Stone Sculptures

'Kudu' is an original springstone sculpture signed by the Zimbabwean artist Terence Paradzai Nehumba. Terence was trained in the Shona stone carving tradition and this is an excellen...

'Proud Woman' is an original stone sculpture dress hair singed by the Zimbabwean artist P. Mua. The artist presents an elegant and curvilinear figure of a woman, her hair seeming to ...

Trapped is an original cement plaque made by the street artist KAI. It is a unique prototype made aside the original edition of 20. Comes with its origi...

'Father Christmas,' an original springstone sculpture by the Zimbabwean artists Tendai Marowa and Stanley Chideu, would make an excellent holiday gift...

'Bird Chicken' is an original opal serpentine sculpture signed by the Zimbbwean artist Samuel Likongwe. Based in Harare, Likongwe was trained in the Shona stone sculpting tradition a...

'Proud Woman' is an original opal serpentine sculpture by the Zimbabwean artist Wellington Karuru. In the sculpture, the figure's head leans to one side, eyes closed, as if carefully listening to the viewer. The head of the figure is carved onto a wedge shape: the choice to depict the face off-center reminds of the later paintings of Pablo Picasso, and the tall and narrow form reminds of the stone sculptures of Amadeo Modigliani. As the viewer walks around the sculpture, they can see that Jemali has left parts of the figure as natural stone, allowing the rough-hewn texture to create an exquisite contrast of surface with the mesmerizing polish. lemon opal stone (serpentine) signed 'W. Karuru' along the base, on the reverse 12 x 4 x 5 inches, sculpture 0.5 x 5.88 x 5.88 inches, base Overall excellent condition with no signs of wear Born on August 17, 1976, Wellington Karuru is the first born to a family of five children and has two brothers and two sisters. As the first born child in a Zimbabwean family, many responsibilities were shouldered upon Wellington. Both his brothers, Gilbert and Esau, are also talented sculptors. He completed his primary and secondary education in Mashonaland West Province and was involved in almost every sporting activity at the school. After he graduated, he was employed at National Foods LTD where he worked as a machine operator for a period of four years and was later promoted to work as a sales clerk. In his free time he assisted some well known artists in sculpting, was able to learn much from them and soon thereafter started to develop his own talent and unique style. Inspired by such well known sculptors such as Gardener Sango and Garison Muchinjili, Wellington started sculpting small pieces for himself and soon found a buyer for his favorite piece titled ‘A Cry For Help’. From that day forward, he has never looked back. He eventually went to work with Garison Machinjili whose influence is clearly shown in his work. Some of his pieces have been chosen already for international exhibitions and galleries. Well established and internationally renowned artists like Joe Mutasa...

Stephen Angell I found my voice in marble. Carving stone is a de-constructive approach to conception, which is a physical and mental concentration whose...

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

He was a very active sculptor who gained considerable fame; he died in 1879 at the age of only 50, mourned by all. Having no heirs, he left his estate to the Brera Academy and his mo...

"Abstract" is an original white opal sculpture by Obert Mukumbi. The artist signed the sculpture. 13 1/2" x 9" x 6" Obert Mukumbi was born on February 11, 1974 in Mashonaland Central Province where he also attended school. He was interested in wood craft and worked on that while he was still in school. Soon after school he was encouraged by his cousin Kennedy Musekiwa...

"Guitar Player" is a limestone sculpture by Maureen Bergquist Gray. Much like the cubists in the early 20th century, Maureen abstracts the figure of a guitar player into simple shape...

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

JORGE WELLESELEY From the series: Subterfuges, ”Illumination”, 2018 Aluminum, LED, plexiglass, PLA, concrete 15.5 x 23.5 x 12 in Ed: 2/3 + 1AP Jorge Wellesley (Havana, 1979) Cuban...

JORGE WELLESELEY, Empty Words, 2009 Rusted steel, concrete Sculpture 17.5 x 18 x 12 in Jorge Wellesley (Havana, 1979) Cuban-born artist based in Guttenberg, New Jersey. He received...

Oak then lacquered with marble top Carved/Stamped with the name "Latz" in the wood under the marble Height: 55 inches (86.25 cm) Width: 55 inches (140 cm) Provenance Château de Mareil Le Guyon This commode is available to view at our gallery on Cecil Court. Jean-Pierre Latz Jean-Pierre Latz was one of the handful of truly outstanding cabinetmakers working in Paris in the mid 18th-century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, amarante, purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos...

"Cradle of Consequences" Sculpture 21" x 23" x 15" inch by Tetiana Kalivoshko Unique sculpture Medium: Concrete, plumbing steel pipes, steel replica hand grenades, steel vires Teti...

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

Edition 95 of 99

Bronze & marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, where...

Bronze, granite & glass Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar...

Artificial stone & stainless steel

Artificial stone & stainless steel

Artificial stone & aluminium, red colour

Artificial stone & nickel bronze

Artificial stone & stainless steel

Artificial stone & stainless steel

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Bronze on a slate composite base Series of unique variations Stamped with monogram signature and uniquely numbered 765A The natural bronze raised patterns are finely rubbed and lacqu...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

Stainless steel sculpture with marble base. Liechennay's works are inspired by nature and life, simply put, the forms and shapes he is surrounded by. He creates highly aesthetic pieces embodying artistic balance...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Nebza I by Camilo Andres Rodriguez Marquez Iranian Pink Marble Dimensions: H. 16 cm x 15 cm x 4 cm Camilo Andres Rodriguez Marquez is a Colombian born designer with a degree in In...

This amusing naturalistic sculpture in silver-plated pewter was probably made in the 17th century by Georg Schweigger. Inspired by a model created by another Nuremberg sculptor, Peter Flötner, it bears witness to the persistence during the baroque era of the naturalistic taste that emerged in the Renaissance. Intended as an ornament for some Kunstkammer, or cabinet of curiosities, this sculpture was a great success, as can be seen from the presence of similar works in many European museums. 1. Georg Schweigger Georg Schweigger was a baroque sculptor and medal founder from Nuremberg, known mainly for his small-scale works in stone, carved wood and cast metal. His only large-scale work, the Neptune Fountain, has been in the Petershof Palace, the summer residence of the Tsars near St. Petersburg, since 1797. This monumental sculpture demonstrates his taste for the representation of movement, which we find in this small piece, inspired, as we shall see, by earlier models. 2. The success of a naturalistic theme As is often the case in the history of art, the source of the Dog scratching his ear theme probably comes from an engraving, and more precisely from one made in Strasbourg in 1480 or in Aschaffenburg in 1481 by the Master of the Housebook, an anonymous engraver working in southern Germany at the end of the 15th century. This engraving seems to have been Peter Flötner’s (1490 - 1546) source of inspiration. Peter Flötner was a sculptor and engraver who settled in Nuremberg in 1522. The Louvre Museum also has a gilded lead statuette dated between 1500 and 1515 (on deposit at the Musée de L'Œuvre in Strasbourg), which in turn is thought to have served as a model for other known statuettes. This model was later taken up by the Frenchman Barthélemy Prieur...

English School Early 20th Century Head of a Young Boy Bronze with stone base Height: 12 3/4 inches (32.5 cm)

Edition: 5/8 Creation date: 2004 Signature and edition engraved on the base Using strange, semi-Gothic tapering forms, animal hides, fossils, and metal, Hiquily combines the imagin...

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

Cast Glass, Cast Bronze, Granite and Copper Sculpture

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

By sculpting both material and space around it, I want my sculptures to appear to move, to assert themselves; to change and grow, to move within, affect and break free from the solid...

Pair of Bronze Busts of Queen Mary when Duchess of York William Henry Tyler Dated 1893 These rare and highly important bronze busts of the future Queen Mary, created in 1893 by the ...

Italian, 19th Century 32 in. x 15 in.

Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authentic sculptures where weight...

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

Family, 1976 Martha Tickiq (1939 - 2015) Baker Lake Basalt A wonderful example of this artist's work renown for her figure groups. Appearing in excellent original condition.

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

JONATHAN FERRARA GALLERY is proud to announce, Shape-Memory, a solo exhibition of new textile and sculptural artworks by New Orleans-based artist Gina Phillips. Initially born from h...

gilt bronze on marble base

Ivy Naté uses universally recognizable objects in non-traditional ways. She creates both large-scale installations and smaller works. Yet, each express Ivy’s captivation with raw hum...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...