark interior of a Pueblo building, with two bright blue accents - the window and the door. This piece also has an asymmetrical trapezoid border that is imprinted (but not printed) around the edge. Titled, numbered, signed, and dated along the bottom edge: Pueblo Portals 3/15 Marcia Pagels © 1989 Presented in a new brown mat Mat size: 12"H x 16"W Paper size: 11"H x 14"W Impression size: 7.5"H x 10"W Marcia Pagels (American, 1930-2010) was born in Taft, California, and moved to Glendale in her early teens. She attended Stanford University, where she earned her BA in Art, and then went on to study at the Sorbonne in Paris. She later moved to East Palo Alto with her husband and children, where she studied with Richard Bowman...

Artist: Man Ray (American born, 1890 - 1976) Title: PAUL ELUARD Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st E...

Clearly a scene in France, the Bernard Sanders is showing us a seamstress/lacemaker. She seems to be shaping a traditional coiffe (sometimes 'coif') -- an elaborate headpiece worn b...

Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...

The printmaking intaglio technique called collagraph was used to make the matrix of this early to mid-1970's print. Inspired by his trips to the Southwest during this period, John R...

The collagraph technique was used to make the matrix for this intaglio print. This piece was created during the 1970's when the artist and his family visited the Southwest over many...

Artist: John Latham (English, 1740-1837) Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 4.5" x 4.5" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Emery Walker (1851 – 1933) after Edmund Hort New (1871 – 1931) Wadham College, Oxford Photogravure 27 x 41 cm New produced a series of pen-and-ink drawings of Oxford colleges, of which this is one. They paid homage to the artist David Loggan, often using the same aerial viewpoint as him, but showing the colleges two hundred years later. Emery Walker turned...

Royce, Richard (American, born 1941). AU FOND. Intagio print in colors, 1967. Edition of 40. printed on BFK Rives paper. Titled, numbered 6/40, and signed and dated, all in pencil. 1...

Edward S. Curtis Return With The Willows - Piegan 1910 Photogravure Print 9 x 12 inches Vintage small format Curtis Volume Photogravure, Volume 6, The North American Indian, on Japa...

Artist: Pierre Bulliard (French, 1742-1793) Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)" Portfolio: Herb...

This collagraph print was created during the mid-1970's when John Ross and his family were spending summers in the Southwest. Ross brought forward and mastered the collagraph. “A c...

Artist: James Rosenquist Title: Window Washer Glass House (State 2) Medium: Intaglio and relief printed in dark gray and embossing Date: 1978 Edition: 53...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Sheet size (each): approx. 11" x 18.25" Image size (platemark) (each): approx. 7.75" x 14.75" Reference: Lowndes page 303-304; Upcott page 33 Condition: "Nottingham Park" has light soiling in margins and scattered light foxmarks across sheet. They are both otherwise strong impressions in very good condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "Oakham Castle" and "Nottingham Park/Castle" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Oakham Castle is a historic building in Oakham, Rutland. The castle is known for its collection of massive horseshoes and is also recognised as one of the best examples of domestic Norman architecture in England. It is a Grade I listed building. Owned and managed by the Rutland County Council, Oakham Castle is licensed for civil...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...

Artist: John Latham (English, 1740-1837) Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 5.75" x 4.75" Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...

Myril Adler "Bud" c.1960s Collagraph ink on paper 1.75"x2.25 unframed Titled in pencil with estate stamp Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Belarus)...

Medium: Intaglio and Chine Colle Year: 2022 Image Size: 18 x 12 inches Edition of 15 A decorated vase with tulips on a patternd tablecloth. While Hiratsuka's images have some resemb...

Shlomo Koren, German/Israeli (1932 - ) - Untitled I, Year: 1970, Medium: Intaglio, signed and numbered in pencil, Edition: 15, Size: 26 x 20 in. (66.04 x 50.8 cm)

Shlomo Koren, German/Israeli (1932 - ) - Untitled 2, Year: 1970, Medium: Intaglio, signed and numbered in pencil, Edition: 80, Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Shlomo Koren, German/Israeli (1932 - ) - Untitled II, Year: 1970, Medium: Intaglio, signed and numbered in pencil, Edition: 15, Size: 26 x 20 in. (66.04 x 50.8 cm)