Panel Paintings

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Katrina Revenaugh Stai Fuori dal Mio Giardino Numero 1 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 8 x 1.75 inches Signed: On Verso ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Jean Paul Marsman (Dutch artist) Red Disguised as Blue 30 x 20 cm (framed, included in price 33 x 23 cm) Oil paint on wood This hyper-realistic oil painting features a paint tube from the brand Oud Holland. The artist has added a touch of humor by depicting a blue paint tube with red paint coming out of it. Such combinations are characteristic of Jean Paul Marsman's work. The cheerful and hyper-realistic paintings...

Realistic, richly colorful oil painting of New York City edifice by Richard Britell oil on wood panel 10 x 8 inches Framed, hangs flush ...

"Nacre, plea and entice 3" explores a singular and cohesive orchestration of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of ...

Provenance Acquired by the gallery directly from the artist. FRAMED: 15.5" x 18.5" x 1.125"; UNFRAMED: 9" x 12"

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

Attributed to Francesco Bonsignori Italian 1455-1519 Christ as a Boy Oil on wood panel Image size: 12 1/4 x 16 inches (31 x 40.5 cm) Original gilt frame  In this painting on panel, ...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right); inscribed "6728" au crayon bleu et cachet "...

Geisha Girl by HUSH 1-colour Screen Print on Wheat Paste Paper on Wood 70 x 100 cm Open Edition HUSH is a British mixed media artist who trained as a graphic designer at the Newc...

This contemporary, abstract oil painting is composed of carefully combined sections of various textures and areas of pattern, circles, dots and undulations, in exuberant, cheerful co...

In this stunning piece by the renowned artist Yuroz, beautifully encapsulates the timeless themes of love and romance. This artwork invites you to witness a lover's serenade, where a...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Charles-Théodore Frère (French, 1814-1888) "A Street Scene in Cairo" In a carved wood frame painted to mimic tortoiseshell with a pale green velour liner.  Circa 1888 Signed Oil...

Kevin Weckbach's (US based) "Winter's Song" is an original, hand-made oil painting that depicts a secluded snowy forest in the early morning sunlight. Artist Statement: "Subject mat...

Jean Paul Marsman (Dutch artist) Teatime 30 x 30 cm (framed, included in price 33 x 33 cm) Oil paint on wood Craftsmanship: The work is painted so realistically that everything see...

"Casting", painted by the Spanish artist Goyo Domínguez in 1995, is a romantic, colorful picture that smoothly joins the figurative and abstract worlds. "Casting" was painted with a...

"You're Not Listening" is an original piece by Branche Coverdale made from acrylic gouache on shaped wood panel. This piece measures 12"h x 12"w and is hand signed by the artist. Br...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Sunflowers, Size: 25.5" x 37.5" ...

In this contemporary painting in acrylic on canvas mounted on a shaped panel by Elizabeth Gourlay, carefully ordered blocks of color in a luminous, grassy shade of green frame two th...

Riot, Revolution, Police figures on Horseback in City Streets. Hand signed lower right. Painting measures 6 x 12, framed 9 x 15 inches. Arthur Smith is a listed American painter mos...

Keimpe van der Kooi Pink with flowers 80 x 68 cm Framed: 73 x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes...

In the middle of the eighties Perez-Flores started the creation of a large series of pictures and reliefs called "Prochromatiques", in which the vertical elements are dominating. The...

This wall-hanging artwork titled "AN OLD TREE" is an original artwork by Jim Houser made of collage on panel. This piece measures 4"h x 4"w. Jim Houser was born in 1973 in Philadelp...

"Collioure Sunset" is a contemporary impressionist view of the Collioure church in this coastal South of France town. Painted en plein air. Framed Dimensions: 17 x 20 inches Marc ...

With the medium of traditional oil paint, this charming piece by Chaval is exceptionally detailed and thought-provoking. Following a realist approach, yet depicting some playful impe...

David Shevlino's classic San Francisco city scape with highlights of orange with gray and cream building, blue sky, green trees and the upcoming iconic steep hill,, beautifully links...

Stunning Synchromist abstract by Danish/American artist, Benny Collin (1896-1980). Symphonic Forms, 1955. Oil on wood panel measures 22 x 29 inches. Measures 24 x 31 inches in custo...

Morgan Cameron’s (US based) “Dust Storm” is an oil painting on panel that depicts a red and white horse galloping with it's mane flowing. This painting is framed and ready to hang. ...

Shelli Langdale's "Horse with Jellyfish" is an original, handmade oil painting that depicts a white horse with pink jellyfish cast in blue light. This piece is unframed yet ready to ...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a ...

"French Village" by Sandra Pratt Artist Statement: My work is inspired by my emotional response to places I've seen and experienced. In particular, the contrasts of light and dark....

"Auto Service" (2025) is a striking handmade still-life oil painting by American realist Greg Gandy, depicting an older car in a bay at an auto service station. Artist Bio: Greg Ga...

Genevieve Hamel Sky is the Limit Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a ...

Cirrocumulus clouds are set ablaze as the sun sets over a grove of trees in Jeff Aeling's painting simply titled "Sunset", casting the trees into almost total black. Loose brush strokes and gentle dabs of paint evoke impressionist painting while the palette sets a tranquil scene. The painting is framed in a heavy black wooden frame measuring 14.5h x 16.5h inches. Jeff Aeling Sunset oil on panel 8h x 10w in 20.32h x 25.40w cm JAE024 Jeff Aeling b. 1958, Iowa City, IA Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...

This original oil painting on birchwood panel is painted in the shades of pale green wildflowers that one sees along forest paths and clearings as summer approaches. This is the silh...

Ingrid Smuling Wedgewood Eturia with Anemones 25 x 30 cm olieverf, frame included in price. (Size with frame 34 x 39 cm) Ingrid Smuling, the Grand Lady of Still life painting is st...

Jylian Gustlin’s paintings are process driven – when looking at her work there is a sense the painting was “made” with effort, intention and even strength. The artist starts with an ...

Circle of Gerard van Honthorst 1592 - 1656 Portrait of a Gentleman Oil on wooden panel Image size: 29 x 23 inches Contemporary gilt frame Gerard van Honthorst was a Dutch Golden Age...

Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-time profession as a contemporary still life ...

🔹 Landscape BW – Contemporary Minimalist Art Diptych Small Format 24x18 cm Pure Pigment, Mineral Oxide & Oil on Canvas Panel Descriptio...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Drifting in Cotton, Size: 25.5" ...

A verdant green path cuts through a field of red poppies, blue cornflower and white wild carrot in this summertime landscape by Ciba Karisik. The painting is a reminder that after a ...

Katrina Revenaugh Piccolo Giardino Numero 10 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 10 x 1.75 inches (round) Signed: On Verso C...

A magical painting by Eric Orr. Housed in the artist's original frame. Oil on canvas on panel. Circa 1990 Dimensions: 40 x 34.5 inches Framed Dimensions (approximate): 43 x 36 inches

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

Artist Statement "While staying at the Forbes' Trinchera Ranch in southern Colorado, I was intrigued by seeing this heavy cloud layer every morning hovering below Mt. Blanca's impressive peak of 14,351 feet. The cloud layer created an atmospheric division between the cool shadows below and the bright, warm light above." ―Peter Adams Description The artist's particular bold, broad brushwork magnifies a sense of epic in this pristine scene. The painting exemplifies the American West as an expansive land of free spirit and boundless possibilities. The colors are opulent and there is an intriguing sense of mystery about the subject, a Shangri-la feeling. The presentation of the painting makes a grand entrance statement. Provenance Acquired by the gallery directly from the artist Gallery Note The artist began the painting in 2006 and completed it in November of 2017. Exhibited Maxwell House...

Signed lower left: Vasily (Wilhelm) Filippovich Levi (1878 - 1954). The uncommon view of Venice was depicted by gifted artist in even more modernism manner than his other works of same period. IMO this one worth special acceptance being very rare and highly desired masterwork. The scorching sun gilds the sparkling expanse of the canal with its rays. At this hour the city is empty. Calm waves gently lap against the keel of the gondola. The artist perfectly transferred to the canvas the atmospheric idyll and romantic magic of old Venice. Oil painting on wood, signed, framed. Size app.: 47 x 64 cm (roughly 18.5 x 25.2 in) and beautiful antique frame ca 64.5 x 81 cm (roughly 25.4 x 31.9 in). Very Good condition, ready to hang condition, age wear (just minor wear to frame finish). Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 3.2 kg is going to measure some 5 kg packed for shipment. V. F. Levi - lawyer, collector, and also an artist. He spent his childhood in Riga, studied at the Alexander Gymnasium. He graduated from the 1st Kharkov Gymnasium (1899) and the Faculty of Law of Kharkov University. In 1916 he moved to Terijoki, built a house there and decided to devote himself to art. In 1918, on the advice of I. I. Brodsky, he showed his works to I. E. Repin and received his approval. After some time, he became Repin's confidant: during 1919-1930, he organized more than 50 Repin exhibitions in Helsinki, Prague, The Hague, Hamburg, Nice, Cannes and other European cities. In 1930-1939 he lived in Paris. In 1930 he participated in the Exhibition of Paintings by Russian Masters...

20th Century Oil painting of an Impressionist scene of of an Impressionist landscape. Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his f...

Geometric shapes in shades of blue from cobalt to pale periwinkle, and delicate angular lines in black and dark gray are dynamic against a soft background fading from dark navy at th...

Provenance Acquired by the gallery directly from the artist Artist Statement “Any day at Shark Harbor is a good day.” — Joseph Paquet EXHIBITIONS California Art Club's 103th Annual Gold Medal Exhibition at Autry National Center, March 30- April 20, 2016 Santa Catalina Island...

Shawn Sullivan's (US Based) "Bat Nap" is an original, handmade oil painting in the trompe-l'œil style that depicts Bat Man napping with a yellow bird. This piece is unframed yet read...