Men Prints and Multiples

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this multi-stone color lithograph faithfully reproduces the original Toulouse-Lautrec poster in a s...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

Shepard Fairey Ozzy Farewell Tour (Silver), 2019 Screen print on thick cream Speckletone paper Year: 2025 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed, dated and numbe...

Edition Details: Year: 2008 Class: Art Print Status: Official Technique: Offset Lithograph Paper: Thick manila Size: 24 X 36 Given away at Obama campaign events to show support for ...

Offset Lithograph from a portfolio of five Andy Warhol prints published by te Neues, but now out of print. Professionally framed in white wood and ready to hang, this postcard offers...

Francis Bacon 
Portrait of Isabel Rawsthorne, 1966
 Lithograph on paper
 47.4 x 42.1 cm (framed) unsigned publsihed in Derriere Le Miroir, No. 162,...

Pablo Picasso (1881 - 1973) Au Vieux Sculpteur au Travail I (Old Sculptor at Work I), c. 1933 Medium: Etching on Montval Laid Paper with Vollard Watermark Edition: Edition of 260 Artwork Size: 10.5 x 7.6 in Framed Size: 28.5 x 24.25 x 1.5 in This work is Framed Etching on Montval Paper, from the Vollard Suite, c. 1933 Image Size: 10.5 x 7.6 inches From the small margins edition at 260 proofs, unsigned Published by Vollard, Paris Printed by Lacourière, Paris Pablo Picasso’s Vollard Suite...

This striking black-and-white photographic portrait captures Andy Warhol in a rare and playful moment, balancing his carefully constructed persona with subtle humor. The image presen...

No Kids – Come Into My House, 2008 Autographed by Alex Katz in 2013 Vinyl, Album, LP Tomlab – tom 108 lp The artwork depicted on this album cover is “Ives Field I”, an oil on linen ...

NEW GENERATION is a hand drawn, limited edition lithograph printed using hand lithography techniques on archival Arches paper, 10% acid free, by the renowned African American woman a...

Original Andy Warhol vintage poster with Michael Jackson for Time Magazine March 1984. This vintage poster created by Andy Warhol was the image used for the cover of Time Magazine ...

Original exhibition poster created to promote Basquiat × Warhol: À Quatre Mains at the Fondation Louis Vuitton in Paris. This historic exhibition celebrated the groundbreaking collab...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Frères and published in an edition of 2000 on Arches wove paper. Sheet size: 10 x 7 1/2 inches (255 x 188 mm). Not signed. This original Andre Brasilier lithograph...

The 1978 poster designed for the 16th New York Film Festival, held at Alice Tully Hall, features a striking black-and-white photograph by Richard Avedon portraying two legendary film...

From the Nudes portfolio, single sheet titled "Nude with Blue Hair; State 1" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 11 x 8.5 inches...

Signed in graphite, lower right, 'Pegge Hopper' (American, born 1936) with number and limitation, lower left, '235/300' and created circa 1985. Sheet dimensions: 47 H x 35.5 W inches...

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Peintre et son Double (The Painter and his Double), from the folio Derriere le miroir, No. 246, originates from the 1...

QUILTING TIME is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. QUILTING TIME by th...

Original vintage World War I poster. U.S.A. bonds: Third Liberty Loan campaign: Boy Scouts of America. Depicted: Boy Scout handing a sword inscribed "Be prepared" to a stylized warri...

Artist: Romare Bearden Title: The Open Door Year: 1979 Print: Lithograph on Somerset Paper Paper size : 22'' x 30'' Edition: Signed in pencil and marked 4/175 Romare Bearden is r...

Page Size: 10 x 14 in. Frame Size: 21 x 16.5 in. This exquisite ukiyo-e woodblock print by Utagawa Kunisada (Toyokuni III) captures a quiet, contemplative moment of artistic devotio...

This work is one of six image variations from Andy Warhol’s James Dean portfolio, with layout and design created by Roger L. and Nance Schlaifer...

Limited edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). Offered unframed. Ships rolled This li...

After Henri Matisse Plum Blossoms, 1948, 1971 Offet lithograph poster Offset lithograph poster Published in Zurich Switzerland on the occasion of the exhibition "Twenty Important Pai...

A complete portfolio of four individual psychedelic portraits of John Lennon, Paul McCartney, George Harrison, and Ringo Starr, accompanied by the composite poster uniting all four i...

Lithograph on Arches paper, edited in 1959. Limited edition of 200 copies, numbered as 55/200 in lower left corner. Hand-signed in pencil by artist in lower right corner. Paper size...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Original 1942 CASABLANCA vintage movie poster. Archival linen backed in very good condition, ready to frame. The original production fold marks have been touched up and restored. This is an authentic vintage 1942 issue of Casablanca for sale. "Casablanca" is widely regarded as one of the greatest films in cinema history. It received critical acclaim upon its release and won three Academy Awards, including Best Picture, Best Director for Michael Curtiz, and Best Adapted Screenplay. The cast's performances, memorable dialogue, and timeless romance have contributed to the film's enduring popularity. "Casablanca" remains a cultural touchstone and is often referenced in popular media. • Rick Blaine (Humphrey Bogart): The owner of Rick's Café Américain, an establishment known for its lively atmosphere. Rick is initially portrayed as detached and cynical, but his past is revealed as the story progresses. • Ilsa Lund (Ingrid Bergman): A Norwegian woman with a complicated history with Rick. She is caught in a love triangle between Rick and her husband, Victor Laszlo. • Captain Louis Renault (Claude Rains): The corrupt and witty French police captain in Casablanca. He adds a layer of humor to the film and undergoes a moral transformation as the story unfolds. Over the years, the Casablanca poster...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

Artist: Marc Chagall Medium: Lithograph Title: Solomon Year: 1956 Portfolio: The Bible Lithographs 1956 Edition: 6500 Signed: No Reference: Cramer 25, Mourlot 126 Framed Size: 22 1/2...

Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to bei...

Signed lower right, 'Norman Rockwell' (American, 1894-1978) and inscribed, lower left, with number and limitation '200/200'. Originally created for the May 29, 1926 edition of the S...

A group of 14 Blackfeet Indians prints created by the artist Winold Reiss. The Great Northern Railway printed and released these prints in c. 1940. This is for the entire group...

NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). NEW DREAMS was printed from hand d...

This piece is one of six distinct image variations from Andy Warhol’s James Dean portfolio, a series that captures the legendary actor as an end...

Lithograph in colors on wove paper. Artist proof signed and numbered in pencil out of 10 by Robert Longo, published by Brooke Alexander from the Men in the Cities. Frank and Glen st...

Galerie Le Long Paris, 2004 French Open Paper Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Image Size: 29.5 x 23.25 inches ( 75 x 59 cm ) Framed: No Condition: A: Mint Shipping an...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Original World War II "Freedom from Fear" Ours ... To fight for by Rockwell. One of the 4 freedom posters created in 1943 by Norman Rockwell. Fre...

Medium: lithograph (after the poster). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Image size: 9 1/2 x 5 inches (240 x 125 mm). Sheet size: 12 1...

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

Lithograph on paper. Hand signed and numbered in pencil. Image dimension cm 42,5x30. Edition of 499. Excellent condition.

Edition 5 Big bad Wolf JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of...

Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows woman with dress shaped like an umbrella from under which it rains. The...

FIRST SUNDAY is a hand drawn, early limited edition lithograph by the South Carolina artist JONATHAN GREEN printed in 1993, using hand lithograph...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Georgia O'Keeffe Hands with Thimble, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. ...

John Tarrell Scott, 'St. George', woodcut, edition 20, 1992. Signed, dated, titled, and numbered '18/20' in pencil. A fine, black impression, on off-white, laid Japan paper, with ful...

Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...

Promotional Poster by Jim Dine for Gilbert and Sullivan Production at New York City Center, 1968 This promotional poster, designed by Jim Dine, w...

Offset lithograph promotional card Hand signed in black marker on the front Provenance: Estate of artist Joseph O'Sickey This elegantly scaled promotional card, which is, exceptional...

Original U.S. Marines "Soldiers of the Sea" vintage poster by J.C. Leyendecker (c. 1917); linen-backed in A-, B+ condition, ready to frame. The poster h...

Artist: The Connor Brothers Title: Those Who Say It Cannot Be Done Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 19/50 Sheet Size: 16 1/2" x 11 1/2" Frame Size: 21...

An authentic 1926 George, The Supreme Master of Magic American lithographic poster, featuring dramatic theatrical imagery and richly saturated colors that capture the mystery and spe...

This reproduction silkscreen poster features Romare Bearden's vibrant work Early Carolina Morning, published by American Vision Gallery Inc. The piece has ...

JACOB LAWRENCE THE BUILDERS 1985 Commemorative Poster - National Urban League 75th Anniversary 1910-1985 Vintage original 1985 printing Poster size - 35.25 x 22 inches, unframed, u...

Medium: lithograph (after the pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 12 3/8 x 9 5/8 inches (3...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...