Offset Prints and Multiples

Louise Bourgeois & Tracey Emin Do Not Abandon Me (Hand signed in green marker on the half title page by Tracey Emin), 2010 Cloth hardback monograph with no dust jacket as issued (Han...

This evocative poster by Eric Fischl, created for the Whitney Museum, features a serene and introspective scene of two children playing in the sand on a sunlit beach. Fischl, known f...

Original Harley-Davidson Daytona Poster - Iconic Motorcycle Brand Artwork for Enthusiasts. Archival linen backed and ready to frame. The poster from the 1980s was created by the ...

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Excellent condition. Linen-backed Parc de Bagatelle. Concours Automobiles et Louis Vuitton. September 1999. Hand-signed by the artist in black marker in the lower left. The signature on the plate is in the lower right. This original poster is also archivally linen-backed and ready to frame. This was the merger of Mercedes Benz and Chrysler with an automobile from each company represented. The Louis Vuitton house...

"Church in Murnau" is a high-quality reproduction of an original painting by Wassily Kandinsky, one of the pioneers of abstract art. This reproduction is part of a limited edition of...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Paper Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Image Size: 24.25 x 38.5 inches ( 61.595 x 97.79 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

This high-quality reproduction of Crâne de Bœuf captures the raw energy and visual force of Picasso’s original, merging abstraction with dramatic expression. Published by Kunstsammlu...

La Pompadour, printed by Maeght Éditeur in Paris in 1992, is a restrike of an earlier poster created for a Henri Matisse exhibition held at the Maeght Foundation in Saint-Paul-de-Ven...

Original Olympische Spiele Munchen 1972 vintage Olympic poster. Printed in 1969 for the 1972 Munich Olympics, this antique poster is archival...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

In "Tirant sur le Violet," Kandinsky explores the interplay of geometric shapes and organic forms, using a dominant violet hue as the focal point from which other colors seem to pull...

This high-quality reproduction, titled "The Bird with a Calm Look, its Wings in Flames," is published by Achenbach Art Edition, Düsseldorf. Printed on 250g Arches paper with deckled ...

Bricklayers at Rest is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1945. Phototype print. Good ...

Paper Size: 32.5 x 38.75 inches ( 82.55 x 98.425 cm ) Image Size: 32.5 x 38.75 inches ( 82.55 x 98.425 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supple...

Keith Haring 1989: Keith Haring illustrated announcement card, NY, 1989. Published on the occasion of a 1989 fundraiser to help the homeless. Off-set printed, 1989. Measures: 5 x 7...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 15 x 15 inches ( 38.1 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and H...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

This artwork "Birds in the Tree" 1976 is a color offset lithograph by American wildlife artist Thomas Quinn, born 1938. It is hand signed, inscribed Arti...

Yoshitomo Nara Tomorrows Far Away Offset print on paper Sheet size 51.5 × 36.4 cm

This reproduction is titled Enfant Jouant (Child at Play), published by Kunstsammlung Nordrhein-Westfalen in Düsseldorf and printed by Achenbach Art Edition. Referenced in Rodrigo, V...

This poster features a subtle yet evocative design incorporating silver/grey text arranged within a faint square outline. Though difficult to discern at first glance, the words emerg...

This exhibition poster was created for a show held at Leo Castelli Gallery from September 19 to October 10, 1981. Designed by Richard Haynes & Co., the poster captures the bold and m...

This is a rare exhibition poster reproduction of "Composition IV" by Wassily Kandinsky, one of the most iconic works of early abstract art. Originally painted in 1911, this piece is ...

Original postcard exhibit invitation for Cindy Sherman at Metro Pictures May 8- June 26, 2004. Paper Size: 8.5 x 5.5 inches ( 21.59 x 13.97 cm ) Image Size: 8.5 x 5.5 inches ( 21.5...

Son of Man by René Magritte is elegantly framed in a shiny black metal frame with a 3/8-inch front profile and a 7/8-inch side profile. The overall dimensions are approximately 12.75...

In The Artist and His Model, Picasso delves into the intricate relationship between the artist and his muse, a recurring theme throughout his career. The reproduction vividly capture...

Original vintage movie poster: Doughboys in Ireland, the 1943 Lew Landers romantic musical ("The singing star of Jack Benny and Fred Allen radio programs!"...

Original Toulouse-Lautrec Museum in Albi, exhibition June 23 - September 15, 1972 for Pierre Bonnard (1867 – 1947). Archival linen is backed in very fine condition and ready to fram...

Joan Miro, After, Spanish (1893 - 1983) - The Styx from Indelible Miro, Year: 1972, Medium: Offset Lithograph, Size: 13.5 x 18.5 in. (34.29 x 46.99 cm), Frame Size: 20 x 25.5 inc...

An original print from the Kent Bicentennial poster portfolio published by Lorillard. This side-profile of the president is from the Kent Bicentennial Portfolio. Alex Katz is a leadi...

Takashi Homma Tokyo (hand signed, inscribed in Japanese and dated by Takashi Homma), 2008 Softback monograph with dust jacket, roughcut and deckled edges...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Paper Size: 22 x 30 inches ( 55.88 x 76.2 cm ) Image Size: 17 x 30 inches ( 43.18 x 76.2 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Shipping a...

Billy Name Films of Andy Warhol, Whitney Museum of American Art (Hand Signed by Billy Name), 1988 Offset Lithograph Very rare vintage poster - hand signed by Billy Name on the front. Frame Included Very rare vintage poster - when hand signed by Warhol...

Genichiro Inokuma, Japanese (1902 - 1993) - Exhibition Poster, Year: 1968, Medium: Poster, with pen drawing, signed and dated in the plate, Size: ...

Philip Guston, Joan Mitchell, Cy Twombly, Jim Dine, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, Various Artists, Jackson Pollock, Arshile Gorky. La Grande Occassione Della Pittura Americana Milano (Hand Signed by Jim Dine), 1963 Offset Lithograph invitation poster (hand signed by Jim Dine) Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct. 12 1/4 × 16 3/4 inches Unframed Uniquely signed. The gallery acquired this historic 1963 invitation and then Jim Dine graciously signed it years later in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries...

Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...

Poster featuring a drawing of Jack Goldstein by Robert Longo that was the cover for issue no. 3 of ZG Magazine in New York. Hand signed and dedicated in...

Paper Size: 19 x 26.5 inches ( 48.26 x 67.31 cm ) Image Size: 15.25 x 24 inches ( 38.735 x 60.96 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

The striking image of "Reflections on the Scream, 1990," a renowned work by the legendary Pop artist Roy Lichtenstein, is prominently featured on this exhibition poster for a retrosp...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

"The Fly" by Robert Longo is a testament to the artist's skill in capturing moments of intensity and ambiguity, transforming mundane actions into profound expressions of the human co...

Paper Size: 39.5 x 27.5 inches ( 100.33 x 69.85 cm ) Image Size: 25.75 x 18.5 inches ( 65.405 x 46.99 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Original exhibition poster for Martin Kippenberger...

Sigmar Polke Näherin, 1967 Medium: Offset lithograph on card stock Dimensions: 9 3/10 × 9 3/10 in 23.5 × 23.5 cm Edition of 500: Not signed (as issued) Condition: Excellent

David Hockney (1937-) Elegant Man Reading (Portrait of Jacques de Bascher), 1975 Original vintage poster (offset print) Published by Imprimerie Dermont (Paris) On paper, 64 x 45 cm ...

Daniel Arsham Medium: Set of five offset prints Size: 24 x 36 inches Edition: 250 Signed A nod to the Detroit automotive industry and international car culture as a whole, the billb...

This first edition exhibition poster, designed by Andy Warhol for Art Expo Denmark in 1986, features Queen Beatrix from his celebrated Reigning Queens portfolio. Capturing his fascin...

This rare, original offset lithograph poster was produced for Robert Rauschenberg’s Gluts exhibition at Leo Castelli Gallery, New York, held from November 1–22, 1986. Printed on tran...

Original poster: Original World War II poster: Strong in the Strength of the Lord (L) Note that this is the large version of this poster. Acid-free archival linen-backed original WWII, U. S. Government printed vintage poster. A factory worker and a soldier all played a key part in the U.S. war effort. Published by the War Information Office in an attempt to foster greater cooperation between some different segments of society. AMERICANS SUFFER WHEN CARLESS TALK KILLS! Original 1943 U.S. Government (military propaganda) poster. Archival linen backed in A- - B+ condition, ready to frame. Note that WW2 U. S. Government posters were folded prior to being distributed. This is not considered a defect. The fold marks were restored during linen backing. Tiny chips along the bottom border. This poster promoted cooperation among various segments of American society- a woman, a soldier, and a factory worker. It is a mixture of crusading, religious, and industrial symbolism. The text quotes Henry Wallace, then Vice-President. Artist: Martin, David Stone...

Amazing Deluxe Edition Album. Original release from 2008 not re-issue. The cd artwork on this this original version blends in with the artwork on album. On the later release it does ...

This first edition exhibition poster, titled Teresa Russell: XVI RIP Arles, was created by David Hockney in 1984. The poster features an offset lithograph and measures 42.75 x 28.5 i...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Jonas Wood 24 Tennis Court Drawings book (hand signed, inscribed to Kevin and dated by the artist) Hardback monograph (signed, inscribed and dated 2003) 13 1/2 × 9 1/4 × 2/5 inches M...

Medium: offset lithograph (after the watercolor). Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 7 3/4 x 5 1/...

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one compo...

Yoshitomo Nara Princess of Snooze Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Vintage offset poster realized after Lucio Del Pezzo for the Artist's Exhibition at Galleria Rondanini, Rome. Excellent condition.

Pablo Ruiz Picasso (Spain, 1881-1973) 'Museo Picasso. Palacio Aguilar.', 1966 Four-color offset printing on paper 30 x 21.5 in. (76 x 54.5 cm.) Unframed Ref: PIC2001-P010 Conservatio...

Peter Halley Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992 Offset lithograph poster (hand signed by Peter Halley) 11 1/2 × 16 1/2 inches Unframed Hand signed in black ...