1930s Art

This is a brilliant and charming cover concept, with an attractive young woman staring at a beautiful butterfly caught in the netting of her hat. The butterfly's yellow and red color...

Cacciapuoti Tragic Mask, Art Dèco figurative sculpture by Neapolitan artist Guido Cacciapuoti (Naples 1892- Milan 1953) depicting a tragic mask, made of ceramic, hand-molded and sil...

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

Important Russian-French Impressionist Gouache & Watercolor painting on paper by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869– 1943), signed & d...

A Fine, Stylish 1930s Modern Figure Study Drawing of a Seated Male Nude Model by Famed Chicago Artist Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's figurati...

Antique American modernist kitchen table fruit still life . Oil on board. Signed. Framed. Measuring: 15 by 12 inches overall Excellent condition, ready to hang and enjoy.

Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9...

Signed lower right and dated 1930. Lever’s “Fishing Harbor in Brittany” is as much a scene celebrating the boats and quaint architecture of coastal France, as it is a nod to its ...

Women illustrators were alive, well, and quite active in the early 20th century. Most of their production was associated with topics that dealt with the home, children or fairy tales. In this masterfully rendered work in pen and ink, Jacobs displays great technical skill in presenting three maidens dressing a beautiful female member of the Court wearing a tiara. Signed in a cartouche lower right From: Stella Mead, Great Stories from Many Lands, London: James Herbert and Co, 1936, page 78 " Red and White Roses" Provenance: Chris Beetles Work is elegantly matted and not framed. Helen Mary Jacobs was born in Ilford, Essex, the sister of the writer W.W. Jacobs; she studied art at the West Ham...

Aime Victor Barraud Swiss, 1902–1954 Still Life with Flowers in Ceramic Jug Oil on canvas 20 by 20 in. Wframe 26 ½ by 26 ½ in. Signed & date...

Guy Pene du Bois Seaside (Amagansett Beach), 1939 Signed and dated lower left; artist label on the reverse: "Seaside CAT No 192" Oil on canvas 16 x 20 inches Pène du Bois descended...

Medium: original etching. Executed by John Sloan to illustrate the Somerset Maugham classic "Of Human Bondage" and published in 1938 in a limited edition of 1500 by the Yale Universi...

Original 1939 Saturday Evening Post Newsstand Poster. Archival linen-backed and in A- condition, ready to frame. Lasso Tricks or dude ranch. Own a rare piece of American publishing ...

Nude woman is a beautiful and impressive oil on canvas by Antonio Feltrinelli. It was realized between the end of the 1920s and the beginning of t...

The circa 1930 original poster by Leonard Richmond for "Glorious Holidays Abroad: Venice" is an evocative representation of interwar travel, promoting Venice as a dream destination f...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...

Rudolf Warnecke Plowing Farmer Woodcut Year: Unknown Size: 15.75 x 23.5 on 19.75 x 27.5 inches (40.01 × 59.69 cm on 50.17 × 69.85 cm) Signed in pencil by the artist, lower right COA...

Engraved Art Deco Panther Panel by N.R. Brunet (20th Century, France) A striking and seldom-seen example of Art Deco artistry, this richly engraved wood panel by French sculptor N.R...

Howard Norton Cook: 1901-1980. Well, listed American artist best known for his printmaking. He studied at the art student league in New York City. He has auction results as high as $...

A rare and captivating original portrait drawing by Mariette Lydis, executed during her important 1936 journey to America. This work showcases Lydis’s mastery of line, colour, and p...

Russian Impressionist painting of a meadow by Zhukovsky Russian, 1938 Frame: Height 68cm, width 67.5cm, depth 4cm Canvas: Height 48cm, w...

Arnold Friedman worked as a clerk for decades at the Station Y, the branch at 3rd Avenue and East 67th Street in New York City. This present work was done two years after his retirem...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

Original c. 1930 "La Bretagne Pittoresque Lannion" Vintage French Travel Poster – Rare Art Deco France Wall Décor. Archivally linen-backed and in B+ to A- condition. There was a tear...

Half-Limousine coachwork design for an Austro-Daimler. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbere...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Antique American modernist portrait oil painting. Oil on canvas. Framed.

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

Inscribed with titled and numbered on publisher's label affixed to reverse Silver gelatin print mounted to board, printed 1973 11 3/4 x 9 1/2 inches From a portfolio of 10 silver gel...

Water reflection with blossoms impressionist oil painting by Gorm Hansen Gorm Hansen, born in 1886 in Copenhagen, Denmark, and died in 1952, is a renowned Danish painter. He is prim...

Vibrant mid century landscape of Mount Whitney by John Alfred Coultrup (American, 1888-1982), Signed/inscribed in the paint "Coultrup" lower left. Presen...

BARRIER Gustave (1871-1953) Bunch of Flowers Oil on card signed upper left Old original frame re-gilded with gold leaves Dim card : 56 X 46 cm Dim fr...

Mahout washing his elephant by Roger GODCHAUX (1878-1958) A very rare sculpture in bronze with a nuanced dark brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edt...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Early black and white still life photograph of a fireplace. The piece also documents the various items used to decorate the hearth including woven basketed and earthen pots...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

ARTWORK SOLD UNFRAMED Paysage by Paulémile Pissarro (1884 - 1972) Graphite on paper 32 x 23.5 cm (12 ⁵/₈ x 9 ¹/₄ inches) Signed lower middle, Paulémile-Pissarro- Executed circa 1934...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Artist: Allen Tucker, American (1866 - 1939) Title: New England Landscape Year: 1936 Medium: Watercolor, signed and dated Size: 19 in. x 28 in. (...

Mariette Lydis (Vienna 1887 - Buenos Aires 1970) is an Austrian painter and illustrator who was successful in Paris in the 1930s, in Montparnasse and then in Argentina, where she emigrated in 1940. Mariette Lydis was born on 24 August in Vienna, Austria 1887. From 1919 to 1922 she signed her works with the initials MPK for Marietta Pachoffer Karñy, a name derived from her first marriage in 1910 to Julius Koloman Pachoffer-Karñy, who died on 22 April 1922. Subsequently she lived in different cities around Europe, among others: Athens and Florence. She moved to France from 1926 to 1939, during these years she exhibited and became a member of the Salon d'Automne. She befriended Count Giuseppe Govone, the art publisher, in 1928 and married him on 1 August 1934, for whom she illustrated the books of many authors and cultivated a great friendship with Henry de Montherlant, which came about through the publication of a first in 1938 monograph by the author of Les Jeunes Filles. Fearing the German invasion, she travelled to England and then to Buenos Aires in July 1940, where she stayed and published published her latest paintings...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

Le Corbusier (1887-1965) Pride : Two Women with Rainbow Scarf , 1938 Lithograph and watercolor stencil On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition

LOURIER-DREYFUS Jeanne (1873-1955) Gardeners at Saint Cloud's Park Oil on canvas signed low right Frame by Gault : (Paris Fbg St Honoré) Dim canvas : 81 X 100 cm Dim frame : 109 x 129 cm LOURIER-DREYFUS Jeanne (1873-1955) French School 20th century Post-impressionist Disciple of Pierre Eugène Montézin, Jeanne Lourier was a pupil of workshop who assimilated the features and environment of the Master. Her artistic education also passed by the workshop of Jules Adler...

William C. Grauer’s watercolor A Fishing Village Along the Gaspé Coast (c. 1930s) presents a quiet yet enduring image of maritime life on the Gaspé Peninsula, a rugged stretch of coa...

Original Ex Libris, includes passpartout. Etching on paper. Not signed. 

Charcoal on paper, Signed (centre) 40cm × 29cm (57cm × 46cm framed) Victor Prouvé was a French painter, sculptor, and decorative artist known for his work in the Art Nouveau style ...

An original silver gelatin black and white photograph by Press Agency ROL, Paris, 1937. Constructions are everywhere in Paris in 1937, even near the Eiffel Tower, as the city prepare...

Mathieu (Matei) ROSIANU (1897-1969) Man, circa 1935 Ink on paper (thin paper) Stamp lower right 20,5 × 13 cm Born in Bucharest in 1897 to an officer in the Romanian National Guard a...

A unique original silver gelatin black and white photograph by Press Agency MONDIAL, Paris. March 31st, 1937, a view of the International Exhibition Construction workers with the Eif...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

This exquisite lithograph by Paul Klee (1879–1940), titled Tete d’enfant (Child’s Head), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue ...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

Medium: lithograph. Printed in 1939 and published in Paris by Teriade for the art revue Verve (Volume 1, Number 4). The image measures 8 1/4 x 4 3/4 inches (210 x 122 mm); the full s...

CHET LA MORE (1908 – 1980) NON COMBATANTS c. 1937 Lithograph, signed and titled in pencil. Image 10 ½ x 14 3/8”, sheet 12 3/8 x 15 7/8. With the FEDERAL ART PROJECT / NYC - WPA stam...

House of happiness is an original etching realized by Michel Fingesten in 1930s.  It includes a white cardboard passpartout.  Limited Edition of 50 etching.  Hand signed in the lo...

Watercolor w/ gouache highlights Art Sz: 12"H x 18"W Frame Sz: 16"H x 22 1/2"W (SIGNED LL) Inscribed LL: The Freshest thing to win a National in years- and he broke the record at that. Golden Miller wins in 9:20 2/5 1934 Golden Miller (1927–1957) was a Thoroughbred racehorse who is the most successful Cheltenham Gold Cup horse ever, winning the race in five consecutive years between 1932 and 1936. He also is the only horse to win both of the United Kingdom's premier steeplechase races - the Cheltenham Gold Cup and the Grand National - in the same year (1934). Golden Miller was trained by Basil Briscoe in Longstowe, Cambridgeshire and owned by Dorothy Paget, who was the British flat racing Champion Owner in 1943, and the leading National Hunt owner in 1933-34, 1940–41 and 1951-52. In 1931, Golden Miller made his steeplechasing debut at Newbury Racecourse where he finished first, only to be disqualified for carrying incorrect weight. On 30 December, he won the Reading Chase before winning the Sefton Steeplechase on 20 January 1932. In 1933, as a six-year-old and winner of two Cheltenham Gold Cups, he started as the 9/1 favourite in the Grand National but fell at the Canal Turn. In the 1934 Grand National win, he set a new course record of 9 min 20.4s for Aintree. This victory was the middle of five consecutive Gold Cup victories, a Gold Cup record.[2] He retired in 1939 with a record of 29 wins from 52 races. He is buried at Elsenham Stud, a working farm in Elsenham, West Essex. Artist Bio: Paul Desmond Brown (1893-1958) was born in Minnesota and soon moved to New York City with his family. A quote from his biography: "Paul Brown told his host on a radio interview held in September of 1956, 'One day in 1904, I got 50 cents someplace and went over to the National Horse Show at the old Madison Square Garden and saw 'fine leppers,' [a term used for jumpers] as we called them, and Thoroughbreds for the first time.' From then on he appeared to be hooked on drawing horses." At the age of 17, his family relocated again to Garden City on Long Island, where Brown had the opportunity to explore polo grounds...

Medium: Oil on Canvas Laid on Panel Signature: Signed and Dated Lower Left: Chris. A. MacLellan - 34 Sight Size 30.00" x 24.80", Framed 37.00" x 32.00" The Saturday Evening Post cov...

Story illustration for "Hidden Ways" by Frederic F. van de Water published in Good Housekeeping, October 1935, pages 42-43. The full caption reads: "Allegra's face was white as she ...

BEATON, Cecil [135] pp. Charles Scribner's Sons 1937 11 1/2" x 9 1/4" w/ floral rose bud Sanderson wallpaper boards & endpapers On the shelves at Ashcombe, I have now over fift...