Photography

11 x 14" vintage silver gelatin photograph of author Truman Capote photographed at his United Nations Plaza apartment on June 26, 1980. Comes directly from the Jack Mitchell Archives...

In orbit above the Gulf of Mexico in June 1965, NASA Gemini 4 American Astronaut Ed White is the first to spacewalk (tethered by a 25 foot cord) outside...

The Carlton Hotel (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A Cadillac with Florida plates parked outside the Carlto...

On February 18th, 1964, just nine days after the Beatles made their acclaimed American debut on The Ed Sullivan Show, and a week before Muhammad Ali (then known as Cassius Clay) won his first World Heavyweight Championship title...

In this midcentury snowscape photograph, captured by society photographer Slim Aarons, holidaymakers dining at the Eagle Club, Gstaad, Switzerland, March 1969. Slim Aarons Estate E...

Bruce of LA - Set of 2 Authentic Vintage 1950s Silver Gelatin Male Physique Photographs by famed 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles of model Ro...

Cream - 2021 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2021-1012. Not...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Harkness Ballet Principal Dancer Zane Wilson, nude, 1972. Vintage silver gelatin exhibition photograph made by Jack Mitchell. American photograp...

Presented by The Merchant House Gallery, Amsterdam (www*merchanthouse*nl). Please note: We have a special deal / discount through Fedex. Shipping prices are negotiable. This is a sp...

Gerry Adams, Leader of Sinn Fein is a vintage photograph realized in the 1970s. Good conditions. The artwork is depicted in a well-balanced composition.

Untitled. Sepia, 2023 by Ricky Cohete Archival pigment print Image size: 30 in H x 20 in W. Edition of 13 Unframed _________________________ Ricky Cohete was born in a coastal city...

Brigitte Bardot Hollywood starlet posed with a vintage car, circa 1970. Brigitte Bardot is a French former actress, singer, and model as well as an animal rights activist. Famous fo...

Max, smoking in Car (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist ...

The ungovernable nature of water provides a balance between order and chaos. The photographer can compose the general nature of a photograph of a nude swimmer, but the exact results ...

182.02.14 is a limited-edition photograph by contemporary artist Klaus Kampert. It belongs to the series "Porcelain". In this black-and-white series, the artist explores the abstract...

Last Frame (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4655. ...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

An underwater photo of a naked young woman wrapped in air bubbles. The photograph depicts only her body, the face is not visible. A very bright eye ca...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Morgane ‘ who was captured on film in ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

“Currents” captures the mesmerizing movement of the Mediterranean sea along the Italian Riviera during the winter of 2022. This large-format black and white photograph reflects the s...

The Dancers, 1984 is an 8" x 8" vintage gelatin silver sepia-toned photograph by contemporary Czech artist Jan Saudek. Signed “Jan,” titled and dated “July 20-23, 1985” in ink below ...

The image, Aspen, Quiet Light, was made just after the conclusion of an intense week-long photography workshop. I went to one of my favorite aspen groves fully intending not to make ...

Selected from the Drew Carolan monograph MATINEE All Ages On The Bowery. Shot against a white seamless on the corner of Bleecker St. and Bowery in New York city in 1984 with a Rollei...

Kelly Ludwig Television Americana Archival Pigment Print Year: 2024 Visible Size: 11.5 x 15.5 inches Framed: 18 x 22 inches Signed: On Label COA provided *Black frame with standar...

Coral by Ricky Cohete From the Viva series Small size: 30 in H x 20 in W. Edition of 13 + 1AP Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance...

Jamaica Sea Sailing, 1953 Fiber print Estate edition of 150 Signature stamped and hand numbered with Certificate of authenticity 1953: Two men sailing their yacht 'Eel II' in Jamaic...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a young woman modelling an outfit for a Saks Fifth Avenue catalog shoot. This is an estate...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine at that time. Today they swarm like bees to place their own hot ads in gay publications. I had been photographing on assignment for Dance Magazine well before After Dark was created. Being a friend of William (Bill) Como, the Editor, and being gay, I was called into service, for the life of the publication, to photograph many of the handsome young men and women, who were featured in After Dark. Needless to say, this was enjoyable work for me, Because, mixed in with the hot-looking young guys and gals sent to my studio were some famed performers like Debbie Reynolds, Giancarlo Giannini, Arnold Schwarzenegger, Natalie Wood, Placido Domingo, Sergio Franco...

An artist's proof (a/p) of a spiral staircase in Rome by Roberta Fineberg (RF) that captures a cylindrical stairwell in the Eternal City. For her Cities series, RF travels often to E...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

A contemporary photograph of 2Pacs iconic "All eyez on me" cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic ta...

Beauty and the Beast, 1959 Lady Daphne Cameron (Mrs George Cameron) on a tiger skin rug in the trophy room at socialite Laddie Sanford’s home in Palm Beach, Florida. 12 x 12” / 30 ...

Harbour Bridge A view of the Sydney Harbour Bridge in Sydney New South Wales Australia. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over t...

Entre dos Iconos, 2001 by Celso José Castro Daza From The series Buscando Mamá One of a kind photo collage Sheet Size: 39.5 in. H x 27.5 in. W Signed, titled and dated by the artist...

Rainbow Apartments, Italian architecture photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in ...

Special...George Platt Lynes 1948 Photographs #5 and #10 of Balanchine Ballet ‘Orpheus’ bundled together at one special price for both original 1948 photographs...$2,800. George Pl...

Archival inkjet print Signed and dated in pencil, verso Also inscribed in pencil, verso 4.875 x 4.875 inches, sheet 4.375 x 4.375 inches, image This artwork is offered by ClampArt,...

Elizabeth Hurley photographed by British celebrity and fashion photographer John Stoddart. This risqué iconic black and white photograph expresses her incredible figure, capturing the actress completely naked, against the head of a large Grecian bust...

This work is offered by CLAMP in New York City.

Archival pigment print Signed in black ink, recto 14 x 11 inches, sheet size 10 x 10 inches, image size This artwork is offered by ClampArt, located in New York City. Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin...

A 20" x 16" (18.5” x 12.5” image size) gelatin silver print of Andy Warhol, Edie Sedgwick, and Chuck Wein, 1965 by Burt Glinn with the photographer's blind stamp on recto (front lef...

Joshua Tree American Desert photograph from Richard Heeps' series, Dream in Colour. The iconic Joshua Tree stands proudly silhouette against the magical rich layered hues of the dese...

"Marbella Club Bather," a 1976 Slim Aarons photograph, captures mid-century modern Mediterranean luxury. Limited C-print (1/150), estate-stamped, authenticated. Slim Aarons Marbella...

Park Avenue A view of neatly arranged office and apartment blocks along Park Avenue in New York City. Slim Aarons silver gelatine fibre based print Printed Later Slim Aarons Esta...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Currency fluctuations may cause the price to change. This is a contemporary print from the Getty Archive using Slim Aarons negatives. Please contact the gallery for information about other print sizes. All prints feature a Slim Aarons blindstamp, and are accompanied by a Slim Aarons Certificate of Authentication issued by Getty. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Blue Seas" is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons. The world of Aarons’s photographs...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Artist: David LaChapelle (1963) Title: Mythical Swans: Madonna, New York, Rolling Stone, 1998 Year: 1998 Medium: ​Digital colour coupler print Edition: 1/11 Size: 17 x 24 inches Cond...

'Saint-Tropez Boucherie' by Slim Aarons A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Typically 'Slim' this photograph e...

Colorful, Maximalist style floral still life photograph of green plants and flowers with gold lights and fireworks Archival digital print, made to order 48 x 40 inches, edition of 15...

Feast from the Deep Dominica, 2019 36 in x 24 in (91.4 x 61cm) Edition of 20 46.5 in x 31 in (118.1 x 78.7cm) Edition of 15 60 in x 40 in (152.4 x 101.6cm) Edition of 10 90 in × 60 ...

Leonard Freed's stamped vintage (verso), 14" x 11," gelatin silver signed print, Kate Bending, is from the Kate series, 2002. A photographer herself, model Kate remains complicit in ...

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

COLD WINTER SUPER SPECIAL...$825...FRAMED Rare 1940s Original Vintage Gelatin Silver Photograph by DOUGLAS JULEFF - also known as DOUG OF DETROIT - of bodybuilder and Mr. America con...