Panel Paintings

Chris Liberti is a favorite with collectors here and abroad. Gesture, color, and surface enliven the new harmonies and patterns Liberti creates as he works, generating a distinct bac...

Black Bean Pot Painting by David Pearce B. 1963, 2023 Additional information: Medium: Acrylic on panel Dimensions: 40 x 50 cm 15 3/4 x 19 3/4 in Signed with initials and dated. Dav...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

"Ogunquit, Maine 03.16.2020" is an American Impressionist oil painting, painted en plein air. A day at the beach by Nelson White is not complete without the textured blue sky made by his palette knife and bright-colored umbrellas. People on the beach lounge...

"in City and in Forest 12" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

Acrylic on wooden panel Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing her doctoral studi...

A beautiful decorative screen featuring elegant women in a garden setting painted by the renowned American illustrator Howard Chandler Christy. Medium: Oil on Panel in Three Parts D...

Paulus Bor (Amersfoort, Netherlands, 1605 - 1669) Title: Heraclitus and Democritus Medium: Oil on panel Dimensions: without frame 56 x 46 cm - with frame 77 x 67 cm "Cassetta" frame ...

Robin Hextrum's (US based) "Golden Circle" is an oil painting that depicts blooming yellow roses. This piece measures 16 x 16 inches and is ready to hang. Created on location in Bow ...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for s...

A natural ability for art runs in the Marshall family. Neil’s late father produced some excellent ink drawings many years ago. Art college beckoned in 1972 having been prolific in ar...

Robin Hextrum's (US based) "Iguana-moth" is a colorful oil painting that depicts a mythical iguana/moth. Artist Statement: This painting is from part of my "Magical Realism" series...

Barend GRAAT (Amsterdam 1628 – Amsterdam 1709) Diana the Huntress Oil on wood H. 33.5 cm ; L. 44 cm Signed lower right on the stone A discreet painter with respect to history, Baren...

"Meat" is an oil painting of two raw cuts of meat resting on a wooden cutting board, atop a rickety wooden tabletop. A perfect painting for the kitchen or pantry. Painted from life, using classical techniques. Painting dimensions: 12 x 16 inches Framed dimensions: 14.5 x 18.5 inches Framed in a black frame with silver trim. Matthew Weigle...

Steven H. Rehfeld (American, born 1954) "Amidst the Color", 2022 Oil Paint, Tape, Mixed Media, Wood Panel, Wood The artist signed the back of the painting. This large-scale abstract...

Jolynn Reigeluth The Devil You Know Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 36x24x2.5 in Framed Size: 36x24x2.5 in Ready to hang Signed COA provided ...

Moerenhout Edouard Belgian Painter Late 19th Century "Fishing in the River Meuse" Signature: Verso placed and signed "Pêcherie sur la Meuse ... E Moerenhout" Medium: Oil on mahogany...

Georges Croegaert 1848-1923 Belgian An Amusing Thought Signed "Georges Croegaert Paris" (lower left) Oil on panel This oil on panel by Belgian artist Georges Croegaert is a rich ...

The movement of water, the changing reflections, leaves floating across the surface, the angle of golden light... The artist Carole Garland conveys the childlike wonder and awe she feels as she gazes down at a stream in the woods. The rocks are solid and still as the light begins to fade and different shadows appear. Garland attempts to interpret in her work the calm and serenity evoked by nature. There is a spiritual aspect to her embrace of the natural world. Workshops with Plein Air oil painters Frank...

Sketch Of Three Horses Feeding, 19th Century circle of John Frederick II HERRING (1815-1907) 19th Century English School sketch of three horses feeding, oil on panel. Excellent qu...

An oil painting of a Haystack in a grassy field. Painted en plein air on Gibson Lane, in Sagaponack, New York, during the summer of 2019. Butko focuses in on one particular haystack,...

Look for Free Shipping at Checkout Brass Incense Box with Carnations 12" x 16" oil on panel . Archival Frame Artist Comment : The brass incense burner in this painting belonged to...

"Self Portrait, sketch" is a realist oil on canvas painting. It is a self portrait of the artist, Steven Levin, sitting in a warmly lit room on a chair with a vase full of paint brus...

Oil on canvas Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn...

A plein air painting of a street in Florence. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was a...

"Jamaican Scene 03.30.2021" by Nelson H. White, is an abstraction of a landscape in Jamaica. One can see the suggestion of natural light peeking through the loose rendering of trees....

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Signed lower left. Image dimensions: 40cm x 35cm / 16 inches x 14 inches Framed dimensions: 49.6cm x 45cm / 19.5 inches x 17.7 inches Pieter Wagemans was born in 1948 in Merksem, c...

A serene plein air painting of a Tuscan-style house seen through thick summer foliage. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest yea...

Arthur Fitzwilliam Tait was born at Livesey Hall, near Liverpool, England, and began his career as a clerk at the gallery of Agnew & Zanetti’s Repository of Arts in Manchester. While...

Brad Davis’s *8th and Watts* (2025) is an original oil painting on wood panel that measures 24 x 36 inches, housed in a 26 x 38 inch frame. This detailed and atmospheric composition ...

Daud Akhriev's (EUR and US based) "Oltrarno" is an original, handmade oil painting that depicts a European city street lined with old brick and stone buildings. Artist Biography: T...

Image dimensions: 60cm x 50cm Framed dimensions: 73cm x 63cm Signed lower left. Still life of strawberries with an assortment of dinnerware. Born in Antwerp on 17 May 1935, Wil...

Lori Larusso makes paintings and installations that explore issues of class and gender and how both reflect and shape culture. She has exhibited her work widely in the US and abroad ...

Highways and Byways is painting on a wooden panel so there is no need for a frame.. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...

"Red and Crimson Volkswagen" by Shan Fannin is an original acrylic painting depicting a close up view of a red Volkswagen. Born 1969 in California, artist Shannon “Shan” Fannin bri...

Attributed To French Master Jean-Baptiste Pillement (1728 - 1808). Magnificent rococo pair paintings depicting scenes from the life of Europe of the 18th century. Two scenes tell us about the lives of travelers and fishermen of the time. Two frames of the same century perfectly complement these paintings. Paintings made in the technique: Pastel, Bodycolor, chalks, and perhaps gouache on paper or paperboard supported by wooden boards. Gold leaf neoclassical frames of early 1800s (not examined under frames). On the reverse side of the wooden substrate, there is a stamp, "Bundesdenkmalamt Wien", Perhaps Jean-Baptiste Pillement (1728 –1808). Antique old paintings...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Joris Abrahamsz van der Haagen Heron Shoot in a Landscape 1615-1669 Oil on oak panel, signed 'JAH' lower left Image size: 16 x 21 inches (41 x 53 cm) Dutch ebonised frame Provenance...

Scott Conary's "Rose at Dusk" is an original, handmade oil painting that depicts a hyper realistic white flower with a dark background. About the Artist...

Finding My Way 1 Cheryl D. McClure oil on paper on wood panel 20 x 20 x 2 in Inv #: 794 Price $1800 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field with wildflowers and trees at sunset in mid...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) l'Aumance à Hérisson - Allier Oil on panel H. 26.5 cm; W. 35 cm Signed lower left, dated 1899, located Titled on the back...

Tropical Garden viii by Alanna Eakin [2021] original Oil paint on wood panel Image size: H:25.5 cm x W:25.5 cm Complete Size of Unframed Work: H:0.5 c...

A violinist, playing a melancholy tune, helps conjure up the change of season from fall to winter on Halloween, as represented by the black cat. The cat is holding the Tempest in the Teapot kettle. The raven, who is bursting forth from the steam of this tempest, represents the cold, dark and harsh winter to come. Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...

My work is a visual and increasingly literal patchwork quilt containing little and big pieces of myself and the archetypal imagery developed over the course of my practice. Within t...

Stacy D'Aguiar's (US based) "Electrogenesis" is an acrylic painting that depicts a colorful and surreal scene of a fish. Artist Statement: My paintings are channeled, Visual Dreamsc...

Inspired by the ancient trompe l'oeil roman frescos of the Villa di Livia, this gardenscapes by artist Carol Pylant focuses on the most deteriorated and weathered sections of the frescos. Amidst the flora, the artist inserts an architectural element, an ode to her travels and teaching in Italy. By combining the present with the past, the artist continues her exploration of our spiritual and concrete connections with the ancient world. This piece is framed measuring 25.5h x 25.5w inches. Carol S. Pylant Entrata Severa oil on panel 24h x 24w in 60.96h x 60.96w cm CSP031 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

Freewill, Oil on Canvas Painting by Robert Standish, 2008-2015 Additional information: Medium: Oil on canvas backed by panel Dimensions: 45 x 150 inches About artist: For twenty ye...

A Large, Dynamic Mid-Century Modern Painting of a Chicago Night Club Showgirl by Noted Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted in the 1960s, this is a large, vertical, abs...

Gerard Jozef Portielje (Belgian, 1856-1929), Figural Interior Scene, Oil on Wood Panel, 1892, signed, dated and inscribed "Antwerp" lower right, carved giltwood frame. Image: 15.25" ...

Oil on panel Image size: 16 x 13 1/4 inches (41 x 34 cm) Early gilt frame Saint Sebastian was a Roman centurion who converted to Christianity and, in punishment, the Roman Emperor D...

Plein-air landscape painting of a dog park in Zagreb, Croatia. Artist Bio Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest yea...

"Abstraction" Mid 20th Century American Abstract 1960s Color Field James Daugherty (1887 – 1974) Abstraction 16 x 12 inches Estate stamp verso Oil on panel Provenance: Estate of t...

Abra Johnson's "Studio Recycling" is a captivating study of iconic beverage containers. This 16" x 16" oil painting on a wood cradled panel showcases a Coca-Cola can alongside its cl...

Austrian School, Vienna Street Scene, Oil on Board, 20th century, with St. Stephen's Cathedral in the distance, signed illegibly lower right, giltwood frame. Image: 20" H x 16" W; fr...

André Gill (1840 - 1885) Portrait of Daubray (1837 - 1892) Oil on panel 55 x 37 cm (74 x 55 cm with frame) Signed top right. Michel René Thibaut, known as Daubray, was a leading Fre...