Les Deux Amoureux, Musee de Lyon, Lithograph, 1955

1955

Artist: Sophie Matisse Medium: Original Silkscreen, Signed, 2014 Dimensions: 24 x 28 in / 61 x 71.1 cm This beautiful original artwork designed by Sophie Matisse was printed by King & McGaw in 2014 and published by Mourlot. The print is hand-signed and numbered by the artist herself. Great-granddaughter of the world famous Henri Matisse, Sophie Matisse is a French-American artist from Cambridge, Massachusetts. After a brief stint at the Massachusetts College of Art and Design in Boston, Sophie decided to follow in her great grandfather's foot steps by attending the École des Beaux-Arts in Paris. Here she faced pressure to uphold her family's artistic reputation as well as the added difficulty of being taught in French. Eventually, Matisse was asked to leave but she did not let that stop her from reaching the heights of her artistic career. In the 1990's Matisse set...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

This lithographic poster was published to promote an upcoming exhibition of Maurice Estève's paintings from 1935 to 1947 at the Galerie Louis Carré in Pari...

"I have always wanted my colors to sing." -Paul Delvaux This gorgeous and rich lithograph in Black & White by Belgian Surrealist Master Paul Delvaux, is a wonderful example of his ...

"Everything you can imagine is real." -Pablo Picasso This Iconic original lithographic poster was designed by Pablo Picasso himself to promote an exhibition of posters by contempora...

Artist: Raoul Dufy Medium: Lithographic Poster, 1953 Dimensions: 27.5 x 21 in / 70 x 54 cm Classic Poster Paper - Perfect Condition A This lithographic poster was designed after late artist, Raoul Dufy. It was created for an exhibition of his work at the Musée National D'Art Moderne in Paris, 1953. The original work was part of a series based on famous music composers...

The Don: One of the most recognizable figures in poster history ever, quietly reveling in the simple delights of a glass of ruby port – typically thought of as a horseman, clad in a ...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "LA VACHE ENRAGÉE" Wittrock P27B, Adhemar 197 Original color lithograph Wittrock’s State III of III with letters Printed on buff wove paper, c. 1896 Bears artist stamp “TL” upper right, dated 96 Image size: 22 1/2” x 23 5/8” Several examples are known where Lautrec drew on work by other artists whom he admired. In this poster there are clear references to Adolphe Willette's humorous themes and rococo style of illustration. Willette was the founder and illustrator of the short-lived monthly “La Vache Enragee”(the angry cow) edited by the cartoonist Adolphe Roedel. This colored poster of the same title was commissioned for the appearance of the magazine March 1896. As a reference to the wretched financial state of most artists, the term “manger de la vache enrage” (meaning roughly, “meaning not having enough to eat”) was adopted as the motto for the “Vachalcade”which was held on Montmarte annually from 1896. This was an artists' procession, with fanfares and allegories on fame and the muses; it also included a furious cow and a troupe of pretty girls as a satire on Europa with the bull. The event was organized by Roedel"(Adriani p.217) Toulouse-Lautrec took up lithography at a high point in its history, when technical advances in color printing and new possibilities for large scale led to a proliferation of posters as well as prints for the new bourgeois collector. In his short career, he created more than three hundred fifty prints and thirty posters, as well as lithographed theater programs...

ROSENQUIST, JAMES (1933 - 2017) F-111 (Castelli Gallery Poster) Offset Lithograph c. 1965 Signed and dated in pencil along lower edge Sheet Size: 28” x 22”, Fresh ...

GUYON, MAXIMILIENNE (1868-1903) "MARIS STELLA" Lithograph in color, c. 1898-99 Signature in stone “Maximilienne Guyon”; lower right Sheet size: 16” x 12” As published in L’estampe Moderne...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) PROMENOIR Delteil 290, Adhemar 324, Wittrock 315 Lithograph printed in olive black-green ink, c. 1899 Printed on japon paper, Full margi...

BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...