Conceptual Photography

Reinhard Görner Menendez y Pelayo Biblioteca Nacional, Madrid 2017 40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 signed and numbered on label, verso Paper is tri...

50 x 59.4 inches ed. of 10 $6000 60 x 71.3 inches ed. of 7 $9000 70 x 83.1 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format phot...

Reinhard Görner Weightless Wisdom Library Zurich, Switzerland Contemporary large scale photograph 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edit...

Reinhard Görner Weightless Wisdom Library Zurich, Switzerland 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered...

Reinhard Görner Hôtel de Ville II Library Paris, France 59.8" x 50" Edition of 10 $6,000 71.8" x 60" Edition of 7 $9,000 83.7" x 70" Edition of 5 $11...

Reinhard Görner Hôtel de Ville II Library Paris, France 59.8" x 50" Edition of 10 $6,000 71.8" x 60" Edition of 7 $9,000 83.7" x 70" Edition of 5 $11...

Reinhard Görner Château de Fontainbleue II Library France 50" x 50" Edition of 10 $6,000 60" x 60" Edition of 7 $9,000 70" x 70" Edition of 5 $11,000 signed and numbered on label...

Reinhard Görner Weightless Wisdom Library Zurich, Switzerland 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered...

Reinhard Görner Schussenried Abbey Library Germany 50" x 59.9" Edition of 10 $6,000 60" x 71.9" Edition of 7 $9,000 70" x 83.8" Edition of 5 $11,000...

Reinhard Görner Château de Fontainbleue II Library France 50" x 50" Edition of 10 $6,000 60" x 60" Edition of 7 $9,000 70" x 70" Edition of 5 $11,000 signed and numbered on label...

Reinhard Görner Château de Fontainbleue II Library France 50" x 50" Edition of 10 $6,000 60" x 60" Edition of 7 $9,000 70" x 70" Edition of 5 $11,000 signed and numbered on label...

Reinhard Görner Assemblée Nationale III Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered ...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 Signed and numbered on label, verso This artwork is...

Reinhard Görner Rose Main Reading Room, 2014 New York Public Library New York, NY 50 x 63.5 inches Ed. of 10 $6,000 60 x 76.2 inches Ed. of 7 $9,000 70 x 88.9 inches Ed. of 5 $11,...

George Peabody Library Baltimore 62.5 x 50 inches ed. of 10 $6,000 74.9 x 60 inches ed. of 7 $9,000 87.3 x 70 inches ed. of 5 $11,000 signed...

Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, w...

Reinhard Görner Rose Main Reading Room, 2014 New York Public Library New York, NY 50 x 63.5 inches Ed. of 10 $6,000 60 x 76.2 inches Ed. of 7 $9,000 70 x 88.9 inches Ed. of 5 $11,...

60 x 90 inches ed. of 10 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm...

Reinhard Görner Phillips Exeter Academy Library 3 sizes available 60 x 50 inches ed. of 10 $6,000 70 x 58.5 inches ed. of 7 $9,000 80 x 66.8...

Bapst Library Boston 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to...

Riggs Library Washington DC 57 x 50 inches ed. of 10 $6,000 68 x 60 inches ed. of 7 $9,000 79.8 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed...

Athenæum, Boston 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image...

Morgan Library II New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on lab...

Library of Congress I Washington DC 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.4 inches ed. of 5 $11,000 signed...

Morgan Library New York 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label,...

Rose Main Reading Room, 2014 Public Library New York 70 x 88.9 inches Ed. of 5 $11,000 60 x 76.2 inches Ed. of 7 $9,000 50 x 63.5 Ed. of 10 $6,000 signed and numbered on label, v...

Bode-Museum, Berlin 62 1/2 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 1/2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, w...

New Museum, Berlin 3 sizes 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimm...

80 x 60 inches ed. of 7 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumenta...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

50 x 52 inches ed. of 10 60 x 62.4 inches ed. of 7 70 x 72.8 inches ed. of 5 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates t...

Laocoon II Grimani Palace, Venice 2014 ​ A masterful composition by renowned German photographer Reinhard Görner, Laocoon II captures the grandeur of Venetian architecture in exquisi...

signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An acti...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentali...

Scuola Grande di San Giovanni Evangelista 40 x 38 inches ed. of 10 $4,200 50 x 47.5 inches ed. of 7 $6,000 60 x 57 inches ed. of 5 $9,000 70 x 66.6 inches ed. of 5 $11,000 Rei...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görne...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. This photograph by Anne Valverde, titled "No WiFi," is a profound commentary on the modern condition, where the absence of digital connectivity is a statement in itself. The image portrays a serene twilight scene by the water, with the sky painted in soft hues of pink, purple, and blue, reflecting onto the calm surface below. The contrast of colors between the sky and the water creates a tranquil and reflective mood. The neon text "no wi fi" glows with an ironic warmth in the foreground, a stark reminder of the digital tether that often binds us. Its presence in this natural setting is a powerful juxtaposition, suggesting a disconnection from the digital world and an invitation to reconnect with the natural one. The reflection of the text on the water's surface emphasizes the theme of disconnect, mirroring the sentiment of severing the constant need for digital engagement. This peaceful landscape, with its wide-open spaces, is an oasis away from the constant buzz of notifications and the glare of screens. It offers a moment of reprieve, a chance to breathe deeply and experience the environment with all senses unmediated by technology. The beauty of the scene is undisturbed, inviting viewers to contemplate the rare moments where we can be truly offline and present in the moment. Valverde's "No WiFi" can be seen as an ode to the increasingly scarce luxury of unplugging, a gentle nudge to embrace the world beyond our devices. It reflects a growing desire for spaces and experiences that are not dictated by the presence of a wireless signal, highlighting the innate human need to sometimes just be in a place—physically, mentally, and emotionally. The photograph is a quiet celebration of these increasingly precious sanctuaries of silence and peace in our hyper-connected era. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Birdy Dream," a photograph by Anne Valverde, captures the ethereal beauty of a mist-enshrouded forest, with the word 'dream' crafted in neon lights, seamlessly integrated into the landscape. Valverde's artistry is evident in her ability to blend the artificial glow of neon with the organic forms of nature, creating a harmonious tableau that whispers of the unseen and the imagined. The forest scene is alive with varying textures of foliage, dominated by the large fronds of ferns that fan out across the frame. The mist rolls through the trees like a gentle tide, blurring lines and softening the world to a palette of muted greens and grays. In this dreamscape, the neon 'dream' is both a literal and figurative illumination—a call to the magic that lies in the heart of the wild. The neon text, positioned amongst the forest floor, is like a secret waiting to be discovered, a reminder that even in the dense and tangled growth, there is space for dreams to take root and flourish. The soft light from the sign pierces the fog, symbolizing clarity and hope amidst uncertainty. Valverde's "Birdy Dream" is a tribute to the quiet strength of nature and the power of dreams to persist in even the most unlikely places. It's a visual poem that invites contemplation, asking the observer to consider the myriad of dreams that live hidden beneath the canopy, in the soul of the forest, and within us all. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

Photography. Water Pistol Lt Ed 2/20. About the Artist: Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Gary Rhodes OBE (22 April 1960 – 26 November 2019)[1] was an English restaurateur and television chef, known for his love of English cuisine and ingredients and for his distinctive s...

„According to some theories, the human brain encodes images through a process that takes place in several stages. At the beginning, the images are organized into two-dimensional sket...

Atrium by Gina Soden [2016] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 1 Image size: H:87.5 cm x W:70 cm Complete Size of Un...

Kaplica by Gina Soden [2014] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 9 Image size: H:70.02 cm x W:105 cm Complete Size of...

Krankenhaus by Gina Sodden [2013] limited_edition Digital photograph on Baryta paper Edition number 4 Image size: H:40.64 cm x W:40.64 cm Complete Size...

"This abandoned manor must have been occupied by a creative and curious mind, as it contained 3 pianos, all sorts of recording equipment and old radios, scul...

Reggia by Gina Soden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 4 Image size: H:70.02 cm x W:105 cm Complete Size of ...

This image is a collotype print from Delilah Montoya's series, Corazon Sagrado, and is edition 1/1. It is signed, titled, dated and numbered in pencil on print margin by Delilah Montoya. This collotype print features a woman in a dress dancing in front of a backdrop on a checkered floor...

Castle Piano by Gina Sodden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 6 Image size: H:70.0...

Cadenza by Gina Soden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 5 Image size: H:87.5 cm x W:70 cm Complete Size of Unfra...

This portfolio of eight prints by the art duo, Ligorano/Reese portrays leaders from the Bush administration, photographed in a mug shot style. The date on the placard they hold is the date the artists feel they betrayed the public trust. This work is a bold statement on politicians and their duty to the public, and the ramifications of abusing their power. Three of the prints are already framed in black frames that measure 16 x 22 inches. Artist: LigoranoResse (a.k.a. Nora Ligorano and Marshall Reese) Title: Line Up Date: 2005 Medium: Eight Archival Pigment Prints, each signed and numbered in pencil Edition: 18/50 Image Size: 9 x 14.75 inches Paper Size: 11 x 17...

In 1971, Central Park was a hub for Vietnam War Protests. In this work, Mitchell Funk captures a packed protest scene with emphasis on the graphic nature of the banners and flags. Th...

Gelatin Silver Print 22 x 28 in. Edition of 75 Numbered and signed by Christo. Frame included. Black frame: 22 3/8 x 28 3/4 x 1 1/8 in Ugo Mulas is born on August 28, 1928 in Pozzol...

SLAVES WE WERE, 1982, color photograph, signed and dated and titled in ink, numbered 3/50, sheet 12 x 16”. Hand signed, titled and has the edition number on the recto. Gerard Allon, ...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

An original Inkjet prints, carbon and beeswax mounted to wood that was included in the artistic duo's exhibition at the world renowned Albright Knox Art Gallery. Virocode is compose...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Untitled #12 from Ruven Afanador "Sombra" series, silver gelatin print, artist print. This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic portraits...