Modern Paintings

Riga park in autumn 2002, oil on cardboard, 74x85 cm Painting portrays a scene in a park during the autumn season, with a focus on the colorful trees ...

This work brings together two rhythms — the pulse of the outside world and the stillness within. Good Vibes is a visual meditation on the power of memory: how a fleeting scent, a war...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Clownesse Year: circa 1970 Medium: Oil on Canvas, signed l.l. Size: 30 x 24 in. (76.2 x 60.96 cm) Frame Size: 38 x 32 ...

Ernesto Pacheco Image Size: 48 x 36 Frame: 55.5 x 43 Medium: Oil "Deer Horns" Exquisite. Explosion of brilliant colors to include pink, blue, green, purple, lavender, etc.

Guglielmo de Giorgio, busy street in Paris, France. Decorative oil painting. Dimensions WITHOUT frame in cm 50 x 60 Dimensions WITH frame in cm 6...

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 18" x 24" Dimensions w/Frame: 18.5" x 24.5" Cubist Surrealism, reminescent of the Later Pop Art works of Roy Lichtenstein. Alan Tompkins a prolific artist, he continued to paint into his 100th year and strongly desired one thing: to be remembered for his art. “I’m not a hobbyist, I’m not an educator,” said Tompkins. “I want to be remembered as a painter.” Tompkins produced thousands of paintings, many showing the influence of Cubism and abstract art, during a long and productive career. Tompkins played a pivotal role in the formation of the University of Hartford. He was director of the Hartford Art School in 1957 when it merged with the original Hillyer College and the Hartt College of Music to become the University of Hartford. He served as director until 1969 and then taught art history and visual studies until his retirement in 1974. A graduate of Columbia University...

Original painting in blue, green, yellow, blue, magenta and violet ink, modern and contemporary, both abstract and representative of a woman in a long dress. The colors are bright an...

In artist's hand painted frame. signed and dated. Genre: Modern Subject: Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 23" x 30.25" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Yellow Lilies By The Window New York From the artist studio in Chelsea New York. Rafael Saldarriaga was born in Medellin, Colombia in 1955. Arrived in the United States in 1993. Af...

Mid century modern Judaic oil painting, depicting classical Shabbat celebration. It's vivid color and texture brings playfulness to the scene.

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

This 1950s gouache on paper painting by Mildred Welsh Hammond (1900–1980) presents a striking modernist interpretation of Cripple Creek, Colorado. The co...

Trumpet Player Marshall Goodman, American (1916–2003) Date: circa 1960 Oil on Canvas Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) Frame Size: 32 x 26 inches

Artist: Anton Refregier Title: Picnic Year: 1959 Medium: Oil on Masonite, signed and dated l.r. Size: 24 x 44 inches (61 x 112 cm) Frame: 31.5 x 51.5 inches

Modern blue toned Abstract Expressionist painting by the French painter Joël Dabin. The work features a group of running horses set against an abstract yellow, orange, and light blue...

City - sun and trees 1996. Oil on cardboard, 74x85 cm The artwork portrays a cityscape scene with a striking red sunset as the backdrop. The artist skillfully uses oil paints to ca...

TERRACOTTA ROOFS Oil on canvas Size: 43 x 65 cm (including frame) A very well executed mid century modernist composition in oil, painted onto canvas. This painting beautifully capt...

An acrylic painting by Clarence Holbrook Carter from 1979. Carter's modernist style utilizes strong structural lines and architectural aesthetics to form almost surreal-like scenes. Signed on lower right corner, framed in elegant silver wooden frame. Artist: Clarence Holbrook Carter, American (1904 - 1998) Title: Oil Well...

Vintage American modernist abstract oil painting by Mark DiVincenzo. Oil on canvas, circa 2005. Signed verso. Unframed.

Title: French Gouache Painting of Acoma Pueblo Corn Dance in New Mexico by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, Si...

ANCIENT WHISPERS Size: 68 x 68 cm (including frame) Oil on canvas A surreal and richly symbolic painting, executed in oil onto canvas and dated 1991. The painting presents an enigmatic architectural interior scene that feels suspended between the past and the surreal. At the lower left lies a creature with piercing blue eyes, emerging and integrated into the patterned textile ground. Scattered elements including a large clay pot...

Antique Israeli American modernist folk art landscape by Malcah Zeldis. Mixed media painting on paper. Framed. Signed. Measuring 18 by 22 inches overall and 11 by 14 painting alone....

COMFORT Size: 63 x 72 cm (including frame) Oil on Canvas An emotive figurative composition capturing an intimate moment between two figures seated side by side on a bench, executed ...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Singer Medium: Oil on Masonite, signed Image Size: 11.5 x 23.5 inches Frame Size: 17.5 x 30 inches

By Gen Paul A beach scene featuring a couple sitting under an umbrella and several sailboats in the water. 6.5" x 7.5" Ink on Paper Framed Size: 13" x 14.75" About the Artist: Gen P...

Artist: Edith Varian Cockroft, American (1881 - 1962) Title: Girl in a White Dress Year: 1961-1962 Medium: Oil on Canvas, signed l.r.(signed Cocroft) ...

"History of US Postal Service" American Scene Social Realism WPA Modern Chicago Harold Haydon "History of the U.S. Postal Service" 21 x 25 1/2 inches O...

Artist: Sandu Liberman Title: Portrait of a Man Year: Circa 1970 Medium: Oil on Canvas, signed l.r. Size: 11.5 x 8.5 inches Frame: 14 x 11 inches

OBJECTS BY THE WINDOW Size: 67 x 59 cm (including frame) Oil on canvas A striking and energetic mid-century expressionist style interior still life painting, executed in oil onto ca...

"Still Life" is an modern art cubism and abstract painting by the Armenian-Bulgarian artist Maestro Arshak Nersisyan. This painting is dedicated in 2013 to his beloved woman Nadya. ...

Harry Holland is widely regarded as one of Britain’s finest figurative artists. Using classical techniques to realise his contemporary figurative paintin...

Born in New York City, modernist painter Adelaide Lawson Gaylor studied at the Art Students League and with Kenneth Hayes Miller. She was a member of the Society of Independent Artists, the Salons of America, and the New York Society of Women Artists. She was married to artist Wood Gaylor...

“My current work often features ordinary creatures, like the many illustrations of birds and flowers I painted for the Homes and Gardens and other sections during the 25 years I was ...

Yellow toned abstract figurative painting by French artist Christophe Stora depicting human bodies in a grid and in several postures and motions. This...

Who am I to be your secret lover? Figurative large format Landscape with figures in fairy-tale setting. Acrylic on canvas. Author: Igor Fomin. Measurements in centimeters: 195 x 195 cm. / In inches: 76.77 x 76.77" In this painting, Igor Fomin not only tells us the story of a couple who keep their love secret, he also tells us about that beautiful old place, a witness to their love affairs, and those neighbors, who should not find out and who make their lives. An entire city, with a splendid aqueduct in the background, through whose arches the view is lost. The set is endowed with a magnificent color and a complex structure, full of planes to stop at all those characters that fill the author's pictorial and literary imaginary. From the tow...

COURTYARD HARVEST Size: 64.5 x 75 cm (including frame) Oil on board An expressive and naïve style mid-century figurative painting, executed in oil onto canvas. The composition capt...

Oil on plywood realized in 1977. Titled, dated and signed on rear. Very good condition.

This is an original work by world famous artist Hunt Slonem.

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

Gina Parr Agbopura Limited Edition Photographic Print of 10 Image Size: 54.9 x 36.6 cm This is one work Sold Unframed Agbopura – 2 of 10 Limited Edition Photograph by Gina Parr from...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the fee...

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

Claude Muncaster ( 1903-1974) PRSMA, RWS, ROI, RBA British. Chap Wells and Chap Fell, Cumbria (The Lake District). Oil on board circa 1936. Signed , and old London...

Artist

This stunning gouache painting by Wolfgang Pogzeba (1936-1982) captures the beauty of Acoma Pueblo, New Mexico, depicting a dramatic cliffside landsca...

Striking modernist painting on canvas with a hot palette that conveys a strong reference to the sun's energy. Signed in the upper left C. Rosenberg ...

Italian mountains, sky, blues, greys, by American painter and illustrator Peter Geregely

Nancy Bailey. English ( b.1913 - d.2012 ). Working Boats, Porthleven, Cornwall, 1973. Oil On Canvas. Signed Lower Right. Image size 18.9 inches x 34.8 inches ( 48cm x 88.5cm ). Fram...

Garth Bayley Mother always said purple and Orange will never do! Pen and ink on watercolour paper Watercolour Paint on Canvas Board Image size: H 25cm x W32 cm x 0.1 cm Sold Unframed...

Oil on board painting by George Vander Sluis (1915-1984) titled Storm Over Victor (Colorado Mountain Town) from 1946. WPA Era Mountain Landscape wi...

Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s Antonio Petruccelli (1907 - 1994) Vanity Fair Illustration proposal, c 1930’s 18 X 13 3/4 inches (sight) ...

Stunning New York City urban modernist watercolor titled "Summer Afternoon Stroll" by Society of Six artist Bernard Von Eichman (American, 1899-1990), 1...

Interior is an artwork realized by Antonio Donghi in 1922 ca. Oil on canvas, cm. 60x40. Hand signed in the lower right part. Good condition, Antonio Donghi (Rome, March 16, 189...

Katherine Bello Bits of Magenta Diptych Mixed Media on Board 2025 Size: 12 x 12 inches (30.48 x 30.48cm) (each) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) (each) Signed ...

"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...

Innocent Chikezie (Nigerian, born 1982) "Big Sister" 2021 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. ...

Title: Go Home Medium: Oil on canvas Size: 16 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa Ar...

Exuberance (Exuberancia). Green and leafy landscape. Acrylic and mixed media on panel, 82x60x3.5 cm. Author: Spanish artist Ángel Luis Úbeda. Exuber...