Small Sculptures

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm _____________________________________...

Joan Lurie Untitled #6 White Glazed Porcelain 20" x 14" x 14" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the f...

Paula Murray’s extraordinary porcelain artworks test the boundaries of ceramic art and have been recognized the world over for their distinctive form, pattern and colour. This vessel...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Claire Jeanne Robertine Colinet (1880 Brussels - 1950 Asnières-sur-Seine), Juggler, around 1920. Brownish patinated bronze with gilded balls on a round, multi-profiled stone base (10...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm _____________________________________...

Balloon Dog (Blue) 2021. Porcelain with metallic chromatic coating Limited edition of 69/799 ex. Certificate of authenticity and the original box. Incised signature, edition number, titled and dated on the underside. Produced by Bernardaud, Limoges, France. Jeff Koons is an American pop artist, born in York, Pennsylvania in 1955 to a mother who was a seamstress and a father who worked as an interior decorator. He is known for working with popular culture subjects and for his reproductions of banal objects. His works have sold for important amounts, including one world record auction price for a work by a living artist. Jeff Koons had an early interest in art and as a teenager he admired Salvador Dalí. He studied painting at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. As a student he met the artist Ed Paschke who became a major influence and for whom he worked as a studio assistant in the late 1970’s. In 1977 Jeff Koons moved to New York City where he worked at the Museum of Modern Art whilst establishing himself as an artist. In the 1980’s he began working as a Wall Street commodities broker in order to finance his art projects. He wanted to be independent from the art market and has expressed that: ”I could make exactly what art I wanted to make. And I would always know that I didn’t need the art market.” In the mid-1980’s Jeff Koons gained prominence and recognition as part of a generation of artists who explored the meaning af art in a media-saturated era. He set up a factory-like studio in a SoHo loft with over 30 assistants. Since his first solo exhibition in 1980 Jeff Koon’s work has been shown in major galleries and institutions throughout the world. His work was the subject of a major exhibition organized by the Whitney Museum of American Art, Jeff Koons: A Retrospective in 2014, which traveled to the Centre Pompidou Paris and then further to Guggenheim Bilbao in 2015. His most recent series, Gazing Ball Paintings, was exhibited for the first time at Gagosian Gallery, New York in 2015. The artist has earned renown for his public sculptures, such as the monumental...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Embrace (Peach) is a fired clay constructed and painted sculpture by Patricia Volk, dimensions are 32 × 50 × 41 cm (12.6 × 19.7 × 16.1 in). It is a unique signed piece and comes wit...

This Mixed Media piece titled "Weepy Checkered Lily" is an original artwork by Roxana Azar made of a UV print on acrylic. The piece measures approx. 22.25"h x 14"w. Roxana Azar’s wo...

Betsabeé Romero (born 1963) is a Mexican visual artist. Her works include sculptures, installations, printmaking, perforated paper, photographs, and vi...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm This small elegant original brass scu...

Artist: Anthony Quinn Title: Song of Zorba Year: 1984 Medium: Bronze sculpture on marble base, signature and year inscribed Size: 24 in. x 20 in. x 9 in. (60.96 cm x 50.8 cm x 22.86...

"Drowned from the Unknown" is an assembled sculpture by Devon Harrison made from sculpted and sand-casted glass. This piece measures 14"h x 19"w x 15"d completely assembled. "Drown...

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

"Elena, Atelier, Red" captures a Cirque du Soleil performer suspended mid-air, elevated by an elegant cascade of drapery. Embodying freedom, grace, and transcendence, she appears cau...

This contemporary sculptural indoor porcelain vessel was made by Susan Collett. The exquisite hand-built porcelain vessels of Susan Collett have garnered her international praise an...

The alabaster of "Cloud," upon which this bronze is based, is in the collection of the Crystal Bridges Museum of American Art in Bentonville, Arkansas. Anita Huffington's work is also included in the collection of the Metropolitan Museum of Art in New York; the Morris Museum in Augusta, Georgia; the Arkansas Arts Center in Little Rock; and the Samuel P. Harn Museum of Art at the University of Florida in Gainesville. Anita Huffington's history includes a long period in New York City starting in the late fifties when she studied dance with Martha Graham and Merce Cunningham. Huffington became acquainted with a circle of artists of the New York School, including Kline and de Kooning, as well as a diverse and individualistic group of painters, sculptors, musicians, and poets in this vital and idealistic period. These experiences, and her later choice to live in the woods of the Arkansas Ozarks, sowed the seeds for the sculpture she makes in stone, bronze, wood, and mixed media. Her work reflects both the world of art and the spirit of her life in the woods. Anita Huffington states: "I do direct carving in stone and make bronzes, often using the stone as part of the process. My sculpture is usually based on the human form, primarily the female nude. I often carve torsos...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 145/375 Size: 19.75 x 18.13 x 5.75 inches Condition: Excellent Inscription: Incised wi...

In rich hues of clear blue, this vertical cast glass sculpture by Czech artist Josef Marek is like a miniature piece of ocean. The smooth vertical surfaces with sharp angles come to ...

Peter D. Cole (Australian, b. 1947) Symbols of Landscape, 1987 Mixed metal, enamel and marble signed P.D. Cole and dated 21 x 6 1/2 x 6 in (53 x 16.5 x 15cm) Provenance: Macquarie Galleries, Sydney, Australia, 1987. Sculptor Peter D. Cole was born in Gawler, South Australia and trained at the South Australian School of Art between 1965 and 1968. Since the 1980’s Cole has been based in the Kyneton District of Victoria, where he has established himself as one of Australia’s senior and most renowned contemporary sculptors, drawing on the landscape as a source of inspiration and recent research trips to Japan and India have added to his rich source material. As a public artist, Cole has made a significant contribution to the urban landscape and public spaces of Australia receiving the Australian National Trust Heritage Award and the Australian Institute of Landscape Architecture Award of Merit for Foundation Park, a permanent work at The Rocks, Sydney. He is highly sought for commissions and his work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport and recently Windsor Railway Station precinct. He was awarded the H.P. Gill medal for top student and the Contemporary arts Society award for drawing in 1968 and has exhibited regularly since 1969 with exhibitions in Australia and America, with notably a solo exhibition in 1995 at The Carpenter Centre, Harvard University USA. Peter D. Cole ranks as one of Australia's senior and most renowned contemporary sculptors. Graphic, minimalist and refined, his uncompromising aesthetic vision encompasses both large-scale structures, aerial works, and more intimate, witty ruminations. An accomplished water-colourist and draughtsman, Cole's vision translates easily into works on paper, valued by collectors for the insight they provide into his practice. Cole's robust materials- brass, bronze, painted steel and aluminium- vibrant colours and precise shapes articulate spatial, intellectual, and philosophical concepts. He is also interested in the notion of 'diagrammatic' landscapes, ones that express the transition between the flat plains of the Australian bush, and a more city-centric urban cacophony. Cole's work observes and recognises the boundaries of modern life without limiting its scale, or its scope. Cole is the recipient of the Australian National Trust Heritage Award (1996), the Australian Institute of Landscape Architecture Award of Merit (1995), and is highly sought for commissions. His work is prominent in many public and corporate collections throughout Australia, including Parliament House, Canberra, the National Gallery of Australia, and Brisbane International Airport. Hs work bears similarities to Peter Shire, Charlie Hewitt and Brad Howe. Cole lectured in sculpture between 1975 and 2001 and has worked continuously on his practice encompassing sculpture, painting, drawing, printmaking, design and architecture. His work is represented in many collections both private and public throughout Australia, America, Japan and Europe. SOLO EXHIBITIONS 2017 A Modern Narrative, Australian Galleries, Sydney 2016 PLACE AND SPACE, Australian Galleries, Melbourne 2013 Australian Galleries, Roylston Street, Sydney 2012 Lister Gallery, Perth 2011 New Sculptures, John Buckley Gallery, Melbourne 2006 New works, Australian Galleries Painting & Sculpture, Sydney 2004 Primary Structure, Calder Lister Gallery, Perth 1997 Steele Gallery, New York, USA 1995 Carpenter Centre for the Visual Arts, Harvard University, Massachusetts, USA 1990 William Mora Gallery, Melbourne SELECTED GROUP EXHIBITIONS 2021 This is Gippsland, with works by Sidney Nolan, John Wolseley, Anne Montgomery Trevor Vickers, Ann Greenwood, Tony Newsom, Peter Cole, Nick Mount, John Woollard, Cheryl Burgess, Kiyoshi Ino and more. 2019. Australian Galleries: The Purves Family Business. The First Four Decades, Book Launch and Group Exhibition, Australian Galleries, Melbourne 2019. papermade, Australian Galleries, Melbourne 2017. Painting, sculpture and works on paper – Group exhibition, Australian Galleries, Melbourne 2017. Sculpture: medium and small scale – Mixed Sculptors, Australian Galleries, Sydney 2016. Impressions, Australian Print Workshop, Melbourne 2014. one of each, Australian Galleries, Derby Street, Melbourne 2011. large exhibition of small works, Australian Galleries, Roylston Street, Sydney 2006. Stock Show, Australian Galleries Painting & Sculpture, Melbourne 2005. End of Year Group Exhibition, Australian Galleries Painting & Sculpture, Sydney 2003. This was the future: Australian Sculpture of the 1950s, 60s, 70s + Today, Heide Museum of Modern Art, 2002. Tokyo Designers Block Idee, Tokyo, Japan PUBLIC COMMISSIONS Arts Victoria; Shepparton lake sculpture, Shepparton VIC 19 October 2019 Bank of Melbourne; in consultation with Bates Smart McCutcheon; large freestanding sculptural screen, Melbourne Brisbane International Airport; in consultation with Bligh Voller architects and Jean Battersby Art Consultants; large suspended sculptures...

Marurn II The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

Commissioned by Dior for their Summer 2019 Men's Collection, the piece wears a limited edition outfit designed and made by Dior. Overall: 55 x 30 x 24 cm. 21⅝ x 11⅞ x 9½ in. Doll: ...

“Elena", poised mid-air, elevated by an elegant cascade of drapery, becomes the embodiment of freedom, grace, and hope. Soaring and ethereal, the Cirque du Soleil performer sculpted ...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Original wall sculpture multiple by famed American Pop Artist, Mel Ramos (1935 - 2018). It is hand-signed and numbered in marker from the edition of only 35. Artist: Mel Ramos, Ame...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, black granite base (rough or smooth finish available) Size: 60 x 9 x 9 cm 2...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio Gon...

Joan Lurie Untitled #3801 Glazed Porcelain 22" x 12" x 12" 2014 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the ...

A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925. Georges H. Laurent was known for his animal subjects and t...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Alfil #1 is a weathering steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 60 × 25 × 22 cm (23.6 × 9.8 × 8.7 in). The sculpture is signed and numbered, i...

"DOUS" series. Sculptures of this series are created for your interior in different colors. It is always important to combine objects with each other. That is why I created a pair...

Artist: Branko Bahunek, Croatian (1935 - ) Title: The Flautist Year: 1990 Medium: Bronze Sculpture, Signature and number inscribed Edition: 10/15 Size: 20.5 in. x 8 in. x 8 in. (52....

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

Ver Bronze Sculpture Nude Male Figure Boy Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises...

Benzoni is one of the great Italians who was celebrated for marble carving in the 19th century. His work is in major museums throughout the world and has a work on the floor at the ...

Original Artwork - Contemporary Sculpture 'Ferrari' Jerrycan. Born in Paris and Influenced by the Pop Art movement, Erik Salin's figurative artistic approach diverts objects from t...

Diorama in Wood and Polychrome Stucco Attributed to Thomas Gaudiello (Naples, active 1685-1727) This fascinating diorama depicting the Nativity is distinguished by its complex three...

Original sculpture 6/8 ex. 2011 - 2020. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites...

Formed by two exquisitely defined figures, one the archetype of male perfection, and the other reflecting an image of the ideal female form, these two figures mirror each other, and ...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Bull IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 60 × 52 × 32 cm (23.6 × 20.5 × 12.6 in). The sculpture is signed and numbered, it is part o...

Woman with hands above head, terracotta, 1945, Giorgio Rossi (1894-1981), Tuscan Sculptor. Terracotta sculpture of a nude woman modeled by hand by the artist. Unique piece. Dimensi...

John Wolfe's Mixed Media Abstract Sculpture, "Untitled Assemblage #S 3-23" brings together wood, steel, ceramic elements, and acrylic paint. The warm colors of the wood and painted ceramic elements soften the feel of the rectilinear arrangement. The shallow depth of the work gives the sculpture a kind of "drawing" quality while the shadows it casts lend a more expansive feel. The heavy, dark wood base anchors all aspects of the work in place. This work is the perfect tabletop piece. It's large enough to command attention, but also subtle in its open framework arrangement. John Wolfe was born in Vernon...

Mixed media, - Easy wall mount with French cleat. Signed and numbered. Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best street ...

Cat Sirot is a French plastic artist, with a focus on painting and Sculpture. She lives near Paris and works in her Argenteuil Studio. Through her sculptural...

Tete de Femme after Modigliani, produced by Austin Productions in 1961. Austin Productions started in Brooklyn in 1952 and began manufacturing reprodu...

In his work entitled Allongé – to elongate or stretch - Richard MacDonald has sculpted the powerful lines of the male dancer, accentuating the graceful form of his body. Working with...

Amedeo Modigliani, After, Italian (1884 - 1920) - Tete de Femme III, Medium: Cast Stone Sculpture, Size: 22 x 6.5 x 5.5 in. (55.88 x 16.51 x 13.97 cm), Publisher: Austin Productions

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Auguste-Joseph Carrier (French, 1800-1875) "Raphael" Patinated Bronze Sculpture, mid-19th century, depicting the Old Master Raffaello Sanzio da Urbino, cast by "Deniere" fondeur, on ...

Welded, brazed sculpture on wooden base This is not signed or dated This work is unsigned. We were told it was the work of Seymour Lipton but as there is further documentation we are selling it as attributed and cannot guarantee it as such. Seymour Lipton (1903 – 1986) was an American abstract expressionist sculptor. He was a member of the New York School who gained widespread recognition in the 1950s. He initially trained as a dentist, like fellow sculptor Herbert Ferber, receiving his degree from Columbia University in 1927. In the late 1920s, he began to explore sculpture, creating clay portraits of family members and friends. His early choices of medium changed from wood to lead and then to bronze, and he is best known for his work in metal. Like his contemporary, Abstract Expressionist Jackson Pollock, and Arshile Gorky Lipton was influenced by Carl Jung’s work on the unconscious mind and the regenerative forces of nature. He translated these two-dimensional drawings into three-dimensional maquettes that enabled him to revise his ideas before creating the final sculpture. The forms that Lipton produced during this period were often zoomorphic, exemplifying the tension between the souls of nature and the automatism of the machine. He made several technical innovations, including brazing nickel silver rods onto sheets of Monel to create rust resistant forms. Seymour Lipton is best known for his textured torch welded metal sculptures...

Bronze, dark and brown patina, realized in 1973. Dali's printed signature in on the plinth. Edition 616/1000 on the side. Foundry stamp "Fonderia Venturi". Published by Euro Art. ...

Josef Moest (1873 Cologne - 1914 Rath), Crusader with shield and mace, around 1910. Bronze on a black marble pedestal (19 cm high). 57.5 cm (total height) x 21 cm (width) x 12 cm (de...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Bronze Emile Louis Picault "Charity-Bien Faisance," a French bronze figure by Emile Louis Picault. 50 cm Bronze signed Emile Louis Picault. With cast stamp. Wonderful work with a ...

Barricada #8 ac S is a weathering steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 54 × 60 × 24 cm (21.3 × 23.6 × 9.4 in). The sculpture is signed and n...