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Frame Included
Elegant Sumocat :  Orange Dance and Battles of Balance
Elegant Sumocat :  Orange Dance and Battles of Balance

Elegant Sumocat : Orange Dance and Battles of Balance

By Hiro Ando

Located in PARIS, FR

Elegant Sumocat: Orange Dance and Battles of Balance by Hiro Ando transforms the ritual energy of sumo wrestling into a vibrant Neo-Pop sculpture infused with warmth and playful inte...

Category

2010s Contemporary Sculptures

Materials

Resin

Eroded Carrera RS
Eroded Carrera RS

Eroded Carrera RS

By Daniel Arsham

Located in London, GB

Eroded Carrera RS, 2021 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sc...

Category

2010s Contemporary More Art

Materials

Glass, Plaster

Waiting to Exhale, Accumulation Cigar Sculpture by Arman
Waiting to Exhale, Accumulation Cigar Sculpture by Arman

Waiting to Exhale, Accumulation Cigar Sculpture by Arman

By Fernandez Arman

Located in Long Island City, NY

A unique sculpture by the French artist, Arman. This collection of world-class cigars encased in clear resin is a quintessential piece from Arman's 'Accumulations' period in which he...

Category

1990s Modern Abstract Sculptures

Materials

Epoxy Resin, Mixed Media, Found Objects

Cap't America, 15 x 9 x 4 inch, Figurative Beaded Sculpture on Vintage Kewpie

Cap't America, 15 x 9 x 4 inch, Figurative Beaded Sculpture on Vintage Kewpie

By Jan Huling

Located in St. Louis, MO

Cap't America, 15 x 9 x 4 inch, Figurative Beaded Sculpture on Vintage Kewpie Jan Huling was born in Chicago and raised in St. Louis. After attending the Kansas City Art Institute s...

Category

2010s Contemporary Figurative Sculptures

Materials

Glass, Plastic, Found Objects, Mixed Media, Other Medium

Balloon Rabbit (Violet)
Balloon Rabbit (Violet)

Balloon Rabbit (Violet)

By Jeff Koons

Located in Calabasas, CA

Artist: Jeff Koons Title: Balloon Rabbit (Violet) Year: 2019 Medium: Porcelain with violet chromatic coating Dimensions: 11 1/2 × 5 1/2 × 8 1/4 in (29.2 × 14 × 21 cm) Edition: 999; I...

Category

2010s Contemporary Figurative Sculptures

Materials

Porcelain

Offerings: Contemporary Wall-Hanging Sculpture: 21st Century Paper & Thread Art
Offerings: Contemporary Wall-Hanging Sculpture: 21st Century Paper & Thread Art

Offerings: Contemporary Wall-Hanging Sculpture: 21st Century Paper & Thread Art

By Kelly Kozma

Located in Philadelphia, PA

This wall-hanging sculpture titled "Offerings" is an original artwork by Kelly Kozma made of credit card offer envelopes & assorted paper, hand-stitched together with embroidery thre...

Category

21st Century and Contemporary Contemporary Abstract Sculptures

Materials

Thread, Paper, Found Objects

Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,

Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,

By Patricia Miranda

Located in Darien, CT

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Category

2010s Feminist Abstract Sculptures

Materials

Fabric, Thread, Dye, Found Objects, Plaster

Green Seapod Ceramic Vessel Sculpture
Green Seapod Ceramic Vessel Sculpture

Green Seapod Ceramic Vessel Sculpture

By Adrienne Fierman

Located in East Quogue, NY

"Dark Green Seapod", Ceramic Sculpture Dimensions: 5 H × 5.5 W × 5.5 D Medium: Hand-built ceramic, glazed stoneware Hand-built ceramic sculpture finished in a green glaze. Adrienne ...

Category

2010s Abstract Abstract Sculptures

Materials

Ceramic, Stoneware

'Lapwing' Contemporary Bronze Bird Sculpture swimming, patinated brown
'Lapwing' Contemporary Bronze Bird Sculpture swimming, patinated brown

'Lapwing' Contemporary Bronze Bird Sculpture swimming, patinated brown

By Richard Smith b.1955

Located in Shrewsbury, Shropshire

'Lapwing' is a Bronze sculpture with a stunning life like qualities. Smith has captured every last detail and given this wonderful sculpture life. A standout piece that would look i...

Category

21st Century and Contemporary Contemporary Still-life Sculptures

Materials

Bronze

Axis mundi II by Kuno Vollet Contemporary steel sculpture
Axis mundi II by Kuno Vollet Contemporary steel sculpture

Axis mundi II by Kuno Vollet Contemporary steel sculpture

By Kuno Vollet

Located in DE

Contemporary rusted steel sculpture for inside or garden outdoor spaces. Born in 1951 in Petersaurach, located in Upper Franconia, artist Kuno Vollet attended the University of Kass...

Category

21st Century and Contemporary Abstract Abstract Sculptures

Materials

Steel

Diana Earth and Moon Atelier Bronze Sculpture, Contemporary, Signed
Diana Earth and Moon Atelier Bronze Sculpture, Contemporary, Signed

Diana Earth and Moon Atelier Bronze Sculpture, Contemporary, Signed

By Richard MacDonald

Located in Laguna Beach, CA

"Diana, Earth and Moon, Atelier" by Richard MacDonald presents a powerful interpretation of the Roman goddess Diana—divine huntress, lunar deity, and protector of the natural world. ...

Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Bronze

Brutalist Metal Rat
Brutalist Metal Rat

Brutalist Metal Rat, Unknown

$204Sale Price|20% Off

Brutalist Metal Rat

Located in San Diego, CA

Brutalist metal cat, made of pipes and wire. The sculpture has a nice weight to it and shiny black finish.

Category

20th Century More Art

Materials

Metal

Tumsae No 7 - red, white, abstract, contemporary, industrial felt wall sculpture
Tumsae No 7 - red, white, abstract, contemporary, industrial felt wall sculpture

Tumsae No 7 - red, white, abstract, contemporary, industrial felt wall sculpture

By Chung-Im Kim

Located in Bloomfield, ON

Striking organic shapes in bright red provide dramatic contrast in this cream felt tapestry by fabric artist Chung-Im Kim. Kim meticulously hand stitches together small pieces of ind...

Category

2010s Contemporary Abstract Sculptures

Materials

Felt, Thread, Mixed Media, Screen

Coco Popsicle Sculpture, Melting Chanel Logo, Signed Limited Edition
Coco Popsicle Sculpture, Melting Chanel Logo, Signed Limited Edition

Coco Popsicle Sculpture, Melting Chanel Logo, Signed Limited Edition

By Sanuj Birla

Located in London, Chelsea

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Resin, Fiberglass, Polymer

Medieval enthroned Virgin and Child Sedes Sapientiae acephalic granit sculpture
Medieval enthroned Virgin and Child Sedes Sapientiae acephalic granit sculpture

Medieval enthroned Virgin and Child Sedes Sapientiae acephalic granit sculpture

Located in Norwich, GB

They may be damaged and battered, but real historic objects will always give you a sense of awe. Can you sense it, looking at this ancient carved granite which depicts, as it is call...

Category

15th Century and Earlier Medieval Figurative Sculptures

Materials

Granite

'Otter in Pursuit' Contemporary Bronze Animal Sculpture Nature & Wildlife
'Otter in Pursuit' Contemporary Bronze Animal Sculpture Nature & Wildlife

'Otter in Pursuit' Contemporary Bronze Animal Sculpture Nature & Wildlife

By Richard Smith b.1955

Located in Shrewsbury, Shropshire

Edition of 12 'Otter in Pursuit' by Richard Smith. A bronze sculpture of an otter diving, finished with a smooth, tactile surface and a mottled brown patina flecked with speckled w...

Category

21st Century and Contemporary Contemporary Still-life Sculptures

Materials

Bronze

Florentine singer / - The Renaissance of the Renaissance -
Florentine singer / - The Renaissance of the Renaissance -

Florentine singer / - The Renaissance of the Renaissance -

By Paul Dubois

Located in Berlin, DE

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Category

1860s Realist Figurative Sculptures

Materials

Bronze

Pendant Light

Andre ButzerPendant Light, 2021

$12,000Sale Price|20% Off

Pendant Light

Located in Calabasas, CA

Artist: Andre Butzer Title: Pendant Light Year: 2021 Medium: Pendant light individually painted and signed by Andre Butzer. Includes hardcover volume in clamshell box...

Category

2010s Contemporary Abstract Sculptures

Materials

Glass, Acrylic

Aurora: Outdoor Metal and Glass Sculpture, Mosaic Patterns
Aurora: Outdoor Metal and Glass Sculpture, Mosaic Patterns

Aurora: Outdoor Metal and Glass Sculpture, Mosaic Patterns

Located in Bloomfield, ON

This contemporary outdoor metal and glass sculpture is adorned with mosaic patterns in blue colours. Laurence Petit’s joyful and colourful mosaic sculptures have graced many outdoor...

Category

2010s Contemporary Abstract Sculptures

Materials

Metal

18th Century New England Cartographer's Office - Kupjack Studios Miniature Room
18th Century New England Cartographer's Office - Kupjack Studios Miniature Room

18th Century New England Cartographer's Office - Kupjack Studios Miniature Room

By Henry "Hank" Kupjack

Located in Chicago, IL

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

Category

Early 2000s Contemporary Still-life Sculptures

Materials

Mixed Media

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture)
Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture)

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture)

By Susan Stover

Located in Hudson, NY

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Category

2010s Abstract Geometric Abstract Paintings

Materials

Thread, Wood, Oil, Acrylic, Cardboard

Teckio by Jacques Owczarek - Animal bronze sculpture of a dog, dachshund, black
Teckio by Jacques Owczarek - Animal bronze sculpture of a dog, dachshund, black

Teckio by Jacques Owczarek - Animal bronze sculpture of a dog, dachshund, black

By Jacques Owczarek

Located in Paris, FR

Teckio is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 19,5 × 48 × 28 cm (7.7 × 18.9 × 11 in). The sculpture is signed and numbered, it is part of a li...

Category

2010s Contemporary Figurative Sculptures

Materials

Bronze

Swingin Hammer (blown glass nail tool table top found object sculpture Chihuly)
Swingin Hammer (blown glass nail tool table top found object sculpture Chihuly)

Swingin Hammer (blown glass nail tool table top found object sculpture Chihuly)

By Robert Burch

Located in Quebec, Quebec

A piece capturing the movement we all know from working with hammers. This piece is created with found objects and blown glass to capture this moment in time. The hammers and nails vary from piece to piece but the movement is always the same. Robert Burch began working with glass in Atlanta, Georgia while still in high school. After graduating, he worked for the Japanese glassblower, Tadashi Torii for two years. Shortly after, he attended Pilchuck Glass School before deciding to make the jump to the mecca of glass working, Seattle, Washington. It was there that Burch had the honor of working with the renown American glass artist, Martin Blank. In the span of five years, Burch learned many aspects of glass artistry as he worked for Blank. Subsequently, the team collaborated on color design teams for the glass empire company Chihuly Inc. During all these glass adventures, he never stopped shooting photos...

Category

2010s Folk Art Abstract Sculptures

Materials

Blown Glass

Twist of Fate - Original Abstract Wood Tabletop Sculpture Original Garnero
Twist of Fate - Original Abstract Wood Tabletop Sculpture Original Garnero

Twist of Fate - Original Abstract Wood Tabletop Sculpture Original Garnero

By Joe Garnero

Located in Los Angeles, CA

Joe Garnero’s medium of choice for his winding abstract wood sculptures is reclaimed Redwood roots, which he finds along the northern California coast. The distinct curving shapes of...

Category

21st Century and Contemporary Abstract Abstract Sculptures

Materials

Wood

Us (me, mom, yiayia)
Us (me, mom, yiayia)

Us (me, mom, yiayia)

By Artemis Antippas

Located in New Orleans, LA

Installation dimensions variable These works explore my intense and loving relationships with my mom, my yiayia (grandmother) and my Greek heritage. As apparent in the images, our n...

Category

21st Century and Contemporary Contemporary Sculptures

Materials

Neon Light

Bust Of A Young Girl In Arte Povera Style. Italy. Mid 20th Century.
Bust Of A Young Girl In Arte Povera Style. Italy. Mid 20th Century.

Bust Of A Young Girl In Arte Povera Style. Italy. Mid 20th Century.

Located in Firenze, IT

Bust Of A Young Girl In Arte Povera Style, Italy,mid 20th century. Bust of a young girl , follower of Arte Povera artistic movement, Italy, around 1970. Sculpture in fir wood. Italy...

Category

Mid-20th Century Arte Povera Figurative Sculptures

Materials

Wood, Intaglio

Contemporary Bronze Sculpture of a small bird on water, Dabchick or Little Grebe
Contemporary Bronze Sculpture of a small bird on water, Dabchick or Little Grebe

Contemporary Bronze Sculpture of a small bird on water, Dabchick or Little Grebe

By Richard Smith b.1955

Located in Shrewsbury, Shropshire

Edition of 50 Dabchick by Richard Smith. A patinated bronze sculpture of a dabchick, or little grebe, distills the charm and character of this small waterbird into a form of quiet e...

Category

21st Century and Contemporary Contemporary Still-life Sculptures

Materials

Bronze

Fragmented Human Head with Verdigris Patina Lost-Wax Bronze Original Sculpture
Fragmented Human Head with Verdigris Patina Lost-Wax Bronze Original Sculpture

Fragmented Human Head with Verdigris Patina Lost-Wax Bronze Original Sculpture

By Óscar Aldonza Torres

Located in FISTERRA, ES

This fragmented bronze head sculpture combines realist facial modelling with open cavities, irregular edges and a richly layered green and blue verdigris patina. Created by Spanish ...

Category

2010s Expressionist Figurative Sculptures

Materials

Bronze

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