Marble Abstract Paintings

"All that would happen to me in addition, well, it’s like rain on a pebble. It refreshes it and it’s already very beautiful. Another day, it will burn with sunshine. It always seemed...

While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, grey, beige drawings… This inspired the texture and the atmosphere o...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Sezione Aurea 2024-007 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 61 × 31 × 6 cm...

Sezione Aurea 2024-015 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 64 × 43.5 × 5 cm (25...

« January in Brittany, a peaceful atmosphere of grey and beige, a real harmony, beautiful if you are not sad because it takes an effort to look at the beauty of the foreshore in wint...

Emmanuelle Vroelant starts from an observation shared by many: “we’re weighed down, made anxious by the news of what’s happening in the world.” Facing this weight, she says she felt...

During a walk in the forest, the shade of the trees suddenly appeared as dark blue in contrast with the reddish heather and the branches.

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

Artist: Warren Wolf, American (1924 - 2003) Title: Yashal & 'Aniyah #2 Year: 1996 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 32 in. x 34 in....

Taking the liberty of painting a type of sky that does not exist, an improbable water color… it is quite enjoyable.

Painted in April 2024, this vertical 81 × 65 cm linen builds its surface like a chalky wall, thickened with marble powder until it takes on the grain of an old stone. In the upper ri...

It is a winter without sadness, the clouds loaded and free to transform, it was the year 2016...

Evanescent memories, softened colours, the breath of passing time… Ned to enter into a pastel color atmosphere, the need to change register between two paintings, as an alternation o...

"Guarantee of freshness" abstract acrylic paint on linen panel 81x100cm 2022 In these days of pleasant but disturbing heat, I pay tribute to the foliage of trees on the banks of pe...

"Forgetting" abstract acrylic , marble, china paper, 81x65 cm on linen canvas Forgetting the words, the names… it’s annoying! The relief is worked as a...

I believe it is increasingly necessary to rise above the mediocity of men: barbarism, vulgarity, rejection of the other. A dear friend having read me the poem of Saint-John Perse, I ...

A broad circular form, pale and translucent, occupies the lower left of the canvas — an almost perfect circle, ringed by a thin outline that barely stands out from the ground. Along ...

This idea came to me during the period of confinement and COVID, when I had the chance to breathe a beneficial, tonic, iodized and refreshing air. It was while rejoicing at each insp...

"Chinese mythology" It makes me think of dragons, oxidized that I see in the multitude of temples of South-West Asia to temples. I associate the deep reds of the pillars and fra...

The layout of this work was imposed upon me during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, I attem...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

The Goat Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of...

While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, grey, beige drawings… This inspired the texture and the atmosphere ...

The joy and lightness of yellow is for me the freedom to breathe and think, which is always threatened. I wanted very spontaneous colors in opposition to the heavy reality of the war...

abstract "Traces" Traces left by torn-away posters, traces of cultural and political expressions.

Listening to a quantum physicist talking about matter and light… This level of knowledge, this new look that opens horizons of almost metaphysical or spiritual order… makes me think...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

"And the tenderness?" In this age of digital communication and social networks, the lack of courtesy and respect for the human offends me There is a lot of...

Second confinement, the slaughter of a teacher: a sense of a world that is losing its bearings, saturated with narcissism and intolerance, like a return to a society that no longer k...

"Persever" I have always been fascinated by frigates and adventurous sailors who confront the unknown and the elements I always thinks of the wind and the sea. This painting expres...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

"Along the water" abstract acrylic marble powder on canvas linen black white send in wooden crate at cost the beneficial water, which opens to tranquility, to reverie… Emmanuelle vroelant...

Charcoal, smoke, and burnt umber gather in dense, weathered clouds across this large-scale canvas, thinning at the lower right into pale ash and bone. Fine white scratches cut throug...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

Cool slate blue anchors the left edge of this canvas, dissolving into warm bands of copper, rust, and glowing amber that shift and pool across the surface like light passing through ...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...

The Parade Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

24 Hours at Sea Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the me...

“A wind blows across this canvas,” says Emmanuelle Vroelant, just as one is currently blowing across the world’s atmosphere: the sense that the markers of otherness, courtesy and eth...

OCBLK009102723 Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Spanish Windows IV Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Best Laid Plans Oil, bitumen, collage, marble powder, burlap on canvas 96" x 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Painted in parallel, Fantasy 1 and Fantasy 2 naturally form a duo in Emmanuelle Vroelant’s eyes: “I find that these two paintings, made in parallel, form a duo.” Presented side by ...

Adaizan Oil, Marble Powder, Asphalt, Burlap On Canvas 73.3 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Taysha Oil, Marble Powder, Asphalt, Burlap On Canvas 73.25 x 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting ...

Black Globe Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium...

Work on the impact of elements on urban structures and organisation. I endeavored to give thickness to the texture that coats and engulfs.

In the Open Air unfolds a 100 x 100 cm square almost entirely absorbed by light. Marble powder carves the canvas with relief and striations, giving the dominant white a rough, almost...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

I have, at one point in mylife, practiced art therapy, blue is the color of refocusing, one must be centered and have a positive relationship to oneself to be benevolent.

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

After painting Fantasy 1, Emmanuelle Vroelant felt she needed “a companion with very solar forms that bring to mind a presence charged with calm and benevolent authority.” It is thi...

14-10-24 asserts its matter before its image. Across the canvas's 120 x 100 cm, acrylic laden with marble powder carves, on the right, vertical grey and ochre furrows that streak the...

Reticulum is an original artwork realized by Giorgio Lo Fermo in 2019. Original colored enamel on canvas. Hand-signed and dated on the back. The artwork is a beautiful abstract ar...

Painted in November 2024, this square 80 × 80 cm canvas sets two clearly distinct masses of matter against each other across a broad white void: on the left, a beige and ochre expans...

In this piece, I cultivate a tonic allure to accentuate elegance. Every stroke is a dance, seeking equilibrium between strength and grace. It unfolds as a nuanced exploration of con...