1910s Art

A Study of Human Head and Tiger by Orovida Pissarro (1893-1968) Pencil on paper 25.5 x 20 cm (10 x 7⁷/₈ inches) Executed circa 1917 Artist biography: Orovida Camille Pissarro, Lucie...

Eva Tanguqy-A Strange Request, New York Evening World newspaper India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (41.9 x 26.7 cm) (each, image) Signed lower righ...

Study in three tones, white, gray, and black. A man takes off his glasses to examine an abstract work of art. :: Photograph :: Black & White :: This piece comes with an official cer...

SOLD UNFRAMED Oriental Woman by Georges Manzana Pissarro (1871-1961) Charcoal on paper 48 x 32 cm (18 ⅞ x 12 ⅝ inches) This work is accompanied by a certificate of authenticity fr...

One needs to view this work as much as a sculpture as a utilitarian frame. Handmade Arts & Crafts channeled oak frame with chiseled relief farm animal decoration on each corner, pin and dovetail construction, artist cipher and date carved verso, 45"h x 31.5"w (outside), 37"h x 24"w (inside) Anna Vaughn Hyatt Huntington...

After Tea by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 12 x 13.2 cm (4 ³/₄ x 5 ¹/₄ inches) Initialled and titled in the plate Executed circa 1917 Artist biography Ludovic-Rod...

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Jean-Emile Laboureur (1877-1943), Negres Americains a Saint-Nazaire, 1917-1920, engraving on cream wove paper, signed in pencil lower left, titled lower left margin edge, and numbere...

Paysage Normand, Port en Bessin by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23.5 x 30 cm (9 ¹/₄ x 11 ³/₄ inches) Signed and dated lower right, Ludovic Rodo 1914...

William Strang (1859-1921), Le Bourg de Batz, etching and drypoint on copper, 1913, signed in pencil lower right [also signed and dated in the plate]. Refere...

Back to the Land “Farming” by Ludovic-Rodo Pissarro (1878-1952) Colour wood engraving 19.3 x 10.5 cm (7 ⁵/₈ x 4 ¹/₈ inches) Initialed and titled in the plate and numbered, 4th state ...

Theodore Roussel (1847-1926), The Avon on the Road to Bexhill, drypoint, 1919, signed in pencil and dated (15.7.19) lower left [also signed in the plate]. Reference: Hausberg 115, f...

Signed lower left. This painting was exhibited at the James Cox Gallery, Woodstock NY. "Carl Olof Eric Lindin 1862-1942", in 1993. No. 27. Carl Lindin, a Swedish-born painter who...

L’Orientale à la Mandoline by GEORGES MANZANA PISSARRO (1871-1961) Mixed media with gold on paper 31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches) Signed lower right, Manzana Executed in 1910 T...

Jim’s of Lambertville is proud to present this piece by Herbert Pullinger (1878 - 1961). Herbert Pullinger was born and raised in Philadelphia where he would spend his entire life....

Story illustration for “Cobb” by Baroness Von Hutton for The Red Book Magazine, published January 1912, illustrated page 421. Signed lower right, inscribed on stretcher: "Models: Ho...

Maximilien-Louis Fiot (1886-1953) Art Nouveau-Art Deco sculpture of Ducks in Flight, patinated cast bronze sculpture mounted on thick Acid etched gl...

Signature: Initialed Center "Birth and Death of Industry," by Albert W. Atwood and illustrated by Guernsey Moore for the Saturday Evening Post, September 15, 1919.

Art Sz: 8 1/2"H x 12"W c1917 Hy (Henry) Fournier was a French artist and illustrator known for his works spanning the 19th and 20th centuries, with much of his active period occurr...

Medium: Oil on Canvas Signature: Signed Lower Right "A Successful Man," by Ella Wheeler Wilcox, from book Poems of Optimism (1919).

Watercolour on paper, signed and dated '1912' bottom right Image size: 21 x 14 inches (53.25 x 35.5 cm) Original frame Exhibitions The Fine Arts Society Ernest Arthur Rowe Rowe was a watercolourist specialising in garden scenes. He spent his career responding to the Victorian love of formal gardens with his meticulous paintings of the grounds of the country’s finest historic houses. Ernest Arthur Rowe was born in West Ham, which was then in Essex. He trained first as a lithographer and, in 1884, began studying at the Royal Institute of Painters in Water Colours where he won a President’s Medal in 1885. Initially, Rowe painted landscapes in general, but by the 1890s he was specialising in gardens. During that decade, he joined the London Sketch...

Medium: Oil on Canvas Signature: Signed Lower Left Harper's Monthly, 1917.

Still Life by Ludovic-Rodo Pissarro (1878-1952) Wood engraving 14.5 x 10.8 cm (5 ³/₄ x 4 ¹/₄ inches) Initialed LR in the plate Exhibition Fort Lauderdale, Museum of Art, Camille Pis...

Map Sz: 38 1/2"H x 55 1/2"W Frame Sz: 40"H x 57"W

An illustrator working in a painterly, narrative style as N. C. Wyeth, Howard Pyle, Dean Cornwell from the Golden Age Of Illustration. Surface quality is post impressionist with hea...

Medium: Oil on Canvas (on Board) Signature: Signed Lower Left Literature: Reese, Lowell Otus, The Little Injun, Collier's Weekly, November 4, 1916, p. 13, illustrated. Schoonover,...

French dore bronze depicting a seated figure of a boy with tablet by Louis Ernest Barrias, French(1841-1905) Circa 1912 Modeled as a partially nude youth seated with a tablet and p...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Original c1917 Milton Bradley 'Game of Steeple Chase' Image Sz: 13 7/8"H x 7 3/4"W Frame Sz: 18"H x 12"W w/ custom two-sided red chrome frame

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

NORMAN AULT 1880 – 1950 ANIGHT MY SHALLOP Pencil & watercolour on paer, signed & dated 1913 lower left Image size: 10 ¼ x 7 ½ inches (26 x 19 cm) Hand made giltwood frame Th...

Signed Center Right by Artist Collier's Magazine Cover, December 23 1916

Medium: Oil on Canvas Dimensions: 28.00" x 21.00;" Framed 36.00" x 29.00" Signature: Signed Lower Right World War I era original cover for The Saturday Evening Post, published June ...

World War I scene Story illustration for “Will You Tell Her I’m All Right?” by Catherine Van Dyke for The Ladies Home Journal, published March 1918, illustrated page 11. The full c...

Date: 1917 Medium: Oil on Canvas Dimensions: 34.00" x 24.00" Signature: Signed Lower Right Baseball Magazine cover, July 1917 For more than a century, baseball was the All A...

This is an original stone lithograph created in 1910 as a label for the Lefevre Utile Biscuits Company in France for their Miarka products. It is in the Art Nouveau style by Alphonse...

Signed Lower Left by Artist Cover of The Saturday Evening Post, September 6, 1913

Medium: Pen and Ink on Board Signature: Signed Lower Left Story Illustration- Life Magazine ca. 1915 Seated Man in dressing gown pulling on maid's apron

Illustration for the satirical short story “The Receiving-Line at the Progress Club” for Puck, published May 29, 1912. Year: 1912 Dimensions: 11.50" x 19.75", Framed 22" x 30.5" Med...

James George Weiland American, 1872-1968 Young Girl Resting in a Bed of Flowers Oil on canvas 24 by 30 in. W/frame 30 by 36 in. Signed lower left...

Medium: Watercolor on Paper Signature: Signed Lower Left Cover illustration for Life magazine's January 10, 1918 issue, with the caption, "Souvenirs for...

Medium: Hand Painted Fine Print Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Walt Lauderback like Dean Cornwell represents the pinnacle of the Golden Age of American Illustration. Based on the signature, this watercolor of a family with dog on boat appears ...

Signature: Signed Lower Right Medium: Oil on Canvas This illustration was a Saturday Evening Post cover, September 13, 1913.

Medium: Oil on Canvas Laid on Panel Signature: Signed Lower Right The Saturday Evening Post cover, November 12, 1910

1918. Color lithograph. On Linen. Julius de Praetere (Jules de Prater) was a Belgian painter, graphic designer, university lecturer and publisher in the field arts and textile de...

1917. (Godefroy 172, II/II). Engraving on Rives. Signed with initial and dated on the plate, l.r "L 1917". Signed in pencil and numbered 28/45. Framed Stein, The Cubist Print p. 14...

This work is a colored pencil sketch by German born, American modernist, Oscar Bluemner. Bluemner immigrated to the United States in 1893. He settled in New York in 1901, and by 19...

Medium: Gouache and Watercolor on Board Sight Size 18.00" x 17.00", Framed 25.00" x 24.00" "Twas The Night Before Christmas" by Clemen...

DELAHOGUE Eugène Jules (1867-c1930) " Landscape of the Valley" Oil on canvas signed low right Frame gilded with leaves Dim canvas : 91 X 150 cm Dim frame : 110 X 172 cm DELAHOGUE Eu...

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Signature: Signed Lower Right Rip Van Winkle, Cream of Wheat advertisement, 1915 This p...

Medium: Oil on Canvas Signature: Unsigned The finished painting of this illustration was featured on the cover of The Saturday Evening Post, ...

Medium: Charcoal on Board Signature: Signed Lower Right

Illustration of a couple. "The farmer crossed the plowed strip to Saxon, and joined her on the rail." Ink, watercolor, and gouache on board. 991x749 mm; 39x29 1/2 inches. Signed in full, lower left. Illustration for the first appearance of Jack London's novel "The Valley of the Moon," Cosmopolitan Magazine...

Date: 1917 Medium: Gouache on Illustration Board Dimensions: 13.00" x 20.75" Signature: Signed

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Medium: Oil on Canvas Signature: Unsigned R. Norton, The Mediator, New York, 1913, cover illustration. Douglas Duer (1887-1964) was a member of New York's Society of Illustrators w...

Medium: Charcoal Drawing Signature: Signed Lower Right Framed 40.00" x 32.00" Bad glare in photos taken. Piece is in perfect condition. Please let me know if you would like to see a...

Signed lower left. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1872 - 1967) A native Philadelphia, Nancy Ferguson wa...