Expressionist Art

This contemporary vivid expressive painting, "Beachside Serenity', was created by French artist Natalya Mougenot. Using watercolor paints on heavyweight, professional acid-free paper...

Mid-century Israeli Modernist painting by Israeli artist Abraham Cohen

In crafting this piece, I aimed to capture the ephemeral beauty and grace of a ballet dancer in motion. Employing oils, I layered vibrant colors and soft textures to celebrate the po...

In this piece, I sought to capture the serene dance between sky and sea, interspersed with the graceful ballet of a sailboat. Infused with the essence of expressionism and the delica...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

"Olympic Pattern on Cream" is an abstract painting diptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique sh...

This exquisite lithograph after Marc Chagall (1887–1985), titled Frontispiz (Frontispiece), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publ...

Signed verso, 'Ant McNaught', (American, 1952-2026), titled 'Camille VI', and dated 2020. A substantial and vibrant, Fauve study of the head of a young woman, composed in scumbled shades of coral, jade, azure and pink. and contrasted against a terracotta background. This California Post-Impressionist and Abstract Expressionist artist studied at the Esalen Institute with Erin Gafill and Tom Birmingham...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: By the Nets Bei den Netzen, 1914 Technique: Original Hand Signed Woodcut on Laid Paper Paper size: 51.2 x 62.4 cm. / 20.2 x 24.6 in. Additional Information: This original woodcut is hand signed in pencil by the artist "S. Rottluff" at the lower right margin. This is the fifth woodcut of the portfolio "Zehn Holzschnitte von Schmidt-Rottluff" [Ten Woodcuts by Schmidt-Rottluff] that was published in 1919. It was published by Graphisches Kabinett J. B. Neumann, Berlin in a limited unnumbered edition of 75 plus some proofs. The printer was Fritz Voigt...

Karl Michel, 'Mehr Sonne fur 1924. Viel Gluck Wunscht Karl Michel U. Frau', woodcut, 1924, edition 20. Signed, dated, and numbered 'op. 162' and '15/20' in pencil. Signed in the image, lower left. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in very good condition. Printed by the artist. Scarce. Matted to museum standards, unframed. New Year's Greeting – English translation: "More Sun for 1924. Good Luck Wishes from Karl Michel and his Wife." Image size 4 5/8 x 4 3/4 inches (118 x 121 mm); sheet size 7 3/4 x 10 inches (198 x 254 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat...

In this acrylic canvas, I've poured my soul into capturing the dance of light on Venice's waters. The brushstrokes marry realism with a dreamy impressionism, expressing the city's he...

Nahum Tschacbasov Mid Century Modern Clown, 1956 Lithograph Signed, dated and numbered 144/250 in graphite on the front 34 x 27.5 inches Unframed, affixed to matting Published by American Color Slide Co, Ltd., New York Terrific uncommon vintage signed, numbered and dated mid Century modern lithograph from this interesting and distinctive -and undervalued Russian American artist. Highly collectible clown...

LeRoy Neiman, American (1921 - 2012) - Springfield Museum of Fine Arts (Tennis), Year: 1974, Medium: Poster, Size: 24.5 in. x 34 in. (62.23 cm x 86.36 cm)

'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300) Image Size: 7 1/2" x 5 inches Frame Size: 22 1/4" x 18 3/4" Ref. Roethel 124 Artist Bio: The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...

A vibrant painting depicting an avenue lined with poplar trees in fall colors, prominently featuring a very large, centrally placed yellow poplar. Possibly an American poplar. The artist, Agda Holst, has employed a diverse palette of colors to the poplars, creating a dynamic and colorful composition. This oil on panel is signed and dated by Holst in 1948. The work exemplifies her use of color and form, characteristics that defined her artistic practice throughout her career. Agda Holst was a Swedish modernist painter known for her precise study of form, stylized compositions, and ability to merge structured geometry with expressive color. Her works, often still lifes, portraits, and figure studies, reflect a balance between naturalistic representation and modernist influences such as Cubism and New Objectivity. Holst's artistic journey began in 1907 at the Académie Colarossi in Paris, where she studied under Christian Krohg. Seeking further refinement, she moved to Munich between 1910 and 1911, studying with Julius Exter, known for his teachings in portrait and genre painting. In 1911–1912, she returned to Paris to study under Kees van Dongen, whose bold use of color and strong contrasts left a lasting impression on her work. The early 1920s marked another period of study in Paris, this time under André Lhote, who instilled in her a structured approach to composition and geometric clarity. Holst’s first public exhibition took place in 1916, when she displayed paintings in a bookstore...

"Galerie Maeght" is an Original Lithograph Poster bu Valerio Adami. This poster was created to advertise Adami's show at the Galerie Maeght in 1976. The print is orange on the left s...

"Fantasy with Flowers" (series of 200+ pictures)   paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

Bright and sophisticated, this "Flower Vase with Anemones" signed work by French painter expressionist Lucien Roudier known as Eller (1894-1940). Fine Arts export certificate avail...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on...

Here the artist captures his wife leisurely sitting on a bench while in NYC and from his paintings of New York.

Artist Comments
A fox caught in mid-leap burst to life in dashes of red, gold, and violet. Built with layered washes and spontaneous shapes, the painting suggests the animal's ...

Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (Amer...

In this vivid painting, I unleashed a symphony of color through expressive brushstrokes, merging acrylic and oil to capture the ephemeral beauty of a dramatic sunset. It dances betwe...

Jill Soukup's "Reverie" (2024) is an original, handmade oil painting that depicts a horse kicking up dirt while in motion on an abstracted background. About the artist: Jill Soukup...

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

"Weather Eye" - 1989 Lithograph on Paper 1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Le ciel est ouvert" Older Chassidic rabbi learning with open book, Judaica, Jewish scenes from a ghetto. Saul Yaffie, a.k.a. Paul Jeffay, (1898–1957) was a Scottish Jewish artist...

This exceptional Murano glass piece was created in 1970 by Alessandro Barbaro (Dorsoduro, 1936), a renowned artist and master glassmaker celebrated ...

In this piece, I poured my emotions into the delicate balance between tranquility and fleeting movement. The shimmering water lilies float gently, capturing the quiet moments of refl...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

L' ARBRE EXTATIQUE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper, 100% acid free, by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. L' ARBRE EXTATIQUE confronts the viewer with a bold exotic yellow female nude set against a deep black background. One cannot avoid being intrigued by this exotic woman - her striking blue eye and long blue hair, posing with hand on her hip as an exotic red bird closes in towards her; a light yellow sphere encasing a green leafed tree form above. Print size - 23.25 x 19.75 in. unframed, excellent condition, full bleed image, vivid colors, hand signed in pencil by Corneille Edition size - 200, plus proofs Year published - 1981 Printed at J K Fine Art Editions Co. NYC About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene...

Jean Jansem (1920-2013) Sylvie, fond rouge, 1995 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 64,5 x 50 cm / 76 x 56 cm Bibliographie: Impri...

Jean Jansem (1920-2013) Baladin, 1983 Lithographie sur papier Arches, justifiée et numérotée 27/100 Signée en bas à droite 20 x 15 cm / 36 x 27 cm Bibliographie: Catalogue raisonné...

This original painting by Romina Milano presents a coral-like landscape composed of clustered, gem-like forms that unfold as a vibrant constellation. Balancing abstraction and marine...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

There is no other love that’s as special as the love of a grandma. So warm and fuzzy, so calm and sweet, so cheerful and joyful. You never know the love of a grandparent until you become one. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love, selflessness, and other fine qualities in African culture. His palette which contains a variety of colors is a great asset for his delivery, with its rich Shade of hues. Oluwaseun inspiration is divine, He is also inspired by both past and everyday life experiences. Oluwaseun Ojebiyi had an HND in painting from The Polytechnic, Ibadan. He also served an apprenticeship under the renowned international artist Oluwole Omofemi...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The painting depicts an old-fashioned barber shop, The background showcases the classic decor of the barber shop, including Vintage posters flaunting the hairstyles of yesteryear, showcasing the timeless Afro, the tailored flat-tops, and the meticulous parts — each style a statement of identity and pride. Off in the corner stands a vintage radio, the spiritual storyteller of the room, murmuring Jazz and Afrobeat rhythms — a harmonious time capsule that echoes the beat of African culture as much as the progression of its fashion. "Vintage Vibe" is a celebration of a proud heritage, marking the intersection of traditional grooming rituals and the timeless aesthetic of the African fashion legacy. It salutes the continuity of style, the evolution of self-care from the foundations laid out by ancestors to the modern interpretations we see today. In this room, history intertwines with the present, evoking a sense of nostalgia and the inclination to preserve the unique cultural threads woven through time. About Artist Oluwaseun Ojebiyi...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Unknown Artist, Possibly Arbit Blatas - Standing Nude Man, Medium: Bronze Sculpture, Size: 14.25 x 3.5 x 3.5 in. (36.2 x 8.89 x 8.89 cm)

Artist Comments
Artist James Hartman began this painting by creating texture with homemade tools. He envisioned standing at the edge of the woods, looking through to an indistinct light. The oil colors were allowed to drip and settle into the textured surface, enhancing depth and movement, while his tools helped define the landscape in a way that captures shifting light.

About the Artist
When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.

Words that describe this painting: trees, texture, bright, woods, sunlight, panoramic, forest...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Actual Lithograph without matte is 16" X 12". BENJAMIN KOPMAN (1887 - 1965) Painter, Illustrator and printmaker Benjamin Kopman was born in Vitebsk, Russia and emigrated to the Unit...

In creating this piece, I sought to capture the tumultuous yet mesmerizing dance of the sea with the sky. Utilizing the vigor of expressionism blended with soft touches of impression...

Artist Comments
A figure stands with confidence, her hand resting on her waist as she leans to one side. The composition invites the viewer to get lost in the rips, gestural ma...

Patinated bronze torso suspended within a rusted iron globe evokes ancient Venus iconography and contemporary themes of constraint and resilience. Caged Woman 3 (Ø 32 cm) by Aldonza ...

Original painting by Daria Kusto. They say that an entire universe is hidden in every gaze. "Dreams in the Eyes" is a window into the infinite space of the soul, telling the story of...

Louis Bosa (Italian-American, 1905–1981) Island of the Monks, c. 1930 Oil on masonite Signed lower right 14 x 24 inches 23 x 33 inches, framed Born in Codroipo, a small village only...

Leigh Ann Van Fossan's "Yonder" is an original acrylic depicting an impressionistic landscape with a stormy blue sky. Van Fossan was born in Vail, Colorado, and began oil painting ...

A strong modernist oil painting depicted in the mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his bold still life paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 15 x 11 inches Frame measures 22 x 19 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

This exquisite lithograph after Marc Chagall (1887–1985), titled Odysseus macht sich bekannt (Odysseus Reveals Himself), from Homer, Die Odyssee (The Odyssey), originates from the 19...

Daniel Bennett Schwartz, American (1929 - ) - Tennis Match - Jimmy Connors, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 600, Image Size: 24 x 18 inche...

Gracious ballerina, in a moment of silence and meditation. Part of my "Nude in Interior" series Original painting, one a kind. Shipped unstretched, rolled in a tube. 15.7x15.7x2in / 40x40x5cm Free shipping special! "As a woman artist I’ve been preoccupied with the female form and imagery. My goal is to capture the nude’s relation to the surrounding space and the solitary moments. My interest turned from depicting the space to depicting the atmosphere, and the feeling a woman adds to the environment: warmth, joy, a feeling of power and control, or the opposite – sadness, despair. The human figure is more present than ever in my paintings." Paula Craioveanu

"Fantasy with Flowers" (series of 200+ pictures)   On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of the sun that gi...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This exquisite lithograph after Marc Chagall (1887–1985), titled L’ange de Mozart (The Angel of Mozart), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling o...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

In this piece, I embraced nature's renewal, channeling the vibrant vitality of spring through my brush. Employing acrylics, I layered hues and textures to convey the blossoming e...

"Purple Tulips" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with ...