Offset Prints and Multiples

Original vintage poster: America's Going Nude Over Nude Beer. Original 1981 beer poster. This is a very rare poster, but still affordable. Excelle...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 25 x 37.75 inches ( 63.5 x 95.885 cm ) Image Size: 18 x 35.75 inches ( 45.72 x 90.805 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipp...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...

Paper Size: 19.5 x 27.25 inches ( 49.53 x 69.215 cm ) Image Size: 14.5 x 18.75 inches ( 36.83 x 47.625 cm ) Framed: No Condition: A: Mint Additional Details: This is an original, li...

This poster for the Tel Aviv Museum of Art, designed by Zigi Ben-Haim, features a striking abstract composition primarily in white and green. The poster exemplifies a blend of modern...

I Castelli Romani is a splendid offset poster realized by Neal Slavin, in 1983. Colored photography, in very good conditions. Regione Lazio / Centro Iniziative Culturali Pantheon -...

The poster promotes the book "WARHOL: A Study of the Innovative Pop Artist Andy Warhol" authored by David Bourdon, a close friend and confidant of the artist. Published to provide in...

The Winner. XIV Olympic Winter Games, Sarajevo is a vintage poster realized by the artist Gottfried Helnwein, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very...

Paper Size: 25.25 x 32.5 inches ( 64.135 x 82.55 cm ) Image Size: 19.75 x 24.5 inches ( 50.165 x 62.23 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Martin Wong, Futura 2000 Semaphore Gallery New York, 1986: Rare original, highly collectible 1980s graffiti announcement published on on the occasion of: ‘Semaphore Gallery Cordiall...

Original General Electric Professional TV Service midcentury modern vintage poster. “I’m no artist, but I know what makes the best picture.” I install General Electric Tubes, Best for any set! Service-designed Black-Daylite picture tubes. In the black-and-white area of the television tube is an image of Whistler’s mother in a rocking chair. Of course, during this time frame, all televisions were only black and white. Archival linen is backed and ready to frame and in A- condition. Note that the white mark on the service man’s sleeve is printed into the image and is not a flaw. A great vintage poster for the collector of old televisions, radios, and early electronics...

David Lee, Chinese (1944 - ) - Fleurs et Papillon, Year: circa 1985, Medium: Poster, Image Size: 18 x 26 inches, Size: 22.75 x 31 in. (57.79 x 78.74 cm), Description: David Le...

Paper Size: 27.5 x 19.5 inches ( 69.85 x 49.53 cm ) Image Size: 27.5 x 19.5 inches ( 69.85 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Takashi Murakami - And Then x6 (Red), 2013 Offset lithograph with silver finish on paper Edition of 300 hand-signed and numbered by the artist Size: 48.3 x 48.3 cm Published by Kaik...

Paper Size: 22.5 x 29.75 inches ( 57.15 x 75.565 cm ) Image Size: 18.5 x 22.5 inches ( 46.99 x 57.15 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Dr. Goldfoot and the Bikini Machine. This is a bikini machine ... Order your '66 model now. US 1 sheet, linen backed with original fold marks restored, ready to frame. Excellent condition. NSS: 65/364 Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart...

Original California Fun Map vintage poster from 1973. Archival linen backed in fine condition that is ready to frame. Artist: Darrel Millsap. This fun map...

This is not signed or numbered. it is from a folio of prints. Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father. At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours. In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988. Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987). In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan. The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988. In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production. In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France. Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine. In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented. In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland. In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children. In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors. In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania. In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs. In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni. In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings. In 2007 Laura was also invited to take part in Milan’s Cow Parade...

Printed in Switzerland and published by La Guilde du Livre and Clairefontaine, Lausanne in 1972, this third edition (#781) is a beautifully produced volume showcasing the works of Le...

Medium: offset lithograph (after the painting). Printed for the special Homage to Braque issue of Derriere le Miroir (No. 144-145-146) in 1964, published in Paris by Maeght. The full...

David Hockney Hockney Paints the Stage (Hand signed and inscribed with doodle of French flag and embellishments), 1983 Softback monograph (hand signed and inscribed in marker, with e...

The Hundred Thousand Martyrs is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1956. Phototype on paper.  Good condition. Italian titl...

Vintage poster realized after Gadrjel Stupica in occasion of the Winter Olympic Games in Sarajevo in 1984. Offset print. Good condition.

Reuven Rubin, Israeli (1893 - 1974) - King David, Year: 1971, Medium: Poster, signed in pencil, Image Size: 22.5 x 17.5 inches, Frame Size: 32 x 26 inches

Original vintage movie poster: Doughboys in Ireland, the 1943 Lew Landers romantic musical ("The singing star of Jack Benny and Fred Allen radio programs!"...

Vintage Poster Moscow 1980, sponsored by Coca Cola. Offset print. 58 x 43 cm ; no frame 50 x 35 cm. Good conditions

Raymond Pettibon Short Teats Bloody Milk 1985 (Raymond Pettibon zine): This visually enticing 1985 Raymond Pettibon artist book/zine titled, Short Teats,...

This elegant reproduction of Erté's Directoire beautifully captures the refined and sophisticated fashion of the Directoire period, a time marked by the transition from the opulence ...

Jack Levine Vintage 1970s Kennedy Galleries poster (Hand signed and warmly inscribed), 1972 Offset lithograph poster (Signed, dated and inscribed in black marker by Jack Levine) Sign...

Damien Hirst "I want to spend the rest of my life everywhere with everyone," 1997 Hardback monograph with hand signed ink inscription Fine provenance: Hand signed and inscribed to a...

Artist: Francis Bacon (1909-1992) Title: Portrait Isabel Rawsthorne Year: 2003 Medium: Offset Lithograph on premium paper Size: 39.25 x 27.5 inches Condition: Excellent Notes: Publis...

Paper Size: 24 x 34 inches ( 60.96 x 86.36 cm ) Image Size: 15 x 26.5 inches ( 38.1 x 67.31 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Suppleme...

Robert Petersen The Clocktower Exhibition (Hand signed and inscribed), 1979 Offset lithograph poster (hand signed and warmly inscribed) Warmly signed and inscribed "For Marilyn Love ...

Scarce framed European work by this renowned German conceptual artist - rarely found stateside Martin Kippenberger Wall Street, 1993 Color lithograph and offset lithograph on board Hand signed and dated lower right front Stamped on the back with the publisher's blind stamp, artist, title, year, edition 100/E.A. Stamped on the back with the publisher's blind stamp, artist, title, year, edition 100/E.A. (Note: this is designated as Epreuve D'Artiste (EA), an artist's proof aside from the regular edition of 100. It was based upon an original collage by the artist. However, it appears the only examples of this edition that have ever come to the public market are also Artist's Proofs (EA's). (The regular edition was said to be included in the European portfolio JFK.) Scarce! Published by the 'Politischer Club Colonia für Studien und Aktionen zum Frieden, e.V.', Cologne (for studies and peace activities) Provenance: The Chara Schreyer Collection (renowned philanthropist Cara Schreyer was considered on of the top art collectors in the world) Frame included: Elegantly floated and framed in a handmade wood museum frame under Optium plexiglass Measurements: Framed 24 inch vertical by 25.5 inches horizontal by 1.5 Artwork: 21.5 inches (vertical) by 23.5 inches (horizontal) Accompanied by gallery issued Certificate of Guarantee Kippenberger's Wall Street is full of biting social commentary about American society. In addition to the brazen text references (such as "I Love Peace and Money") and the title (Wall Street), it also depicts American artist Robert Gober's famous "Hanging Man/Sleeping Man: (in the permanent collection of the Hammer Museum). "Gober’s Hanging Man/Sleeping Man has become a touchstone of American art made during the political and social upheavals of the late 1980s and early 1990s, which included the AIDS epidemic, the culture wars, and the Los Angeles riots. The work features two images side by side, one of a sleeping white man in bed...

Saint Jerome or the three ages - From The Allegories is a mixed colored offset print by the Sicilian artist Renato Guttuso. This print was realized on...

This is a three-dimensional paper construction mounted onto a double-page photolithograph; when the folded sheet is opened the construction pops up. Created by Andy Warhol and publis...

Richard Lindner, German/American (1901 - 1978) - 3 Biennale Internationale de l'Estampe (Miss American Indian), Year: 1970, Medium: Poster, Size: 35.5 x 23.5 in. (90.17 x 59.69 cm)

Louis Icart, After, French (1888 - 1950) - Coursing 3, Medium: Offset Lithograph on paper, signed in plate, Image Size: 14.5 x 23.75 inches, Size: 16 x 25 in. (40.64 x 63.5 cm), D...

Peter Blake, British (1932 - ) - R is for Rainbow, Year: 1968, Medium: Collotype Poster, Size: 15.75 x 10.5 in. (40.01 x 26.67 cm), Frame Size: 23.25 x 18 inches, Publisher: Dod...

Louis Icart, French (1888 - 1950) - Fishing, Medium: Poster, Image Size: 18.5 x 24.5 inches, Size: 19.25 x 25.5 in. (48.9 x 64.77 cm), Description: Offset lithograph depicting tw...

Louis Icart, After, French (1888 - 1950) - Monte Carlo, Medium: Poster, Size: 24 x 36 in. (60.96 x 91.44 cm), Description: A modern reprinting of the classic Louis Icart print, fe...

Genichiro Inokuma, Japanese (1902 - 1993) - Exhibition Poster, Year: 1968, Medium: Poster, with pen drawing, signed and dated in the plate, Size: ...

Max Ernst, German (1891 - 1976) - Le Point Cardinal Poster, Year: 1964, Medium: Poster, Size: 24.25 x 16 in. (61.6 x 40.64 cm), Printer: Imprimerie Union, Description: From the ...

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Poster, Image Size: 15 x 15 inches, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.5 x 17.75 inches

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 16 x 28 inches ( 40.64 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Advertisement poster for the 1983 Lamborghini Countach...

Frank Stella Raft of the Medusa, Part IV (Casino Knokke poster, Hand signed by Frank Stella), 1991 Offset lithograph (hand signed in black marker by Frank Stella) Signed in black mar...

Gothic Wood Inlays is an original print on paper realized in offset and lithograph techniques in the early 20th Century. Included a Passepartout: 49x 34 ...

This striking poster features the work of Adolph Gottlieb, one of the iconic figures in the Abstract Expressionist movement, from the exhibition *Los Irascibles: Pintores Contra el M...

Frank Stella Frank Stella The Circuit Prints (Hand Signed), 1988 Color offset lithograph poster (hand signed by Frank Stella) Signed and dated 88 in ink by Frank Stella directly unde...

Paper Size: 72 x 54 inches ( 182.88 x 137.16 cm ) Image Size: 72 x 54 inches ( 182.88 x 137.16 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Balthus, born Balthasar Klossowski de Rola in 1908, was a French painter renowned for his classical style and controversial subject matter. His works often depict young girls in intr...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Paper Size: 31 x 25 inches ( 78.74 x 63.5 cm ) Image Size: 15.75 x 19.25 inches ( 40.005 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Richard Lindner, German/American (1901 - 1978) - Der Rosenkavalier (Metropolitan Opera), Year: 1978, Medium: Poster, Size: 36 in. x 24 in. (91.44 cm x 60.96 cm)

Tracey Emin The Stain, 2007 Mini booklet; stitched binding; digitally printed, accompanied by pencil signed envelope 4 1/2 × 3 3/5 inches Edition of 100 (unnumbered) pencil signed by...

Composition is a vintage offset print realized by Odo Tinteri in the Mid-20 Century. The little artwork is in good condition except for being aged. The artwork is depicted in a wel...

Theatre Osterwy - Posteris a vintage offset print realized in 1974. Signed on the plate Good conditions.