Old Masters Art

Porters is an original gouache drawing on paper realized by Michela De Vito, Naples. Titled on the lower center. Good conditions, applied on paper, with a cutting at the top right....

This splendid lithograph Interieur de Geneve. L'Hospital is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi...

Soft Drink Seller is an original gouache drawing on paper realized by Michela De Vito, Naples. Titled on the bottom center. The work is glued on a cardboar...

Photo of the Great Comedian is an original work by Ermete Novelli. A wonderful photo on ivory-colored cardboard with autographed dedication. Signed in pen on the lower right. In ad...

Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...

Ex Libris - Gediminui 650 - Vilniaus Viesoji Biblioteka is an original print in etching technique on ivory paper, realized by Bruno Pozzo, in 1950s. Hand-signed on the lower right. ...

Sherpherds with flock is a beautiful etching on cream-colored paper, realized by an artist of the XIX century. Image Dimensions: 37 x 46.5 cm In good conditions, except for some tea...

Plants is a beautiful artwork realized by Jan Peter Verdussen in 1740. pen and watercolour on brown paper. In good codition except for some pencil marks and traces of sealing wax on...

Jacopo de' Barbari, After by Amand Durand, Italian/Belgian (1450 - 1516) - Mars et Venus, Year: Printed 1878, Medium: Heliogravure, Image Size: 10.5 x 6.75 inches, Size: 11.5 x 7.5...

Artist: (after) Pancrace Bessa (French, 1772-1846) Title: "Cassia corymbosa (Argentine senna)" (T.6. No. 32) Portfolio: Traité des Arbres et Arbustes que l'on Cultive en France en Pl...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Jean Morin, After by Amand Durand, French (1590 - 1650) - Portrait du Cardinal Guido, Medium: Heliogravure, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Printer: Amand Durand, Descripti...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...

Crispin van de Passe The Younger (c. 1594-1670) Untitled (French Noblemen on Horseback), c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Inscribed in p...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 145 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Interior of a house is a fine original drawing (China ink and watercolor on paper). Unsigned. This artwork could be attributed to Thomas Stothard. In ...

Image dimensions: 14.5 x 20.4 cm Sleeping Nymph is a splendid original etching on cream-colored paper, realized by Anne Claude Philippe de Tubières, count of Caylus (1692-1765) in X...

Image dimensions: 25.5 x 18 cm. The Great Gentleman's Ride is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representing an...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Jesus Christ a table chez Simon le pharisien, Year: 1875, Medium: Heliogravure on laid paper, Size: 10 x 14 in....

Image dimensions: 25.5 x 18 cm. Ceremonies of a Floridian King is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representi...

Image dimensions: 25.5 x 18 cm. Rites of the Floridian Women is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representing ...

Etching on handmade, cream laid paper. 5 13/16 x 7 5/8 inches (146 x 192 mm), thread margins. Scattered handling creases, light age tone, and minor paper inconsistoncies throughout....

The Bairan, or the Easter of the Muhannadan Etching, Hand-Watercoloured. Vol. VIII, Plate XIV Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Inte...

Wonderful Chinese Pagoda Etchings, Hand-Watercoloured. Vol. VII, Plate XXVI Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Wonderful etching, han...

Eremita Camandolese is the title of a beautiful watercolour on ivory-colored paper by the old master Michela De Vito in 1820 ca. Hand-titled "Eremita Camandolese", in black ink on t...

Funeral Ceremonies of natives of Guiana- Funeral Ceremonies of Brasilian indigenouses Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXV Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Very Interesting Etchings ( two pictures in the same matrix), Hand-watercoloured, showing typical Funeral Cerimonies of American natives...

The Malkuth, or Discipline of German Jewish Etching, Hand-Watercoloured. Vol. VIII, Plate IX Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passep...

Marco Dente, After by Amand Durand, Italian (1493 - 1527) - Le Bas Relief aux Trois Amours, Year: circa 1878, Medium: Heliogravure, Size: 7.5 x 14.5 in. ...

Watercolor on ivory colored paper, 1820 c.a. Hand-titled "Costume di Craco" with a caption "Provincia di Basilicata nel Regno di Napoli" in black ink on lower margin at the center. ...

Watercolour on paper, 1820 c.a. Hand-titled "Ballo de' Zampognari" (Dance of Pipers), hand-signed on lower-left margin. Very good conditions except for some ripples on the lower ma...

Watercolour on ivory colored paper, early XIX century. Hand-titled and signature in black ink (both not readable)on lower margin. Representing a woman in traditional Calabrese costum...

Watercolour on paper stuck on grey cardboard, 1820 c.a. Wonderful watercolour both for the drawing and for the fineness of the colours representing a typical Italian scene of ordina...

Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...

Marco Dente, After by Amand Durand, Italian (1493 - 1527) - La Vierge au Poisson (d'apres Raphael), Year: circa 1878, Medium: Heliogravure, Image Size: 10...

Chiesa di Sant'Athanagio e Collegio della Natione de' Greci is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanni Battista Falda. Signed on plate on the lower left margin "Giò Batta Falda dis. et fece". Title etched on plate at the center, with a urbanistic caption and a dedication to "Gio. Iacomo Rossi" on plate on the right corner of the lower margin. In excellent conditions, except for the wavy paper. An ivory-colored cardboard passepartout is included (34 x 49 cm). A beautiful urban landscape of Rome with full blacks and precise lines, to admire a disappeared view of the eternal city. Giovanni Battista Falda (Valduggia, 1643 - Rome, 1678) was an Italian engraver, who documented architectures and urban planning in Rome in the second half of the seventeenth century. Born in the province of Vercelli, he soon showed a passion for drawing. He was thus placed in the workshop of a local painter, and then, at the age of 14, sent to Rome to stay at his uncle's, who spoke about him to Gian Lorenzo Bernini. He also studied with Giovanni Giacomo De Rossi. From De Rossi, the adolescent...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Les trois docteurs, Year: 1875, Medium: Heliogravure, Size: 3.25 x 4 in. (8.26 x 10.16 cm), Printer: Amand Dur...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Joseph et la femme de Putiphar, Year: 1875, Medium: Heliogravure on laid paper, Size: 9 x 10 in. (22.86 x 25.4...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Vierge a la longue cuisse, Year: 1875, Medium: Heliogravure, Size: 16.5 x 11 in. (41.91 x 27.94 cm), Printe...

Title at the center of the lower margin. In very good conditions except lightly browned in the right lower margins, very little stain in lower margin. Interesting colored lithograph ...

La obra no va firmada El estado de la obra se puede ver, presenta algunas restauraciones antiguas y algunos repintes Se presenta enmarcada la pintura con un marco en madera ebaniza...

Title at the center of the lower margin. "Lit. Foudraz" in the lower right margin. In very good conditions except some light foxing and two little holes in the higher margin, and nor...

Maitre E.S., After by Amand Durand, German (1420 - 1468) - La Patene, Year: circa 1878, Medium: Heliogravure, Size: 8 x 7.5 in. (20.32 x 19.05 cm), Printer: Amand Durand, Descripti...

From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La descente de croix, Year: 1875, Medium: Heliogravure, Size: 16.75 x 11.5 in. (42.55 x 29.21 cm), Printer: Am...

Baccio Baldini, After by Amand Durand, Italian (1436 - 1487) - Couvercle ou Fond de Boite, Year: Printed: 1875, Medium: Heliogravure, Size: 7 x 6.25 in. (17.78 x 15.88 cm), Printer...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Crispin van de Passe The Younger (c. 1594-1670) Caesar August de Bellegarde Conte de Montbar Marquis de Termes grand Ecuyer de France, c. 1660 Engraving Sight: 11 3/4 x 15 3/4 in. Fr...

Deuchar, David (after van Ostade). The Couple Walking. Edinburgh: c1800. Etching on cream wove paper, 3 x 2 1/8 inches (75 x 54 mm), trimmed at the platemark. Minor condition issues ...

Scene II, Le Nozze Degli Dei Etching, 1637 Signed in the plate lower left The scene depicts the initial moment when Diana is revealed, surrounded by her nymphs, celebrating a success...

Marc de Ravenne, After by Amand Durand, French - Le Massacre des Innocents (d'Apres Raphael), Medium: Heliogravure, Size: 11.25 x 17.25 in. (28.58 x 43.82 cm), Printer: Amand Duran...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le jeune et le vieux Bacchant, Year: 1875, Medium: Heliogravure, Size: 7.5 x 5.5 in. (19.05 x 13.97 cm), Print...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Le joueur de guitare, Year: 1875, Medium: Heliogravure, Size: 8 x 5.5 in. (20.32 x 13.97 cm), Printer: Amand D...

I have great pleasure in offering for sale this beautiful portrait, by Nathaniel Hone, the elder. 18th century. The painting is of Ann Anderson, wife...

Crispin van de Passe The Younger (c. 1594-1670) Grand Écuyer de France or Grand Squire of France, c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Crisp...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La Force II, Year: 1875, Medium: Heliogravure, Size: 6 x 3.25 in. (15.24 x 8.26 cm), Printer: Amand Durand, De...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Un homme fouetlant la fortune, Year: 1875, Medium: Heliogravure, Size: 6.5 x 5.5 in. (16.51 x 13.97 cm), Print...

Artist: Timothy Cole after Johannes Vermeer Title: Woman with Water Jug Year: 1912 Medium: Photolithograph, signed in pencil, marked Vermeer, Metr...

Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...