1950s Art

Self Portrait on Holiday in Athens, Greece, 1955 C-print 20 x 16 inches Slim Aarons (1916-2006) worked mainly for society publications photographing "attractive people doing attr...

Artist: William J. Schultz, American (1919 - 2005) Title: Outdoor Figure Study Year: 1957 Medium: Oil on Canvas, signed l.l. Size: 40 x 25 inches (101.5 x 6...

PABLO PICASSO (1881-1973) "Mains au poisson" (A.R. 214) stamped and numbered “Madoura Plein Feu / Empreinte Originale de Picasso / I. 117 / 150/250" (on the reverse) terracotta Diame...

This original lithograph in colours is hand signed in pencil in Chinese and Pinyin at the lower right margin. It is also dated in pencil next to the signature '55 [1955]. It is hand ...

Peter Basch . ( 1921 - 2004 ) " Jean Cocteau in New York " silver print Vintage original circa 1955 . framed: 52 x 42 cm photo : 35 x 27 cm

Marc Chagall Night in Paris (cover) Artist: Marc Chagall Medium: Lithograph Title: Night in Paris (cover) Portfolio: 1954 Paris - Derriere le Miroir Yea...

"Colour is a human need like water and fire. It is a raw material indispensable to life" - Fernand Leger This gorgeous lithographic poster ad...

This late-1950s photograph, captured by society photographer Slim Aarons, features a swimming pool in the grounds of a house in Bermuda, This is an estate-stamped and hand-numbered ...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Signed oil on canvas figures in landscape circa 1950 by French post impressionist painter Marcel Dyf. The work depicts doing a late summer harvest in Provence, France. Signature: Si...

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Study of a Woman Year: 1955 Medium: Graphite on Paper, signed and dated Size: 24 in. x 1...

1957 Unique blotted ink line drawing, on wove paper. 34.9 x 28.9 cm Initialed 'VF' by Vincent Fremont of the Andy Warhol With the Estate of Andy Warhol and the Andy Warhol Foundation...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Andy Warhol (1928-1987) Unidentified Male (circa 1956) Black ballpoint pen on paper Size: 16.5 x 14 in (41.9 x 35.6 cm) Frame size: 21.25 x 19 in (53.9 x 48.3 cm) Authenticated by ...

This mid-1950s photograph, captured by society photographer Slim Aarons, features cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California. This is an estate-st...

This mid-1950s photograph, captured by society photographer Slim Aarons, features singer and actress Caprice Chantal (right) on the Italian island of Capri. This is an estate-stampe...

This mid-1950s photograph, captured by society photographer Slim Aarons, features cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California. This is an estate-st...

Artist: Marcel Gromaire Medium: Lithograph Title: Flammes Intérieures Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivalled influence on artists and image-making. ...

Collage on paper. Signed and framed. Frame dimensions: 60x76 cm Last painter of the school of Nice. This is an important painter, the first school in nice to have exhibited in New ...

Milton Avery (1885-1965) whose lyrical command of colour and form positioned him as a pivotal figure in 20th-century art. Often described as the “American Fauve,” Avery produced pai...

Antique American abstract expressionist signed oil painting. Oil on canvas. Signed. Framed. Image size, 26L x 20H.

ARTIST: Salvador Dali TITLE: La Dentelliere MEDIUM: Etching on a plate marred by nails shot at it SIGNED: Hand Signed PUBLISHER: Graft Verlag/Arztesammlerkreis EDITION NUMBER: ...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. Erte was a vastly diverse artist who excelled in an array of fields including fashion, jew...

Yard. Oil on cardboard, 14 x 17, 5 cm

A mid-century gouache on board painting by American female artist Harriet Holden Nash depicting an abstract Matisse like floral composition in shades of green and black. The board i...

Al Grattacielo is a vintage depliant of Giovanni Omiccioli Exhibition, Grattacielo Gallery, Milan 1956. Woodcut print. The exhibition was held at Grattacielo Gallery, directed by En...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...

Monogrammed work Work on wood Brown wooden frame 33 x 48 x 4 cm

A woman reclining in a hammock hung between palm trees on the beach at the Caribe Hilton in San Juan, Puerto Rico, March 1956. Slim Aarons Caribe Hilton 1956. (printed later) C pri...

Issued in February 1957, this original Indian travel poster entitled Tajmahal – India was produced by the Directorate of Advertising and Visual Publicity for the Ministry of Transpor...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

Signed lower right Signed and inscribed verso Provenance Private collection, Long Island, NY This item is in our New York City warehouse and can be viewed by appointment.

A unique, original gouache on paper by cabaret costume designer, Erté, also known as Romain de Tirtoff. Created in 1959 for the cabaret show, Folies Pigalle. From the private collect...

Artist: Eve Nethercott, American (1925 - 2015) Title: Maine (P6. 59) Year: 1953 Medium: Watercolor on Paper Size: 22 x 15 in. (55.88 x 38.1 cm)

Henri Matisse (1869-1954) - Tristesse du Roi Lithograph from 1958. Dimensions of work: 52.5 x 35.5 cm. Plate signed. Publisher: Tériade, Paris. Each copy of this Lithograph was ...

China ink drawing realized by Mino Maccari in 1955. Hand signed lower right. Very good condition.

Jean Carzou traveled to Havana as an artist to explore the world and he captured a ship from a earlier era.

Artist: Henri Matisse (1869–1954) (after) Title: The Parakeet and the Mermaid (La Perruche et la Sirene) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 1...

Emile Albert Gruppe (American, 1896-1978) Gloucester Docks, circa 1950 Oil on canvas 20 x 24 inches (50.8 x 61.0 cm) Original Frame: 26 X 30 Inches Signed lower right: Emile A. Grup...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

This is a photo of Friedl Dzubas (Abstract Expressionist) at Castelli Gallery, signed in ink and with photographer stamp verso and hand written title.. Over a 50-year span, McDarra...

Ramón Ribas Rius – Petrushka at the Liceu, 1956 – Mixed Media on Paper – 62 × 45 cm Expressive mixed-media work on paper by Spanish artist Ramón Ribas Rius (1903–1983), depicting a ...

John Levee (April 10, 1924 – January 18, 2017) was an American abstract expressionist painter who had worked in Paris since 1949. His father was M. C. Levee. John Harrison Levee rece...

St. Louis Blues (1958) Original Paramount Pictures Publicity Photograph, realized in 1958. Original vintage gelatin silver publicity photograph issued by Paramount Pictures to promo...

An elegant vintage gelatin silver publicity portrait of Ella Fitzgerald (1917–1996), one of the most celebrated vocalists in the history of jazz. Depicted in a softly lit head-and-sh...

Countryside, Party, Summer,Green, Signed in the bottom right corner. Shipment included in the price GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can b...

A modern art painting of three horses by artist Theodore Polos, in the manner of Marino Marini. Theodore C. Polos, (1901-1976), was a painter, printmaker and educator, was born in Mytilene, Greece. In 1916 Polos immigrated to the United States, settling in Boston first before moving to San Francisco in 1922. He studied art at the San Francisco Institute of Art, and at the College of Arts and Crafts in Oakland with Xavier Martinez...

Oil on canvas board. Signed and dated lower left. Unframed. Salvador de Regil’s 1951 surrealist oil painting transports viewers into a mesmerizing dreamscape where architecture and ...

Frasconi,Antonio. PUMPING JACK. Color woodcut, 1953. Edition of 8. Signed, titled, dated and numbered 3/8, all in pencil. 17 1/2 x 26 1/4 inches (image) on a...

William Klein 1928-2022 Coffee Baristas, Rome, 1956 Signed and dated on verso. Gelatin Silver Print Image - 13.75 x 19", Paper - 16" x 20"

Signed, titled, dated and numbered in ink on recto Gelatin Silver Print Paper - 11"x14", Matted - 16"x20

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...

4037 Impressionist oil on canvas figural painting Set in a custom wood frame image size 14.5x18.5"

Françoise Gilot original lithograph from 'Portraits of a Woman' series. from the poetry book "Pages d'Amour" by André VERDET, editions Raison d'être, 1951, printed by Mourlot in limi...

"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...

Norman Parkinson Audrey Hepburn with Flowers 1955 40 x 30 inches Estate stamped and numbered on verso Norman Parkinson, born in 1913 and passing in 1990, was an icon in the realm ...