1940s Art

Antonio Vidal Rolland (Barcelona, 1889 - 1970. Artwork signed by the artist. acrylic on canvas Catalan painter. Disciple of José Ruiz Blasco father of Picasso a Lonja and Aleix Clapé...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999), dated 1947 and titled, 'Aus'. A dramatic, Post-Impressionist view of the Western Australian port of Fremantle wit...

5-3731 Oil on canvas applied to board Set in a wood frame

REYNOLD WEIDENAAR (1915 - 1985) THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...

Signed lower right, in gouache, 'Herb Saylor' for Herbert Saylor (American, 1916-1991) and painted circa 1945. Art educator Herbert Saylor first studied a...

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Title Pair Paris Notre Dame Cathedral River Seine Figures Watercolour Gouache Key Details Artist: Henri Miloch (1898–1979) Medium: Watercolour with gouache on artist’s paper Size: Ea...

A stylish, vintage, 1940s fashion study featuring an elegant design for women's suit. Most likely a design study for a print advertisement for the famed Chicago Department store, Ma...

An original 1942 oil on board painting by American female artist Catherine Koenig depicting the interior of the Buffalo Art Institute which was home to the legendary Charles Burchfie...

6116 Gate entrance to Rome set in a 19th century gilt frame Image size 11,5x15.5"

Henri Matisse Patitcha. Masque 1947 Aquatint on BFK Rives paper, signed in pencil and numbered 3/25 Paper size: 56.2 x 38.1 cms (22.1 x 15 ins) Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins) HM16063 Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367. Yau, J., 2018. Henri Matisse Prints...

FRANCISCO MORA (1922 - 2002) DUELO (Duel) c. 1945 Lithograph signed in pencil. Published by the TGP Taller de Grafica Popular. Label on verso. 9 5/8 x...

This vibrant oil painting by Henry Varnum Poor (American, 1888–1970) captures a blooming spring landscape with barns, budding trees, and bright skies rendered in expressive, textural...

Robert Doisneau 1912-1994 La Stricte Intimité [In the Strictest Intimacy], Rue Marcelin Berthelot, Montrouge, 1945 Signed in ink on recto; titled & dated in pencil on verso Gelatin s...

#5-2751 California seascape oil on masonite displayed in an 19 century antique gitl -black wood frame,signed lower left by Mellin. Image size 11 H x 17 W

Untitled (Aztec heads in profile) A Prelimimary Study for a Mural watercolor, goucahe, ink and colored pencil on paper, 1943-1946 Unsigned Provenance: Estate of the Artist Kiriki Metzo (his daughter) Fletcher Gallery (her agent) Inspired by the artist's trip to ancient Aztec Mexico with fellow surrealist artist Carlos Merida (1891-1985) Influence of Carlos Merida interaction with de Diego How Carlos Mérida's Mayan-inspired modernism and Mexican folk motifs specifically transformed Julio de Diego's surrealist compositions and color palette in the 1940s Carlos Mérida’s Mayan inspired modernism pushed Julio de Diego’s 1940s surrealism away from purely European, dream like imagery toward hybrid, flatter, more patterned compositions built from stylized “Mexican” motifs, while situating his use of color within the vibrant, abstract field and pattern approach associated with modernized Mayan art—even though surviving texts describe Mérida’s palette much more explicitly than de Diego’s. Mérida’s Mayan modernism: form and color • Mérida is described as a key modernist who fused Surrealism, Cubism, muralism and European abstraction with pre Columbian Mayan...

Untitled (Surrealist composition) Wax resist monotype with scraffito, 1947 Signed in scraffito in the image lower right (see photo) Unique image, part a of series of similar works i...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

Frank Nelson Wilcox (American, 1887–1964) The Adobe, c. 1940-41 Watercolor on paper Signed lower right 14 x 20 inches 18.5 x 24 inches framed Frank Nelson Wilcox (October 3, 1887 –...

This exquisite lithograph after Julian Trevelyan (1910–1988), titled Harbour, S.P.9., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under th...

Medium: pochoir (after the 1880 watercolor). Printed 1946 in a limited edition of 300 for the rare "Berthe Morisot Seize Aquarelles" portfolio, published in Paris by Quatre Chemins. ...

Artist: Edoardo Gordigiani. E. Gordigiani, Portrait of Lina Bietoletti, Florence 1949, oil on canvas. Dimensions with frame: 79 × 69 cm. Without frame: 58 × 48 cm. Portrait of Lin...

Art Deco Portrait of a Young Woman with a Boudoir Doll, 1943, cm 91 x 63 Signed and dated 1943, with a partially legible signature lower left, this painting combines the portrait of...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

Medium: Oil on Canvas Signature: Signed Lower Left The Saturday Evening Post Magazine Cover, May 21, 1949. The irritated tire-changer? Why, that's artist George Hughes himself. The...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

The Jewish Welfare Board. Original World 1 vintage poster, very good condition; archival linen-backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y. There is a tiny ch...

"Love That Makes the World Go Round" Silk screen on paper, 1`947 Signed in pencil lower left: "de Diego" and dated '47 (see photo) An important American screenprint, showing the grow...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's coat, hat and muff, inscribed "Marshall Field & Co". Likely a an advertisement illustration study f...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 14 (Series L, Variation 14), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Vintage Photo. Humphrey Bogart, Ward Bond, Mary Astor and Barton MacLane  in a scene from the movie The Maltese Falcon, a 1941 noir movie directed by John Huston in his directorial ...

Chef in the kitchen cooking. William Reusswig was a fine illustrator, and married to an equally fine one, Martha Sawyers. They traveled the world together and, in collaboration, wrote and illustrated two books about the Far East, published by Grosset & Dunlap in 1961 and 1964. They worked out of a New York apartment with two studios, where each could pursue their individual assignments. William was born in Somerville, New Jersey; he studied at Amherst College and the Art Students League in New York. He was only twenty-three when he made his first illustrations for Collier’s, and then illustrated for most national fiction magazines, including Cosmopolitan, True, Redbook, The Saturday Evening Post, McCall’s, The Country Gentleman...

This exquisite lithograph by Pierre Bonnard (1867–1947), titled Sans titre (Untitled), from the album Pierre Bonnard, Correspondances, originates from the 1944 edition published by E...

Michael F. Kelly (American, 1887-1984) Untitled (Refugee Family), c. 1940s Pastel on paper Sight: 25 1/2 x 19 1/2 in. Framed: 27 7/8 x 21 3/4 x 3/4 in. Signed lower right: M.F. Kelly...

This exquisite lithograph by Henri Matisse (1869–1954), titled Symphonie chromatique (Chromatic Symphony), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from...

A Stunning, 1940s Finely Rendered Modern Charcoal Portrait Drawing of a Young Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Artwork size: 15 x 11 inches, unfram...

This striking 1944 propaganda poster by Jean Carlu was created during the final phase of the Second World War, at a moment when France stood symbolically “between the hammer and the ...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in Höxter, Germany, the son of Dr Leo Pins, a veterinarian, and his wife Ida Lipper. He immigrated to Palestine in 1936 to study art. His father tried to discourage him from becoming an artist for financial reasons. Pins' younger brother, Rudolph, (1920-2016) moved to the United States in 1934. His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto. Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school. He lived in poverty in a tiny room, subsisting on a meagre diet. He continued his studies at the new Bezalel Academy of Art and Design. Pins was married to Elsa, the subject of a number of his prints. They had no children. Pins bought his first Oriental print in 1945, and acquired a house on Ethiopia Street, opposite the Ethiopian church, where he lived for the rest of his life. He continued collecting until his death and was one of Israel's foremost art collectors. His book on Japanese Pillar Prints, Hashira-e is the definitive work on the subject. Pins died in Jerusalem in December 2005. Pins' artwork was heavily influenced by German expressionism and traditional Japanese wood block printing. From 1956 to 1977, he taught at Israel's leading art schools, most notably Bezalel, where he later became a professor. He was known as a demanding teacher, emphasizing strong technical skills and discipline. In the 1950s, Pins helped to found the Jerusalem Artists' House, a centre for the city's artists to meet and exhibit. Legacy Pins' extensive collection of Japanese woodprints...

Castelli Romani is an original painting on canvas realized by Luigi Campanelli (1943). Hand-signed, dated and numbered on the back: L. Campanelli 1982...

Moroccan Woman with Girl, Pastel with Gold and Silver on Paper Pastel with gold and silver on paper 47 x 62cm (18 ½ x 24 ⅜ inches) Signed lower right, Manzana Pissarro Painted circa ...

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled Jeux d'enfants (Children's Games), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillard), originate...

Deer battle France, bronze, marble, h 29.5 x 66.5 x 18 cm base size 64x20 cm

This exquisite lithograph after Jean-Edouard Vuillard (1868-1940), titled A travers champs (Across the Fields), from L'oeuvre grave de Vuillard (The Graphic Work of Vuillard), origin...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

Medium: lithograph (after the painting). Published by Louis Carré in 1948 for "L'Art Glorieux" in an edition of 1800. Printed in Paris by Mourlot Frères. Image size: 8 1/2 x 11 3/4 i...

Giacomo ROSSELLI (1901-nc) "Venice" Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 60 X 81 cm Dim frame : 80 X 100 cm Certificate of authenticity delivered ...

Louise Nevelson Abstract Figure with Face, circa 1945 Incised "LN" on the reverse Tattistone 6 inches high x 14 inches wide x 5 1/4 inches deep Provenance The artist The artist's ni...

This exquisite lithograph after Henri Matisse (1869–1954), titled The Dancer, S.P.29., originates from the School Prints Ltd. series, published by School Prints Ltd., London, under t...

Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...

Charming little mystery painting. Very well academically painted still life of red flowers. I’m not sure what kind. It is an oil on canvas board and is signed and dated lower right. ...

Juan Reus (1912-2003) Original Vintage Bullfighting Poster September 1955 107cm x 53cm Juan Reus was born in 1912 in Valencia, where he became a well-known...

'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...

Leon Dolice: 1892-1960. Well listed American artist with Auction results as high as $6000 for a pastel of the Chrysler building. This is exactly what you want in a Dolice. A tonalist...

Original etching on archival paper. Signed and dated lower right, 1947. Artist proof. Condition: Good. Provenance: Estate of the artist. Image size 6.75 by 5 inches. Sheet size 15...

This elegant etching titled the gilded youth is of the second wife of the artist The edition is 75 and is referenced as Fletcher #80. Gerald Brockhurst is best known for his portr...

Date: 1949 Medium: Oil on Canvas Dimensions: 27.00" x 27.00" Signature: Signed Lower Right Saturday Evening Post illustration, 1949 Twelve of von Schmidt's paintings hang in the Go...