1910s Art

This mask was created by an unknown artist from the Waawa-Igbo tribe of Nigeria. It is made of wood. Amongst the Waawa people there is a lot of cultural diversity, and each locality ...

1918. Color lithograph. On Linen. Julius de Praetere (Jules de Prater) was a Belgian painter, graphic designer, university lecturer and publisher in the field arts and textile de...

1917. (Godefroy 172, II/II). Engraving on Rives. Signed with initial and dated on the plate, l.r "L 1917". Signed in pencil and numbered 28/45. Framed Stein, The Cubist Print p. 14...

Medium: Oil on Canvas Signature: Signed Lower Left Harper's Monthly, 1917.

Date: 1917 Medium: Gouache on Illustration Board Dimensions: 13.00" x 20.75" Signature: Signed

Fleet Street by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 11.2 x 11.2 cm (4 ³/₈ x 4 ³/₈ inches) Initialled, titled and dated on the plate Signed lo...

Ferdinand Leeke Carnival test, 1914 Oil on canvas 32 x 39 in

Jean Diffre (Toulouse 1864 - 1921) Toros en Arles Oil on canvas 140 x 90 cm Signed lower right Poster design - Opening of the season, Sunday, May 3, 1914 (Inauguration de la tempo...

Maximilien-Louis Fiot (1886-1953) Art Nouveau-Art Deco sculpture of Ducks in Flight, patinated cast bronze sculpture mounted on thick Acid etched gl...

Grand Arbre dans la Sente by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 inches) Signed lower right, Ludovic Rodo Inscribed lower left, Grand A...

Portrait by Orovida Pissarro (1893-1968) Etching 25 x 16.5 cm (9 ⁷/₈ x 6 ¹/₂ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left, Trial proof no. 20 and titled lo...

Excellent attention to detail has brought forth a superb rendering of the armed American merchant marine freighter S.S. PLEIADES in wartime grey departing Le Havre during World War I...

Original pen & ink c1920s sketch of a classic gentlemen's private club interior scene, perhaps the Players Club to which this artist himself was a member,...

Antar, artist: Georges Rochengrosse. Size: 26.26" x 34.25". Year: 1912. Archival linen backed in very good condition; ready to frame. This poster was printed by Maquet Gr. PARIS. Or...

Map Sz: 38 1/2"H x 55 1/2"W Frame Sz: 40"H x 57"W

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

ARTHUR SEGAL 1875-1944 Jassy, Rumania 1875-1944 London (Romanian) Title: Still Life and Fruits, 1911 Technique: Original Signed Oil Painting on cardboard size: 61 x 86 cm ...

Als Sohn eines Lehrers wurde Willi Geiger 1878 in Landshut geboren. 1898–99 besuchte er die Münchner Kunstgewerbeschule, anschließend die Technische Hochschule, an der er sein Staats...

Medium: Ink, Watercolor, Gouache on Paper laid to Paperboad Signature: Inscribed Collier's Cover Weekly/Sept. 1914/Belgian Automobile Troops/Fighting German Dragoons (on the reverse)...

Date: 1917 Medium: Oil on Canvas Dimensions: 34.00" x 24.00" Signature: Signed Lower Right Baseball Magazine cover, July 1917 For more than a century, baseball was the All A...

Signed Lower Left

Medium: Charcoal on Board Signature: Signed "W.B. King" Lower Right The Negotiation. Likely a story illustration for The Saturday Evening Post, circa 1915.

Date: 1918 Medium: Oil on Board Dimensions: 24.00" x 18.00" Signature: Signed Lower Right American Art Works Calendar Illustration

Signed Lower Right by Artist Book illustration: Smuggler’s Island, by Clarissa A. Kneeland; Publisher: (Houghton Mifflin Co.), 1928, opp. page126.

This colorful painting by Eleanor Parke Custis is in the spirit of Louis Valtat and the Fauves. The subject of flowers in the foreground is repeated in the backdrop. It straddles the line between abstraction and representation. Signed lower right - Work is framed. Eleanor Parke Custis studied in Corcoran School of the Arts and Design under Edmund C. Tarbell and Pennsylvania Academy of the Fine Arts with Henry B. Snell. Initially, she began her art career as a painter, creating watercolors. Custis created illustrations for Scribner's Magazine, Harper's, Doubleday, Harcourt. She started to take photographs in her youth, using a Brownie camera...

Medium: Watercolor and Gouache with Graphite on Paper Mounted Signature: Signed Lower Right "I Should Worry." Cover illustration for Judge magazine, pu...

Powerful visual done at Stella's peak period of creativity in Barbados. Signed lower right. Provenance: Doyle, New York Elegantly framed.

Signature: Signed Lower Right Medium: Oil on Canvas This illustration was a Saturday Evening Post cover, September 13, 1913.

World War I scene Story illustration for “Will You Tell Her I’m All Right?” by Catherine Van Dyke for The Ladies Home Journal, published March 1918, illustrated page 11. The full c...

Signed "A. B. Frost" Lower Right by Artist "Jes tak' yo coat off, end dem collars end cuffs, end go out in de yard end cut de grass." Illustration for "As Long as You's Single Dere'...

Henri Matisse Jeune Polonaise 1917/18 Etching on Chine appliqué on wove paper, Edition of 15 Paper size: 38 x 28.5 cms (15 x 11 1/4 ins) Plate size: 18 x 12.7 cms (7 x 5 ins) HM16662

NORMAN AULT 1880 – 1950 ANIGHT MY SHALLOP Pencil & watercolour on paer, signed & dated 1913 lower left Image size: 10 ¼ x 7 ½ inches (26 x 19 cm) Hand made giltwood frame Th...

Original story illustration for the book The Strange Cases of Mason Brant by Nevil Monroe (Philadelphia and London: Lippincott, 1916), illustrated page 173. The full caption reads: “I turned and looked back. A hansom cab...

Illustration for “The First Works” by Basil King as part of the series “The Everlasting Doors” for Cosmopolitan, published July 1920, pages 38-39. In his series “The Everlasting Doors,” Basil King delves into his belief that humanity underestimates its own psychic powers. King expresses a profound desire to rediscover the “lost laws of the universe,” believing these ancient principles could lead to remarkable advancements, including “the abolishing of Death and other wonders.” Enhancing the published text was Frank Leyenecker’s dramatic illustration, which framed and decorated the pages. Leyendecker presumably later added the poetic lines, “Relax and lay your head on my shoulder. Give me your hand and I will lead you on. We cannot make mistakes because the light is too strong to allow of anyone missing the way,” to fill in the white space, transforming the painting into a more complete and visually resonant artwork. Signature: Signed Lower Right: F X Leyendecker...

Date: 1918 Medium: Oil on Canvas Dimensions: 31.00" x 24.00" Signature: Signed Lower Left From the Collection of James "Rip" Collins, former member of the Gashouse Gang.

Medium: Pencil, Charcoal and Orange Wash on Paper Signature: Signed "O'Neill" Upper Left Sight Size 24.00" x 19.50", Framed 35.00" x 29.00" Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910. ​​​​​​​The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154. Exhibited: Brandywine River...

Original Magazine Illustration for a magazine like Harper's, Vanity Fair, Life, Look, and Judge Shinn was an American realist painter and member of the Ashcan School. He also exhibited with the short-lived group known as "The Eight," Work is framed in an attractive gilt frame Morris Weiss collection...

Date: 1917 Medium: Oil on Board Dimensions: 32.00" x 21.00" Signature: Signed Lower Right Story illustration: Group of people gathered around seated old woman. “Isn't it quite as i...

One needs to view this work as much as a sculpture as a utilitarian frame. Handmade Arts & Crafts channeled oak frame with chiseled relief farm animal decoration on each corner, pin and dovetail construction, artist cipher and date carved verso, 45"h x 31.5"w (outside), 37"h x 24"w (inside) Anna Vaughn Hyatt Huntington...

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

MAX RABES German, 1868 - 1944 AN ORIENTALIST SCENE WITH MUSICIANS AND DANCER signed "Max Rabes" (lower right) oil on canvas 65 x 77-1/2 inches (164.5 x 197 cm.) framed: 70-2/3 x 8...

Advertisement Three boys swimming signed lower left.

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Signature: Signed Lower Right Rip Van Winkle, Cream of Wheat advertisement, 1915 This p...

ALEXEJ VON JAWLENSKY 1864-1941 Torzhok 1864 - 1941 Wiesbaden (Russian/German) Title: Seated nude with Face in Profile Sitzender Akt mit Gesicht im Profil, 1912 Technique: Signed Pencil Drawing on Wove Paper Paper size: 50 x 40 cm. / 19.7 x 15.7 in. Additional Information: This drawing is signed in pencil by the artist “A v Jawlensky” at the lower right image. It is dated in pencil “1912”, at the lower left image. Provenance: Galerie Rosenbach, Hanover Sotheby's London, 28 June 1978. Lot 176. Jacqueline Kohler-Krotoschin, Zurich Beurret & Bailly, Basel, 20 June 2018. Lot 107. Exhibited: “Zwischen Tradition und Moderne”. Galerie Rosenbach, Hanover. 1975. Recorded as no. 222, cat. 14 (Illustrated). Literature: 1. Weiler,C. (1970) Alexej Jawlensky...

Medium: Charcoal on Board, Framed Under Glass Signature: Signed and Dated on the Back Sight Size 30.50" x 20.50," Framed 35.50" x 26.50" Great condition, bad glare from glass in thi...

Medium: Pen and Ink on Paper Signature: Unsigned Titled in pencil and inscribed "Blue print-Rush-/March" beneath the composition, identified in a printed label affixed to the frame ...

Signed Lower Left Likely an illustration for a Gerlach Barklow Yard Long Calendar, circa 1915

Date: 1919 Medium: Charcoal on Board Dimensions: 24.00" x 30.00" Signature: Signed Lower Right Story illustration, image of a young woman confiding in elderly religious man.

Medium: Oil on Canvas Signature: Signed Lower Right Illustration for 'Fighting for the Flock' written by Edwin L Sabin.

Date: 1912 Medium: Oil on Canvas Dimensions: 19.00" x 36.00" Signature: Signed Lower Left

Walt Lauderback like Dean Cornwell represents the pinnacle of the Golden Age of American Illustration. Based on the signature, this watercolor of a family with dog on boat appears ...

Signature: Signed Lower Right Medium: Oil on Canvas Cover for Life Magazine, January 1, 1914 Caption: "Which Bird?"

Medium: Gouache and Watercolor on Board Sight Size 18.00" x 17.00", Framed 25.00" x 24.00" "Twas The Night Before Christmas" by Clemen...

Date: 1914 Medium: Oil on Canvas Dimensions: 29.00" x 19.00" Signature: Signed and Dated Lower Right

Appeared on the front page of the February 1918 issue of Every Week Magazine. A man looking at a map while smoking a pipe. Signed Lower Right.

Original cover for The Housekeeper magazine, published October 1912. This original cover for The Housekeeper magazine, published in 1912, offers a charming glimpse into early 20th-...

Ernst Müller-Scheessel Charming painting in gouache depicting a young family and their small children in a village setting in Germany. Signed by the artist in the lower right corner...

Medium: Oil on Canvas Signature: Signed Lower Right "A Successful Man," by Ella Wheeler Wilcox, from book Poems of Optimism (1919).

Medium: Watercolor and Gouache on Board Signature: Signed Lower Right "Skating", American Art Works calendar image, 1917. Original illustration art.