Figurative Sculptures

Dimensions: 57 W x 37 H x 14 D cm Weight: 7,6 kg Material: Bronze, patina, metal Edition: AP 2, signed on base Condition: Excellent, certificate Free worldwide shipping in a branded ...

Hyperrealistic bronze female head sculpture with hollowed skull evokes mystery and organic patina. Soño (24 × 17 × 22 cm) by Aldonza is cast by the artist using the traditional lost-...

Rooster "French Symbol" is a unique bronze sculpture by contemporary artist Chésade, dimensions are 90 × 70 × 20 cm (35.4 × 27.6 × 7.9 in). The sculpture is signed and comes with a c...

Phoenix XIII embodies the essence of movement and freedom through its dynamic portrayal of a human figure seamlessly merging with avian elements. It shows grace and balance, while ex...

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...

Standing Feline, ca. 1930. Carved Wood, measuring 18" high; 6.25" wide; 4" deep. Unsigned. Wood base painted flat black.

Limited edition bronze sculpture by Polish artist Olga Prokop-Misniakiewicz. Artist signes her artworks by hand, using engraving tool. Edition of 5. Olga Prokop-Misniakiewicz likes t...

Salvador Dali (Spanish, 1904-1989) Alma del Quijote Bronze with marble base Edition: AB 52/100 Signed by Dalí This Surrealist sculpture depicts a dynamic and fragmented Don Quixote...

This sculpture titled "Arabesque (Ballet Dancer)" 2001 is a cast bronze sculpture with silver patina by noted contemporary American artist Rebecca Clark. Signature, date and numbering /500 are impressed in the bronze on the deck. The sculpture size without the marble base is 28.25 x 17.75 x 13 inches, with the marble base is 29.5 x 17.75 x 13 inches. It is in mint condition. About the artist: Rebecca A. Clark is a Fine Artist and Creative Director with over 20 years of professional experience working in the fine art field in New York City. Her masterful artworks are collected by prominent art collectors worldwide. Rebecca specializes in figurative bronze sculptures, oil paintings, drawings and monumental works of art that embody dynamic strength and classic iconic beauty. Her artworks range from sensuous figurative sculptures to magnificent heroic size monuments. Commissioned works include “Battling Stallions”, her 18 ft. tall monumental bronze sculpture at the luxury gated development “Le Chevalier” in Barrington Heights, West Linn, Oregon, as well as her elegant 9 ft. tall ballerina bronze sculpture titled “Arabesque” on public display at the Oregon Ballet Theatre. Exclusive custom created works of art portray diverse concepts and themes for private and corporate collectors. Signature series include: Heroic series (Honoring American military Heroes), Inspirational, Classic Nudes and Romantic among other series and sculpture projects in development. Rebecca was born an artist and has always had the desire to achieve excellence in all of her endeavors. From a very early age she was immersed in imaginative creative works such as building models of futuristic cities, paintings, sculptures and a multitude of drawings. In 1981, at the age of 17, Rebecca moved from Lake Oswego, Oregon to New York City to pursue a career in fine art and design at the Parsons School of Design. Shortly after she arrived, Rebecca began her professional artistic career assisting the renowned illustrator Antonio Lopez. At age 18, Rebecca was hired by the famed designer Halston, and began working directly with him as a fashion designer and illustrator. Subsequently, she was discovered by the Ford Models agency and traveled around the world as a top international fashion model. Rebecca worked with renowned fashion photographers such as Richard Avedon, Bruce Weber, Steven Meisel, Patrick Demarchelier and others. Rebecca is experienced in working with the major media, including international publications such as Vogue, Harpers Bazaar, Elle, The New York Times and Glamour, among others, as well as in television. She was featured in a national Diet Slice-Style television commercial that was shown during halftime at the 1987 Super Bowl. Rebecca also appeared in top fashion shows in New York City and Paris, France and in international advertising campaigns such as Revlon’s “The Most Unforgettable Women In The World” ads photographed by Richard Avedon. In 1991, Rebecca left a prestigious modeling career to return to her true creative passion. She began creating a series of beautiful and universally appealing fine bronze sculptures and many commissioned works. In 1998, she began oil painting and studied at the New York Academy of Art, while creating oil paintings depicting the classic nude, equine, inspirational themes and portrait commissions for select art collectors. In 2001, Rebecca developed several digital film projects through her studies in the Film Directors Program at New York University. From 2001 to the present, she continues to create bronze sculptures, drawings, and oil paintings for private art collectors. In 2011, Rebecca was officially endorsed and directed by the National Special Forces Association to create The National Special Forces Green Beret...

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...

Self-taught through her patient work on clay, which she has been sculpting for more than twenty years, Isabelle Thiltgès, Belgian by birth, currently lives and works in Brussels, whe...

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

Dimensions: 32 W x 32 H x 13 D cm Weight: 8 kg Material: Bronze, patina, metal Edition: 4/5 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a b...

Dimensions include marble base STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under p...

Mimi Gross (American 1940-) Jewish Orthodox Scholar 1983 Aluminum and Paint Assemblage Hand signed, numbered 130/135 Dimensions: 24 X 12 X 9 inches From a great art collection of ...

Hand made wall sculpture He is represented by Krause Gallery in NYC Steve Casino resides in Kentucky, but as he quips the small town atmosphere doesn't mean he isn't a world class ...

“LarA 010” is a unique architectural bust in high-density cement by Spanish sculptor José Perozo, hand-crafted and pigmented in 2024. This sculptural head blends the anatomy of the f...

A fine signed and dated 1971 bronze sculpture bust on a marble base, by David McFall RA, which depicts the eminent heart surgeon Sir Thomas Homes Sellors. David McFall RA was an imp...

After Antonio Canova (Italian, 1757-1822) Psyche Revived by Cupid's Kiss Marble 24 x 19 x 16 inches 135 lb. The love affair between Cupid and Psyche is one of the best known classic...

CHROMA — Beaded Snoop Dawg Figure (Huichol Technique) A sculptural reinterpretation of an iconic cultural figure through the CHROMA language—where contemporary form meets traditiona...

Dimensions: 22 W x 28 H x 15 D cm Weight: 4,3 kg Material: Bronze, patina, metal Edition: 2/4 + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a br...

Pair of Thai gilded bronze temple birds (Hong/Hamsa) with bells. Thailand, 19th century. 24 x 10 x h 53.5 cm each, base included. The hong — the sacred bird of Thai Buddhist tradit...

Expressionist stoneware head sculpture featuring kintsugi gold repair, exploring material transformation, individuality and the expressive potential of ceramic form. Testa 6 is a un...

This large figurative contemporary metal sculpture is designed for the outdoors. As far back as he can remember Jason Kimes was always making some form of art. The Mississippi born ...

Warthog Divining Figure. Kuba, DRC. Late 19th century. Carved wood with palm oil patina, 12.5 incehes (l), 3.25 inches (h), 2 5/8 inches (d). Loss evident at tip of right ear and on snout. Provenance: Ex. collection Martin and Faith-Dorian Wright; J.J. Klegman; Angelo Caggiula-Carulucci, chief magistrate in Belgian Congo for King Leopold...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Joan Cornella T-Love, 2025 vinyl sculpture edition of 200 printed signature Over the last decade, Joan Cornellà skyrocketed to internet fame with absurd, disturbing cartoons that ca...

"QUEEN VICTORIA" is created and from acrylic and found objects on thick, round panel by renowned Black African American artist Richard J. Watson. It includes a photograph of a figure...

An Authenticated Work Accompanied by a certificate of authenticity issued by Mr. Claude Ruiz-Picasso, dated September 26, 2022, this work benefits from authentication directly connec...

A fine & large antique French Art Deco bronze of a Native American scout or brave, by René-André Varnier, circa 1920. This very fine and dynamic antique patinated bronze sculpture de...

Dimensions: 40 W x 18 H x 25 D cm Weight: 11,4 kg Material: Bronze, patina, metal Edition: 1/4. + 1 AP, signed on base Condition: Excellent, certificate Free worldwide shipping in a ...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Coppia di capitelli medievali decorati a motivi fogliacei, Lombardia, XII secolo. La forma slanciata da cui si dipartono le foglie lanceolate, sormontata da una spessa mensola, è ti...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Bronze sculptural group - The Farnese Bull (The Punishment of Dirce) - Rome, 19th century. 39.5 x 39.5 x h 54 cm. Technique in brief: Sculptural group in cast and chased bronze, br...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Bronze Bust of Julius Caesar, 19th Century Patinated bronze mounted to stone base Unsigned 11.25 x 4.5 x 4.5 inches Gaius Julius Caesar was a Roman general and statesman. A member o...

Canadian artist Roch Smith's distinctive visual language ignites our collective imaginations. Smith is known for his playful approach to important themes. He often uses humour to en...

Edition of 12. Taking it Easy by Richard Smith. A bronze sculpture of a crouching hare, finished with a mottled brown patina and speckles of white, captures the animal in a moment o...

Sculpture Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist state...

Archaic-looking pocket head sculpture in dark patinated bronze with selectively polished golden highlights, individually cast and hand-finished by Spanish artist Óscar Aldonza Torres...

Antique Silvered Bronze Rooster France, circa 1900 10 1/4 x 9 1/2 (H x D) inches A very fine and lively bronze statuette of a preening Rooster. Nicely cast and well-carved and in ex...

Italian sculptor (17th–18th century) - Pair of archaic lions. 30 x 12 x h 17 cm each. Pair of figures in carved walnut wood. The two lions, carved in the round, are depicted in a ...

Fae – Victoria is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The pi...

Large Arms Raised Standing Figure II is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 186 × 30 × 32 cm (73.2 × 11.8 × 12.6 in). The sculpture is sig...

17th Century gilt-bronze figure of the eighteen-armed Cundi Bodhisattva (Zhun Ti).

"Acmé" is a 120 x 30 cm figurative bronze sculpture. It is a limited edition of 8. It portrays two twisted vertical elements with two small figures at the top. "My bronze sculptures...

Two minimalist human-like forms appear to be dancing—their elongated shapes entwined; their ‘faces’ glancing towards one another. This is Robert Clarke-Ellis’s work. His abstract scu...

Beautiful Khmer head of Buddha. Angkor period, style of the post-Bayon. 14th century. Carved sandstone. Height 12 5/8 inches, width 5 5/8 inches, profile 5 ...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: An Evening in 1922 Year: 1982 Medium: Bronze Edition: 61/250 Numbered, 12 AP, 9 HC Size: 17 inches Condition: Excellent Inscription...

Surreal sailboat shadow box sculpture with balloons, ocean waves and seascape imagery exploring resilience, imagination and the emotional pull of the sea. Watercolor is a unique mix...

Cobalt carbonate-glazed Buño clay head sculpture evokes organic textures and introspective narratives in Aldonza’s “Testas” series. This hand-built ceramic bust (33 × 20 × 25 cm) is ...

SPECIAL COLLECTIBLE BATMAN ITEM UNIQUE IN THE WORLD!! 1/1 THE GOTHAM CITY'S SON . . . a more traditional HUICHOL style sculpture. Looks great on any wall in any room!!! ALTERATION ...

Ludo is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 25 × 20 × 15 cm (9.8 × 7.9 × 5.9 in). This sculpture is signed and numbered, it is part of a l...

Artist: Yayoi Kusama (1929) Title: Pumpkins, Yellow/Black, Red/White (Two Sculptures) Year: 2016 Medium: Painted cast resin sculptures Sculpture Size: 4 × 3.5 x 3.5 inches, each Insc...

Magic Frog is a bronze sculpture by contemporary artist Chésade, dimensions are 19.5 × 25 × 22 cm (7.7 × 9.8 × 8.7 in). The sculpture is signed and numbered, it is part of a limited...

3 Large Standing Figures I is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 150 × 58 × 42 cm (59.1 × 22.8 × 16.5 in). The sculpture is signed and nu...

Antique Horse Bronze  "Horse  in the Stable Playing with a Dog (The Good Companions)" Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inc...