Modern Paintings

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

Truly a spectacular piece, this acrylic on canvas is by French artist, Pascal Magis. Known for his use of color, Magis uses acrylics as though the paint has a life of its own. Domina...

' Two Moons ' 2014 oil on canvas 40 x 30 cm signed on reverse by artist. Unique work. About the artist : Katherine Russell is a London based Painter. ...

Oil on canvas, signed lower right, entitled and dated lower centre Image size:  32½ x 25 inches (82.5 x 63.5 cm) Hand made frame Art deco style frame This painting depicts the 1923 French Grand Prix, held at Tours on 2 July 2023. This race is notable as the first international Grand Prix to be won by an English driver or an English car...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

"Cowboy Serenade", A Large, Cheerful Southwestern, New Mexico Landscape Painting by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1...

Luigi Veggetti's figurative painting has multiple themes: portraits, urban views and natural landscape scenarios. Currently, after devoting himself mainly to collaborations abroad in...

Vogue up your space with Something Fashionable... This fabulous lady is painted on a large sheet of canvas with plenty of extra room for a deep gallery wrap. She is black and white w...

QUIET SEASON Size: 50 x 63.5 cm (including frame) Oil on board This serene and atmospheric mid-century landscape painting that captures the quiet stillness of a snow-covered shoreli...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 8.25 x 11.75 inches condition: very good and ...

At First Light is a bold and uplifting oil on canvas by American artist Phil Courtney, capturing a fleeting moment of botanical beauty with striking clarity and emotional resonance. ...

Artist: Elisabeth Hahn (German 1924-2021) Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studies ...

SEASIDE STROLL Size: 28.5 x 24.5 cm (including frame) Oil on canvas A small and very impactful mid-century figurative painting that captures a serene moment by the sea, executed in ...

Signed and titled oil on canvas by French modernist painter Roger Muhl. The piece depicts a view of a palm grove near Mahabalipuram, a historic coastal town in Tamil Nadu, India. Si...

A commanding late-period work by American modernist Doel Reed, Spring Storm (1980) exemplifies the artist’s mature exploration of tonal landscape and atmospheric drama. Painted just ...

Sunil Das - Untitled - 9 x 7 inches (unframed size) Pen and Ink on Paper Inclusive of shipment in ready to hang form. The drawings of an old horse are Sunil's nostalgic throw-back t...

Franz Priking (1927 - 1979) Cityscape in France, n.d. Oil on canvas 46 x 32 inches Signed and dated lower left Provenance: Private Collection, New York ...

Jungle with Tiger Large oil on canvas in the style of Henri Rousseau about 1970s signed R. Montileone. Canvas 48x48 with frame 56x56

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Nancy Lasar’s work is described as “drawing with light”, “condensed energy and flow”, “calm and crazy”, and “organized chaos”. The lines in Lasar’s works that are electrifying. They ...

Oil on Canvas , Made in Florence, Italy Daylight explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are immersed in childlike delight. We experience snapshot images of a world reduced to its essence, in a seemingly comic-book style that has echoes of Giotto and Paolo Uccello, and even of medieval illuminations. My work is simple: the subject matter is stripped to basics, so all that is engagement, controversy and links to reality is taken away, and what remains is an icon with an aura of philosophical suspension, and a window into the enigma of existence. Piussi’s work is directly influenced by artists Alex Katz and David Hockney, and his style reflects a comprehensive understanding of the work of Giotto and Paolo Uccello. In "Girl on a Rock with Mask”, the figure represented in this painting conveys a blank mood, such that the viewer is invited to examine their own intimate feelings that arise when observing the image. Piussi creates a universe of more profound truths in his examination of the tranquility of everyday life: he reminds us of our need for reflection, shows us a fearlessness in the face of stillness and the passage of time. The broad repertoire of his paintings, with their naturalistic color and semi-abstract shapes, presents us with Piussi’s views concerning our contemporary lives. Rather than mimic the appearance of nature, Piussi reaches for its essence, in visions that are devoid of distracting details. Women stand on the shores of quintessentially peaceful seas; they are self-contained, at ease. These women are unwitting replicas of classical goddesses. Or we see a proud diver echoing Neptune, holding his trident. Piussi was born in 1967 in Udine and raised in Florence, where he majored in sculpture at the Institute D’Arte. He completed his artistic education at Milano's Brera Art Academy where he majored in painting. Piussi went on to live in Florence, where he now pursues his passion for painting, bronze, terracotta sculpture and bas-reliefs. Giacomo Piussi...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Landscape with Trees Watercolor on paper, 1929 Signed in pencil lower right corner Obviously influenced by the Cezanne works in the collection of ...

Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design...

Born in Turks and Caicos, Bradley Theodore is a contemporary artist who started his career in New York City and has been an internationally-inclined artist and collaborator from his ...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Antique American school modernist portrait oil painting. Oil on canvas. Signed. Framed. Image size, 20L x 18H.

From the 1920s onwards, American modernist painter and illustrator Anne Estelle Rice (1877-1959) focused on painting warm, rich still lifes like this one, done in vibrant, Post-Impre...

Aster da Fonseca After the Storm Acrylic on Tape on Paper Year: 2022 Size: 14x17in Signed by hand COA provided Ref.: Ref.: 924802-1371 collage acrylic...

Artist: Gerard Sebastian Title: Still Life with Lobster Date: circa 1970 Medium: Oil on canvas, signed Size: 36 x 16 in. (91.44 x 40.64 cm) Frame Size: 41 x 21 inches

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec...

Acrylic on board Signed lower right corner Condition: Painting is excellent Frame has surface wear Provenance: Estate of the artist William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist ..you want. Leonard Raven-Hill (1867-1942) Still Life of Flowers II Oil on canvas 24 x 19 cm In a handsome frame. Signed lower left 'L RavenHill'. A handsome oil painting of a still life of flowers by well-listed painter Leonard Raven-Hill, who has works in the Tate, British Museum, National Portrait Gallery and other famous collections. We have another painting by the same artist listed. Leonard Raven-Hill (10 March 1867 – 31 March 1942) was an English artist, illustrator, and cartoonist. He was born in Bath and educated at Bristol Grammar School and the Devon county school. He studied art at the Lambeth School of Art and then in Paris under MM. Bougereau and Aimé Morot. He began to exhibit at the Salon in 1887 but moved back to London when he was appointed as the art editor of Pick-Me-Up. He also continued to work as a painter and exhibited at the Royal Academy in 1889. In 1893 he founded, with Arnold Golsworthy, the humorous and artistic monthly The Butterfly (1893–94, revived in 1899–1900) but began his most prominent association with a publication when his drawings appeared in Punch in December 1895. By 1901 he had joined the staff of Punch as the junior political cartoonist. He contributed to many other illustrated magazines including The Daily Graphic, Daily Chronicle, The Strand Magazine, The Sketch, Pall Mall Gazette and Windsor Magazine. He also illustrated a number of books including · East London by Sir Walter Besant (1901) · Cornish Saints and Sinners by J. H. Harris · Three Men on the Bummel by Jerome K. Jerome · Stalky and Co by Rudyard Kipling · Kipps by H. G. Wells Raven-Hill published the impressions of his visit to India on the occasion of the tour of the Prince and Princess of Wales as An Indian Sketch...

A unique approach to the figure and relationship.In the village their are many opportunities and this couple are staring each other down to see if something is there. Observers watch...

Hand signed lower left Seymour Remenick (1923-1999) American; Philadelphia, PA. Oil on canvas painting Folk Singers and musicians.Seymour Remenick (1923-1999), was born in Detroit,...

Gabrielle Pool’s inks on paper are simple and charming. Using an unforgiving medium she produces work that is delicately poised between reality and abstraction with an underlying hu...

Artist: Lou Fink, American (1925 - 1980) Title: Spanish Dancers Year: 1964 Medium: Oil on Board, signed, dated and titled verso Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size:...

MOUNTAIN MONASTERY Size: 74 x 52.5 cm (including frame) Oil on canvas A large and captivating mid-century modernist geometric abstract painting, executed in oil onto canvas. The co...

This artwork depicts a view of a shed labelled "Dierking Lumber Co". This piece was created with a mixed technique of acrylic painting on photograms on rice paper mounted on a wood ...

Reclining Nude by Lino Tardia, Italian (1938) Date: circa 1980 Oil on Canvas, signed l.r. Size: 19.5 in. x 23.5 in. (49.53 cm x 59.69 cm) Frame Size: 22.5 x 26.5 inches

Sunil Das - Early Horses IX - 21 x 34 inches (unframed size) Charcoal on Paper Inclusive of shipment in ready to hang form. Sunil Das was one of India's most important postmodernist...

Zin Helena Song was born in Seoul, South Korea in 1983 and completed her undergraduate studies there at the Kook Min University before traveling to New York, where she earned her MFA...

Unknown, American 1970s Still Life, 1970s Oil on Canvas 24" x 30" Housed in a 2 3/4" Frame Overall Size: 29" x 35" A lovely vintage still life with strong colors. Ready to be ...

An abstract oil on canvas painting titled "On the beach" by the contemporary artist Igor Bogojevic (Montenegro born in 1980). The painting features horses, which has been Igor's signature work since the start of his career, on the beach.  About the artist: Igor Bogojevic was born in 1980 in Podgorica, Montenegro. In 2009, Igor received The Medaille d’Or First Place Award for painting in the Salon Internationale Academie de la Loire, at Chateaux Beauregard in France. He has exhibited in Montenegro, Athens, and Paris, both at solo and group exhibitions including at Melina Merkouri Athens Cultural Center in 2006, and at the Galerie Museum in Paris in 2009 and 2010. Since 2011, Igor exhibited at several galleries and events, including The Broadway Gallery in Soho in 2011 and The Four Seasons Restaurant...

Acrylic on canvas Size: 60 x 80 x 2 cm Signed by the artist with certificate of authenticity Artwork arrives in perfect condition while keeping shipping costs affordable. Whimsical...

Colorful Abstract Painting on Canvas - Bold Geometric Art, Matisse Inspired Wall Decor, Vibrant Handmade Acrylic Art, Striped and Floral Pattern Art Acrylic Painting on canvas One o...

Signed oil on canvas still life circa 1960 by French modernist painter Andre Hambourg. This beautiful piece depicts a basket of fruit; grapes, pears and apples, placed on a white clo...

Modern pastel drawing of a pair of sumo wrestlers in the middle of a match wearing green and blue mawashi set against an orange floor. Signed by the artist in the front lower right c...

Inspired by my Wabi Sabi residential project with a luxury interior designer & my studies of Wabi Sabi (a way of living that focuses on finding beauty within the imperfections of life and accepting peacefully the natural cycle of growth and decay).This is a Japanese neutral abstract modern...

JB Nearsy Untitled Study 2020 Spray paint on paper Size: 24x18in Signed by hand COA provided Ref.: 924802-1762 -------------- Tags: post graffiti, street art, expressionism, galax...

Artist Statement "I’m a Canadian painter living on an island off the northwest coast of Canada. My current paintings revolve around floral still lives. The flowers are the original...

Signed "Di Salvo" and dated "65" in the lower right corner. A striking modernist abstract composition structured around architectural forms and bold geometric interplay. This mid-20...

"Allegro Barbaro " Homage to Bela Bartok the Famous Hungarian Composer. Painting with individual plastic Technique, Erika Baktay. Dimensions: with frame cm 150 x 150 Biography; ...

Really impressive early American modernist painting. Oil on board. Framed.

Loaves, 1937, oil on canvas, signed and dated lower left, 16 x 26 ¼ inches, exhibited at the Seventeenth Exhibition of Artists Members, Chicago Galleries Association, Chicago, IL, De...

Hugh Verschoyle Cronyn (British / Canadian, 1905 – 1996) Suffolk Farmhouse Window Oil on canvas 25 x 30 in. (63.5 x 76.3 cm.) Provenance: From the estate of the artist

Handmade original painting created using Acrylic paints on Canvas.Created and signed by Preethi Mathialagan. "¢ Gallery Wrapped professional high grade Stretched Canvas "¢ High gr...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Maurice Asselin (1882-1947) Les Anémones, a bouquet of anemones signed upper right oil on canvas 38 x 46 cm Label of the exhibition Maurice Asselin at the Galerie Schmit in february...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...