Marble Abstract Paintings

The second panel in the series, this large square format shifts register: the vivid red of the first painting gives way to a dark, almost grave red. « I worked on the depth and gravi...

Rain and Sun captures a very Breton alternation: that of « winter days with their alternation of damp greyness and rays of sunshine », as Emmanuelle Vroelant describes it. A climate ...

At 120 centimetres high and only 40 wide, Moving Forward adopts a narrow, blade-like vertical format that forces the eye to climb, literally, from the bottom of the canvas to the top...

At the centre of the canvas, an almost circular form asserts itself: an amber, structured core crossed by a single, paler shaft of light sliding diagonally across it. This golden mas...

Warning's vertical format heightens the sense of imbalance between a turbulent sky — almost ablaze with dark reds, blacks and browns — in its upper third, and a calmer horizon below,...

Turquoise unfolds, in a vertical format, a range of deep blues darkening almost to black at the edges, the better to let a white and turquoise light burst forth at its heart with an ...

The title is enough on its own… tonic color chords.

Two globes overlap at the centre of an earthy, finely cracked ground, criss-crossed with linear fissures radiating out like dried veins: one, silvery and milky, its surface speckled ...

Against an intense black ground, blocks of warm color — ochre, burnt orange, terracotta — arrange themselves almost like an architectural composition, punctuated by a woven texture t...