Modern Art

'Tropical Wash Day', aquatint, edition 100, 1946. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, on heavy cream wove paper, with full...

Snowmass Picnic, 1967 - Aspen Skiing Colorado Apres Ski American Snow Sports by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150....

Sea Drive 1967 Slim Aarons Limited Estate Edition Film producer Kevin McClory takes his wife Bobo Sigrist and their family for a drive in an ‘Amphicar’ across the harbour at Nassau....

Artist: Joan Miro, Spanish (1893 - 1983) Title: Femme pour XXe Siecle Year: 1938 Medium: Linocut, signed in the plate Edition: 1200 Size: 13 x 10 in. (33.02 x 25.4 cm) Frame: 21.5 x ...

This lithograph is in excellent condition and and has only been shown in a gallery setting. Limited edition printed on Arches paper. In Alvar’s "Muses of the Artist," he alludes to ...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Pablo Picasso (1881-1973) - La Comédie Humaine Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

Sophia Loren Pouring Champagne in Glasses by Globe Photos A classic 1962 image featuring legendary Italian film actress Sophia Loren pouring champagne into fancy glasses on New Yea...

Meet the genuinely exciting modernist William Einstein, who is probably better known in Europe, where numerous publications on his work have been written, than in his native US! Eins...

Canna Lily Color woodcut, 1939 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1939) Format: oban Condition: Excellent Image/Sheet size: 15 5/8 x 11 inches Provenance: Robert O. Muller There is little biographical data available about the Japanese printmaker Hodo Nishimura...

Lithograph realized by Daumier in 1845, belonging to the Series "Les Gens de Justice" Table no. 12 of the Series. Very good condition. Ref. Delteil 1348

Amedeo Modigliani, After, Italian (1884 - 1920) - Tete de Femme III, Medium: Cast Stone Sculpture, Size: 22 x 6.5 x 5.5 in. (55.88 x 16.51 x 13.97 cm), Publisher: Austin Productions

Raymond PEYNET Astrology - Zodiac : Pisces, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Urbain HUCHET Montmartre : Cabaret du Moulin Rouge, 1970 Original lithograph Handsigned in pencil Numbered / 295 copies Size 19 x 27 cm (c. 7,4 x 10,6 in) Excellent condition

Mixed media on canvas realized by Fernando Porfili (Porfirius) in 1961. Hand signed and dated. Includes a coeval wooden frame. Very good condition.

Camille BELTRAND (1877-1951) Seascape : Sailboats at Belle Isle, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind st...

Modern still life photograph of earth toned brown and green moss Archival digital scanograph 18 x 13 inches, edition of 75 Additional sizes available This contemporary, archival di...

"Cheetah Who Shops" by B C Parade American silent film actress Phyllis Gordon (1889 - 1964) window-shopping in Earls Court, London with her four-yea...

A black and white figure study of a standing nude male, from 1951, by artist Harold Haydon. Artwork size: Archivally matted to 24" x 20". Provenance: Estate of the Artist. Esta...

"Penny Farthing Bugle" by Fox Photos 17th October 1932: Edwin Davey, riding a penny farthing bicycle over Lambeth bridge in London, and blowing...

Les Revolutions Sceniques du XXe Siecle - II (Cramer 207) Joan Miro, Spanish (1893–1983) Date: 1975 Lithograph Image Size: 12 x 9.5 inches Size: 14.5 in. x 10 in. (36.83 cm x 25.4 cm...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...

HAP Grieshaber Untitled Wood block print in two colors Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New Yor...

Oil on canvas. Framed. Signed.

JUNE WAYNE (1918 - 2011) THE TUNNEL II, 1951 (B.69; G.14; Conway 67) Lithograph, signed, numbered, dated July 1951 and titled incorrectly The Target. Edition 35. 15 3/4 x 19 3/4 inc...

Herbert THEURILLAT is an artist born in 1896 and died in 1987. His works have been sold at public auction 29 times, mainly in the Painting category....

Jean Paul Riopelle (1923-2002) Abstract Composition, c. 1989 Acrylic paint and ink on paper mounted on canvas Signed in pencil lower right On canvas: 52 x 66 cm Presented in a 67 x ...

INTERIOR WITH FRUIT Size: 63.5 x 49 cm (including frame) Oil on canvas A charming and vibrant mid-century interior still life that captures a sunlit domestic scene through bold yet ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, The Intimate Sketchbooks of G...

You really need to bring home this wonderful & handsome serigraph for your collection! A fabulous ca. 1959, Mid-Century serigraph of the Chicago Skyline by artist Mark Coomer...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Monochrome, Size: 29" x 47" x 4'' inch, ...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

"Evelyne" French School, mid century titled verso signed oil on board, unframed dated 51' board: 24.5 x 20 inches provenance: private collection, northern France condition: very good...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

"Secret Menu" Nude Photography 40" x 60" in Edition 1/3 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7:...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Jason Dailey Yellow Rope Barn Archival Pigment Print Year: 2024 Visible Size: 9.5 x 9.5 inches Framed: 12.875 x 12.875 inches Signed: On Label COA provided *White frame with standar...

A Fine, 1930s Modern Academic Figure Study of a Seated Young Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1...

A Fine 1930s, Modern Academic Pastel Figure Study of a Standing Male Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, earl...

Make up Mirrors - Black and White Royal Pavilion Photograph A young woman uses a mirror to reapply her lipstick. Unusually, the mirror is placed on the floor. 16" x 20" print Sil...

Signed and dated Warren Brandt '58, this dynamic mixed-media composition by American artist Warren Brandt (1918–2002) exemplifies mid-century abstraction with a vibrant use of color,...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

A ca. 1945, Cubist black & white graphite drawing of fruit by artist Illinois and Michigan artist Stanley Bielecky. Image size: 4" x 5". Archivally matted to: 13 1/4" x 16". Stanley Bielecky was an Indiana artist who painted the American scene, from the factories and workers around East Chicago to the bucolic settings of Mackinac Island...

Henri Matisse 1869–1954 French Nu avec ombre (Nude with Shadow) Stamped with initials "HM" (lower left) Pen and India ink with pencil on paper Executed during the artist’s pivota...

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph T. Pen. This alluring studio scene, painted in the 1960s, exemplifi...

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Franci and Rachael ‘ who was capture...

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery partner, we...

Calm Sea A view of the sea at dusk. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller is a fine art photographer w...

Edition #8/15 This is the framed price listed. The photograph is also available unframed in the two additional editioned paper sizes listed. In her most recent collection of photo...

Lithograph on vélin paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published by The Collector's Guild Ltd., New York in association with Th...

This poster for the Nasher Sculpture Center in Dallas, published with the approval of the Artists Rights Society, is a unique and valuable piece. Though unsigned and not numbered, it...

THE EMPRESSES - WU ZETIAN Date of creation: 2022 Medium: Laminated giclée print on aluminium composite and screen printed with glitter. Edition number: 2.853 (1.284 physical + 1.569 ...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

Another very pretty mixed media from the studio of this well collected British artist. Image 21" x 15" mounted Originally from Bury, in the North of England, John Emanuel works in ...

Dining Al Fresco in Capri 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Italian artist and actress Domiziana Gio...