Panel Paintings

Artist Statement I grew up in a small town west of St. Louis, MO.  To be more specific, I grew up in the woods outside of that small town.  Not having many human children around, my...

"Magnolias and the Whaling Museum" is an impressionistic plein air painting depicting a residential neighborhood in Sag Harbor's Historic District. Early spring has adorned the stree...

About the Artist: For as long as I can remember, I have been on a quest to convincingly represent on canvas what I see in the physical world, what I see in my mind and what I feel. M...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Urban Landscape Painting of the Town Hall in Accrington in the North of England by Leading Contemporary British Artist, Angela Wakefield Art measures 18 x 24 inches Accrington Town...

Painted entirely en plein air under moonlight, with no artificial light to guide her, Shizico Yi embraced the night with unfiltered presence. Relying solely on instinct, memory, and ...

A Canal View of Bruges with White Swans – Beguinage Entrance Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 38,50 x 64,50 cm, frame size 47 x 55 cm Biography: Verbrugghe Charles was born into Belgian aristocracy on June 15, 1877, in Bruges. He was an Impressionist painter of town views, landscapes, views of the sea and beaches, still lifes, flowers and portraits. He is well known for painting of the convents and city views of Bruges and Paris. In 1907, he went to Paris to study under the master teacher Flori Van Acker (1858 – 1940). There, he became friends with the artist Maurice Utrillo...

Raymond Bonilla's "Anoop's Place" is an original, handmade oil painting that depicts the façade of a brick building with balconies as the morning light hits its surface. About the Artist: Raymond Bonilla is a nationally recognized illustrator and fine artist in Buffalo, NY. Raymond graduated from the State University in New York at Fredonia in 2005 with a degree in New Media and Illustration. He continued his studies at the Academy of Art University in San Francisco where he completed his Masters of Fine Art in 2009. He was awarded Best in Show in the Great Lakes Emerging Artist Competition, was a finalist in the Artists Magazine Annual Art Competition, has been awarded Gold Medals in advertising from both Society of Illustrators of New York and Los Angeles, and juried into the Communication Arts Illustration Annual. He currently lives in Buffalo, New York where he spends his time painting and teaching part-time at SmART School and Visual Arts Passage. He is represented by Principle Gallery in Alexandria...

August Sunset Impressionism Seascape Framed Water Texas Artist Marine Dawn $950 Framed 11" x 13". Is part of newly released small works from V....Vaughan's collection of recent travels. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. V....Vaughan is know for her animal, Texas missions Italy, France and Gulf Coast paintings...

"Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to re...

Jeanine Donkers Memento 80 x 60 cm ( framed included in price) Measurement with included frame: 88 x 68 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled with fa...

Provenance Acquired by the gallery directly from the artist Signed "Godfrey" on lower right FRAMED: 14.25" x 14.25" x 1.75" UNFRAMED: 8" x 8" Exhibited Monumental Miniatures 2022...

Provenance Acquired by the gallery directly from the artist Signed " J. PAQUET" on lower right corner. Artist Statement "This unique vantage point could only be accessed by jeep. I...

The little residents of the city — the cats of Marrakech — greet you here and there as you wander through its narrow streets. Their calm presence weaves naturally into the city’s vib...

Lisa Bostwick has had pieces exhibited at the Legion of Honor, Napa Valley Museum, Marin Museum of Contemporary Art and the de Young Museum. Her North Am...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Stacy D'Aguiar's (US based) "Electrogenesis" is an acrylic painting that depicts a colorful and surreal scene of a fish. Artist Statement: My paintings are channeled, Visual Dreamsc...

This piece titled "First Bloom From the Ashes" is an original piece by Graham Franciose, and is made from watercolor on panel mounted Rives BFK cotton rag, wax sealed, custom Douglas...

Elizabeth Zanzinger's (US based) "Market Flowers V" is a masterfully created realistic oil still-life. This painting measures at 12 x 12 inches, and is framed in a thin black frame ...

This piece rests at 8 x 8 inches and is framed at 13.62 x 13.62 inches, wired and ready for hanging. Artist Statement: "Subject matter to me is a vehicle for me to explore how I obs...

Carlos Bruscianelli's "Fruits on Paper" is an original, handmade oil painting on canvas panel that measures 10.25 x 24.25 inches framed and is ready to hang. About the Artist: Carlo...

Signed and titled figures in interior oil on panel circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjo...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Rushing Water" by Diego Glazer is an original oil painting depicting a rushing river. About the Artist: For as long as I can remember, I have been on a quest to convincingly repre...

A fine antique oil painting by Wilfred Constant Beauquesne (1847-1913), of a French cavalry soldier on horseback, 1883. The painting titled "The Despatch Bearer", depicts a French cavalry soldier riding his horse frantically to deliver despatches to the front. The soldier in full uniform with his cavalry trooper's sword hanging from his sadle & the horse hair from his Cuirassier helmet...

“Barn On River Rd Deerfield” by Marcia Wise is a 12 X 16 inch contemporary oil painting from the artist’s collection of palette knife paintings in which complementary colors of reds ...

Dutch School 19th Century Flower Still Life Oil on panel Framed: 13 ½ inches x 11 ½ inches (34 x 29 cm) This charming miniature floral still life—possibly a preparatory study for...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in various ways by others. In this recent body of work, I draw on my deep love of nature: the impressions from my new rural life Upstate and in the Berkshires...

Rob Alexander's "The Winding Path" is an original, handmade oil painting that depicts a dirt foot path snaking its way through the green foothills with large fluffy clouds in the bac...

Nadezda's beautiful handmade oil on panel painting "Ashore" (2024) is a portrait of a young girl clutching her face contently while resting in a white decorative chair, captured in a...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

"Above Shark Harbor" by Jane Hunt (United States) is an original, handmade oil painting that depicts an coastal landscape. After moving to the US as a teenager, Jane Hunt studied il...

This oil painting is a contemporary portrait of a young strong black woman set against the . Tim Okamura’s visually stunning oil portraits of women have been appreciated the world o...

"Cloud Services" is a 12 x 12 x 1 inch abstract acrylic painting on cradled wood, in blue, green, ochre, black, white, and red text. A turquoise blue and green cloud has passed throu...

Bret Hansen originally from Baltimore, Maryland is a painter and graphic designer based in Los Angeles, California. His design career spans art direction roles in publishing, brandi...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Cat and Cockerel by Georges Manzana Pissarro (1871 - 1961) Oil and gold on panel 65 x 94 cm (25 ⁵/₈ x 37 inches) Signed and dated, Manzana Pissarro 1925 This work is accompanied by ...

Artist: Valverde, Francisco Title: Mira Date: 2025 Medium: Pigmented resin on panel Unframed Dimensions: 48" x 96" x 2.5" Signature: Signed Verso Edition: Unique

This contemporary botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild celandine flower, its deli...

Jeanine Donkers Remembrance 70 x 70 cm ( framed included in price) Measurement with included frame: 76.5 x 76.5 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, fushia, patter...

Adriana van Zoest Overdue 65 x 45 cm Framed 77 x 55 cm ( Frame is included in price) Oil paint on wood panel (2024) Various subjects Adriana van Zoest's paintings are not easy to cl...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This painting is a bold abstract painting built from thick, gestural brushstrokes in deep green, burnt red, and vibrant orange, punctuated with small accents of ultramarine blue. A l...

21/01/2023, 10.15h is a unique oil on wooden board painting by Spanish contemporary artist Calo Carratalá, dimensions are 22 × 37 cm (8.7 × 14.6 in).  The artwork is signed, sold unf...

"Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to re...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Manchester Abstract Expressionist Art by Contemporary British Artist, Angela Wakefield - a rare early work. Entitled 'Jilly's, Manchester', this painting is from an intense body of s...

This blue geometric seascape is an original oil painting on wood that combines two marine views through sweeping curves, fragmented planes and shifting horizons. Created by Spanish ...

Hunt Slonem "Red 2" Black and Red Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 13 x 11 inches *Painting is framed - ...

Fresh Cut (Abstracted Pink/Purple Flowers in Vase against Window) by David Konigsberg 2023, oil on panel, 19 x 23 inches Konigsberg is a conceptual realist who works across media an...

By the Waterside III is a unique oil on wood painting by contemporary artist Valérie de Sarrieu, dimensions are 50 × 50 cm (19.7 × 19.7 in). It is part of the “Silhouettes” series. T...

“Emergence” is a contemporary figurative oil painting from 2019, created on panel with white gold and silver leaf. The composition depicts a woman viewed from behind, her arms extended and her face turned upward. Her black floral...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

A beautiful mid 20th century French post-impressionist oil on panel depicting a busy summer evening in Paris. Lovely quality atmospheric work which is indistinctly signed lower rig...

Outstanding English Impressionist landscape with figures strolling under trees with the sea beyond. Joseph Vickers de Ville was a son of the farmers Joseph and Mary Deville. He was...

Louise Lenka German, early 20th century Chicken and Chicks in a Barnyard Landscape Circa 1910 Oil on panel Signed lower right In a gilt period frame A finely painted early 20th-cen...

"Friday Morning in Sag Harbor" is an oil painting of a small village from the vantage point of a sidewalk on Main Street, painted en-plein-air by Amy Florence (b. 1989, England). A ...