Panel Paintings

A fine impressionist winter landscape with houses in Jamaica, Vermont by well known American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, MA, studied at ...

Impressionist artist Purdy often paints figures in tranquil settings that include windows and flowers. The colors of yellow, soft blues and whites here convey a sunny setting. He oft...

Original Oil on birchwood panel Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Another in the series of my semi abstract landscapes inspired by the South Downs in West Sussex. We have wonderful skies on the South Downs and they are a constant source of joy and inspiration. Polly’s abstract realism paintings...

Robin Cole’s “Eldorado Canyon Falls” is a compelling 2024 oil on panel piece that depicts a waterfall in colorful Colorado. The painting embodies a tranquil scene, where the beauty...

sbc 238 (Abstract painting) Acrylic on wood panel — Unframed Susan Cantrick's abstract paintings explore the pre-verbal realm of thought through structured visual responses. Her pro...

A stunning contemporary landscape painting by Miguel Peidro. 'Green River Valley' is powerful and hugely detailed. The Light that Peidro has managed to capture is incredible. Peidr...

Unframed. Liane Ricci’s abstract paintings defy categorization. They are based in geometry and largely composed of bold lines dissecting and running alongside shapes, yet there is n...

Torsten Schonberg (1882–1970) Sweden Portrait of Ingrid Schonberg signed oil on wood panel unframed 40 × 32 cm (15.7 × 12.6 in) framed 50 × 42 cm (19.7 × 16.5 in) Provenance: Priv...

Reynolds’ Ebb and Flow landscapes — featuring the Napa Valley region and originally created for the Napa Valley Museum in 2017 — consider weathering, erosion, and other changes that ...

Meet Me by the Wall is an original painting by Mary Scott. This is an abstract painting in a minimal palette of cool turquoise, white and grey hues inspired by the seascape of the ha...

David Cheifetz's "While You Weren't Looking" (2025) is an original, handmade oil painting on aluminum panel that depicts a lush still-life featuring a bright yellow pitcher, red onio...

Elizabeth Zanzinger's (US based) "Shop Fan" is an oil painting that depicts a whimsical still life of a brightly colored, vintage teal fan. Elizabeth Zanzinger is an award-winning ...

"Concrete Gardens" is a body of work that translates Patrick Burns' deep love of the land into mixed-media paintings with rich texture and reverberating, monochrome color. Using pres...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

This work by the internationally collected artist Robert Mars features Brigitte Bardot and is titled "For the Sake of the Song". The art measures 30 x24" it is a unique one of a kind mixed media work on wood panel. An impressive layered collage of paint, mixed media, vintage...

In this contemporary landscape painting in oil on panel, ivory colored cumulus clouds float in an idyllic blue sky over a field of apple trees in golden brown. Signed, dated and titl...

Portrait in profile

Disrupted portrait with redhead

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

3 Cybergraph Enredo (S1). Colourful abstract geometric painting Mixed media and Acrylic Paint on panel, 2025. Dimensions: 30 x 20 x 4 cm. In inches: 11.8" x 7.87" x 1.57" . Simplic...

The Battle Of The Peasants, 17th Century by M D HOUT (1627-1680) Large 17th Century Dutch Old Master scene of peasants fighting, oil on panel by M D Hout. Excellent quality and co...

MIXED MEDIA PAINTING signed by the artist. Ask us for custom framing options for this piece. This original mixed media painting by Craig Alan belongs to his acclaimed work that blur...

Contemporary pink, green, and yellow toned figurative abstract by Houston based artist Matthew Reeves. The work features and central figure with a white rabbit in the foreground. Si...

Katheryn Holt (American, born 1951) "Purple Noon" 2022 Oil paint, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. At the uppermost layer, a delicate dance ...

Les Oiseaux du Loch The Birds of Loch Surrealist Creature Landscape Contemporary Gérard Willemenot was born on February 11, 1943. World War II and his father's deportation to Mautha...

Kanazawa Landscape – Kenrokuen is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments, Indian ink, copper leaves on Japanese paper mou...

Hazel Z Weckbach's (US based) "Galisteo Basin" is an original, hand-made oil painting that depicts a landscape with craggy rocks and bushes. Artist Statement: "Subject matter to me...

On one hot June day, a beautiful Ethiopian girl was playing in Monahov's studio with a sparkling glass prism, watching objects refracted in the room and outside the window.. and at s...

"Basket Weave" is an original abstract graphic painting on wooden panel. It has patterns, stripes and a dynamic color palette, featuring pinks and blue. A stunning and contemporary u...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

Pine Trees in the Summer 16" x 12" is an oil painting done in the style of Realism in the artist studio in Florence, Italy. It has a custom frame made in Florence by a master framer. These are the small landscapes Barbara Castrucci painted near her home in Tuscany. Tuscany is a region in central Italy. Its capital, Florence, is home to some of the world’s most recognizable Renaissance art and architecture, including Michelangelo’s "David" statue, Botticelli’s works in the Uffizi Gallery and the Duomo basilica. Its diverse natural landscape encompasses the rugged Apennine Mountains, the island of Elba’s beaches on the Tyrrhenian Sea and Chianti’s olive groves and vineyards. Bio As the daughter of a sculptor, I had my first encounter with art as a child observing my father draw and sculpt. During my high school years I frequented many of the Florentine workshops and studios which inspired me to become a painter. While still in high school I enrolled in old master painting courses devoting my artistic development to discovering and learning the techniques of the great art of the Flemish, Spanish and Italian masters of the 17th century. After graduating from high school I studied the 19th century academic tradition of drawing and painting with Rebecca Harp, Marc Dalessio and Leo Mancini Hresko...

L'Auto-Stoppeur Surrealism Landscape Skeleton Skull Contemporary Gérard Willemenot was born on February 11, 1943. World War II and his father's deportation to Mauthausen had a profo...

Mixed media on wooden panel realized by Paolo La Motta in 1997. Hand signed. Dated and titled on rear. Includes a wooden frame cm. 53.5x53.5. Very good condition.

Circle of Cornelis Dusart Dutch 1660 - 1704 Portrait of a Man Oil on panel Image size: 7¾ x 5¼ inches Giltwood frame Cornelis Dusart Cornelis ...

Hunt Slonem Oil Painting "Slidel" Black and Red Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Pai...

"Canyon de Chelly Shade" (2024) is a beautiful original impressionist oil landscape done by Billyo O'Donnell. This painting measures 17.5 x 21.5 inches framed and is ready to hang. ...

Jenny Ogg (British school, 20th Century) Sunbathing oil on panel signed 'J Ogg' (lower right) and bearing label for Grants Fine Art Gallery Newcastle (to the reverse)

Love Letters to Cornwall (I) [2021] Original Landscapes and seascapes Acrylic and oil on wood panel Image size: H:40 cm x W:40 cm Framed Size: H:44 cm x W:44 cm x D:3cm Sold Framed P...

Andrew S. Conklin Paige Seated in White Leotard oil on panel 14h x 10w in 35.56h x 25.40w cm ACK013 Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conkl...

The classically posed dancer is juxtaposed against the iMac computer in Andrew Conklin's painting entitled "Nina with iMac Snow". While the computer is a technological marvel, it ha...

Signed post impressionist landscape oil on panel by French painter Henri le Sidaner. The work depicts a nighttime view of the bay at Saint Servan, Brittany in the north of France. Th...

Hunt Slonem Oil Painting "Pink Double" Monkey Couple A monkey couple gestured in black and white on a pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 ...

A grapefruit and an orange brought to life in sublime simplicity in this glowing painting. The artist's touch gives meaning to the pairing as the citrus quietly sit next to each othe...

Jylian Gustlin creates mixed media paintings that explore the meeting point of art, science, and mathematics. Working primarily with acrylic on wood panel, and often incorporating in...

Inspired by cinema, photography, music and literature, Monet has a natural connection and sense for the current society and his contemporaries. His signature conceptual assemblage of...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She work...

Original oil painting on panel by artist Seth Winegar. Framed.

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

"Blue Flower in Tower" is an enchanting creation by Konstantinos Papamichalopoulos, of an illustrated, dancing blue flower growing out of an architectural structure. The background i...

“Temptation” (Cat) 10" x 10" gouache on Aquabord, sealed with Renaissance Wax.Also shown are other animal paintings in this series of gouache . Gouache (/ɡuˈɑːʃ, ɡwɑːʃ/; French: ...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

“Spending a lifetime of summers on Martha's Vineyard my work has evolved into natural forms of coastal scenes. My connection to the island developed a deep concern with natural forms life-plants, shells, hills, trees, stones and water. My paintings create a path of self-discovery. Reassembling pieces together from memory and imagination using textures, patterns and transparent layers make the viewer question how far reality can be pushed before it will yield the powerful essence of what is seen.” Anne Harney is a Boston-based painter who received her BFA with Honors in painting from Mass College of Art and Design in 2011. Awards include George Nick...

Suchitra Bhosle's "Dappled Light" is an original, hand made oil painting that depicts a man napping in the sun while leaning against a tree with sun stre...

oil and wax canvas over wood panel signature on verso Hiro Yokose paints images of nature composed in subtle, sensuous palettes. Playing with the viewer’s perceptions, his work crea...

Mixed media on Korean traditional paper (Jangji) & wood panel Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. ...

The Fish Seller Dutch School, circa 1720's circle of Willem van Mieris (Dutch 1662-1747), unsigned oil painting on partially cradled panel, presented in antique gilt frame panel: 15...