American Impressionist Art

Kathryn E. Cherry Rockport Harbor Signed lower right Oil on canvas board 10 1/2 x 12 inches Kathryn Cherry was an influential St. Louis painter, ceramicist, designer, and art educa...

Theo Tobiasse (French, 1927-2012) Le Petit Train qui mene au chant de la pensee" Lithograph c.1970 Bright and colorful lithograph by noted French artist. The title translates to "T...

A fine impressionist marine painting of boats docked in the harbor by Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterdam, Holland and, after traveling i...

Mid Century Impressionist Still Life in Tissue Paper on Cardboard Impressionist still life by Honora Berg (American, 1897-1985). Pieces of tissue paper have been cut out and thought...

Nude figure with candlelight

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

An original cityscape by the nationally awarded artist John Michael Carter. Perfect condition and with a superior quality hand carved 22K gold gilt...

On-coming Tide, Winter Harbor, Maine Oil on artist's board, 1971 Signed lower right Signed, titled, and dated verso Provenance: Estate of the Artist Condition: Excellent Need a ...

Seated Nude Woman Bay Area Figurative School Abstract Expressionist Seated wearing a hat by Santa Cruz and San Francisco artist Heather Speck (American,...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Rowboat near Hatteras Lighthouse by Nelson Gwinn, Jr. (American, 1927 - 1994). Signed and dated "Nelson Gwinn, Jr. 9/68" in the lower right corner. Title and artist info on verso. Pr...

A majestic Canadian mountain rises to the sky with a small Canadian Mountie on hours viewing the scene, Mizen uses a creative technique of exposing...

Nude figure in bright red interior

A monumental 59" x 82" with frame oil on canvas painting of a rocky mountain vista by John Terelak. Signed and dated lower left and inscribed verso. It...

Beautiful vintage watercolor of a coastal landscape with two figures walking along the beach by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson i...

A beautiful full portrait of two girls, possibly the artist's daughters, with spring flowers by British American artist Hamilton Hamilton (1847-1928). Hamilton was born in Oxford, En...

Excellent figurative oil painting of a man seated in an armchair with papers strewn about the interior space by Charles Ross Kinghan (American, 18...

David Shingler's (NC based) "Fishing Reel" is an oil painting that depicts a fishing reel with a freshly caught fish. Bio/artist statement: David Shin...

Fern Isabel Coppedge (1883-1951) New Hope Hills, c. 1931 Oil on canvas, 16 x 16 inches (40.6 x 40.6 cm) Signed lower left: Fern I. Coppedge Provenance The artist; Gift from the arti...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

Yana Beylinson's (US based) "Glass Table" is an original, handmade oil painting that depicts impressionistic white, and pink flowers melding together with green leaves. Artist Bio:...

"Cape Cod Sunset" - Watercolor on Paper Colorful sunset painting by San Francisco and Provincetown artist Robert Morgan (American, 20th C). A house sits on top of a hill lit up in orange and yellow reflecting the colors of the set sky in this impressionist watercolor. Cape Cod, a popular summertime destination, sits on the hook-shaped peninsula of the U.S. state of Massachusetts. Signed by the artist in the lower right corner, "Robert Morgan" Frame size: 17.5"H x 21.75"W Image size: 11.75"H x 17.25"W Info provided on the back by the artist: Robert Morgan "Cape Cod Sunset" Watercolor, 12x18", '99 Presented in a wooden frame with a light gray mat. After graduating from the Kansas City Art Institute and moving to San Francisco, Robert Morgan (American, 20th/21st Century) returned to Provincetown to study watercolor with the late Lee Boynton at the Cape Cod School of Art. He then began taking workshops at the Fine Arts Work Center with Jim Peters, Robert Henry and Gregory Amenoff, among others. He now sells his artworks through the Alden Gallery, opened by film writer and Banner Arts Editor Howard Karren and business partner, Stephen Syta, in 2007. Morgan’s subject matter is largely influenced by Provincetown, mostly consisting of men in relationship to the beach, the town and each other. Education San Francisco State University, MA (Painting), 1984 San Francisco Art Institute, 1974–76 Kansas City Art Institute, BFA, 1972 Publications “A Feeling for Light and Air and the Human Figure,” The Palette Magazine, Issue No. 12 (Dec. 2005/Jan 2006) “ArtSeen,” by Patrick King, Genre, August 1998, pp. 76-77 Awards Gold Award, Painting, Art of California Magazine, 1993 Exhibitions 2017 - Alden Gallery, “Ed Christie, Robert Morgan and Laurence Young: New Work” Alden Gallery, “Wall” Metro Pictures, New York, “Postcards from the Edge 2017” Provincetown Art Association and Museum, Members’ Juried Exhibition (curated by Sarah Johnson, Cahoon Museum of American Art) 2016 - Alden Gallery, “Robert Morgan and Sean McCabe: New Work” Alden Gallery, “Meme” 2015 - Alden Gallery, “Kevin Cyr, Raul Gonzalez...

Blocking Study pair #1 and #2, portrait of a blonde woman, by Gordon Cook (American, 1927-1985). Circa 1960. Signed on verso "G. Cook (3) #1. unframed. Image size: 24"H x 20"W each. Bay area estate sale find. Gordon Cook was born in 1927 in Chicago, Illinois. He attended Illinois Wesleyan University in Bloomington where he received his B.F.A in 1950. Cook then went on to study fundamentals and life drawing at The American Academy of Art* in Chicago. The same year he studied intaglio* printmaking with Vera Berdich at The School of the Art Institute of Chicago*. He took graduate courses and continued studying intaglio printmaking under artist Mauricio Lasansky at the State University of Iowa. In 1951, Cook moved to San Francisco. Soon after his works received the journeyman's card in International Typographical Union, Local 21. He began exhibiting his prints, drawings, and paintings at the Porpoise Gallery in San Francisco. Four years later, Cook became a charter member of the Bay Printmakers Society and exhibited in their annual exhibitions at the Oakland Art Museum for the next five years. His etchings portrayed mainly San Francisco landscapes such as the Golden Gate Park, Diamond Heights, and Lake Merced as well as flowers, especially roses. He participated in his first weekly drawing group with artist Alvin Light, Manuel Neri, Joan Brown, and William H. Brown. Cook also taught at the San Francisco Art Institute*. His etchings where exhibited in a one-man exhibition at the Fine Arts Museums of San Francisco, in the Achenbach Foundation for Graphic Arts. At this point Cook returned to painting. Moving to Rio Vista...

Vibrant landscape of a barn surrounded by golden fields of Carmel Valley, California, by an unknown California artist (American, 20th Century). In style ...

Charles Bertie Hall, Yacht sailing in a river. Owning an Impressionist marine landscape by Charles Bertie Hall, an English/American Impressionist painter, offers a unique opportuni...

C. Hjalmar Cappy Amundsen (1911 - 2001) was an American painter best known for his Gloucester Scenes. He painted all over the New England areas. Here we have an extraordinary paint...

Max Millman (American, ?-1998) Along Route 201, 1976 Oil on canvas 20 x 24 in. Framed: 27 3/4 x 32 x 2 in. Signed lower left: Miller Titled, dated verso: Along Route 201 [Possibly 20...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Artist: Wolf Kahn (1927) Title: Trees Against Brown Background Year: 2000 Medium: Pastel on paper Size: 8 x 10 inches (sheet); 16 x 18 inches (frame) Condition: Good Inscription: Sig...

Calvin Lai's (US based) "Ninja!" is an original, handmade oil painting that depicts a still life of a miniature wooden mannequin, a ninja toy, and a blond haired girl figurine in sit...

Artist: Harold Altman (American, 1924-2003) Title: Sunday, Central Park Year: c. 1985 Medium: Color lithograph Edition: Numbered 56/285 in pencil Paper: Wove Image size: 17.5...

Wonderful mid century portrait of young girl with balloon in style of Raoul Duffy by Barbara "Mari" Berkman (American, 1930-2010), 1963. Titled "La Prima Vera...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Rodeo. Bareback Bronco, 1966. Gouache On Paper. Signed & Dated Lower Right. Image size 21.3 inches x 29.1 inches ( 54cm x 74...

Overlooking Santa Cruz and Monterey Bay - Plein Air Landscape in Oil on Canvas Gorgeous plein air landscape of Santa Cruz and Monterey Bay by Brian Rounds (American, b. 1968). Grey-purple clouds have rolled in over Santa Cruz around sunset, casting shadows and creating highlights in the city. Streaks of light shine through the clouds, and there is a yellow glow at the edge of the water in the distance. This piece is completed in a loose, abstracted style that captures the rapidly changing scenery. Signed and dated by the artist on verso. Unframed, but the artist has painted the edges black to allow for a frame-less display. Canvas size: 24"H x 30"W Acquired directly from the artist. Brian Rounds (American, b. 1968) is an award-winning artist who grew up in the San Francisco Bay Area and is now based out of Santa Cruz, California. Since earning a B.A. in Painting from UC Santa Cruz, he has focused on a continued commitment to plein air painting in oils, but also enjoys working in watercolor and various drawing media. His work has been shown at: Smith Gallery, UCSC; Pope Gallery, Santa Cruz; Santa Cruz Museum of Art and History; Winfield Gallery...

Elk in the Forest - Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). Several elk are grazing in a cl...

Impressionist oil sketch of venice, Italy from the Grand Canal. This sketch painted whilst on a trip to Venice circa 2009. Charles Bertie Hall painted marine scenes, landscapes, an...

John Terelak Biography American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art i...

"Sunlight and Shadow, The White House" is an Impressionist landscape by American painter Albert Van Nesse Greene. The painting is a 28" x 30.25" oil on canvas, framed, and signed in the lower left "A Van Nesse Greene" Provenance: Private Collection, Doylestown, Pennsylvania. Born in Jamaica, New York in 1887, Albert Van Nesse Greene (New York, Pennsylvania, 1887 - 1971) had a long and thorough art education. He studied at the Corcoran Gallery of Art, Washington, DC; The Art Students League, New York; the Pennsylvania Academy of the Fine Arts, Philadelphia; and in Paris at the Academie de la Grande Chaumiere. He lived in Chester County and painted many landscapes there, as well as in nearby Bucks County. His paintings were exhibited extensively in the United States and France. Examples of his work can be found in the collections of the Pennsylvania Academy of the Fine Arts and the National Gallery of Art among many others. He was a member of the Philadelphia Sketch...

A serene winter landscape captures the magic of the first snowfall. The golden light of dawn casts a warm glow over a snow-covered valley. A winding creek reflects the soft hues of t...

This artwork "Still Life Flowers in a Vase" c.1960 is an oil painting on canvas by noted California artist John William Orth, 1889-1976. It is signed at the lower right corner by the artist. The canvas size is 36 x 30 inches, framed size is 46.5 x 40.5 inches. Custom framed in a wooden gold with brown patina frame, with fabric and gold liner. It is in excellent condition. About the artist: John W. Orth was born in Bavaria in 1889. He sold his first painting, a water color, when he was 13. At age 15 studied under a scholarship at Nuremberg's College of Fine Arts. Three years later, again on a scholarship, he attended Munich's Academy of Fine Arts. From there he went on to study at the Art Academy Julien in Paris and then traveled throughout Europe, studying work by the Old Masters. For Nuremberg's Albrecht Durer Museum, he was commissioned to reproduce a number of Durer's paintings, and representatives of The Rhineland's Barmen Museum purchased his painting of The Prodigal Son. In 1922, Louis Mayer, an accomplished artist himself, purchased Orth's The Prophet from among thousands of paintings displayed at Munich's Glas Palast. He declared Orth's painting "the work of a genius," and for three years The Prophet was hung, by invitation, in the Brooklyn Art Museum. Already an established artist at age 34, Orth left his troubled country in 1923 to escape certain persecution for his outspoken liberal views on race, religion and politics. He came to America to start anew. Here, he felt certain, his restless spirit could continue to grow, his career to flourish in an environment of freedom, which encouraged individual expression and unrestrained thought. In the United States, John Orth did portraits of notables including Winston Churchill, Albert Einstein, John F. Kennedy, Richard M. Nixon, Marian Anderson...

Bruce Crane Autumn Landscape Signed lower right Oil on canvas 16 x 24 inches Bruce Crane Was born in New York City, he studied with Alexander H. Wyant before attending the Art Stud...

Dramatic landscape by San Leandro, California artist Jaclyn Housman (American, b. 1937). Dark purple and grey and clouds roll across the sky, with small ro...

Standing Woman in Profile Pen and ink drawing, c. 1900 Unsigned Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Condition: Excellen...

Roses original contemporary mixed media painting. Pau Alemany Mascareñas estudió la carrera de arquitectura, pero destacó sobre todo en el campo de la pintura. Formado con artistas ...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

Coastal Cliffs and Lush Valley - Pacific Coast Big Sur Seascape in Oil on Canvas Gorgeous seascape of Hurricane Point, Big Sur coast by California artist Kathleen Murray (American, ...

Beautiful vintage California landscape of Carmel Mission with native plants in soft neutrals and subtle muted colors by Kathleen J. Canepa (American, 20...

Don Swann (1899-1954). Monoplane in flight. Etching, plate measures6 x 7.25 inches. Edition of 300. Signed and numbered in pencil lower margins. Don Swann was an important American...

A charming depiction of Snow in Downtown New York City with a figure walking a dog and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed verso and it comes housed in a French style antique frame ready to be displayed with hanging wire on verso. Art measures 10 x 6 inches Frame measures 13.5 x 9.5 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Step into a world of serenity and natural beauty with "Three Bathers," a captivating vintage 1940s oil painting on board by renowned Colorado artist Morgan Wagner. This exquisite art...

This painting depicts an impressionistic scene of Brunch at Tartine in New York City. Figures are seated having Brunch with drinks in hand on this su...

"Horses Feeding" is an Equestrian painting by American Impressionist painter Joseph Thurman Pearson, Jr. The 40.5" x 56.25" oil on masonite ...

Dramatic stormy landscape by Charles Henry Harmon (American, 1859-1936). Looking out over a lake from the shoreline, dark grey storm clouds can be seen rolling over the mountaintops ...

Wonderful pulp art figurative portrait of a brunette woman in formal yellow evening gown with gloves by unknown California artist, circa 1960s. Unsigned. Acqu...

Vibrant mid century still life of a vase with asters, chrysanthemums, and peonies, as well as a small porcelain jewelry box, by Lillias Waddell (American, 1888-1947). Signed by the artist in the lower left corner. Presented in a newer bronze-colored frame. Lillias Jaquines Waddell was born in Clymer, NY on December 18, 1888. Lillias married Dr. Charles Wilkin Waddell PhD (1875-1966) in 1910. By 1915 she had moved to Los Angeles where her husband was a professor at UCLA. She died there on March 30, 1947. Her Sierra landscapes...

A wonderful turn of century landscape of a stream in wooded glen by American artist Joline Butler Smith (American, 1849-1946). Signed lower right corner. Condition: Very good: One te...

Wonderful mid century modern abstracted figurative cityscape watercolor by Karen Miller (American, 20th century). Signed and dated lower right "K. Miller ...

1930's watercolor figurative landscape depicting the First Church of Christ Congregational in Milford, Connecticut by J. Nolan of Providence, Rhode Island (American, 20th Century). S...

Wilson Irvine Winter Landscape Signed lower left Oil on canvas 24 x 27 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson Irvine began h...